Post for Gordon


Gordon offered to answer questions on his podcast but only if the questions were NOT e-mailed to him. One of the acceptable methods was to post something on one’s blog. So here it is:

Seeing how it’s the Great American SmokeOut as I post this, does your long-standing (and righteous) antipathy against smoking cigarettes come from your public policy background that shows the economic devastation of families having to deal with the results of lung cancer and the like? Or is it a function of fairness, that people ought not to deal with second-hand smoke? Or do you have personal experiences (friends, family, even yourself) that has informed your crusade against the “coffin nails”? And don’t you think it’s rather interesting that, long before the Surgeon General’s warning in the 12960s, the term “coffin nails” was in regular use?

Hmm. I remember, as a kid, going to O’Leary’s corner store and buying packs of cigarettes (Winstons) for my father. Later, it was cartons. I used to steal his cigarettes, not to smoke myself, but in hopes that the cost (35 to 50 cents a pack!) would serve as a deterrent; it did not. Eventually, he developed emphysema and did quit, but when his symptoms abated, his smoking returned. I was…unsubtle in my frustration with him over that. But then a few years later, he stopped smoking for good. He said he never said he quit; he just didn’t have another one, and he was smoke-free for the last 25 years of his life.
***
Fewer U.S. adults smoke, but cigarette smoking continues to impose substantial health and financial costs on society, according to new data from CDC.

ROG

R is for Rock and/or Roll


I was reading my Beatlefan magazine this month and there was a discussion of the album “The Beatles” that had a stark white cover, in contrast with the elaborately colorful predecessor Sgt. Pepper. Beatles’ producer George Martin opined that it would have made a great single album, and maybe it it would have. Though Paul McCartney famously replied, “It’s great. It sold. It’s the bloody Beatles’ White Album. Shut up.” . But what to cut?

Then Internet friend Scott actually made a pared-down list, and that has has forced me to TRY to do the same.

Understand that I heard this album in late November or early December 1968, 40 years ago, when it was brand new. I was in the basement of the Unitarian church in Binghamton in upstate New York, hanging out with Steve, who was a member of the church’s LRY (Liberal Religious Youth) group plus other friends of ours. And we listened to the whole thing sitting around in a circle. We were gobsmacked by the experience. I received the album for Christmas that year, but had to return it because the intro to Birthday skipped; this was, as I recall, a problem for a number of people, not just me.

Side one
# Title Length
1. “Back in the U.S.S.R.” 2:43
2. “Dear Prudence” 3:56
3. “Glass Onion” 2:17
4. “Ob-La-Di, Ob-La-Da” 3:08
5. “Wild Honey Pie” 0:52
6. “The Continuing Story of Bungalow Bill” 3:14
7. “While My Guitar Gently Weeps” (George Harrison) 4:45
8. “Happiness Is a Warm Gun” 2:43
Side two
# Title Length
1. “Martha My Dear” 2:28
2. “I’m So Tired” 2:03
3. “Blackbird” 2:18
4. “Piggies” (Harrison) 2:04
5. “Rocky Raccoon” 3:32
6. “Don’t Pass Me By” (Starkey) 3:50
7. “Why Don’t We Do It in the Road?” 1:41
8. “I Will” 1:46
9. “Julia” 2:54
Side three
# Title Length
1. “Birthday” 2:42
2. “Yer Blues” 4:01
3. “Mother Nature’s Son” 2:48
4. “Everybody’s Got Something to Hide Except Me and My Monkey” 2:24
5. “Sexy Sadie” 3:15
6. “Helter Skelter” 4:29
7. “Long, Long, Long” (Harrison) 3:04
Side four
# Title Length
1. “Revolution 1” 4:15
2. “Honey Pie” 2:41
3. “Savoy Truffle” (Harrison) 2:54
4. “Cry Baby Cry” 3:01
5. “Revolution 9” 8:22
6. “Good Night” 3:11

Strategically, I suppose what to keep is of some import. One has to have one Ringo vocal. The drummer left the band during the making of the album and had to be wooed back. While selecting the song he wrote years earlier, Don’t Pass Me By, might have been more pleasing to him, Lennon’s Good Night is a more pleasant tune. Likewise one needs two Harrison songs; Guitar and Savoy Truffle are the strongest. I need to keep some, but not all of Paul’s dance hall tunes. If we keep Obladi, the reference to it in Savoy makes more sense. I suppose we’ll dump the “obvious” Revolution 9 and Wild Honey Pie. I’m also dumping Revolution 1 only because Revolution became a single.

In fact, if it had been cut down to a single LP, wouldn’t there have been another single instead? Other than the songs chosen for inclusion, I’m thinking that Glass Onion might have stood alone, with all those insider Beatles’ references, backed with one of McCartney’s pretty ballads – I’ll pick Mother Nature’s Son.
Which leaves:
Side 1
1. “Back in the U.S.S.R.” 2:43
2. “Dear Prudence” 3:56
3. “Blackbird” 2:18
4. “While My Guitar Gently Weeps” (Harrison) 4:45
5. “Julia” 2:54
6. “Ob-La-Di, Ob-La-Da” 3:08
7. “Happiness Is a Warm Gun” 2:43
Side 2
1. “I’m So Tired” 2:03
2. “Birthday” 2:42
3. “Yer Blues” 4:01
4. “Savoy Truffle” (Harrison) 2:54
5. “Sexy Sadie” 3:15
6. “Helter Skelter” 4:29
7. “Good Night” 3:11
I’m trying to think as they might have. “Julia”, about John’s mother, wouldn’t be cut. Most of the other songs, notably “I Will”, would have shown up in other albums, either by the Beatles or solo. “Rocky Raccoon” is the cut I least enjoyed making.
Alternately, “Ob-la-di” is the single, b/w “Savoy Truffle”. but that involves perhaps a different song selection altogether.

What sayest thou?

ABC Wednesday
ROG

The Times They Are A Changin’


You may have seen this cover of a fake New York Times that was being distributed last week. If you want a PDF of the whole thing, it’s here. We’re not at that point in the headlines, of course, but I’m pleased with the transition website. I like that openness. Naturally, he’s still being coy about his Cabinet. (Wanna guess and win a prize?) The speculation that Hillary Clinton might be named Secretary of State has this town all a-buzz, mostly concerning who might succeed her in the Senate.

Speaking of the New York Times, the REAL paper had a great article earlier this month about the imperial Presidency of George W. Bush. (Free login required.) The Dan Rather fights back piece intrigues me. There was also another article that caught my attention, “Can Obama Help Kill Baggy Pants Look?”
“P. Rubinstein, a sociology professor at the Fashion Institute of Technology in Manhattan, agreed. ‘It’s very clear that what a president wears has an impact on the population,’ she said. Not everyone believes that words alone are enough. One doubter is Alan Flusser, a designer of men’s wear in Manhattan who has written several books on fashion. When it comes to Mr. Obama and the brotherhood of the sagging pants, ‘I don’t think his commenting on it one way or another is going to influence anybody,’ Mr. Flusser said.”

And I’ve finally discovered Rachel Maddow, who laid out in six minutes why the Dems should strip Joe Lieberman of his chair of the Homeland Security Committee. It’s not about 60 “Democratic” senators – would you trust this man to be the 60th person in a cloture vote? – or revenge over Joe supporting Johnny Mac, but about competence (or lack thereof) in the job he has had:
or here.

But there were a couple stories that made me remember that the country’s still a scary place. A member of a group linked to the Ku Klux Klan has been charged with murder following the death of an Oklahoma woman who was recruited via the internet to Louisiana, but subsequently tried to leave an initiation ceremony. The KKK. In 2008. Ain’t that ducky?

Much closer to home is this hate crime apparently part of a pattern of violence which was stirred up in part by the rhetoric of a local politician. After I wrote this, I discovered that Greg also touched on this topic, proving the “great minds” theorem; and Common Dreams likewise had a story.

So lest we get all warm and fuzzy about “change”, know that “change” is a process, not just a flick of a switch. Or even a voting lever.

ROG

Mom’s birthday

My mother turns 81 today. Happy birthday, mom.

We’ve established that she doesn’t want any more “stuff” for her birthday, or, for that matter, for Christmas. In fact, our present for her 80th birthday was the removal of a half ton of trash. Being four or five states away, that’s not always an option.

Generally, gifts now are consumable (food, postage stamps) or disposable (flowers, e.g.).

So this is what I wish for my mom: clarity. She seems…stuck. Without getting into it too much, she often talks, thinks and worries about people, places and things that she has NO control over. People who disappointed her from many years ago, in large part. I wish she could just let it go, maybe write letters to these deceased folk to rant at them.

Lest you ask, I don’t think this is a function of Alzheimer’s. She was checked for hat last year. The pattern of behavior long predates that.

One of my sisters, who lives with her, is at her wit’s end as to what to do. That I would talk about it this much expresses my own sense of helplessness in the situation. I’m open to suggestions. Perhaps it is that the children should just let it be.

ROG

Joe Fludd’s Raoul Vezina Recollection

Raoul Vezina was part of a very special experience in my youth. You have to understand what it was like back then, when I was in high school. Star Wars Episode IV had just been released, and the phenomenon of that film was so new that no one yet realized that it was in fact the fourth episode in a saga. The whole culture around science fiction, comics, and imaginative gaming that we have today was just a seed barely sprouted. I envy the outlets for these kinds of things that kids have today. When I was that age, I was a devotee–someone who took comic books and science fiction completely to heart and made it what my life was about–surrounded by dabblers who had more time for things like girls, soccer, cars, and computers (and in time, alcohol and drugs) than for the things that were important to me. (I wasn’t even out to myself as gay yet.) I had visited only one comic-book specialty store in my life, the one in the Pike’s Place Public Market in Seattle, and I’d only had a chance to linger there briefly while visiting relatives. When FantaCo Enterprises opened in Albany when I was a Junior in high school, it felt as if it had opened up just for me. It was a place where I was in my own element. And there was Raoul.

While I felt isolated as a young person, at least people respected the things I could do as an artist and a writer. Everyone thought I was good–my classmates, my teachers–and I was accustomed to being able to attract a crowd in school just by opening my sketchbook. But with Raoul at FantaCo, it was different. He, too, was an artist, though he had about ten years or so on me. He was out of school, working at a comic book shop, and wanted to establish himself in his profession. Our professional interests were a bit different; he was more of a humor cartoonist and I was a strict super-hero guy. But Raoul was someone who “got” me in a way that most other people didn’t. His friendship and approval were special to me. The acceptance and encouragement I got from Raoul were acceptance and encouragement from “within the tribe”. I remember one Sunday evening when Raoul and store owner Tom Skulan were guests on a radio talk show on what was then our “album rock” station, WQBK-FM, and I made a point of calling in and helping them keep the conversation about comics, and imaginative things in general, interesting. (As if they needed it.) It was a little taste of being part of something that mattered to me.

Raoul was one of those people who made you believe there was room for one more under his wing. He always had time to look at what I was doing, or chat up the latest developments in The Fantastic Four or The X-Men or whatever I was reading. When I talked about something that interested me, Raoul actually knew what I was talking about and could discuss it intelligently. He knew the artists I liked and understood the kinds of things I wanted to accomplish. FantaCo was a place where I didn’t feel isolated, and Raoul was an important part of the reason why. He introduced me to visiting artists. I remember Raoul was there the first time anyone asked me to sign anything. I was talking to comic artist Joe Staton, who was visiting the store. He did a sketch for me and looked at some of my stuff. A little boy shopping at the store watched us, and when Joe was done with me, the little boy asked for MY autograph. I couldn’t believe it. I mean, I gave him an autograph, but I couldn’t believe anyone would ask me such a thing. Raoul, bless him, wasn’t the least bit surprised. He was just that kind of guy.

When FantaCo would have its conventions at The Egg in Albany’s Empire State Plaza, Raoul would let me come behind the artist’s table in the last hours of Sunday’s activities and sit with the pros and draw and sign things for fans. These are among my most precious memories of my student days. They made me feel as if the things I imagined for myself were actually possible. It was Raoul who gave me that experience, which I’ll always treasure. After the FantaCon, he’d invite me to have dinner out with him and the other guest artists as if I were one of them. Sometimes, in the summer, when I went in to the store to get my weekly stash, Raoul would come out to lunch with me at a little cafe next to the store. There we’d be, two artists, two friends, two members of the comic-book community, having a bite and enjoying each other’s company. That meant the world to me.

Raoul and I would have our respective Moms come to the FantaCon as well. Raoul’s mother was a gentle, soft-spoken, old-world-type lady. I thought she was adorable. Raoul liked my Mom too. One day after the Con, Raoul remarked to me, “We’re just a couple of mother lovers.” It was such a “Raoul” thing to say.

When I went into the store one afternoon to get my comics and found Raoul’s obituary posted on the bulletin board, I thought it was a joke. He was 35 years old; how could he have died? It was just unreal. It still seemed unreal–surreal, even–when I went to the funeral in Troy. At the burial, I met and spoke to his sister, and it finally hit me that he was actually gone; that I would never see or speak to him again, that we would never again do any of the things we did together. I collapsed in tears, openly weeping in my friend Walter’s arms. We all went out to brunch afterwards, and I began to let go of everything but the memories. Those, I’ll always keep.

I don’t know if it’s possible for me or anyone else, really, to do justice to the memory of someone like Raoul Vezina. He was just too special. But Raoul’s friendship was one that occupied an extra special place in my young life. I think he set a good example of how to be in the world, and how to treat people. There were so many things he could have done and so many things he could have accomplished, had his life not been cut so short. But the friendships he made, including mine, are, I think, an achievement in themselves.

J.A. (Joe) Fludd, a native of Albany, was a contributing writer to The FantaCo Chronicles series. He was also a contributing artist to Gay Comics, for which he drew the super-hero feature Sentinel (later Pride). He was a regularly featured writer at the Fantastic Four Website, FF Plaza (www.ffplaza.com), whose articles have been archived there for perusal. Joe spent six weeks at Paramount Pictures serving a Screenwriting Internship with the TV series Star Trek Voyager after submitting an unproduced script for The Outer Limits as a writing sample. J.A. Fludd’s art is showcased at The Quantum Male Art Blog (http://qmaleart.blogspot.com) and on Comicspace (www.comicspace.com/quantumartist), which house many of the works he has done for auction on eBay and for private commission. J.A. Fludd also donates original art to the annual Wonder Woman Day charity auction event (www.wonderwomanmuseum.com/WWDay3/WWDay3.html). ROG

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