This late 19th century piece, by composer Gabriel Fauré (1845-1924), is probably my second favorite requiem. My current choir has performed it at least twice, in 2005 and 2009. It runs about 35 minutes, and consists of seven movements; the linked audios are from sundry sources.
I. Introït et Kyrie (D minor)
II. Offertoire (B minor)
III. Sanctus (E flat major)
Yes, the call-and-response is important, but it’s the violin that makes it.
IV. Pie Jesu (B flat major) A lovely soprano aria, often used in films, etc. Camille Saint-Saëns said of it, “Just as Mozart’s is the only Ave Verum Corpus, this is the only Pie Jesu.”
V. Agnus Dei et Lux Aeterna (F major) – but it’s almost always the Agnus Dei that gets to me.
VI. Libera me (D minor) Wish I could sing like this baritone.
VII. In Paradisum (D major) Another popular work in other media.
Ah, here’s another In Paradisum
You can hear the whole thing, if you have the right media player, here.
Not really a fan of requiems, but have enjoyed some of Fauré’s work. I have a tendency to like the French of that time period.