MOVIE REVIEW: Bernie

With Bernie, director/co-writer Richard Linklater literally gets back to his Lone Star roots to create a black comedy and a fantastic character study.

 

Bernie is a funny movie. I mean, occasionally, laugh out loud, and there wasn’t a pratfall or a joke to be found. Strange for a basically true story of a mortician (Jack Black), well-loved, generous, pious, in an east Texas town, who starts squiring around a wealthy and unpleasant widow (Shirley McLaine), ignored by her own family, until Bernie is charged with her murder, and prosecuted by the generally unlikable district attorney (Matthew McConaughey).

You know when there is a particularly heinous crime in a town, and the defense attorney asks for a change of venue, lest the accused not be able to get a fair trial? That is NOT what happens here.

In the wrong hands, this could be a farce or a disaster. But director/co-writer Richard Linklater, who worked with Black in School of Rock, literally gets back to his Lone Star roots to create a black comedy and a fantastic character study, not just of the lead participants, but of a whole town, who seem to have collectively accepted the context of the rather disturbing events. To the degree the viewer agrees with the town becomes an interesting reflection of justice and morality.

To say this is Jack Black’s finest performance would be an understatement. Roger Ebert wrote: “I had to forget what I knew about Black. He creates this character out of thin air, it’s like nothing he’s done before, and it proves that an actor can be a miraculous thing in the right role.”

McLaine is wonderful as usual. McConaughey is all but unrecognizable, but very effective. But what makes this work are the various townspeople who fill in Bernie’s biography.

I am loath to say much more. See Bernie. But sit through the closing credits. A lot is revealed there, yet people walking out of the theater simply missed it.
***
Though I saw him in only one film, The Green Mile, I was sad to see that Michael Clarke Duncan died this week at the age of 54 (!) as a result of his July 13 heart attack.

H is for Paul Henning and the Hooterville Trilogy

To understand just how popular The Beverly Hillbillies were in the US, look at a list of the top rated show episodes of all time.

A man named Paul Henning was the creator or co-creator of a number of TV shows. For this piece, I’m going to concentrate on what has been dubbed the Hooterville Trilogy, all appearing on CBS-TV in the 1960s.

The Beverly Hillbillies (1962-1971) starred Buddy Ebsen as Jed Clampett. If you’ve heard the theme song, written by Henning and performed by bluegrass artists Flatt and Scruggs, with Jerry Scoggins on vocals, you know the whole story. Poor mountain man finds oil on his property and moves his family to southern California, where they are in a series of “fish-out-of-water” situations. The show also starred Irene Ryan as his mother-in-law, usually referred to as Granny; Donna Douglas as his daughter Elly Mae; Max Baer, Jr., son of the boxer, as his nephew Jethro, and occasionally as Jethro’s sister, Jethrine. Also featured, the conflicted banker, Mr. Drysdale (Raymond Bailey) – he liked their money in his bank, but not always their antics; and Drysdale’s put-upon assistant, Jane Hathaway (Nancy Culp). There was an occasional appearance by Jethro’s mom, Pearl Bodine, played by Bea Benaderet, who was the original voice of Betty Rubble on The Flintstones.

To understand just how popular The Beverly Hillbillies were in the US, look at a list of the top rated show episodes of all time. Over 20 are Super Bowls; eight are from miniseries (six Roots and two The Thorn Birds); three are series finales (The Fugitive, MAS*H, Cheers); 11 are special/rare/highly anticipated events (the Beatles on Ed Sullivan; Olympic figure skating with Nancy Kerrigan and Tonya Harding; the “Who shot J.R.” episode of Dallas, e.g.) The highest-rated “regular” TV shows on this list: some episodes of The Beverly Hillbillies from 1964.

The network wanted more, so Henning created Petticoat Junction (1963-1970), featuring Bea Benaderet, the proprietor of the Shady Rest Hotel, on the train line, just outside the town of Hooterville. The widow Kate Bradley had three pretty daughters, Betty Jo (redhead), Bobbie Jo (brunette), and Billie Jo (blonde), who we see in the opening, skinnydipping (presumably) in a large railroad water tank. Here’s the season 1 and season 3 theme song, written by Henning and Curt Massey, and sung by Massey. Billie Jo was played by three different actresses over the years, the longest by Meredith MacRae, daughter of singers Gordon and Sheila MacRae. Bobbie Jo was played by two actresses, the latter, Lori Saunders. Betty Jo was played by only one actress, Linda Kaye, who was the voice of Jethrine on the Beverly Hillbillies; not incidentally, she was Paul Henning’s daughter. Maybe that’s why, even though she was the youngest, she was the one to win the heart of handsome pilot Steve (Mike Minor).

When Bea Benadaret died in 1968 from lung cancer, a new character, Dr. Janet Craig, was created, requiring a change in the theme lyrics: “Here’s our lady MD, she’s as pretty as can be”. She was played by June Lockhart (pictured with the latter Jo’s), who had played mom to Timmy and Lassie, and on Lost in Space. Uncle Joe (Edgar Buchanan), who’s “a movin’ kinda slow” was the only actor to appear on every episode.

A direct spinoff of Petticoat Junction was Green Acres (1965-1971). CBS offered Henning yet another half-hour on the schedule, but he didn’t have the time, so he suggested his buddy Jay Sommers create the series. A New York City lawyer, Oliver Wendell Douglas (Eddie Albert), decides to ditch city life for the country, much to the chagrin of his fashionable wife Lisa (Eva Gabor); it’s all there in the theme song, written by Vic Mizzy, and sung by the stars themselves. Interestingly, Lisa seemed to fare better than Oliver in encounters with the wacky locals. The shopkeeper Sam Drucker, played by the late Frank Cady, was a regular on Petticoat Junction, and even appeared on the Beverly Hillbillies, but who was a pivotal player on Green Acres. Despite decent ratings, Green Acres was canceled due to the infamous “rural purge” decision by CBS.

The head of the Federal Communications Commission, Newton Minow, had indicated back in 1961 that television was a “vast wasteland” of violence and frivolity, and to the latter category, these shows were often guilty. Yet, much of my misspent youth was spent watching these programs.

ABC Wednesday – Round 11

My second worst job ever (or maybe the first)

the truth of the matter was that there were 40,000 insurance claims or more waiting in the basement.


I noted WAY back in 2005, my worst job; it was working in a box factory. But in some ways, that might be incorrect in that I quit that position after only two weeks. A real bad job would have equal parts suckiness and longevity. By that criteria, that would have to be working as a customer service representative at a major insurance company for 13 months from February 1989 through March 1, 1990; I’ll call it Empire Blue Cross/Blue Shield.

Actually, it started off well. We spent the first month in training, where I learned, among other things, a number of prefixes and suffixes relating to medical conditions. Early on at the desk, it wasn’t too bad. But the managers rode the CS rep who was the slowest, and that was disheartening. She eventually quit.

At some point, EBC/BS switched from a dental claims software that was perfectly adequate to one, rumor had it, that was created by some company bigwig’s brother-in-law; in any case, it was awful.

Then in December, there was this purge. The CS reps used to have clerks who would pull the case files for us, but they all got laid off. This made our job obviously more time-consuming, yet we were supposed to be just as productive, and the manager started harassing me. I was very sad not to be laid off.

The medical claims were going to be switched over to a new batch processing system, which, in retrospect, was a good thing, but the timing was terrible. There was supposed to be a two-week period when the old system was down, then the new system would be up. It ended up taking SIX weeks, from the end of December to the beginning of February.

People called us during this period, asking, not if their claims had been processed, but if their claims had been received. The official line was to ask folks to wait patiently because the truth of the matter was that there were 40,000 claims or more waiting in the basement. The customers started getting irate; they wanted to figure out their medical expenses for their 1989 income taxes. People wanted me to go downstairs and look for their claim, which of course was impossible. When they inquired if they should resubmit their claim, the official response was supposed to be “no,’ though the new system was supposed to kick out duplicates. At least on one occasion, a really exasperated customer said, “I’m just going to resubmit, OK?” and I said, “Sure, go ahead” and got dinged by management for failing to follow the company line.

Finally, the new system was in place, and claims were processed, and rather quickly, I must say. BUT when the records were inputted, they did not indicate how much of their claims, for each family member, had previously applied to the deductible for 1989. So for claims on the new system, many charges were applied to the deductible, even when the deductible had been met. This led to a new round of highly irate customers. When a customer complained more than a couple of times on the same topic, it became a supervisor call; at one point, the majority of calls were supervisor calls. I always suspected that this was a deliberate, cynical attempt for the company to save money, figuring some folks would not notice how much of their deductible had been already met.

Now, a customer service rep would have done this process somewhat differently. He would have sent out letters to the customers saying that the system would be down starting the fourth week in January, “so get all your 1989 claims in by that time,” noting that 1990 claims, which people were less concerned about, would be processed on the new system, as well as any straggling ’89 claims. THEN make the switch.

Also, during this period, we were scheduled to switch buildings. One day, I could see the new building had an ambulance in front, then two, then another, then a bus. Apparently, there was something wrong with the ventilation system, and they took some folks to local hospitals. The day we moved into that building was the day I gave my two-week notice. I did not want to be working there by my birthday, March 7, but I did stay until March 1, for then I would have health insurance until the end of April; had I left the day before, I’d only have coverage through March 31.

Interestingly, while only 3 of the 16 people in my training class were still with the company, the five CS reps who had been there before that time remained when I departed. They were built of sterner stuff than I.

I’ve been told that the organization is MUCH better now, FWIW.

Hal David, R.I.P.

I have nothing more to say. Hal David said it all.

I had this conversation back in the 1980s with this comic book writer, and he was lightly complaining about how the artist always seemed to get the credit for a magazine’s success. That may or may not have been a valid complaint, given the Marvel style of putting the product together.

My own complaint is that in a songwriting duo with defined roles, it seems that the person writing the music seems to get more attention than the guy who writes the words. Perhaps lyricists are less outgoing. That certainly appears to be the case with lyricist Hal David, who died recently, in a relationship with long-time partner Burt Bacharach. Check out this article for a history of their team.

The duo was recently awarded the Library of Congress Gershwin Prize for Popular Song.

I have nothing more to say. Hal David said it all, with his lyrics. Links to all songs.
(I made a point of NOT picking only Dionne Warwick songs, which would have been easy to do.)

Gene Pitney – Twenty Four Hours From Tulsa
Cilla Black – Anyone who had a heart
Dusty Springfield – Wishin and Hopin
Jackie DeShannon – What the World Needs Now
Billy J Kramer – Trains And Boats And Planes
Dionne Warwick – Message To Michael
Dionne Warwick – The Windows of the World
Aretha Franklin – I Say a Little Prayer
Herb Alpert – This Guy’s in Love with You
Isaac Hayes – Walk on By short (4:30) version; the longer version here
B.J. Thomas – Raindrops Keep Falling on My Head
The 5th Dimension – One Less Bell to Answer
Carpenters – Close to You
Naked Eyes- Always Something There To Remind Me
James Taylor – The Man Who Shot Liberty Valance
Luther Vandross – A House Is Not A Home (live)

The imaginary subway ride

Almost by instinct, her husband and I started riffing back and forth.

Took the Daughter to the New York State Museum a couple of weekends ago. Actually, it was on a Saturday, since the museum was closed at the time on Sunday, for budgetary reasons, despite the fact that it was the second most popular visiting day. (Happy day: starting September 16, the museum will be open on Sunday, and closed on Monday, the least used day.)

The Daughter and I, in addition to seeing the exhibits, got to ride on the carousel. She rode about four times; I was satisfied with one trek.

We stopped at Discovery Place for kids. The displays noted that the world was hundreds of millions of years old. Given some recent conversation with relatives who believe that the Earth is only 7,000 years old, I was wondering how it would have gone down had we all been visiting this room.

One of the features of the permanent exhibit of the Museum is a subway car, not unlike the one shown here. There was this lovely older couple, who we had seen earlier elsewhere in the museum. She asked if the Daughter had taken dance lessons – she had – because of the way the Daughter moved. He said his wife was a great dance teacher, though she demurred over the description.

Then the woman asked why the train wasn’t moving. Almost by instinct, her husband and I started riffing back and forth: The train’s stopped because the new conductor is late for his shift. He was out drinking last night. But he’s very good at making up time. Though he tends to ride right past scheduled stops. He was late last month too. His supervisor is very understanding.

Though it was her joke that started the dialogue between her husband and me, she becomes quite bemused by it all. How did we know all of this information about the conductor? And how did we start to chat about him, as though we had rehearsed it? Her reaction puzzled me unless she too was acting. Or I thought of a totally different, sadder, scenario, after the fact.

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