Month: April 2015

N is for The Night They Raided Minsky’s

To this day, I know the lyrics to the verse of “Take 10 Terrific Girls (But Only 9 Costumes)” by heart.

I had mentioned one movie in this blog possibly more than any other, save for Annie Hall, but never a formal post. So here it is.

NIGHT they raided minskys
The Night They Raided Minsky’s is a movie that tells about, as Rudy Vallee put it, the info seen above. It was broadly based on the book Minsky’s Burlesque by Morton Minsky (with Milt Machlin).

I saw this movie with my friend since kindergarten, Carol, and her friend Judy when I was 15 in 1968. Quickly, I developed a mad crush, unstated, for Judy, who I would never see again. The film was rated M, a precursor for PG, though with about two seconds of nudity, maybe it’d be PG-13.

Though I did not know it at the time, it was a troubled film. I did know that Bert Lahr, best known as the Cowardly Lion in The Wizard of Oz, “died before shooting was finished.” This was also the film debut of Elliott Gould, who would soon star in the movie version of MAS*H.

“The first cut was, by all accounts, dreadful.” The head of the studio reportedly said: “In all my years in film, this is the worst first cut I’ve ever seen.” Fortunately, film editor Ralph Rosenblum, who would later edit extensively for the directors Sidney Lumet and Woody Allen, including on Annie Hall, worked his magic. “His ‘save’ was detailed in his fine book When The Shooting Stop…The Cutting Begins.”

[Director William] Friedkin, who would be best known for The French Connection (1971) and The Exorcist (1973), “wasn’t around for any of the post-production, having moved on to his next film.

“The original idea from producer Norman Lear [later TV producer of All in the Family, Sanford and Son, and much more] was that he wanted this old-fashioned musical… to have a New Look. Just what that meant or what the New Look was supposed to be, nobody quite knew.” Luckily, Rosenbaum pulled it off.

I MIGHT have forgotten this film – I still have not seen it in 47 years – except for one thing. My grandfather, McKinley Green, was a janitor at what was then WNBF-TV and radio. When an album was removed from the radio station’s playlist, Pop got to bring them home and give them to his grandchildren.

When he brought home the soundtrack to The Night They Raided Minsky’s a year or two after the movie’s release, I glommed onto that LP immediately.

“The score for Minsky’s was written by Charles Strouse, who’d already written several Broadway shows, as well as the score for the film Bonnie and Clyde. The lyrics were by Lee Adams, with whom Strouse had written the Broadway shows Bye Bye Birdie; All-American; Golden Boy; It’s A Bird, It’s A Plane, It’s Superman; and others.”

To this day, I know the lyrics to the verse of “Take 10 Terrific Girls” by heart.
Take 10 Terrific Girls (But Only 9 Costumes) – Dexter Maitland.
This song showed up on the Muppets, sung by Statler & Waldorf.

Other songs include:
You Rat You – Lillian Heyman.
Perfect Gentleman – Norman Wisdom and Jason Robards.
The title song by Rudy Vallee.

But my favorite scene may be wistful What is Burlesque with Norman Wisdom and Britt Eklund.

Watch the last eight minutes of the film – in German, with that aforementioned brief nudity.

Here’s the late Roger Ebert’s review.

Writer Mark Evanier is MORE of a Minsky’s buff than I. He recently noted this piece of trivia involving a magazine. He discussed the failed Broadway-like musical from 2009. And way back in 2001, he mentioned how the movie was edited for television broadcast.

ABC Wednesday – Round 16

Baseball bans, Edward Snowden, and other things

Geoffrey Lewis was the classic character actor.

ShoelessJoeJacksonThe new Major League Baseball commissioner Rob Manfred is revisiting Pete Rose’s lifetime ban from baseball. Clearly one of the greatest players in the game, with more base hits than anyone, Rose was banished from the sport by the late Commissioner A. Bartlett Giamatti for wagering on baseball.

But as the Wall Street Journal noted: “The rules were put in place to prevent cheating, not betting. And cheating is something that no thinking person, then or now, has suggested Pete Rose would do.”

While he’s at it, I’d like the commissioner to reexamine the story of Shoeless Joe Jackson (pictured), who batted .375 with perfect fielding in the 1919 Chicago White Sox in World Series, yet was caught up in the “Black Sox” scandal.

“In 1921, a Chicago jury acquitted Jackson of helping to fix the Series, but Kenesaw Mountain Landis, the first Commissioner of Baseball, went against the ruling and banned all eight players including Joe Jackson from baseball for life.” I have never been convinced of his guilt. In other words, I say it AIN’T so, Joe.

If either one of those happens, I would suggest that the Steroid Era players, prior to 2004, when the baseball policy was quite unclear, ought to get due consideration for the Baseball Hall of Fame: Barry Bonds, Roger Clemens, Sammy Sosa, Mark McGwire, and the others.

“Where do we strike the balance between personal freedom and national security — and how do we even get people to care?” Watch John Oliver Meets Edward Snowden. The folks at Politifact fact-checked what Snowden said and they gave it a rating of Mostly True. And speaking of whom, NYC officials removed a Snowden statue secretly installed in Brooklyn park, but it was replaced by a Snowden hologram.

Stan Freberg was a comedy legend, a skilled voice actor, a genius of American advertising, and more. Just go to Mark Evanier’s site, and search for Freberg; you’ll find several articles, plus links to even more. Also, listen to Wun’erful, Wun’erful. Stan Freberg died on April 7.
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Geoffrey Lewis was the classic character actor. If you look at the massive list of his TV and movie appearances, you might say, “Oh, he’s THAT guy.” This is telling: he played two DIFFERENT characters on the series Mannix, Mission: Impossible, Cannon, Police Woman, Lou Grant, Little House on the Prairie, and The A-Team; three on Alias Smith and Jones, and Barnaby Jones; and FOUR separate characters on Murder, She Wrote.

The only show I ever watched where he was a regular was Flo, a spinoff of Alice, and that was 35 years ago. Jaquandor linked to a spoken word performance. Father of 10 children, including actress Juliette Lewis, Geoffrey Lewis also died on April 7.
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Richard Dysart was a star of the TV show L.A. Law, which I watched religiously. But he had a string of other notable performances on stage and in the movies, as well as TV. He died on April 5.

The Curse of Canaan (or Ham)

The explanation that black Africans, as the “sons of Ham”, were cursed, possibly “blackened” by their sins, became increasingly common during the slave trade of the 18th and 19th centuries.

When we were investigating some aspects of black history this year at church, I was intrigued by the fact that, for a time in the mid-17th century, slavery based on race wasn’t really codified in the United States. There were white indentured servants and black slaves, but the former were often given ever-changing terms of servitude, making them functionally little better off than slaves.

In the 1670s, Bacon’s Rebellion “demonstrated that poor whites and poor blacks could be united in a cause. This was a great fear of the ruling class — what would prevent the poor from uniting to fight them? This fear hastened the transition to racial slavery.”

The status of blacks in Virginia slowly changed over the last half of the 17th century.“The black indentured servant, with his hope of freedom, was increasingly being replaced by the black slave.” So why bother with indentured servants who, after 7, 18, or 21 years [would have to be freed], when you could have Africans serve their lifetime, and serve in perpetuity through their children?
curse-of-ham
But HOW was the idea of permanent black enslavement developed? In part, from the Bible. Specifically from Genesis 9, starting with verse 18. After Noah has too much wine, “Ham, the father of Canaan, saw the nakedness of his father and told his two brethren outside.” Noah curses Canaan (not Ham) to be the lowest of slaves “to his brothers,” specifically to Ham’s brothers, Japheth and Shem.

From the Wikipedia:

While Genesis 9 never says that Ham was black, he became associated with black skin, through folk etymology deriving his name from a similar, but actually unconnected, word meaning “dark” or “brown”…

The explanation that black Africans, as the “sons of Ham”, were cursed, possibly “blackened” by their sins, was advanced only sporadically during the Middle Ages, but it became increasingly common during the slave trade of the 18th and 19th centuries. The justification of slavery itself through the sins of Ham was well suited to the ideological interests of the elite; with the emergence of the slave trade, its racialized version justified the exploitation of African labour.

Read Black Slavery as the “Curse of Ham”: Bible Truth or Racist Apologetic?

The notion that blackness is equal to sin, used to “prove” black people’s “natural” inferiority, and lack of moral character, also shows up in the Book of Mormon, published in the 1820s (2 Nephi 5:21):

And [God] had caused the cursing to come upon them, yea, even a sore cursing, because of their iniquity. For behold, they had hardened their hearts against him, that they had become like unto a flint; wherefore, as they were white, and exceedingly fair and delightsome, that they might not be enticing unto my people, the Lord God did cause a skin of blackness to come upon them. And thus saith the Lord God; I will cause that they shall be loathsome unto thy people, save they shall repent of their iniquities.”

Sometime in the last few years, a good Christian woman, who reportedly has studied the Bible carefully, indicated, more or less out of the blue, that I was descended from Ham. Yet, in spite of my “cursed state,” the love of Jesus Christ was still available to me. Circumstances warranted that I had no opportunity for reply.

THIS is my reply: lady, your “Biblical history” is BS.

MOVIE REVIEW: Cinderella

The short before Cinderella was Frozen Fever, a sequel to the massively successful movie, with most of the original cast.

This was to have been a family outing a couple of weeks ago, to see the new live-action adaptation of the story Cinderella but we were all, in turn, under the weather. Finally, it’s school vacation week, the film is about to leave the Spectrum, so the three of us, plus a friend of The Daughter finally get to see this Disney film.

At some level, the Wife and I wish we had seen it sooner, for while it reviewed reasonably well (85% positive), it’s always the thumbs down that the mind remembers.
disney_cinderella_2015
Truth is, I’m not sure we NEED another Cinderella film at all. Still, it looked quite fine, the sets, and lovely costumes, and the production design. Director Kenneth Branaugh does a decent job with pacing this. One of the better scenes was the deconstruction of the carriage, shortly after midnight.

One of the complaints was that there was a lot of death in this film. Hey, there’s ALWAYS death in a Disney film from Bambi’s mother to (Finding) Nemo’s mother. In fact, one gets to actually get to know Ella’s mother (Hayley Atwell, Agent Peggy Carter in the Marvel TV show), and feels sad when (CAN THIS BE A SPOILER?) she dies. Often in the Cinderella narrative, she’s quickly, or already, dead. This narrative was a good choice.

Her father (Ben Chaplin) spends enough time with his daughter (Lily James, Lady Rose MacClare from Downton Abbey) before he decides to remarry. Cate Blanchett is, unsurprisingly, masterful as the stepmother, and we get a sense of why she’s so wicked. Her daughters (Sophie McShera, Daisy Robinson Mason from Downton Abbey; and Holliday Grainger, who has played villains Lucrezia Borgia and Bonnie Parker) are far more ugly inside than out.

That Ella meets the prince (Richard Madden, Robb Starkin in Game of Thrones) before the ball makes the narrative less the “Suddenly, their eyes meet, and they fall in love” of other iterations. It’s a bit more empowering without being too heavy-handed.

My favorite character may be the captain of the guard (Nonso Anozie from Game of Thrones), but there were other nice performances, by Stellan Skarsgård as the Grand Duke, Derek Jacobi as the King, and especially Helena Bonham Carter as the somewhat dipsy Fairy Godmother. Oh, the mice were good too.

The short before the film was Frozen Fever, a sequel to the massively successful movie, with most of the original cast, but none of its joy, unless you like the one joke, which is about booger snowmen. I was going to say it left me cold, but I was forbidden from doing so.

Finding your own activism

I was also fascinated by the media guru who posted the item, who admitted that she’s “someone who has never been a protester.”

siena.billboardThis is one of those stories that wasn’t particularly interesting to me UNTIL other people piped up.

Some students at Siena College, in a suburb north of Albany, protested about a billboard they found offense. I was unaware of the controversy until the local media guru posted the response from one of the local radio deejays, a guy named Chuck, with whom I was unfamiliar, on her Facebook feed:

I believe apathy is a dangerous thing and it’s particularly depressing when I see it so frequently exhibited by young people. For that reason, I actually admire the fact you are willing to take action against something you deem offensive and misguided.
With that said, here is my unsolicited advice. Devote your energies to a cause that might actually make a difference in someone’s life.

THAT response rubbed me the wrong way.

Among the Facebook discussion that ensued: “While it certainly wouldn’t be reason enough for me to protest, I’m certainly not going to condemn someone else for taking a stand on something! we need more social engagement in this country and young people have to start somewhere!”

That more or less was my position. Yet, as I reread Chuck’s blather, I got more and more irritated. Maybe it was because I was feeling unwell.

I wrote, “Chuck’s response is a classic diversion stance of ‘Aren’t there more pressing issues?’ Of course, there are, but this one engaged these people in this moment, something that they might change in the moment.”

Chuck had written further in his response:

“You really want to help women? There’s a strip club a couple miles up the road. Maybe some of those women could use your help. Their lives truly ARE dependent on men.”

I noted, “Telling them about a strip club that they might not have even known about, and suggesting they ignore what’s right before their eyes, is patronizing and insulting. Good for the protesters.”

Ultimately, I thought there was less sexism in the ad than in the snarky response by the deejay.

Chuck wrote, “Somehow you have whipped yourselves into a frenzy…a storm of wild indignation and self-righteousness…fooling yourself into believing you are doing something noble and important. I hate to break it to you but….you’re not.”

The subtext to me of his comments was clear: they were silly, overly sensitive “girls” who didn’t know about “real life” or “marketing.” Someone wrote of the DJ: “You are perpetuating the many stereotypes assigned to women over the years who get passionate about unpopular ideas” which sounds about right.

I was also fascinated by the media guru who posted the item, who admitted that she’s “someone who has never been a protester.” As someone who has protested a lot of things over the years, I’m interested to see how someone, albeit half my age, could not moved by some cause, some issue. It’s just foreign to me.

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