Uncle Ben Carson as Uncle Tom?

Version B is the ambitious black person who subordinates himself in order to achieve a more favorable status within the dominant society.

UncleBenThe Okie asks:

Some folks are saying this (picture) is racist. I think it’s perversely genius. It takes a still existing trademark with a very questionable past (Uncle Ben is now Chairman of the Board, it seems) and uses it for political satire. I went looking around the net for more information and found this article which I found interesting. Roger Green, I’d be interested in your take on it.

I read the comment on one string. Some felt it was a fine parody, appropriate about Republican presidential candidate Ben Carson, someone who has said such outlandish things as that Jews having guns could have mitigated or even prevented the Holocaust. He’s not only been shown to be ignorant of history but, surprisingly for a neurosurgeon, profoundly wrongheaded about science.

Others felt the intent is irrelevant.”Stereotypes like ‘Uncle Ben’ and ‘Aunt Jemima’ are offensive to many African Americans in much the same way the pejorative ‘Uncle Tom’ is. They are used to perpetuate the myth of happy, subservient black people. that it is still being used to sell food products is as bad as a football team being called ‘Redskins’. And one added if it would have been OK if Barack and Michelle Obama had been so characterized.

This is a tricky nut to crack. I’m less concerned about evoking Uncle Ben as I am about the implicit suggestion of Uncle Tom. Though, as you’ll see, they are related.

I wrote about Uncle Tom’s Cabin, and the term Uncle Tom quite a while back, so I thought I’d take a look at the article the Okie mentioned, located on the website of the Jim Crow Museum of Racist Memorabilia. The piece made sense to me until, in its portrayal of the movie roles of Sidney Poitier, the writer declared all the roles listed to “approximate… the Tom stereotype, even though his characters were never one dimensional. Poitier did not play characters that were submissive, cheerful servants, but many of his characters were white-identified.” Notably missing was In the Heat of the Night, where Poitier returns the slap of the racist.

Next is the “Commercial Toms” section, which notes Uncle Ben’s “using the image of a smiling, elderly black man on its package.” (This begs the question what WOULD have been an appropriate black character?) “Arguably the most enduring commercial Tom is ‘Rastus,’ the Cream of Wheat Cook. While the guy on the package seems benign to me, the patois that he was stuck saying in earlier days was clearly racist: “Maybe Cream of Wheat aint got no vitamines. I dont know what them things is….” Too bad, because he always reminded me of some ancestors of my father.

The real crux of this matter is in the section “Uncle Tom as Opprobrium”:

In many African American communities “Uncle Tom” is a slur used to disparage a black person who is humiliatingly subservient or deferential to white people. Derived from Stowe’s character, the modern use is a perversion of her original portrayal. The contemporary use of the slur has two variations. Version A is the black person who is a docile, loyal, religious, contented servant who accommodates himself to a lowly status. Version B is the ambitious black person who subordinates himself in order to achieve a more favorable status within the dominant society. In both instances, the person is believed to overly identify with whites, in Version A because of fear, in Version B because of opportunism. This latter use is more common today.

“Uncle Tom,” unlike most anti-black slurs, is primarily used by blacks against blacks. Its synonyms include “oreo,” “sell-out,” “uncle,” “race-traitor,” and “white man’s negro.” It is an in-group term used as a social control mechanism.

I have discovered that some white people also feel the need to ascertain whether a black person is “black enough.” In column A, the moderate civil rights leaders of the 1960s (King, Whitney Young, et al.) had been called Toms by those more militant. But the Version B have included Supreme Court Justice Clarence Thomas and pretty much any black Republican.

This is an extremely long way to say, no, I don’t think the picture is specifically racist; it surely did not offend me. Mentioning race, or Uncle Tom, or Uncle Ben, is not perforce inappropriate. But there is an element of what Nelson Mandela used to refer to as racialism, a conversation that has race as a core element.

That convenient trope that all black conservatives aren’t “REALLY black” I find frustrating. Their philosophy certainly doesn’t represent MY POV at all, but to drum them out of the ethnic grouping as “inauthentic” by those who act “blacker than thou” really bugs me. Even when it applies to Ben Carson, who, if I were inclined, I might mock as foolish or crazy, but not as an Uncle Tom, which, I believe, the drawing is, at least partially, designed to do. Perhaps he was targeted as a result of his total lack of understanding of Black Lives Matter.

Still, I found the graphic mildly clever. The Wife grimaced when she saw it, but the tween daughter, who’s pretty political savvy for her age, found it hilarious.

O is for Old-Timers’ Day

This was the first time I had been in the new Yankee Stadium, opened in 2009 to replace “the house that Ruth built.

willie randolphThe day before Father’s Day, my father-in-law and I took a bus, along with a bunch of other folks, from Oneonta in upstate New York to the Bronx in New York City, NY to see the New York Yankees play a night game versus the Detroit Tigers.

So why did we leave a little after 10 a.m. for a 7 p.m. game? It was Old-Timers’ Day. Former Yankees come back and get recognized; think of it as a family reunion. There is a certain relational connection, too; six widows of former Yankees were noted as well.

Before that ceremony, fans got a chance to visit Monument Park, beyond the center-field fences, where former Yankee greats, such as Lou Gehrig, Babe Ruth, Mickey Mantle, and Joe DiMaggio, are honored with plaques.

It had been long announced that Willie Randolph (pictured left), long-time second baseman and then coach, was going to be honored, with his #30 being retired. His picture appeared on the cover of the special commemorative program. Willie spoke about growing up in Brooklyn, rooting for the Yanks.

A large number of returning Yankees are announced individually. The always entertaining and hugely popular Yogi Berra, who had turned 90 back in May, and who’d subsequently die in September, was not present but was mentioned. Some of the former players, coaches, and staff who had died in the past 12 months were mentioned, including former Oneonta Tigers pitching coach Bill Monbouquette.

mel s
Then a surprise. Mel Stottlemyre (pictured right), a fine pitcher for the Yankees when I was growing up, before becoming the long-time pitching coach, was also celebrated. His family obviously knew, but he was clearly gobsmacked. He had multiple myeloma in 2000, was in remission for several years, but the cancer reappeared in 2011 and he apparently was still battling it. Before Willie was #30, Mel was #30, and so his plaque in Monument Park will also bear that number.

Some of the younger retirees played a couple of innings of an intrasquad game. A few of the players, such as Paul O’Neill, and even 60-year-old Randolph, looked as though they could still play at Major League level.

As for the real game, the Yankees routed the Detroit Tigers, 14-3. Some young Yankee pitcher was put in the game late, gave up the three runs in the 7th, but shut out the team in the last two innings.

This was the first time I had been in the new Yankee Stadium, which opened in 2009 to replace “the house that Ruth built (1923-2008). I don’t think I’d been to the old stadium since 1977, so this was a rare treat.

Our bus didn’t get home until about 3:30 a.m., and it was 4 a.m. by the time I got to bed. (I got up at 7 a.m., and we went to Albany to go to church, but that’s another tale.)

abc 17 (1)
ABC Wednesday – Round 17

If I Had a Ballot for the Rock and Roll Hall of Fame

The band Yes was both a commercial AND critical success, so it made no sense to exclude them from the Rock and Roll Hall of Fame.

Last year, I specifically complained about the Rock and Roll Hall of Fame failing to even nominate Yes, Chicago, Moody Blues, and Todd Rundgren. Then, this year, the former two are on the roster.
yes.fragile
Last year, two of my picks, The Paul Butterfield Blues Band and Joan Jett & the Blackhearts, actually got in.

The nominees for induction into the Rock and Roll Hall of Fame in 2016:

“To be eligible for nomination, an individual artist or band must have released its first single or album at least 25 years prior to the year of nomination. The 2016 nominees had to release their first recording no later than 1990.”

The Cars – worthy
Chic – what I wrote last year when I voted for them, still holds: “its sound still relevant, though if Nile Rodgers got in as a non-performer (songwriter/producer), I could accept that.”
*Chicago – those first two albums were great, and some of their later stuff was decent. They’ve gotten nicked for being too “commercial”, I suspect.
Cheap Trick – probably worthy
Deep Purple – when they got nominated a couple of years back, I admit not knowing them beyond their hits

Janet Jackson – possibly one of the most worthy. Yet, because she’s relatively young, I think she’ll get in eventually, if not this year.
The J.B.’s – James Brown’s backup group, and they should get in in THAT category, not here.
Chaka Khan – for both her music with Rufus and her solo stuff. And we share the same birth month.
Los Lobos – a friend said they are “such a watershed group” long before they “crossed over” to the Anglo market
Steve Miller – definitely worthy

Nine Inch Nails – sure, they’re influential and nominated last year.
N.W.A – also nominated last year, and with the Straight Out of Compton movie, this may well be the year they get in
The Smiths – likewise nominated last year, surely would vote for them down the road
*The Spinners – Motown did NOT know what to do with them, and they didn’t really click until they moved to Atlantic. I LOVE the Spinners. Nominated last year.

*Yes – The problem with the R&R HOF, as Chuck Miller noted, “is that so many deserving ‘rock’ artists were left behind in favor of inducting whoever [Rolling Stone magazine founder] Jann Wenner felt was more deserving.” Some of this had to do with the sense that “commercial is bad,” overcome somewhat by the induction of Hall & Oates last year.
But Yes was both a commercial AND critical success that, unless all of “progressive rock” was being punished, it made no sense to exclude them. Now that long-time bassist Chris Squire has died, it’s well past time for the group’s inclusion. I’d go as far as to suggest his passing affected their nomination, and I hope, their inclusion.

So, in part because of ageism, I’m going with Chicago, Chaka Khan, Los Lobos, The Spinners, and Yes. Especially YES. If I had a sixth vote, it’d probably be Steve Miller.

Which five artists would YOU vote for?
***
Harry Nilsson has been eligible almost as long as the Hall has been open, but he’s never even been nominated.

 

Roger answers Chris’ questions while on drugs

They managed to even make it into the freezer section of the fridge, where, hopefully, they died horrific deaths.

thx-comes-home-616wThis is the first blog post attempted since I had my hernia operation. Everything else I’ve posted recently had been written before, partially in anticipation of feeling unfocused now. Well, at the time of this composition, I was home, and still on Hydrocodone. But I couldn’t just watch TV all day. I had to write something. Whether any of it is coherent…

Chris:

Haha! Internet is finally working at my new house.

Congratulations.

– if you could have anything, what would it be? (We just did this as an icebreaker at my foster parent class. I’m curious if you’ll give the same answer I did)

I want to be around long enough for The Daughter to talk about some of the things I wrote about in this blog. And especially things I haven’t written about in this blog, because they’re too personal. (Yes, there are such topics.)

I think I’ve gotten to that point that there aren’t that many THINGS that I want. Oh sure, in some idealized world, I’d still like a place to watch movies, a dark room with cushy seats.

Or is this the question I’m supposed to say “world peace,” which, of course, is true?

– what endearing trait of your wife did you notice in the first year that you still love about her?

Hmm. I think I most was impressed that she owned her own home as a single woman. She was confident and strong and intelligent, and almost certainly more rational than I. Still is.

– do you consider yourself at all handy?

No, not at all; if there are four possible ways to fit something into a space, I’ll come to the right solution no earlier than effort #3, so it’s exhausting. This is why owning a home, in some ways, is such a drag. We were talking about the recent renovation of our bathroom. When you get an estimate for work, it’ll usually end up costing 15% to 25% more. This is why our kitchen, which has needed updating since we moved here, looks pretty much the same.

Well, new flooring, new refrigerator, and dishwasher, but the layout and the cabinet space – it’s still has that same 1970s look.

– what did you consider the best thing about being a new homeowner?

Well, I’ve been here for 15 years. Often, in my renter days, I had to move because of the whims of various homeowners, who wanted to renovate, move in themselves, and/or sell the place.

– if someone made you eat an insect, which insect would you pick to eat?

Fruit flies. They’re small. In fact, I probably already have. We had this rare infestation this summer in the kitchen, and some managed to even make it into the freezer section of the fridge, and the ice cube tray, where, I’m hoping, they died horrific deaths.

My first instinct, though, was a grasshopper, probably a response to watching the TV show Kung Fu, a few decades ago.

– what character have you most identified with that you’ve encountered in the last year? It can be in a book, TV, or a movie

I assume you mean a fictional person when you say “character.” I suppose Scott Lang in the Ant-Man movie, who had the social conscientiousness to do the right thing, more than once.

Music Throwback Saturday: Theme from an Imaginary Western

Theme from an Imaginary Westerns was never recorded by Cream because Eric Clapton is said to have hated it.

mountain climbingI started getting reinvested in Disraeli Gears, the classic second LP by the group called Cream, when I came across this 48-minute video on the making of the album from 2012 a few months ago. It includes interviews with the band members Eric Clapton, Ginger Baker and the late Jack Bruce.

Clapton talks about how the album’s producer Felix Pappalardi took him to a New York City music shop to buy his first wah wah pedal in April of 1967, which he then played on Tales of Brave Ulysses. Felix was like a fourth member of the band.

Subsequently, Pappalardi produced an album by guitarist Leslie West titled Mountain. Then Pappalardi and West formed a band called Mountain, described by Rolling Stone magazine as a “louder version of Cream.” The band’s best-known song was probably Mississippi Queen [LISTEN].

Another song from that 1970 album Climbing! was Theme for an Imaginary Western, written by the aforementioned Jack Bruce, and Pete Brown. The song was never recorded by Cream because Eric Clapton is said to have hated it.

Some of the LYRICS:

When the wagons leave the city
For the forest and further on
Painted wagon of the morning
Dusty roads where they have gone

Sometimes travelin’ through the darkness
At the summer comin’ home
Foreign faces by the wayside
Look as if they hadn’t known

All the sand was in their eyes
And the desert that’s dry
In the country town
Where the life was found

When Pappalardi, who died in 1983, left Mountain, West and Bruce were in various groups together over the years.

LISTEN to various versions of Theme for an Imaginary Western, a/k/a Theme from an Imaginary Western:

Jack Bruce, Songs for a Tailor album, 1969, produced by Felix Pappalardi.

Mountain, at Woodstock, 1969, Felix Pappalardi on vocal; it’s on the Woodstock 2 album that was released in 1971.
Mountain, 1970, Felix Pappalardi on vocal. This is the first version I heard.

Leslie West’s Theme album, with Jack Bruce on vocals, 1988.

Jack Bruce on piano, n.d.

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