April 2016 - Page 6 of 7 - Ramblin' with Roger

Movie review: Zootopia

The police procedural about political corruption in Zootopia takes several turns I simply did not anticipate.

Isaiah 11:6 reads, “The wolf also shall dwell with the lamb.” In Zootopia, the newish animated film from Disney, the big city is populated by anthropomorphic mammals, who, in our world, are predators and prey. Yet they work together, usually in harmony.

Judy Hopps (Ginnifer Goodwin) is a rabbit from rural Bunnyburrow who wants to be the first rabbit officer in the Zootopia Police Department, much to the misgivings of her go-along-to get-along parents (Bonnie Hunt, Don Lake).

Judy graduates at the top of her class, but is assigned to parking duty by Chief Bogo (Idris Elba), a water buffalo who doubts she can do the job. When Mrs. Otterton (Octavia Spencer) arrives to plead for someone to find her missing husband, one of over a dozen missing mammals, Judy volunteers. Assistant Mayor Dawn Bellwether, a sheep, (Jenny Slate) texts Mayor Lionheart (J.K. Simmons) the news of Judy taking the case.

Beyond this, the less you know about Zootopia, the better. Jason Bateman is tremendous as Nick Wilde, a red fox who is a small-time con artist. Tommy Chong is an enlightened yak, and Shakira plays Shakira if she were a gazelle. A bunch of voice actors, who you’ve probably never heard of, are marvelous.

Without being too preachy about it, this movie is ultimately about stereotyping and prejudice. The animation looks great, and the police procedural about political corruption takes several turns I simply did not anticipate. The sloths at the DMV seem to be out of a great Bob and Ray routine, and The Godfather is referenced.

My whole family saw Zootopia, in 2D, not 3D, on a Sunday afternoon at the local Madison Theatre. Parts of it may be too intense for very small children. But it is a very fine film, and worth seeing, even if you don’t have a child to take with you.

But don’t read the Wikipedia page, which is spoiler city.

NYS voters: are you sure you’re enrolled in a political party?

Whenever your name does not appear in the official poll book, you will be offered an affidavit ballot.

New York is a closed primary state, which means only people registered to vote and enrolled in a political party can participate in the April 19 New York presidential primary for the Democrats and the Republicans. Check your party affiliation, and polling location, online by going to this state Board of Elections site.

I am registered, and enrolled!

If you were enrolled in a party, or no party, last year, it’s too late to change your party designation to vote on April 19. That deadline was October 9, 2015, which, I believe, was the earliest threshold in the country. Brand-new voters could register and enroll, but that deadline (March 25) has passed as well.

Anecdotal reports from New York State, as in other states, suggest that some voter registration records have gone from active to inactive, or from enrolled in a political party to nonenrolled. If your party affiliation was dropped or became inactive through the online registration process, check with your local board.

Upcoming deadlines:
April 12 – Last day to postmark an application or letter of application by mail for an absentee ballot.
April 18 – Last day to apply in-person for an absentee ballot
April 18 – Last day to postmark absentee ballot. It must be received by the local board of elections no later than April 26.
April 19 – Last day to deliver absentee ballot in-person to local board of elections.

Here’s a voters’ Bill of Rights. It notes: “Whenever your name does not appear in the official poll book, you will be offered an affidavit ballot.”

In New York City and the counties of Nassau, Suffolk, Westchester, Rockland, Orange, Putnam and Erie, POLLS OPEN AT 6 AM – CLOSE AT 9 PM. In all other counties, POLLS OPEN AT 12 NOON and CLOSE AT 9 PM, which I hate, because I like voting first thing in the morning.

M is for musical crossovers of the 1960s

Ode To Billie Joe did better on the soul charts than the country charts?

In the back of the book Across the Charts, Joel Whitburn lists the 48 songs that were musical crossovers, which charted in the Top 10 in three of the four Billboard music charts (US) between 1960 and 1969: Hot 100 (HT), rhythm & blues (RB), country (CW), and adult contemporary (AC).

Three of them hit #1 on three charts:
I Can’t Stop Lovin’ You by Ray Charles (RB for 10 weeks, HT for 5 weeks, AC for 5 weeks in 1962)
Big Bad John by Jimmy Dean (AC for 9 weeks, HT for 5 weeks, CW for 2 weeks in 1961)
*the treacly Honey by Bobby Goldsboro (HT for 5 weeks, CW for 3 weeks, AC for 2 weeks in 1968).

Only one song made the Top 10 in all FOUR charts, The End of the World by Skeeter Davis, which was #1 AC for 4 weeks, #2 CW for 3 weeks, #2 HT, and #4 RB in early 1963.

Of the four dozen songs that made it on three charts, three each are by Ray Charles, Roger Miller, and Dionne Warwick; two each by Jimmy Dean, Glen Campbell, and Stevie Wonder.

LISTEN to a sampling:

The End of the World by Skeeter Davis HERE or HERE

I Can’t Stop Loving You by Ray Charles HERE or HERE

Big Bad John by Jimmy Dean HERE or HERE

A Boy Named Sue by Johnny Cash (#1 CW for 5 weeks, #1 AC for 2 weeks, #2 HT for 3 weeks in 1969) HERE or HERE

Wichita Lineman by Glen Campbell (#1 AC for 6 weeks, #1 CW for 2 weeks, #3 HT in 1968/9) HERE or HERE

Walk Right In by the Rooftop Singers (#1 AC for 5 weeks, #1 HT for 2 weeks, #4 RB in 1963; also #23 CW) HERE or HERE

Harper Valley P.T.A. by Jeannie C. Riley (#1 CW for 3 weeks, #1 HT, #4 AC in 1968) HERE or HERE

Roses Are Red by Bobby Vinton (#1 HT for 4 weeks, #1 AC for 4 weeks, #5 RB in 1962) HERE or HERE

Aquarius/Let the Sunshine In by the 5th Dimension (#1 HT for 6 weeks, #1 AC for 2 weeks, #6 RB in 1969) HERE or HERE

Make the World Go Away by Eddy Arnold (#1 AC for 4 weeks, #1 CW for 2 weeks, #6 HT in 1965) HERE or HERE

I’m Leaving It Up To You by Dale & Grace (#1 HT for 2 weeks, #1 AC for 2 weeks, #5 RB in 1963) HERE or HERE

Ramblin’ Rose by Nat King Cole (#1 AC for 5 weeks, #2 HT for 2 weeks, #7 RB in 1962) HERE or HERE

Can’t Get Used to Losing You by Andy Williams (#1 AC for 4 weeks, #2 HT for 4 weeks, #7 RB in 1963) HERE or HERE

Puff (the Magic Dragon) by Peter, Paul, and Mary (#1 AC for 2 weeks, #2 HT, #10 RB in 1963) HERE or HERE

England Swings by Roger Miller (#1 AC, #3 CW, #8 HT in 1965/6) HERE or HERE

Walk On By by Dionne Warwick (#1 RB for 3 weeks, 6 HT, #7 AC in 1964) HERE or HERE

Ode To Billie Joe by Bobbie Gentry (#1 HT for 4 weeks, #7 AC, #8 RB in 1967; also #17 CW) HERE or HERE (This did better on the soul charts than the country charts?)

ABC Wednesday – Round 18

Martin Luther King, Jr.: “A riot is the language of the unheard.”

“We’ve waited too long. ” – ML King, Jr., 1966

From CBSnews.com:

In an interview with Mike Wallace in 1966, Dr. King continued to stress the path of non-violence, despite a summer of violence. Race riots were taking place across the country, and rifts in the civil rights movement were widening.

Militant leaders – like Stokely Carmichael and his call for “black power” — demanded that the movement part from Dr. King’s gospel.

“The mood of the Negro community now is one of urgency, one of saying that we aren’t going to wait. That we’ve got to have our freedom. We’ve waited too long.

“So that I would say that every summer we’re going to have this kind of vigorous protest. My hope is that it will be non-violent.”

King: from Montgomery to Memphis. A powerful three-hour 1970 documentary of the public life of Martin Luther King, Jr. here. A “lost” film restored.

Martin Luther King Jr was assassinated April 4, 1968.

Movie Review: Hello, My Name Is Doris

Hello, My Name Is Doris has a hint of recognition of people I know in real life.

Since I really like Sally Field, the Wife and I decided to see her new starring vehicle, Hello, My Name Is Doris, at the Spectrum Theatre, on a Monday matinee. The IMDB description is refreshingly succinct: “A self-help seminar inspires a sixty-something woman to romantically pursue her younger co-worker.”

Doris had put her life on hold before that seminar by Willy Williams (Peter Gallagher), which she attended with her best friend Roz (the ever solid Tyne Daly). Her boss Sally (Natasha Lyonne) had recently introduced the staff to the new art director, John (Max Greenfield), who is half her age. He also has a nice girlfriend named Brooklyn (Beth Behrs).

With the assistance of Roz’s granddaughter (Isabella Acres), Doris becomes tech savvy enough to discover John’s hangouts.

Meanwhile, Doris is being pressured by her brother and sister-in-law (Stephen Root, Wendi McLendon-Covey) to sell the house she shared with her late mother. They encourage/nag her to see a therapist (Elizabeth Reaser) to deal with her problem with clutter.

I really need to try harder to avoid the reviews for movies I might be interested in seeing, even the 85% positive ones from Rotten Tomatoes. One review suggested that Doris Miller was just a stereotype of a wacky older woman. I thought she was far more nuanced that that, though she DID have ONE cat.

Another critic said that John should have figured out that Doris was romantically interested in him. I don’t believe that AT ALL. Doris had been, in many ways, all but invisible.

Doris was working in a dead end job, staying in town to take care of her mother, whose funeral pretty much starts the film. She was cast in the caretaker role for years, delaying her own dreams.

I recommend Hello, My Name Is Doris. There were some laughs, and a couple groans, but more than that, a hint of recognition of people I know in real life in the title character.