Month: December 2016

A Yuletide tradition: Ask Roger Anything

I’ve been surprised that seldom does anyone ask me anything particularly uncomfortable. Uncomfortable is OK.

I have written in my blog EVERY DAY for – what is it now? – 11 and two-thirds years, roughly. I always say I write for myself, and that IS true. But it IS nice that someone actually reads what I write.

I was at breakfast with my pastors and a bunch of the Bible guys. I was talking about something to one of my pastors, the one with the light Virginia accent, and she said, “Oh, I read that in your blog!” And I said to myself that this pleased me.

So I guess I’m NOT so pure of heart as to be happy writing a daily blog that no one reads. One of the best things I figured out was how to post my blogs automatically to Twitter and Facebook, and that one act has made my blog accessible to a lot more people.

Do you know what else makes me happy? When someone like Arthur appropriates something from my blog in his. Earlier this month, the AmeriNZ guy did it ’s ‘Ask Arthur’ time again thing. This engaged me at a level beyond what I would have expected. It’s some sort of validation. And I thinkKNOW that sometimes I need that more than others. Right now, I seem to need it a lot.

And speaking of need, I NEED you to Ask Roger Anything. I’ve been surprised that seldom does anyone ask me anything particularly uncomfortable. Uncomfortable is OK. I mean that you may ask me ANYTHING at all and I promise to respond, generally within a month.

I will answer your queries to the best of my ability, though know that memory is an imperfect beast. I practically GUARANTEE a bit of obfuscation, because you know you want me to.

You can leave your comments below. If you prefer to remain anonymous, that’s fine; you should e-mail me at rogerogreen (AT) gmail (DOT) com, or end me an IM on Facebook (make sure it’s THIS Roger Green, the one with the duck) and note that you want to remain unmentioned; otherwise, I’ll assume you want to be cited.

X is for Xmas music (ABC W)

Crosby had a Christmas special, which aired AFTER HE DIED and he had Ziggy Stardust on?

johncagecarollers

It’s been long established that the term Xmas is not an insult to Christians, but rather that the X actually represents the cross, as I’ve noted here and undoubtedly elsewhere.

This is is going to be a list of some of my favorite Xmas music NOT otherwise represented in this blog this month, with links to each. Of course, “Christmas” songs are peculiar beasts, some of which don’t even mention the holiday – Let It Snow (X3) or Jingle Bells being obvious choices. And let’s not even talk about the theological implications.

Hamildolph – Eclipse 6 (a new one for me)

Christmastime is Here – Vince Guaraldi

Good King Wenceslas – Ames Brothers

Little Saint Nick – Beach Boys

Purple Snowflakes – Marvin Gaye. I song I had not heard until this season, yet I had, sort of.

The Christmas Song – Nat King Cole. One of my wife’s favorites, and Nat always reminds me of my mom

Christmas (Baby Please Come Home) – Darlene Love. Way better than the U2 version on A Very Special Christmas 1.

Santa Claus is Coming to Town – the Jackson 5

Linus and Lucy – Vince Guaraldi

This Christmas – Donny Hathaway – I miss Donny Hathaway

Snoopy’s Christmas – the reason I took such great exception to the Snoopy v Osama record is that it wasn’t THIS Snoopy

Child of Winter – Beach Boys. A 1974 single I discovered on one of those early 1970s Warner Brothers Loss Leaders

Mele Kalikimaka -Bing Crosby with the Andrews Sisters, which I think is a hoot

Christmas Wrapping – The Waitresses, which reminds me of my pop music listening renaissance in the early 1980s

The Wexford Carol – Yo-Yo Ma, Alison Krauss

The Christmas Waltz – Frank Sinatra, which is on some 4 CD Capitol singles box set

Getting Ready For Christmas Day – Paul Simon, from his 2011 album

Every valley shall be exalted – Lizz Lee and Chris Willis (with Mike E.) from Handel’s Messiah: A Soulful Celebration

The Mistletoe and Me – Isaac Hayes – and I miss Isaac

Little Drummer Boy/Peace on Earth -Bing Crosby and David Bowie This was strange. Crosby had a Christmas special, which aired AFTER HE DIED and he had Ziggy Stardust on? Now, Bowie’s gone too.

Father Christmas -The Kinks

River – Joni Mitchell. Hey, it namechecks Christmas, and it reminds me of my late friend Donna

What Christmas Means To Me – Stevie Wonder; Paul Young does a decent version on A Very Special Christmas 2, but it doesn’t hold an Advent candle to the original.

R.O. Blechman – CBS Christmas Message (1966)

The Bells of Christmas – Julie Andrews, from a Firestone (tire company) LP I still own. There’s an extended version of this which is less good

Winter Snow – Booker T & the MGs (starts at 2:30)

Slightly off topic:

In defense of Paul McCartney’s “Wonderful Christmastime”

World’s First AI-generated Christmas Song Is the Stuff of Nightmares

Honest Trailers – Rudolph the Red-Nosed Reindeer (1964)

The Korean War on Christmas

ABC Wednesday – Round 19

Biggest change I’ve seen in my job

Because everyone has access to the Internet, the questions are more specific.

PrintScott needs to know:

What is the biggest change you’ve seen in your job?

My job, which I started on October 19, 1992, has changed radically.

In case you did not know, I am a business librarian for the New York Small Business Development Center, “library information specialist,” by title. The SBDC program, which exists in every state in the US, offers free and confidential business advisement.

People come to the NY SBDC and have questions for the counselors. There’s quite a bit those professionals already have at their fingertips, but when they get a query that they cannot answer, they contact the Research Network library. We answer questions, using a number of paid databases and other resources – personally, I use the Census page quite often – send the answers to the counselors, who share the information with the client.

When we started, we had no Internet. We got our information from something called… it’ll come to me… oh, yeah, books. We would copy pages from books. This was supplemented by info from database information – some were paid services such as Nexis/Lexis, plus some on CD-ROMs. These were a pain because we had to wait our turn to use them at a dedicated machine.

The first big “breakthrough” was when the half dozen CD-ROMs were put on a Local Area Network (LAN) so that we all could access the info on the CDs AT THE SAME TIME. This sounds mundane now, but it was a real time-saver.

What did we do with this information? We printed it out and mailed it, which killed many trees and was expensive in terms of postage. And when a packet got lost in the mail, which happened, we had to start the process almost all over again. We may have saved the electronic searches, but not always the paper information.

There were programs at the State University of New York that had Internet before we did, and it was frustrating. I know that one of our library directors gave a talk to our advisors about being able to get information about the Kobe earthquake of January 1995 almost immediately. But at that moment, in the spring of 1995, only she and another librarian, out of seven of us at the time, had Internet access.

Eventually, we all got Internet connections, and this thing called email. One of my colleagues remembers sending me a message from ten feet away, and we delighted about how silly that was when I could just hand him a piece of paper, or tell him. Of course, now I email everything.

We went through a period of trying to email our information to the counselors, attaching PDFs and other electronic files. The trouble was that the recipient’s email capacity could be easily overwhelmed in those early days. As of five or six years ago, we have an electronic delivery system hosted on one of our websites where the counselors can pick up the information we’ve created for them.

One other significant change: for the first six years of the program, we were provided reference service for the whole country, through a contract with the US Small Business Administration, and had as many as seven librarians. Now we provide services just for the New York State offices and presently have four librarians.

The constant is that we provide reference service. The difference, in addition to the resources used and the delivery method, is that, because everyone has access to the Internet, the questions are more specific. Whereas we might have gotten a question for a restaurant, now it’s for a Thai-Mexican fusion restaurant.

Oh, most of the librarians make fewer calls to agencies, associations, and the like, but I find that people are still great resources.

Director Steven Spielberg turns 70

Spielberg won the Academy Award for Best Director for Schindler’s List and Saving Private Ryan.

steven-spielbergHe’s Steven Spielberg, for crying out loud, one of the most consequential movie directors and producers of all time, and certainly of the past half-century. I was fascinated to see all the work he’s done in the 21st century that I have NOT seen.

Early on, Spielberg also directed episodes of TV shows that I watched, often religiously, such as Owen Marshall, Counselor at Law; Columbo; The Name of the Game; Night Gallery; and Marcus Welby, M.D., all in 1969-1971, but since I didn’t KNOW it was Spielberg, I’ll pass on those.

1968 Amblin’ (director of the Short) – I saw this well after Steven Spielberg became successful. Not much happens here. A couple of hitchhikers, no dialogue. But it’s from whence he named his productions from Amblin Entertainment

1974 The Sugarland Express (story, director) – This I also saw much later, much more fully realized
1977 Close Encounters of the Third Kind (written by, director) – I saw this in at least two different iterations; not sure the expanded version is better, but I was very fond of the original

1981 Raiders of the Lost Ark (director); 1989 Indiana Jones and the Last Crusade (director) – no, I never saw the second film. I think I liked the third film more than the first in some ways because the Sean Connery character made Indiana more real
1981 Continental Divide (executive producer) – I recall this John Belushi/Blair Brown comedy was savaged at the time, but I liked it, and current critics seemed to warm to it
1982 E.T. the Extra-Terrestrial (producer/director) – I loved the suburban kid angst, and just about everything about the movie until the bike scene at the end, which I found sappy
1983 Twilight Zone: The Movie (producer, director of segment 2) – saw this movie in Binghamton, NY
1985 Back to the Future 1989 Back to the Future Part II 1990 Back to the Future Part III (executive producer of all) – I should write about all of these, but liked the 1st, was depressed by that tricky middle act and thought the western motif in the 3rd was a hoot
1985 The Color Purple (producer/director) – a lot of good things, and its flaws were minor compared with the angst over a white guy directing this. Is this still the movie with the most Oscar nominations that won zero awards?

1986 The Money Pit (executive producer) – enjoyable enough, I think, but I don’t remember it well
1986 An American Tail (executive producer) – I was taken by the story
1985-1987 Amazing Stories (TV Series) (executive producer – 45 episodes, director – two episodes) – watched fairly regularly. As anthologies go, uneven, but worthwhile
1987 Empire of the Sun (producer/director) – I fell asleep in the movie theater; not necessarily a reflection on the film, just my fatigue
1988 Who Framed Roger Rabbit (executive producer) – I loved that movie, but have not seen it since
1989 Always (producer/director) – it has Audrey Hepburn in her final role, and that’s enough for me

1991 Cape Fear (executive producer – uncredited) – never saw the original, but this was tension-inducing
1991 Hook (director) – somehow left me cold
1993 Jurassic Park (director) – one of the very few “popcorn movies” I’ve actually seen, and good for its genre
1993 Schindler’s List (producer/director) – profoundly moving. I think the two people I saw it with and I talked ABOUT it longer than the 195 minutes running time. Not sure that I ever want to see it AGAIN, but glad I saw it in the theater. It also engendered certain activism within Steven Spielberg to tell more Holocaust stories.
1993-1998 Animaniacs (TV Series) (executive producer – 99 episodes) – loved the self-referential schtick. a lot
1995-1998 Pinky and the Brain (TV Series) (executive producer – 60 episodes) – I lOVED this show. Probably didn’t find it until the second season

1996 Twister (executive producer) – serviceable film
1997 Men in Black 2002 Men in Black II (executive producer in both; actor – Alien on TV Monitor (uncredited) in 1st) – I surprisingly really enjoyed the first film, as it was very funny; the sequel I could have done without
1997 Amistad (producer/director) – a fascinating topic, important subject, I found the pacing rather slow, yet, by the end, I enjoyed it quite a bit
1998 Deep Impact (executive producer) – even within the genre, this seemed to be a preposterous story, told melodramatically

2001 Shrek (executive producer – uncredited) – I found it fun
2002 Catch Me If You Can (producer/director) – I liked this a lot, from the graphics to the characters well played by worldly Leo DiCaprio being pursued and hangdog Tom Hanks
2012 Lincoln (producer/director) – I know a lot of people thought this was a boring movie. I did not.

Steven Spielberg “won the Academy Award for Best Director for Schindler’s List and Saving Private Ryan, as well as receiving five other nominations… The unadjusted gross of all Spielberg-directed films exceeds $9 billion worldwide, making him the highest-grossing director in history… In 1987 he was awarded the Irving G. Thalberg Memorial Award for his work as a creative producer.” Here’s his 2006 induction for the Kennedy Center Honors.

Music Throwback Saturday: Gene Autry

I’ve never seen any of Gene Autry’s films!

gene_autryWhen baseball’s American League expanded from eight to 10 teams for the 1961 season, all I knew of Gene Autry was that he was the guy who owned the team initially called the Los Angeles Angels, later referred to, when it moved to suburban Anaheim in 1966, as the California Angels, then the Anaheim Angels. (The other team was the new Washington Senators, after the old team became the Minnesota Twins.)

But then I discovered this was the same fellow who performed not one, but three Christmas classics. Here Comes Santa Claus (Down Santa Claus Lane) was written by Autry, with music composed by Oakley Haldeman. It got to #9 on the pop charts in 1947 and to #5 early in 1948 on the country charts, then to #4 country later that year.

The song was covered by several artists, notably Doris Day (1949), Bing Crosby and the Andrews Sisters (1950), Elvis Presley (1957), and Bob B. Soxx & the Blue Jeans (1963), the latter for that famous Phil Spector Christmas album.

The first cowboy singing star of the movies – I’ve never seen any of his films! – had his biggest hit with Rudolph, the Red-Nosed Reindeer, performed with the Pinafores, which was #1 for eight weeks on a special kid’s music chart in 1949, and also hit #1 on the pop and country chart that year. It recharted for another three years, and again after Gene Autry died in 1998.

The final Christmas hit was Frosty the Snow Man, performed with the Cass County Boys. it got to #4 country and #7 pop in 1950, and #2 on the kids chart the following year. His success with just these three songs put him at #2 on the chart of the most successful Christmas singles artists, behind only Bing Crosby, at least through 2004.

He was inducted into the Country Hall of Fame, mostly for his non-Christmas music.

Listen to songs by Gene Autry:

Here Comes Santa Claus (Down Santa Claus Lane) here or here

Rudolph, the Red-Nosed Reindeer here or here

Frosty the Snow Man here or here

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