Month: February 2017

F is for farpotshket (ABC W)

Can you think of a word that sounds more complicated, muddled and frustrated than farpotshket?

Better Than English: Untranslatable Words defines the Yiddish word farpotshket as “Something that is all fouled up, especially as the result of attempts to fix it–repeatedly making something worse while trying to fix it.” It is pronounced with emphasis on the second syllable.

This term rather well described me when I took woodshop in 7th and 8th grade. A minor wobble in one leg of a project would eventually become three legs that could not bear the weight of the creation.

There was a 2005 National Public Radio story The New Words and Ideas We Need sings praises of the word: “The art of trying to fix something only to make it far worse is described by the Yiddish word farpotshket. Can you think of a word that sounds more complicated, muddled, and frustrated than farpotshket? It’s like a Frankenstein of obscenity, created from different parts of a dozen swears. The next time you reach to brush a piece of lint off your date’s shirt, then spill the bottle of wine on their pants, try screaming, ‘Farpotshket!’ It’s far more satisfying than a hundred curse words.”

Both the Urban Dictionary and definithing describe the word farpotshket as Completely ruined as a result of attempts to fix a minor imperfection. “Don’t try to fix that tiny smudge! You will make the entire painting farpotshket.”

The painting reference, of course, reminds me of that famous story of Ecce Homo (Behold the Man) in the Sanctuary of Mercy church in Borja, Spain. It was an unremarkable painting, but the attempt to restore the fresco by Cecilia Giménez, an untrained elderly amateur, in 2012, made it international news. Oddly enough, the botched repair has made the site a major tourist attraction.

When do YOU experience your farpotshket moments? Do you get it right the first time, or do you settle for “that’s good enough”?

ABC Wednesday – Round 20

Academy Awards 2017

“The idea was to redefine a 467-minute documentary as a cinematic experience and to be eligible for the end-of-year awards circuit.”

When the Academy Awards nominations were announced on January 24, I noted what I’d seen, and what I liked the most, and also who/what I thought would win. Link (only the first time) to any movie I saw and reviewed.

Picture

“Arrival” – I thought it was a nice meditation. It may have peaked too soon, and with no acting nominations, I don’t expect it to win.
“Fences” – I liked it a lot, with bravado performances. But perhaps it was too stagy.
“Hacksaw Ridge” – I had no real interest in seeing this. It was, per the R rating, “for intense prolonged realistically graphic sequences of war violence including grisly bloody images.”
“Hell or High Water” – I had considered seeing it, but reviews such as “The violence has speed, impact and follow-through — it’s a magnificent rebuke to all the hundreds of cute killings on screen in summer movies” made me wary
“Hidden Figures” -it is my favorite film of the ones nominated. Maybe not the best, but the one that made me the happiest when I left the theater
“La La Land” – I do like this movie too, and have defended it
“Lion” – great first part, OK second part
“Manchester by the Sea” – fine film, depressing as hell
*“Moonlight” – the best picture nominated
All the Best Picture noms in the first half of the alphabet!

Directing

Denis Villeneuve, “Arrival” – I love the way the story is put together in a nonlinear way, which I should credit to the editor, I suppose
Mel Gibson, “Hacksaw Ridge” – I had forgotten that Gibson was directing it; he’s come out of Hollywood purgatory, it would seem
Damien Chazelle, “La La Land” – paced well, I thought, though some I’ve talked with would disagree
Barry Jenkins, “Moonlight” – my rooting interest
Kenneth Lonergan, “Manchester by the Sea” – fine job

Actor in a leading role

Casey Affleck, “Manchester by the Sea” – I was distracted that a comic character he played in a Saturday Night Live piece is not dissimilar to this character
Andrew Garfield, “Hacksaw Ridge” – he’s in “Silence” too; haven’t seen that either
Ryan Gosling, “La La Land” – I think he might win because he learned to play piano for the role
Viggo Mortensen, “Captain Fantastic” – I would like to see this, suddenly
*Denzel Washington, “Fences” – I wonder if the limited venues chosen by the director (who was NOT nominated) will affect the actor’s chances; maybe not, as it was a tremendous performance

Actor in a supporting role

Mahershala Ali, “Moonlight” – not only is he great in this role, he’s fine in Hidden Figures; my rooting interest
Jeff Bridges, “Hell or High Water” – he’s well-liked, well-regarded
Lucas Hedges, “Manchester by the Sea” – really glad he was nominated
*Dev Patel, “Lion” – I thought it was a bit overwrought for a time, and it bugged me
Michael Shannon, “Nocturnal Animals” – I steered away from this film, so can’t say

Actress in a leading role:

I’m not much for “slights” but I thought Amy Adams would be here for Arrival, steadied by her performance in Nocturnal Animals. And I thought Taraji P. Henson had a real shot at a nomination for Hidden Figures.
Emma Stone, “La La Land” – more than with Gosling, she was criticized for not being able to sing. I don’t think she’ll win
Natalie Portman, “Jackie” – people loved or hated the movie; the weekend it left town, I had decided to see it. She may win
Ruth Negga, “Loving” – great performance, but quiet. I don’t think she wins
Meryl Streep, “Florence Foster Jenkins” – an honor to be nominated, again
Isabelle Huppert, “Elle” – I thought about seeing this, but a film of that’s “a game of cat and mouse as she tracks down the unknown man who raped her” just didn’t quite make the cut. Still, I wouldn’t bet against her winning

Actress in a supporting role

Viola Davis, “Fences” – this is not a supporting actress role. She won Best Actress for the same role on Broadway. Still, she’s as close to a lock as anyone.
Naomie Harris, “Moonlight” – after watching her interviewed by Charlie Rose, she’s become my favorite in a year without Viola Davis
Nicole Kidman, “Lion” – she’s good, had a really fine scene or two, but not blown away
Octavia Spencer, “Hidden Figures” – she was solid and dependable, and nothing wrong with that
*Michelle Williams, “Manchester by the Sea” – she’s very good, and in another year, she might win

Adapted Screenplay

“Lion,” by Luke Davis – the first part is great
“Arrival,” by Eric Heisserer – I enjoyed it, but it seemed to confuse more than a few
“Moonlight,” by Barry Jenkins – my rooting interest, the most important story being told
“Hidden Figures,” by Theodore Melfi and Allison Schroeder – this is quite a good synthesis of fact and near fact
*“Fences,” by August Wilson – August Wilson died in October 2005; how does he even get nominated in this category?

Original Screenplay

“Manchester by the Sea,” by Kenneth Lonergan – I think this will be the consolation prize for a fine film
“Hell or High Water,” by Taylor Sheridan – I heard good things
“La La Land,” by Damien Chazelle – maybe, but I’m not feeling it
*“20th Century Women,” Mike Mills – its only nomination; won’t win
“The Lobster,” by Efthymis Filippou and Yorgos Lanthimos – I heard all sorts of things about this movie, which I never had a chance to see. It sounds weird, which doesn’t mean I wouldn’t have liked it. But it won’t win here either.

Cinematography

“Arrival” – as an unconventional story, it pulls off the look of its elements convincingly
“La La Land” – bright and shiny when it’s positive; I suspect it could win
“Lion” – great contrast between the India and Australia sections
“Moonlight” – has the appropriate bleak look
“Silence” – looks good in the ads

Documentary feature

“Fire at Sea”
“I am Not Your Negro” – a story about James Baldwin that’s has appeared in trailers but hasn’t made it to town yet
“Life, Animated” – I liked it, but it’s a personal/family story, and will have trouble competing
“OJ: Made in America” – as the Boston Globe story explains: “Before putting it into heavy rotation on ESPN in June and July [where I saw it], ESPN Films released the documentary in two theaters in May: the small New York City indie stalwart Cinema Village and the similar Laemmle Monica Film Center in Los Angeles. Drawing crowds wasn’t the point. The idea was to redefine a 467-minute documentary as a cinematic experience and to be eligible for the end-of-year awards circuit.” This clever tactic is allowed. It is VERY good, but this feels like a bit of a cheat
“13th” – Ava DuVernay’s piece on the 13th Amendment to the Constitution and mass incarceration I would very much want to see; watch the trailer.

Documentary short:

“Extermis”
*“4.1 miles” There are 4.1 miles from Turkey to the Greek island of Lesbos, and thousands of people in recent years have made the perilous journey – as of this writing, you can see the film here.
“Joe’s Violins” – this was a Kickstarter project
“Watani: My Homeland”
“The White Helmets”

Foreign language film:

“Toni Erdmann,” Germany
“The Salesman,” Iran
“A Man Called Ove,” Sweden – this film played for weeks in Albany, and jut at the point we finally were going to see it, it left. Bummer.
“Tanna,” Australia
“Land of Mine,” Denmark

Sound editing – now we get to the technical categories where I have no idea

“Arrival”
“Deepwater Horizon”
“Hacksaw Ridge”
“La La Land”
*“Sully”

Sound mixing

“Arrival”
“Hacksaw Ridge”
“La La Land”
“Rogue One: A Star Wars Story”
“13 Hours”

Original song

“City of Stars” (“La La Land”)
“How Far I’ll Go” (“Moana”) – Lin-Manuel Miranda could get an EGOT (Emmy/Grammy/Oscar/Tony). In fact, since he won a Pulitzer, he could win a PEGOT, like Richard Rogers and Marvin Hamlisch. And with two songs from La La Land, he’s not throwing away his shot
*“Audition (The Fools Who Dream)” (“La La Land”) – this is the song that made me cry, so it’s my pick
“The Empty Chair” (“Jim: The James Foley Story”)
“Can’t Stop the Feeling!” (“Trolls”)

Visual effects:

“Deepwater Horizon”
“Doctor Strange”
*“The Jungle Book” – it did look good
“Kubo and the Two Strings”
“Rogue One: A Star Wars Story”

Makeup and hairstyling

*“A Man Called Ove”
“Star Trek Beyond”
“Suicide Squad”

Costume design

*Mary Zophres, “La La Land”
Madeline Fontaine, “Jackie”
Consolata Boyle, “Florence Foster Jenkins”
Colleen Atwood, “Fantastic Beasts and Where to Find Them”
Joanna Johnston, “Allied”

Film Editing

“Arrival”
“Hell or High Water”
“Hacksaw Ridge”
“La La Land”
*“Moonlight”

Animated Feature Film

“Kubo and the Two Strings” – here’s the soundtrack
“Moana”
“My Life as a Zucchini”
“The Red Turtle”
“Zootopia” – clearly my favorite of the two I’ve seen.

The Academy Awards will air on February 26.

Music Throwback Saturday: Electric Avenue

Electric Avenue got to #2 in both the UK and US

eddygrantBefore I can write about the song Electric Avenue, a promise I’d made. Last year, I wrote: “Some time, I need to tell the story of when I saw Eddy Grant in concert.” Then I forgot.

Recently, I saw a photo of my old pal “Mary” on someone else’s Facebook page. Mary and I were casual friends, and we were going to see Eddy Grant performing at the University at Albany. I went to her house, and she and/or others were going to drive to the campus.

I came right from work, if I’m remembering correctly, and I was really hungry, and I ate a brownie she had out, and took another to go. We get to the locale, which didn’t have chairs, but had an open space for dancing. I ate the second brownie.

I’m grooving on the music, when suddenly, I’m in need of leaning against a wall. I am feeling unwell, maybe. Then even standing became too difficult, and my back slid down the wall, and I sat in a corner, I think, I don’t know.
And I really don’t remember much else, such as how I got home.

Sometime that week, I called Mary. She was SURE she had told me there was hashish in those brownies. Maybe there was a general announcement, but I never heard it.

Every time I hear that intro, I have, if not a flashback, an odd physical recollection. Electric Avenue got to #2 in both the UK and US, for five weeks in the States. It appears on the Killer on the Rampage album, and I heard that track on the radio. I have Electric Avenue on a reggae compilation album with Living on the Frontline.

Listen to:
Electric Avenue HERE or HERE
Killer on the Rampage HERE or HERE
Living on the Frontline HERE (short version) HERE (long version)

Health Report: January/February 2017

It was particularly disappointing timing too.

A few weeks ago, a reporter for our local newspaper posted on Facebook, trying to find out whether this stomach flu – is THAT what they call it? – was around the area. Subsequent to that, I’ve been reading anecdotal tales about the nasty bugger that has hit several of my friends.

On Martin Luther King’s holiday, after coming home from seeing Hidden Figures at the movies, we realized the crockpot had been disconnected prematurely. But we thought the meat, rice, and carrots that had cooked in there would be OK. I’m known for having an iron stomach, consuming even some long-in-the-tooth that my wife wouldn’t touch. I think it’s the Protestant ethic of not throwing out things unless absolutely necessary.

But a couple of hours later, I’m having digestive distress. I figure it’s food poisoning, and that it would pass. But I visited the bathroom two or three times overnight. And the Daughter was likewise stricken at some level. We were both home on Tuesday and Wednesday that week. We all went to school/work Thursday, and I was about to head out the door for choir that night when I had a recurrence.

I went to work on Friday, but at noontime, suffered yet again, coincidentally when the new President was being inaugurated. I felt so poorly that I actually had to STAY at work, because I wasn’t sure I’d make it home. I missed the local Women’s March that Saturday because I was still feeling woozy.

Then at the beginning of February, the Wife was felled by not one, but two, ailments simultaneously, the stomach flu PLUS some upper respiratory thing with a sore throat. The combo made her looked more washed out than I had ever seen her but once. I would have stayed home with her that Thursday except for The Daughter, with a return of her own stomach flu, but still in better shape than her mother, stayed home and brought fluids and light food.

It was particularly disappointing timing too. The Daughter went on a church ski trip over that first February weekend, and The Wife and I were going to a play, a movie, maybe dinner; didn’t happen. And Monday, she still felt weak.

The potential of a snow/ice delay was on the minds of both the females in the house this past Tuesday, but it didn’t happen. But they DID get Thursday (yesterday) off, and I know they were glad for the rest, though my wife spent a goodly amount of time doing paperwork for school.

We all had gotten flu shots, so what we’ve been suffering from must be something else, unfortunately.

Being sick, then the extra cooking and cleaning I did has made my blogging output quite pathetic recently, for instance, two posts in a week. I guess why I write ahead.

 

Smoothing over rough edges with friends

The metamessage received may be, “She doesn’t think I know how to dress myself, take care of myself.”

Chris wants to know:

How do you smooth over rough edges with friends? Do you ignore it, broach the subject, etc.?

It depends on what the topic is. Next question.

OK. But it’s true. What’s the issue at stake? Sometimes, you just let it go, and sometimes you say something. If you say something, you need to use “I” sentences, such as “I am not comfortable when you run over Bernie Sanders supporters.”

Is it an online dispute over politics? Those are usually in the “let it go” category. You’re not going to convince them, and they surely aren’t going to change your mind. Unless they’re otherwise abusive – “How can you think like that, you skank?” – move on.

I will say that if it’s really bugging me, NOT saying something almost never works. The issue metastasizes into a much bigger deal.

I’ve been reading the book “I Only Say This Because I Love You: Talking to Your Parents, Partner, Sibs, and Kids When You’re All Adults” (2001) by Deborah Tannen, which I am enjoying, and it has applicability to non-family relationships. I’m only in the part where she lays out the problems; I trust there are solutions coming. She notes the fact that, in many conflicts, there’s the message and the metamessage.

A simple example would be when someone suggests that you do something differently, wear more fashionable clothes, e.g. The message the sender thinks she’s giving is “I’m a good friend/relative, just trying to be helpful.” The metamessage received may be, “She doesn’t think I know how to dress myself, take care of myself.” And when more than two parties are involved, in sharing secrets and creating alliances, it gets even trickier.

So I tend to tread lightly. Humans are tricky. Humans online are even complicated than humans face-to-face, when you can pick up nuance.

This usually works; I’m still friends with people I went out with. Sometimes it does not work. Interestingly, Facebook is useful in connecting, or reconnecting, with people whose friendships might otherwise have lapsed, so there’s that.

Have you ever written poetry? When? Did you ever show it to anyone?

I went out with a published poet in the late ’70s and early ’80s. So I would go to the workshops. I tried writing a few and shared them with the group, but fundamentally, I just didn’t get it, and that was fine; I have other skills.

What’s your favorite tradition at your church?

I suppose it’s the raised candles while singing the third verse of Silent Night in an otherwise darkened church on Christmas Eve.

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