Songs: fall in love, break your heart

The first QoS song I ever owned

Here are some songs of romance and heartbreak. Finding the latter is FAR easier for me.

Songs that make you want to fall in love

I Only Have Eyes For You – the Flamingoes

That’s about it. Everything else seems more wistful and uncertain, such as:

God Only Knows – the Beach Boys, from Pet Sounds

and especially

Will You Still Love Me Tomorrow – Carole King, from the Tapestry album

Songs that break your heart

heartbreak
Whereas the “melancholy quartet” of songs were pretty much codified by 1980, played in this specific order:

Sweet Bitter Love – Aretha Franklin. The first QoS song I ever owned. It appeared on some Columbia Records compilation in 1965 or 1966, before she was signed to Atlantic. This was eventually covered by Roberta Flack.
My First Night Alone Without You – Jane Olivor. My old friend Pam gave me the First Night album in error for Christmas; she mixed up a couple presents. This song was also performed by Bonnie Raitt.
Gone AwayRoberta Flack. From my sister Leslie’s copy of Chapter Two, which I eventually had to buy for myself. This song destroys me more than almost any other. T.I. sampled this on What You Know in 2006.
Stay With Me – Lorraine Ellison . I heard this on a Warner Brothers Loss Leader and was immediately blown away. It’s been covered a few times.

Sometimes, I’d add other break your heart songs, such as:
Remove This Doubt – The Supremes. This is from The Supremes Sing Holland-Dozier-Holland. It was covered by Elvis Costello.
Down so Low – Linda Ronstadt. From Hasten Down the Wind, this Tracy Nelson/Mother Earth song was also covered by numerous other artists, including Etta James, Maria Muldaur, John Lee Hooker, and Cyndi Lauper.

Hmm, I suppose I need a song by a guy.
Can We Still Be Friends – Todd Rundgren. In an interview, Todd said, “It’s really a song about the best possible way to end a relationship.” Ha, I don’t believe that they CAN stay friends.

How Classic Cartoons Created…

written by Annie Holmquist

How Classic Cartoons Created a Culturally Literate Generation

I recently picked up Mark Twain’s A Connecticut Yankee in King Arthur’s Court for the first time. Finding the plot rather amusing, I began relaying it to my father over the weekend. Because he had never read the book, I was rather surprised when he began asking informed questions about the story. In no time at all, he was the one schooling me on plot elements I had not yet reached.

“Wait a minute,” I asked. “Are you sure you’ve never read this book?”

“No, never have,” he replied, “but I saw a cartoon version of the story when I was younger and everything I know comes from that.”

His revelation was intriguing, and to be honest, not the first of its kind. Like many in the Boomer generation, my father grew up watching classic cartoons, numbers of which were produced by the likes of Warner Bros.

But those cartoons did more than mind-numbingly entertain a generation of children. They also introduced millions of young people to key facets of cultural literacy, particularly in the realm of literature and music.

Beyond the aforementioned case of Mark Twain’s novel, these cartoons introduced children to stories such as Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde through the medium of Bugs Bunny. Key quotations and scenes from William Shakespeare’s works were the main theme in a Goofy Gophers cartoon known as A Ham in a Role. And Henry Wadsworth Longfellow’s epic poem The Song of Hiawatha was placed front and center in a Walt Disney short called Little Hiawatha.

Perhaps even more famous than the literature references are the many ways in which cartoons introduced children to the world of classical music, including both instrumental and operatic selections, one of which is the famous Rabbit of Saville. American film critic Leonard Maltin describes the situation well:

“An enormous amount of my musical education came at the hands of [Warner Bros. composer] Carl Stalling, only I didn’t realize it, I wasn’t aware, it just seeped into my brain all those years I was watching Warner’s cartoons day after day after day. I learned Liszt’s Second Hungarian Rhapsody because of the Warner Bros. cartoons, they used it so often, famously when Friz Freleng had a skyscraper built to it in Rhapsody and Rivets.”

But Maltin wasn’t the only one learning from these classical music forays. In fact, as the famous pianist Lang Lang testifies, it was Tom and Jerry’s rendition of Liszt’s Hungarian Rhapsody in The Cat Concerto which first inspired him to start piano at age two.

Tom and Jerry – 029 – The Cat Concerto [1947] by milagrosalease

These examples just brush the surface of the cultural literacy lessons which the old cartoons taught our parents and grandparents. Even if they never learned these elements in school, they at least had some frame of reference upon which they could build their understanding of the books and music and even ideas which have impacted culture and the world we live in today.

But can the same be said of the current generation? Admittedly, I’m not very well-versed in current cartoon offerings, but a quick search of popular titles seems to suggest that the answer is no. A majority of the time they seem to offer fluff, fantasy, and a focus on the here and now.

In short, neither schools, nor Saturday morning cartoons seem to be passing on the torch of cultural knowledge and literacy. Could such a scenario be one reason why we see an increased apathy and lack of substance in the current generation?

This post How Classic Cartoons Created a Culturally Literate Generation was originally published on Intellectual Takeout by Annie Holmquist.

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November rambling: triple plays

Rebecca Jade And The Cold Fact

Awkward
From TheAwkwardYetti.com
The Violent History of the U.S.-Mexico Border

The Revolution Isn’t Being Televised

Stephen Miller E-Mails Show How He Promoted White Nationalist Ideology In Media, going back to when he worked for then-Senator Jeff Sessions

How women fall into the white supremacist movement

Maligned in black and white– Southern newspapers played a major role in racial violence. Do they owe their communities an apology?

Religious Freedom for Loganists!

My Childhood in a Cult

Republicans want to out the whistleblower because they can’t defend him on the merits

His tortured English

The Obama date-night controversy

Amazon’s Absence from Worker Safety Alliance Highlights Dangers of Unsafe Supply Chains

How One Employer Stuck a New Mom With an $898,984 Bill for Her Premature Baby

Charles à Court Repington and when did we start to refer to the horrors of the 1914-1918 conflict as ‘The First World War’?

Weekly Sift: Sacrifices

Yvette Lundy: French Resistance member who survived Nazi camps dies at 103

UK halts fracking, effective immediately

The Untold Story of the 2018 Olympics Cyberattack, the Most Deceptive Hack in History

AIER: Questions for Immigration Skeptics

Court Allows Police Full Access to Online Genealogy Database

In a rural Wisconsin village, the doctor makes house calls — and sees some of the rarest diseases on Earth

Dial 911 if there’s an emergency, not 112

Social Security and SSI Benefits Are Increasing in 2020

Wealth Is About Much More than Physical Things

New Airplane Feature Could Save You If Your Pilot Can’t

There’s no reason to cross the U.S. by train. But I did so anyway.

Fully Accessible Guide to Smart Home Tech for Disabled and Elderly

That’s entertainment

Washington Grays baseball, in honor of the Homestead Grays, a Negro League Team

All 720 Triple Plays in Major League Baseball history

Beany and Cecil

The accidental brilliance of Silly Putty

Four toy commercials from the sixties – I definitely had a Slinky, and I know I played someone’s Rock ’em, Sock ’em Robots

Tips on attending TV Tapings

Amy Biancolli: I Really Don’t Care

Now I Know: The Last Army Pillow Fight and Why Filmmakers Use That Black and White Flapped Board and The Ark That Went Full Circle

MUSIC

Rebecca Jade And The Cold Fact: Songs From Their New Album ‘Running Out Of Time’ and Gonna Be Alright and how they began

Viola Sonata in D minor by Mikhail Glinka.

The Wolf Glen scene from the opera Der Freischutz by Carl Maria von Weber

Coverville 1284: Cover Stories for Grace Slick and Katy Perry

Go up Moses – Roberta Flack

Polka and Fugue from Schwanda the Bagpiper! by Jaromir Weinberger

How to Play Guitar Like Keith Richards

What Does ‘Born In The U.S.A.’ Really Mean?

Movie review: Harriet [as in Tubman]

Cynthia Erivo as Harriet is phenomenal

HarrietThinking back on the movie Harriet, I had a sense I had seen a superhero movie. I don’t mean that necessarily as pejorative. Some comic characters have been bitten by a radioactive spider or slammed by gamma rays. Harriet Tubman, after a particularly nasty blow to the head, saw visions. This gift allowed her to escape enslavement, then lead others to freedom. A couple critics, I later learned, agree.

Cynthia Erivo as Harriet is phenomenal. She previously won a Tony for playing Celie in The Color Purple on Broadway. Not only did she seem to physically embody the role, but she also sang some great versions of spirituals. The complaint that an American, rather than the London-born performer should have had the role of an iconic American hero is a debate others can have.

Director/co-writer Kasi Lemmons helmed the movie Eve’s Bayou (1997), which I recall as quite impressive. She also directed other things, including an episode of Luke Cage. She used a bit of nepotism, but her casting choices worked out well. Her husband, long-time actor Vondie Curtis-Hall was great as Reverend Green, and did a particularly effective call and response. Their son Henry Hunter Hall, as the scout Walter did NOT muck up his mom’s film.

Put her on the $20!

Harriet Tubman is an important historical figure who has long been deserving of a major motion picture, not to mention being put on the $20 bill. After we left the Spectrum Theatre, my wife expressed disappointment that the movie ended with a brief scene during the Civil War and nothing but screen descriptions of her active life thereafter.

Maybe that could be the focus of the next Harriet Tubman film. While the fans gave the movie a 97% positive ratings, the critics were only 72% positive. I must agree with some of the criticism. This includes the fine Leslie Odom, Jr., Tony winner for playing Aaron Burr in Hamilton, given almost nothing to do except responding to Harriet.

Susan Granger’s positive review says it best: “Inspirational biopic, hampered only by its simplified, conventional story-telling. Another favorable review, by Abbie Bernstein: “We come out of HARRIET feeling like we’ve seen something important that we ought to have seen. But we don’t feel like we’ve lived through it alongside any of its people, and it seems like that should have been part of the experience.”

It was important that the movie Harriet was made. Although it felt, inexplicably, at arm’s length, I was really glad to see it, as I learned quite a bit. I’d LOVE to see a sequel, perhaps focusing on her time in Auburn, NY; we’ve been to the house.

His preoccupation with Obama

His relations with others [are] shallow and transactional

obama trumpIn September 2019, there was an article in Psychology Today titled The Psychology of Trump’s Preoccupation with Obama by Noam Shpancer, Ph.D. The subtitle: “Obama is antithetical to Trump. So long as he exists, Trump is threatened.”

Shpancer documents several examples, some noted elsewhere, going back to djt’s 2011 birtherism attacks. The Unreality King suggested that the 44th President was/is a secret Muslim who possibly sympathizes with radical terror attacks. At an event in 2015, the then-candidate declared, “I don’t know if [Obama] loves America.”

You’d think once he was in office, the bellicosity might have subsided. No such luck. He says other countries wouldn’t talk trade policy with Obama, including the European Union and Japan. That wasn’t even close to being true.

More recently, djt brought up Obama’s Netflix deal, well after Barack was out of office. This was done in the defense of his attempt to host the G7 at one of his Florida properties while he was in office.

Motive

Shpancer makes some interesting observations. “Some may posit racism as the primary motive—as Trump has a history of racist statements and actions. Yet racism is not a primary motive for Trump. It cannot be. By all evidence, Trump is not truly animated by big ideas or abstract values. The only thing that matters truly is him.”

The therapist suggests that djt “will accept another person’s (or group’s) worth only to the extent that they approve of and serve [him]. There is no other, independent test of merit. This is why the racism (and anti Semitism) explanation won’t stick on Trump. Racism is an ideology, and a tribal cast of mind. Trump has neither ideology nor tribe, as he lacks the capacity to attach to either. He only has himself.” Interesting.

Shpancer also addresses the “constant lying. He doesn’t do it to further a social, political, or ideological agenda. He lies about the facts when the facts fail to fulfill his needs or flatter him)…

“But what is it about Obama that so injures Trump’s narcissism, compelling him to rage? The answer is not that Obama is black or a Democrat. Rather, it is that in Obama, Trump sees his antithesis–everything he is not and cannot be.

“Politics aside, a fair look at what is already publicly known about the two men will suffice to conclude quite readily that Obama has basic decency… Many of those who disagree with what he’s done as a politician would not mind being who he is as a person.

Shallow and transactional

“Trump is at his core indecent. As a man… he struggles mightily with self-control, by his own admission fears self-reflection, and is clearly incapable of a range of human emotions…

“Despite his gilded life, he’s constantly aggrieved, embittered, and at war with the world… His relations with others [are] shallow and transactional and depend on constant external affirmations, none of which can fill the bottomless pit of his need… Even among those who agree with what he’s done as a politician, few would aspire to be who he is as a person.

“What this comparison makes clear is that Obama, psychologically, is antithetical to Trump. Therefore, so long as Obama exists, Trump is threatened.” An interesting article which you should read, especially the analytical second half.


Forbes, September 2019: He Has Created 1.5 Million Fewer Jobs Than Obama

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