No Labels: The Party of False Equivalence
djt’s Attacks on the Legal System Are a Preview of How He Plans to Govern, so Authoritarianism Will Be on the Ballot
The Steep Cost of Ron DeSantis’s Vaccine Turnabout and Republican Deaths in Florida, Ohio Linked to COVID vaccine Politics
Nikki Haley Calls for ‘Generational Change’ Then Declares She Would Support a Second djt Term
The Rogue Court vs. Modern Democracy
Arrgh. Rep. Jim Jordan (R-OH) argued at a House Judiciary subcommittee hearing that a tweet from Robert F. Kennedy Jr. about baseball legend Hank Aaron’s death after receiving a COVID-19 vaccine was “just pointing out facts.”
My Sister Lucy’s Death and Life: Picturing an Alternate Timeline of Recovery By Amy Biancolli
Irish Singer Sinéad O’Connor Dies at 56
The Emotional Recession Is Here
More Americans Are Living Alone
National Marriage and Divorce Rates Declined From 2011 to 2021
F-Rated Charities Receive Top Ratings & Seals From Nonprofit Trade Associations
Streaming Giants Have a Local TV News Problem
Comic books took center stage for the first time in more than a decade at Comic-Con
Bruce Lee & Me: A reflection on the 50th anniversary of my friend’s death by Kareem Abdul-Jabbar
Why We Say “Pardon My French,” “It’s All Greek to Me,” and Other National Idioms
The CJ Cregg Memorial Globe
Now I Know: How iTunes Saved Dunder Mifflin and The Third Little Pig’s Guide to Computer Hardware and Where There’s a Way, There’s a Will?
Intertwined
Two recent events have merged in my mind. One was the video for Jason Aldean’s Try That In A Small Town. A right-wing online site I follow – so you don’t have to – calls it a fake controversy.
The song was released in May, but “not a peep from the perpetually offended. Another two months passed before his label released the video, and then the left unleashed the Kraken.” Bands and labels release videos so that more people listen to the song. Duh.
Not incidentally, after the controversy, streams for the song jumped 999 percent.
“If the words were offensive and scare-wordy ‘racist,’ why didn’t they seize and pounce on them when the song was first put out? Because there is nothing offensive or racist about the lyrics.”
Or because most racism exists without anyone using the N-word or whatever. Modern bigotry is coded with dog whistles. As someone wrote, “The lyrics alone are coded just enough to maintain plausible deniability.” Conversely, the video centered on a Tennessee courthouse that was the site of a famous lynching.
Indeed, the song is part of a long legacy with a very dark side. “Betsy Phillips, a writer for the Nashville Scene… explains: ‘There were at least two lynchings in Columbia, but I can’t stress enough that there were many, many lynchings in the surrounding counties.’
“Asked whether she believes Aldean had direct knowledge of the Maury County Courthouse’s frightening history, Phillips points to interviews where Aldean has boasted, ‘I haven’t read a book since high school.'”
An editor for a small-town newspaper notes: “While Aldean’s lyrics may seem flattering to small towns, they do the opposite. They do damage to our efforts to be welcoming communities. The song doesn’t inspire; it divides. It doesn’t promote small towns; it stereotypes and diminishes them.”
Several people on social media mentioned Ahmaud Arbery, a Black man who tried jogging in a small town and was murdered by gun-toting racists. I immediately thought of Arbery, Emmett Till, Trayvon Martin, Mathew Shepherd, sundown towns, and other manifestations of bigotry that Aldean may not be familiar with.
Only heroes
This segues into the DeSantis-approved version of American racial history. “Florida wants to tell a story about race in America that has heroes but no villains. This is in line with the demands of DeSantis’ Stop WOKE Act, which requires that students be indoctrinated with an upbeat narrative.”
A Florida textbook publisher disallowed mentioning Rosa Parks was Black in one of their books because of the act.
“By banning an AP course on African-American studies, banning books about race, sexuality, sexual orientation, and gender identity in various school districts… DeSantis is showing he intends to not only purge Black history — he intends to rewrite it so that the ugly parts sound beautiful. This is a deliberate effort to gaslight citizens and teach children to believe the U.S. was always great, not because chattel slavery didn’t exist, but because it did.”
It’d be like saying Jews could avoid the Holocaust by being useful. Wait, someone from Fox news essentially did say that.
To the degree that enslaved people learned skills, they were designed for the enslaver to exploit further. An 1856 editorial in the Richmond Enquirer tells the truth: “Democratic liberty exists solely because we have slaves … freedom is not possible without slavery.” OK, “freedom” for those of power and privilege.
Also, in 7 of the 16 examples described by Florida education officials, the people were not enslaved at all. Lewis Latimer was born to free, self-liberated parents in 1848 before he worked on the development of the telephone. Henry Blair, Paul Cuffe, John Chavis, and entrepreneur James Forten were other examples provided by Florida, despite them being born free.
Aldean said, “What I am is a proud American. I’m proud to be from here. I love our country, and I want to see it restored to what it once was before all this bulls— started happening to us. I love our country, I love my family, and I will do anything to protect that. I’ll tell you that right now.”
In the “good old days,” ignorance was bliss… at least for some people. “They won’t listen. Do you know why? Because they have certain fixed notions about the past. Any change would be blasphemy in their eyes, even if it were the truth. They don’t want the truth; they want their traditions.” ― Pebble in the Sky.
MUSIC
Live(ish) at SpragueLand Episode 34 —Peter Sprague and Rebecca Jade – How Will I Know concert
Sinéad O’Connor’s Best: 12 of Her Finest Musical Moments
Andre Watts performs the Piano Concerto No. 2 in G minor by Camille Saint-Saens.
Coverville 1449: The Rock and Roll Hall of Fame Inductees 2023 and 1450: Cover stories for Joan Osborne and Rufus Wainwright and 1451: Sinead O’Connor Tribute and Rolling Stones Cover Story
A selection of music about the moon
Hey Nineteen – Kent Nishimura on Solo Acoustic Guitar
Common Tones in Simple Time – John Adams
For What It’s Worth – MonaLisa Twins
