Category: Beatles

JEOPARDY! Part 6

Continued from Saturday, June 25.

There was a cameraman from WTEN wishing me “good luck.” Oh, this guy from Albany! Channel 10, who carries JEOPARDY!, must be here because Boston’s so close to Albany. That made sense to me. They probably would have gone to New York City as well.
This is only partially the story. They were also there because a GUY from Albany (i.e., ME) was here. Somehow my brain wasn’t making the connection until we all went back downstairs.

We get a few more instructions from the staff. Then Glenn Kagan from JEOPARDY! was going over my response card, and he asked about some of the specifics of the incidents mentioned. When he read about the LPs and CDs I had, he asked about my favorite group, to which I replied, “The Beatles.” This led to a conversation about the American Beatles albums and the two of us doing the instrumental, James Bondian, introduction to Help! Then I said, “I’m not familiar that. How does it go?” We both laughed heartily. (On videotape, this looks VERY goofy.) He also went over my Rod Serling and mountain pieces. (The Serling piece I’m saving for a particular time. The mountain story is that I tore out my knee in 1994 on one mountain and almost got blown off another in 1997. “I like sea level.”)

I met with many of the other contestants. I’m not sure if Tom Schellhammer, a lawyer from Arlington, VA, the defending champion, was present, but I barely saw him during this period. I AM sure that the WTEN cameraman was following me around the room, and that he particularly concentrated on my feet because he was fascinated by my red Chuck Taylor sneakers. (I REALLY know this, because, a few months later he gave me his raw footage of my feet and other things he filmed.)

Next, we went to makeup. Dave, one of the contestants, said to Jennifer, the makeup artist, “Don’t make me look too trampy!” Jennifer spent extra time with me because I had the most forehead of the bunch.

It was time for us to go back upstairs and onto stage. At some point, there were pictures taken of Alex Trebek and the contestants. For some obscure reason, when I had my picture taken, Alex did the rabbit thing; you know, two fingers behind my head! I know this only because I saw him do this on a monitor; as a result, I have a JEOPARDY! pic sans host.

We did promo pieces. My eyes are darting left and right, and I’m one of the few (or perhaps the only one) who has to do it over.

Glenn explains the buzzer and the board. There are these little white lights around the board that indicate when Alex is finished asking the question, which is when we should ring in. I see the lights as they are specifically pointed out to me, but from then on, I never see them again.

When we do the practice game, there is a host and announcer and almost everything else you’d expect for a regular game, such as the music and sound effects. The host’s name was Glenn Tate, one of those guys with those game-show-host good looks. I played against Julie and Dave. He even asks us a question for the interview segment. My question: what would I do with the money? I said that I’d buy a music box set. (Not my most inspired response.) It wasn’t a whole round, and we all had inherited scores from the previous group. I got some right, missed at least two (including one we all missed: the 5 W’s of journalism!), and we each gained $1000 in our time up there.

There are lots of media, as I’ve said, and there was a period when only a few were on stage that the rest of us were in the front row of the auditorium watching Alex getting interviewed. The media also got to play a practice game, so that they can say on their respective local broadcasts, or write in their stories, “It’s not as easy as it looks.”

Then, the interview with Bianca de la Garza from Channel 10 takes place.
She asked if I was relaxed
“I’m going to be on national television and you talk about relaxed.”
She asked about money.
I said if I concentrate on money, and don’t win any, then the joy of the experience might be lost, so I’m going to try to have fun.
I told her about many of the things I’ve already written here (Aunt Deana, trip to Detroit & DC, toothache, etc.)
She asked some other things (which you’ll read about later) in a 10-minute interview.

Others were being interviewed by local stations as well. When I finished with Bianca, I figured I was done. But no, Sharman Saccetti of Channel 18 in Elmira was there to interview me. Why? Because the station that carries JEOPARDY! in the Binghamton market, my hometown, is located 60 miles away in Elmira. (Elmira’s near Corning where my friend Judy, who gave me the ride, lived; eventually she got me a video clip). I told her the experience was “exciting, terrifying, invigorating.”
(Incidentally, Bianca, Sharman and a guy named Matt and were involved in a media practice game against each other. Sharman, who “won”, eventually moved from Channel 18 to Channel 10 in Albany, and she’s moved on from there.)
Then Channel 2 Plattsburgh wanted to talk with me. Why? I don’t know. I must have been the contestant geographically closest to them.

Finally, with talent coordinator Susanne Thurber practically dragging me off the stage to end interview #3, we return downstairs. By some method unknown to me, it was determined who the contestants who would face defending champion Tom: Amy Roeder, an actress from Merrimack, NH, and me!

So, we three go to makeup AGAIN. Maggie, a member of the staff, accompanies me to the bathroom (so that nobody could slip me answers, presumably; she DID wait outside the door.) Then back to the dressing room, where I FINALLY take off my red sneakers and put on shoes.

In those days, JEOPARDY! used to do “the walk”; the contestants would walk to the podium. (They’ve since abolished it.) But in Boston, they didn’t use it because there were wires all over the place.

I got a glass of water, but I couldn’t keep it at the podium.

I am still feeling very relaxed. Then Johnny Gilbert says, “A business librarian from Albany, NY, Roger Green.”

And my mouth goes dry.

Continued on Saturday, July 9

ROG

The twins

“In the 1960’s, there were two groups on Capitol Records – one American, the other British – whose name began with the letters ‘B-E-A-.’ Each of these groups featured a bass playing songwriter born in June of 1942, and each group made records that have withstood the test of time to become classics of popular culture.”

I started delivering the Press, the Binghamton evening and Sunday morning newspaper, back in the days when there were actually evening newspapers, in 1964 or early 1965. (The M-Sa morning paper was the Sun-Bulletin; the two papers subsequently merged into a seven-morning Press & Sun-Bulletin.)

So, I had money of my own. Naturally, because I wanted to get all of the Beatles albums (I had some singles), I joined the Capitol Record club in 1965. My first album was Beatles VI, and I worked backward and forward from there, including this weird mostly talk album called The Beatles Story. I got Something New relatively early in the process. I distinctly remember getting Meet the Beatles in STEREO, which was a problem, because I only had a MONO player! There were directives about not playing a stereo record with a mono needle, lest you wreck the album. I didn’t play Meet the Beatles for weeks, then I did, and it SEEMED OK…

I also got Daydream by the Lovin’ Spoonful, Herman’s Hermits’ Greatest Hits, the Hollyridge Strings performing Beatles tunes, some instrumentalist named Billy Strange, and, of course, BIG HITS FROM ENGLAND AND USA. One side had two songs each from BEATLES (England), BEACH BOYS (USA), and PETER & GORDON (England), the “kids” side; the Peter & Gordon cuts, not so incidentally, were by Lennon & McCartney. The other side contained 2 tunes by NAT KING COLE(USA) and CILLA BLACK (England), plus “Tears and Roses” by AL MARTINO (USA), the “adults” side. I probably still have it upstairs in the attic.

Thus, my very first album I owned that featured the Beach Boys was on an album that also featured the Beatles. “I Get Around” was a great song that I had heard on the radio. But it was the other song, “Don’t Worry Baby”, a lovely ballad with exquisite harmonies that I don’t think I had been familiar with, which really intrigued me. I’d heard many of the beach/girls/cars songs on the radio, but this was something special.

So when it became available, I bought the Beach Boys’ Pet Sounds. As Paul McCartney noted, “Pet Sounds was my inspiration for making Sgt. Pepper’s…the big influence. That was the big thing for me (in 1966). I just thought, ‘Oh, dear me. This is the album of all-time. What are we going to do?'” Eventually, Paul gave a copy of Pet Sounds to all of his children. At the end of 1966, a year-end poll in one of England’s music papers found The Beach Boys topping The Beatles as the #1 vocal group in the world.

And, of course, the Beatles’ Rubber Soul, one of my next record club purchases, inspired the Beach Boys’ would-be legendary SMiLE, the album with a 37-year gestation period, finally released last year by the primary songwriter.

So, here’s to Paul McCartney, whose 63rd birthday was two days ago, and Brian Wilson, whose 63rd natal day celebration is today. Twins separated only by 48 hours and 6000 miles.

***
And speaking of vintage music, the 25th Annual Old Songs Festival is this weekend at the Altamont Fairgrounds near Albany. There was a stretch when I used to go every year, but that pattern has been altered. We PLAN to attend this year, and I hope to meet up with a friend (SKA) I haven’t seen in about three years.

Of course, yesterday, for Father’s Day, we PLANNED to go out miniature golfing, but then Lydia fell asleep on her mother’s lap for two hours, then she was hungry, then she needed changing, etc., etc. Was it Bobby Burns who said something about plans and rodents and people?

ROG

What’s in a (Band) Name?

I went to see the Funk Brothers and the Family Stone Experience in Washington Park back on May 14. It was great, but it got me to thinking: When personnel changes in a rock group, can it still be considered that group? There were, last I knew, TWO splinter groups from Sly and the Family Stone, both with original members. Since NEITHER includes Sly, there’s no issue of being the real thing. But there have been other bands during the years that have had more complicated issues.

The Beatles: When the Beatles broke up in 1970, it was considered “Paul’s fault” in some circles. After all, he had the audacity to put out his first solo album at about the same time as Let It Be. (Even though the others had all released solo discs earlier.) And he had different management (the Eastmans, Linda’s kin) than the others (Allen Klein). There was a widespread rumor at the time that the Beatles would re-form with Lennon, Harrison, Starr, Billy Preston (keyboardist on Get Back) and Klaus Voorman (designer of the Revolver album cover) on bass. Would they have been accepted as “The Beatles”? I seriously doubt it. They could survive the switch from Pete Best to Ringo Starr on the cusp of their stardom, but as the icons they became, there could be no substitutes.

The Rolling Stones: Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, and Bill Wyman was the line-up, with Ian Stewart as session and tour keyboardist. In June of 1969, guitarist Jones quit the group, quickly replaced by Mick Taylor. (Jones died a month later.) Taylor left in December of 1974; Ronnie Wood played (on loan from the Faces) on the 1975 tour, and the following year is installed as a permanent member. Bassist Wyman calls it quits in 1994. It seems that the Rolling Stones will survive as long as the Glimmer Twins (Jagger, Richards) continue to perform. With a new album and tour in 2005, it is still very much an active band.

The Beach Boys: Brothers Brian, Dennis, and Carl Wilson, cousin Mike Love, and friend Al Jardine (replaced briefly in 1962 and 1963 by David Marks) were the band. Brian quit touring in 1966, replaced briefly by Glen Campbell, and more permanently by Bruce Johnston. Dennis drowned in 1983. When Carl Wilson, Alan Jardine, Mike Love, and Bruce Johnston toured as the Beach Boys through 1997, there was a real legitimacy. But Carl died in 1998. [I went to the Rock and Roll Hall of Fame shortly after Carl’s death, where they had a nice tribute piece to him and to another Carl who had died recently, Carl Perkins.] Mike Love and Bruce Johnston regained the legal right to use the Beach Boys name and have been touring as “The Beach Boys” ever since. Even with short-timer David Marks, it’s hard for me to accept this band as the Beach Boys. Maybe if Mike & Bruce kissed and made up with Brian & Al (who was a respondent in a lawsuit for using the Beach Boys’ name in his “Al Jardine’s Family & Friends Beach Band”, featuring Al’s sons, Brian’s daughters, and several former Beach Boys’ backing musicians), then THAT would be the Beach Boys.

Herman’s Hermits: There’s the group headed by Barry Whitwam; it also featured Derek Leckenby before he died in 1994. Then there’s Herman’s Hermits Starring Peter Noone, which at least has the original Herman. The two groups create an unfortunate dilution of legitimacy.

Bob Dylan: No, wait, he’s solo artist. He’s just had so many phases in his career. He is 64 today – happy birthday to the “unwilling counterculture icon.”

I liked what Cream did. They break up, the name’s done, even though 2/3s of them (Eric Clapton, Ginger Baker) end up in Blind Faith. And when there’s a Cream reunion this year (with Jack Bruce), there’s no question of their legitimacy.

Say, this is FUN! Think I’ll do it again with some more groups some other time.

ROG

We forsake you

Pete Townsend turns 60 today.

My father and I used to listen to my early Beatles records together, trying to discern lyrics and meaning. By the time the Who’s Tommy came out, we were no longer doing that. I remember him coming into the living room when the lyrics, “We forsake you, gonna rape you” came on. He said nothing. But his look said, “What IS that kid listening to?”

ROG
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