#1- the Beatles. #2 – the Beatles…


On the Billboard charts of April 4, 1964, 45 years ago this week, a phenomenal thing took place. Not only was the #1 single by the Beatles – Can’t Buy Me Love, which would stay on the top of the charts for five weeks – but the whole top five was dominated by the Fab Four. The week before, the Beatles had 10 singles on the Top 100 charts, 12 the following week and 14 the week after, crushing Elvis Presley’s record of nine on December 19, 1956. and it was facilitated by this one fact: the Beatles were a bust when they were first released in the United States.

For instance, She Loves You was a reissue of a failed September 1963 release on Swan Records. From Me To You managed to get all the way up to #116 in 1963 on VeeJay. My Bonnie, a 1962 Decca release, originally failed to chart at all.

But when the Beatles, now on Capitol Records, hit #1 with I Want To Hold Your Hand the week of February 1, 1964, followed by their first appearance on the Ed Sullivan Show on February 9, those records on those other labels began to chart as well. No label would have put out more than a couple songs by an artist at once – Can’t Buy Me Love ascended to the top as I Want To Hold Your Hand descended for Capitol, but the other companies wanted to take full advantage of Beatlemania.

I was always a little bothered by the Beatles’ #1 as a collection, for it fails to register the quality and quantity of Beatles hits in that first period. Please Please Me (likely) and Twist and Shout (almost definitely) were blocked from getting to #1 only by another Beatles song.
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MIT DEN BEATLES Whole Category on JEOPARDY!, Show #5644 – Thursday, March 5, 2009

$200 The Beatles honed their chops playing clubs in the Reeperbahn, a red-light district in this German port city
$400 One of 2 official Beatles German-language releases, “Komm, Gib Mir Deine Hand” was the lads’ take on this 1964 smash
$600 Astrid Kirchherr & Klaus Voormann are characters in this movie dramatization of the Beatles’ time in Germany
$800 To please their rabid German fans, the boys re-recorded this hit as “Sie Liebt Dich” in 1964
$1000 While making “Let It Be”, the Beatles recorded “Geh Raus”, a German-language spoof of this No. 1 hit
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The Beatles Complete on Ukulele.

Math Professor Figures Formula for Beatles Success
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JEOPARDY! Questions
Hamburg
I Want To Hold Your Hand [on Past Masters #1]
BackBeat [which no one on the show got; I saw the movie and own the soundtrack]
She Loves You [on Past Masters #1]
Get Back [which I’ve never heard! Anyone out there own this? Anyone even HEARD this?]

ROG

Beatlemania


The 45th anniversary of the Beatles’ appearance on Ed Sullivan cannot go unmentioned here. Still working on my comprehensive list of songs, but in the meanwhist, as they in “Life of Brian” (George Harrison was a big Monty Python fan):

On episode #5602 of JEOPARDY!, which aired 6 January 2009, there was a whole category of BEATLES LYRICS
$200: “Sont les mots gui vont tres bien ensemble tres bien ensemble”
$400: “Waits at the window, wearing the face that she keeps in a jar by the door, who is it for?”
$600: “You say yes I say no you say stop and I say go go go”
$800: “Beep beep mm, beep beep, yeh!”
$1000: “I once had a girl, or should I say she once had me”
Answers below.
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One of those music memes that was circulating a few years ago:
Artist/Band: The Beatles
Are you male or female: Rocky Raccoon; Mr. Moonlight
Describe yourself: Fixing a Hole; Fool on a Hill
How do some people feel about you: Come Together; Day Tripper
How do you feel about yourself: Long and Winding Road; Getting Better
Describe what you want to be: Something; Bad Boy
Describe how you live: Twist and Shout; Searchin’
Describe how you love: Ain’t She Sweet; A Taste of Honey; All My Loving; All You Need Is Love
Share a few words of wisdom: Tomorrow Never Knows; Wait; Get Back
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The Beatles (1963-70)

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Cryptoquip:
Beatles hit about a street on which people congregate and create plays on words: Punny Lane
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Any Time At All “a unique musical blend of The Beatles and Traditional Irish and American Flatpicking tunes”
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JEOPARDY responses: “Michelle”, “Eleanor Rigby”, “Hello Goodbye”, “Drive My Car”, “Norwegian Wood”; all ultimately answered correctly, though “hello Goodbye” was muffed by two contestants before the third got it right.
ROG

B is for Beatles


In honor of the 45th anniversary of the Beatles on Ed Sullivan next month, where most of America first saw the Fab Four, I thought I’d track down my development as a Beatles fan.

Yes, I watched Sullivan on February 9, 1964, and I thought the group was all right. But I really couldn’t hear them or enjoy them over all of that SCREAMING. I went to school the next day and it appeared that my female classmates in the fifth grade had also been riddled by a mild form of what came to be called Beatlemania. This really turned me off from the group.

Beatles at the Indiana State Fair

But as I saw them (twice more on Sullivan) and heard them on the radio (a lot) I began to soften towards them. Don’t know exactly when, it was some point after the movie A Hard Day’s Night came out, because I had had zero interest seeing it at the time, whereas I eagerly watched 1965’s Help! as soon as it was released. Eventually, both my sister Leslie and I clamored for some music by the Beatles, and so my father brought home this:

Apparently, parents all over the country were fooled were fooled by this knockoff. Frankly, I don’t recall how, or even if, we expressed our disappointment.

In 1965, I started a paper route, which meant I had my own money. At some point after June, I joined the Capitol Record Club. 12 albums for only a penny! (If you buy 12 more at the club’s inflated retail price, plus shipping.) I ordered all the Beatles’ albums that were out at the time, and was horrified to discover that my Meet the Beatles was in stereo, rather than mono, since the warning on the stereo albums was that they were incompatible with a mono player; ultimately, I played it anyway.

That year and the next, we would lipsynch Beatles’ albums, especially Beatles VI, which was the first of the full-price albums I bought, using brooms and mops as guitars and Quaker Oats boxes as drums. . I was John, the literate, intelligent one; Leslie was Paul, who was left-handed and she thought he was CUTE; our neighbor Mary Jane was Ringo, because she thought he was CUTE; and our baby sister Marcia was George, because he was the only one left.

I started reading all the magazines about the Beatles. One article stood out: John Sebastian of the Lovin’ Spoonful indicated that Drive My Car was his favorite album on the album Rubber Soul. EVERYBODY knows that Drive My Car was on Yesterday…and Today, didn’t they? It wasn’t until a couple years later, possibly until after the breakup, when I discovered that the British albums and the American albums were not the same.

I quit Capitol Record Club when I realized I could buy the albums not only cheaper, but sooner from the stores. I got Rubber Soul and Revolver from the club, but Yesterday…and Today from the Rexall Drug Store ($2.99) and Sgt. Pepper at W.T. Grant’s for the outrageous amount of $3.67. I noticed I was at least a little colorblind because it took me forever to find the word Beatles on the Magical Mystery Tour cover. I recently discussed the white album.

In the 1970s and early 1980s, I started reading books about the Beatles and became rather expert at what was on which album in the UK and the US, and even Italy. Recently, a colleague went to a funk concert and asked about a song called Bad Boy. I could tell him, without looking it up, that it was a Larry Williams song from my beloved Beatles VI in America, but that it didn’t show up in Britain until the mostly singles collection A Collection of Beatles Oldies But Goldies in late 1966. It’s on the Past Masters 1 CD.

I decided, probably foolishly, that in the next couple weeks, at random intervals, I will rank the entire list of Beatles songs, based on how much I would enjoy a piece if I haven’t heard it in, say, six months. It is NOT necessarily a list of BEST songs, though quality can enhance enjoyment. The list will punish perfectly good recordings that, from overplaying, I just don’t want to hear anymore.

I’m going to limit the list to the canon; that is, the songs released on Beatles singles, albums and EPs through 1970. In other words, the tunes from the British Beatles CDs and from the Past Masters CDs. There will be no songs from the Anthology albums.

If I were a purist, I would have separate listings for the single and album versions of Love Me Do, Let It Be and Get Back or the alternative and album versions of Across the Universe; I don’t. While the single version of Get Back is what I had in mind, the coda on the album version has its charm.

NASA beamed a song — The Beatles’ “Across the Universe” — directly into deep space at 7 p.m. EST on Feb. 4, 2008. The transmission over NASA’s Deep Space Network commemorated the 40th anniversary of the day The Beatles recorded the song, as well as the 50th anniversary of NASA’s founding and the group’s beginnings.

ROG

Interesting Copyright News


I’m forever fascinated with copyright law. Article I, Section 8, Clause 8 of the US Constitution empowers Congress “to promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.” Note the words useful, exclusive and especially, limited. I’m not going to go into a dissertation about how the changes in copyright law in the United States I believe is contrary to the original intent.

I can’t find it presently, but there was a recent story about a guy who played on the original sessions for the Beatles’ album Revolver (1966) and that his payments would end soon because British copyright law’s term will have ended. It was suggested that Britain might seek a copyright law similar to that currently employed by the United States. To which I only have five words to say: NO, NO, NO, NO, NO!

Other interesting recent stories from New Media Law & E-Commerce News, Vol. 13, No. 1, January 5, 2009, ISSN 1489-954X, which can be found in detail here include:

Music Industry Set to Abandon Mass Piracy Lawsuits – RIAA stops pursuing legal action against ISPs

Harry Potter Lexicon Decision Analyzed – by the ARL and the ALAs. The article, by Jonathan Band, is entitled How Fair Use Prevailed in the Harry Potter Case (PDF).

Judge Rules Facts Are Not Copyright-Protected – this re: two movies about the 1970 plane crash that killed the Marshall University football team.

Hasbro Drops Lawsuit Against Makers of Scrabulous – R.J. Softwares won’t use the term “Scrabulous” and made changes to the game after the lawsuit had been filed.

Canadian Copyright Board Increases Tax on Blank Compact Disks- from 21 cents to 29 cents.

In each of these cases, I feel that common sense has won out.

Then there was this situation: $900 Million Copyright Suit Filed Over Illegal Use of Subscription Web Site
I don’t want to say it’s a frivolous lawsuit, since clearly harm was done to the copyright holder, about $5000 in fees. But to get from $5K to nearly a billion dollars is a circuitous argument that practically begs for tort reform, something I generally think an overstated argument.

ROG

Rousseau lost out

A couple months ago, I went to the Albany Public Library to listen to Dr. Ron Bassman, former psychiatric patient and current psychologist, talk about how the mental health profession tends to warehouse mental patients, giving them a “one size fits all” treatment. One of the things he mentioned was the societal pressure for conformity and an intolerance of much variation. That certainly seems true in terms of the uncivil discourse of politics in the United States. It seems even more true, as Dr. Bassman alluded, to the fact that there are more people imprisoned in this country than any other country that people would consider “civilized”. Are Americans more prone to criminal behavior? If not, why do we have so many locked up,when perhaps alternative sentencing may be a more viable option?

Ron told me to go to the Rousseau post in the Wikipedia and check out the highlighted quotation under the discussion of Theory of Natural Man:
“The first man who, having fenced in a piece of land, said “This is mine,” and found people naive enough to believe him, that man was the true founder of civil society. From how many crimes, wars, and murders, from how many horrors and misfortunes might not any one have saved mankind, by pulling up the stakes, or filling up the ditch, and crying to his fellows: Beware of listening to this imposter; you are undone if you once forget that the fruits of the earth belong to us all, and the earth itself to nobody.”
— Jean-Jacques Rousseau, Discourse on Inequality, 1754

My first thought: I wonder if Woody Guthrie studied Rousseau. My second thought: I wish I knew philosophy better than whatever I studied in one freshman college course over 35 years ago.
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There is a project aimed to collect limericks for every meaning of every word in the Oxford English Dictionary. There are over 49,000 approved limericks in the Omnificent English Dictionary In Limerick Form and they’re only up to Dd so far.

See, e.g., the 26 entries for aardvark, one of which is:
This really could be quite a lark,
Limericizing aardvark.
Though the rhyme is infernal,
The mammal’s nocturnal.
(It only comes out after dark.)

There are 17 limericks for the Beatles, most of them British album specific, though not this one:
A beetle’s a hardcover bug,
With an arthropod face for a mug,
While the Beatles were all
(John, George, Ringo, and Paul),
Liverpudlians I’d love to hug.

ROG

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