Gordon, whose birthday is the day before mine, albeit a couple several many years later, asks:
1)Who IS your hero?
Actually, it’s anyone who speaks truth to power. But the person who’s moved me the most this year is Bill Moyers on PBS, who used to work in LBJ’s administration. He’s talked about the fallacies of the war in Iraq, taken on Big Media in a BIG way, and speaks about religion and faith and race in a wonderful, open-minded manner. Did you see Keith Olbermann on his show recently? Maybe I’m reading into it, but I think Keith, who I like, BTW, is a bit in awe of Bill, because they are in the same “town crier” business, but Moyers has been doing it a lot longer.
2) In this age of mega media-conglomeration, when the major studios are crying poverty during the Writer’s Strike…what do you suggest we (as citizens) do?
Use less. Interesting sentence, that, because take away the space and it’s useless, which is how I think lots of people are feeling about struggling against the mass everything. And it is a struggle. But to the degree possible, go to the locally-owned movie theater. See the local productions. Watch Moyers. As to the specifics of the writer’s strike, don’t watch the network shows online, don’t buy DVDs (if you really must see the complete Stargate again, rent it.)
Did you see the Story of Stuff? If you do, I think you’ll be less likely to want to buy the crap that we’re being told that we MUST have. It’s all part of the same struggle. On the same news cycle that we read that retailers are hoping for a late pre-Christmas shopping surge, we see that credit card debt is getting higher than ever.
They put out individual seasons of our favorite TV show and we buy that. Then they put out the box set with “extras”, expecting us to buy that too. Don’t. The music industry works the same way; no wonder that many people are “ripping off” the record companies. The system seems to be designed, per planned obsolesce and/or bait and switch, to make you buy the same thing again and again. Don’t let ’em.
Before I get to Gordon’s last question, I want to address this query by George (Rick) Lewis: Why are the daytime talk shows unaffected by the writer’s strike??? Well, I did not know that they weren’t affected. Poking around the Internet, I’ve read that the producers have enough scripts to get through January. And at least during the last strike 20 years ago, scabs non-union “scribes” were hired to pick up the slack. But the particulars of who is or is not covered is not my area of expertise; go ask Mark Evanier.
3) Why do people insist on playing/listening to “Grandma Got Run Over By A Reindeer”? That is one of the most annoying songs ever written.
(Plus, traumatic incidents should never be comedy fodder).
Let me take on the parenthetical aside first. Trauma is often comedy fodder. I understand the feeding the Christians to the lions was considered great fun; well, not to the Christians, I suppose.
Seriously, there are people who think that horror movies where the cliched young adults meet their demise is high camp; I tend not to watch them myself, but that’s what I’ve heard.
One traumatic event I thought was TERRIBLY funny was the end of the movie, The Life of Brian – a crucifixion! And the victims are singing “Always Look on the Bright Side of Life”! A song so strong that it made its way into the musical Spamalot. So I think the eye-gouging of the Three Stooges or Wile E. Coyote’s Acme bomb blowing up before he gets the Road Runner (meep meep) definitely have its fans.
As to the Elmo and Patsy song itself, I’ll admit that I actually purchased the single. (For you youngsters, a single, for about a half century starting in the 1950s, was a seven-inch piece of musical vinyl with a large hole in the middle, to be played at 45 revolutions per minute on something called a “record player”.) And I liked it because it was, to my mind, a lovely little deconstruction of all the cloying sentimentality of the season. I never thought it would turn out to be a perennial favorite, and I don’t listen to it much any more, mostly because I’ve become bored with it. (And the remake that you hear on the radio is not, to my mind, as good as the less-polished version that I purchased.) In any event, Gordon, it may please you to know that others share your sentiment.
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Confidential to GP: I’m not sure that I’ve had a breakup as devastating as yours with Liar Ex (who told many lies). But the cumulative effect on me of “love gone bad” (title of a Chris Clark song, not bad grammar) has had its impact. Were you ever dumped by an e-mail so circuitous that it took you three reads to get the message? I have. I’m just sayin’. But if I went through the litany, we’d both be way too depressed.
ROG
