Fair use

If you follow the comic book blogs, there’s been a war of words over whether the demise of Scans Daily, which showed some comic book pages and commented on them, is a defeat for the comic book consumer or a victory for the comic book creator. (You can read about it lots of places – I’m picking the narrative by Gordon because his narrative is short, concise, not vitriolic – and because today is his birthday.)

All of the articles I’ve seen make use of the term “fair use”. I’ve copied the copyright page brochure on fair use, which I’m going to use in its entirety without concern, because it’s a federal government website and stuff produced by the federal government, with rare exceptions, cannot be copyrighted. The Boston Globe famously published the Declaration of Independence on July 4 a few years back and slapped on a (c) Boston Globe; nice try, that.

But, first, here’s the core paragraph:
The distinction between “fair use” and infringement may be unclear and not easily defined. There is no specific number of words, lines, or notes that may safely be taken without permission. Acknowledging the source of the copyrighted material does not substitute for obtaining permission.

“Not easily defined.” That means that, short of taking a recent book, pulling off the cover, and re-covering it as one’s own, it just ain’t that easy.

One of the rights accorded to the owner of the copyright is the right to reproduce or to authorize others to reproduce the work in copies or phonorecords. This right is subject to certain limitations found in sections 107 through 118 of the Copyright Act (title 17, U. S. Code). One of the more important limitations is the doctrine of “fair use.” Although fair use was not mentioned in the previous copyright law, the doctrine has developed through a substantial number of court decisions over the years. This doctrine has been codified in section 107 of the copyright law.

Section 107 contains a list of the various purposes for which the reproduction of a particular work may be considered “fair,” such as criticism, which is what Scans Daily was claiming to do, comment, news reporting, teaching, scholarship, and research. Section 107 also sets out four factors to be considered in determining whether or not a particular use is fair:
1. the purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes;

In other words, if I use your copyrighted item, will I be profiting from it financially?
2. the nature of the copyrighted work;
Here’s an example. If I find a photograph of a cover of a record album and use it, there’s enough law out there that says that I’m PROBABLY safe. That is UNLESS that photo is “transformative” and captures the album cover in a new and artistic way.
3. amount and substantiality of the portion used in relation to the copyrighted work as a whole;
As librarians, we struggle with this all the time. A couple of pages is OK; a whole chapter? Well, how many chapters ARE there?
and
4. the effect of the use upon the potential market for or value of the copyrighted work.

In other words, if I use your copyrighted item, will you be suffering from it financially? It seems that the courts have leaned heavily on this fourth point in determining whether it’s “fair use”.

The distinction between “fair use” and infringement may be unclear and not easily defined. There is no specific number of words, lines, or notes that may safely be taken without permission. Acknowledging the source of the copyrighted material does not substitute for obtaining permission.
In my first year doing this blog, I did a series of pieces about a book by Sid Jacobson and Ernie Colon in which comic strips were done with a supposed African-American perspective. It was difficult to explain without showing specific examples. So I ended up actually showing about one panel in four. I felt a bit easier about this because, as far as I can ascertain, the book is out of print; certainly, I’ve never seen it on Amazon. Did I make the “right” decision concerning copyright? I dunno.

The 1961 Report of the Register of Copyrights on the General Revision of the U.S. Copyright Law cites examples of activities that courts have regarded as fair use: “quotation of excerpts in a review or criticism for purposes of illustration or comment; quotation of short passages in a scholarly or technical work, for illustration or clarification of the author’s observations; use in a parody of some of the content of the work parodied;
Parody, the stock in trade of MAD magazine, e.g., is a huge one, not previously mentioned.
summary of an address or article, with brief quotations, in a news report; reproduction by a library of a portion of a work to replace part of a damaged copy;
As a matter of fact, our library HAS done this, rarely.
reproduction by a teacher or student of a small part of a work to illustrate a lesson;
Elsewhere in copyright law, there’s the mention of “spontaneity”. Let’s say you’re a teacher and you happen across an article in a magazine you thought would illustrate the lesson plan. You might make the case for making 20 copies of the article. Say, though, it’s next semester; deciding to copy that same article would hardly be considered spontaneous.
reproduction of a work in legislative or judicial proceedings or reports; incidental and fortuitous reproduction, in a newsreel or broadcast, of a work located in the scene of an event being reported.”

Copyright protects the particular way an author has expressed himself; it does not extend to any ideas, systems, or factual information conveyed in the work.
So a second book on the same historical event as the first is not in violation of copyright unless the second book substantially lifts the WORDS used to describe the event.

The safest course is always to get permission from the copyright owner before using copyrighted material. The Copyright Office cannot give this permission.
I was surprised to get in a discussion with a librarian about the AP copyright infringement case over Obama’s image. She thought Shepard Fairey should have sought permission from the AP to use the picture. I, having worked with artists, tend to see the work as transformative, tend to side with Fairey. (She also thinks Fairey is arrogant, which is probably true, but irrelevant.) I suspect it would be less of an issue had Fairey not been making lots of money from the image.

When it is impracticable to obtain permission, use of copyrighted material should be avoided unless the doctrine of “fair use” would clearly apply to the situation.
Except that this document has already stated that when fair use would “clearly apply” does not exist.
The Copyright Office can neither determine if a certain use may be considered “fair” nor advise on possible copyright violations. If there is any doubt, it is advisable to consult an attorney.
Thus keeping attorneys employed for another generation.

ROG

G is for Green

When I give out my name on the phone, I usually spell out R-O-G-E-R and say, “Green, like the color”. As often as not, the reply is, “Is that with an E?” I thought, since my last name is Green (not Greene), that I’d reflect on the color green. Of course, no analysis is more clear than the late Joe Raposo’s meditation, Bein’ green.

It’s not that easy bein’ green

Green is a secondary color, comprised of blue and yellow

Having to spend each day
The color of the leaves

JEOPARDY! clue, 5 Feb 09 in Basic Science: “The name of this green pigment found in plants is partly from the Greek for ‘green’

When I think it could be nicer
Bein’ red or yellow or gold
Or something much more colorful like that


Of course, autumn leaves ARE those colors; they are also dying.

It’s not easy bein’ green
One of the most popular children’s songs in MY neighborhood was “Great Green Gobs of Greasy Grimy Gopher Guts”; heard THAT a lot.

It seems you blend in
With so many other ordinary things

Of course, kids tease, as they do. the one name I was called the most, which actually didn’t much bother me, is Mr. Green Jeans, the sidekick on the long-running, CBS-TV weekday morning show, Captain Kangaroo. He was played by the late Hugh “Lumpy” Brannum.

And people tend to pass you over
One of the definitions of green is inexperienced, like a greenhorn rookie

‘Cause you’re not standing out
Like flashy sparkles in the water
Or stars in the sky

Though in fact, many animals either are green or can turn green as protection from predators, using it as camouflage.

But green’s the color of spring
(Will spring ever arrive?)

And green can be cool
Green Tambourine – the Lemon Pipers

(and here’s a cover version)

and friendly like
The persistent Sam I Am in Green Eggs and Ham (Dr. Seuss’ birthday was Monday)

And green can be big like an ocean
Or important like a mountain

Green means go. And speaking of which, Garrett Augustus Morgan (1877-1963) developed several commercial products, many of which are still in use today. Morgan is probably best known for inventing the gas mask and the traffic light.

Or tall like a tree
I must admit unwarranted joy when the conversation comes around to going green, meaning being environmental.

When green is all there is to be

When i was in college, I’d occasionally hear the punchline to the movie Soylent Green,, starring Charlton Heston, directed at me, long before I got around actually seeing the film; talk about a spoiler!

It could make you wonder why
But why wonder, why wonder?

About the only time I ever read either Green Lantern or Green Arrow comic books is when they appeared together in that Denny O’Neil/Neal Adams series

I am green and it’ll do fine
It’s beautiful and I think it’s what I want to be

The song has been performed by a number of folks including Frank Sinatra, and that guy born on the Emerald Isle, Van Morrison. still the best version starts off like this from the star of Sesame Street and the Muppet Show:

Greetings, Kermit the Frog here
And today I’d like to tell you a little bit
About the color green
Do you know what’s green?
Well I am for one thing
You see frogs are green, and I’m a frog
And that means I’m green, you see

JEOPARDY! question: What is chlorophyll?
ROG

February Ramblin’

So much going on, and so little time:

COMICS
AdAge has a 3-minute daily video. The topic on February 20: Could Kindle put the KABOOM on Comic Books? (February 26 discusses the Tropicana packaging debacle.)
But not all is bad in comic book land. Marvel, bucking economic trends, actually set a revenue record for 2008.

Comic book blogger Mark Evanier linked to a CBS tribute, which I found oddly moving. I think it’s because when I grew up in Binghamton, NY, there was only one VHF station, WNBF, Channel 12, so it was the Andy Griffiths and Lucille Balls I’d be watching the most.

OBAMA, POLITICS
Too much snark: Even Gov. Bobby Jindal, whom I suppose I should note was the first Indian-American to give the Republican response to a president’s speech, began with an encomium to the first black president. (Wasn’t Bobby great in “Slumdog Millionaire”?). As though I needed more proof that this woman (blonde, initials AC) is an idiot.

But this was a weird story: Poll Results: Obama, Jesus and Martin Luther King Top List of America’s “Heroes”. “When The Harris Poll asked a crosssection of adult Americans to say whom they admire enough to call their heroes, President Barack Obama was mentioned most often, followed by Jesus Christ and Martin Luther King. Others in the top ten, in descending order, were Ronald Reagan, George W. Bush, Abraham Lincoln, John McCain, John F. Kennedy, Chesley Sullenberger and Mother Teresa. These heroes were named spontaneously. Those surveyed were not shown or read a list of people to choose from. The Harris Poll was conducted online among a sample of 2,634 U.S. adults (aged 18 and over) by Harris Interactive between January 12 and 19, 2009.” I can’t explain why I find this a bit disturbing.

Another story I find puzzling is Will trade: One black Democrat for one Mormon Republican. “Congress appears to be on the verge of granting D.C. actual voting representation in the House. The Senate is expected to pass legislation Thursday or Friday that would expand the House to 437 members, adding one seat for the District and one seat for Utah, where officials say the 2000 Census would have yielded an extra seat if overseas Mormon missionaries had been counted.” Problematic for a couple reasons: 1) two more members of Congress (plus staffs)? Actually, there is a delegaste from DC, so it’d be really one more, but still. 2) I find myserlf in the strict constructionist camp, but I think fair representation for DC, long overdue, will require a Constitutional amendment.

I find that performers on the left who spout political opinions are often more criticize than those on the right, such as Chuck Norris and Ted Nugent, in my experience.

MARIJUANA
Comparing public support for legalizing marijuana to the approval ratings for Rush Limbaugh and various Republican Party leaders, the conservatives lose.
So does this mean we should start legalizing and taxing pot, as some are trying to do in L.A.?

RACE
That chimp cartoon debacle probably would have bothered me more if it hadn’t been in the New York Post. It is just what I expect from the New York Post. What does unsettle me is not the chimp reference per se as much as the DEAD chimp reference.

Eric Holder: America ‘a Nation of Cowards’ on Racial Matters. Arguably true. But will saying that initiate useful discussion? I have my doubts.

BLAME

Time magazine did a story about 25 People to Blame for the Financial Crisis, which is well and good; they all seem to have taken advice from Ayn Rand – selfishness over altruism. But Joe Queenan in the February 14 Wall Street Journal wonders about the national obsession “over the missteps of public figures like Alex Rodriguez” and Michael Phelps with “the American people [working] themselves into such a sustained, unmediated level of fury at once-revered public figures.”

“What they did is certainly wrong, but it isn’t in any way unprecedented, or for that matter, unexpected. It’s not off the charts…No public misdeed is too insignificant to earn our limitless fascination. Actor Joaquin Phoenix caused a stir this week following his appearance on the “Late Show with David Letterman.” His principal offenses: chewing gum and maintaining a generally unresponsive demeanor throughout what proved to be a very painful, unproductive interview… And thus ensued a heated debate about whether Mr. Phoenix was acting, on drugs or just spaced out. Meanwhile, in a nearby solar system, the stock market dropped another 400 points…”

“In light of the fact that we are facing one of the worst economic environments since the Great Depression, and are still in the throes of a global war against faceless, stateless terrorists, Michael Phelps can probably be forgiven for thinking that he could get away with taking a hit off that bong. And Jessica Simpson can probably be forgiven for scarfing down a few Twinkies.”

“What accounts for the shock…? For one, we the public think that we know these people because we see them all the time on TV. Because of this, they root us in the here and now in a way run-of-the-mill white-collar villains do not. They have violated an old-fashioned code of morality that we can all understand in a way we cannot understand a $50 billion Ponzi scheme or the fact that Iceland has put out a ‘Closed for Business’ sign.”

“From the therapeutic perspective, this is vastly superior to ranting about the latest depredations of Wall Street. No matter how much we froth and foam, none of us can lay a glove on imperious figures like John Thain or the haughty fat cats who run the auto industry or the inept regulators who let Mr. Madoff run wild in the first place. These folks all look the same, they all talk the same and the man in the street would have trouble picking any of them out of a police lineup. We don’t really know them and we never will.”

“It’s the human scale of their malfeasance that makes them such inviting targets.” (Mentioned in the headline, though not the article, Octomom.) “Ronald Reagan proved a long time ago that while it was impossible to get the public all riled up because the federal government was throwing away billions of dollars on this or that program, you could get them to blow their stacks by recounting a dubious anecdote about some conscienceless welfare queen on the south side of Chicago who was jobbing the public out of a few grand. This was partly because it was possible to put a human face on the welfare cheater, even if the story was vastly exaggerated, whereas the federal bureaucracy would forever remain vague and amorphous. But it was also because a few thousand bucks here and there was a number the average person could wrap his head around. Unlike, say, $700 billion.”

ROG

Jack Johnson


When I was a kid, I was fascinated by boxing. I think this was a function of my paternal grandfather’s interest in watching it on television; boxing was on primetime TV from 1946 to 1964 on four different networks, including Dumont. It was a mix of admiration and horror, I think. I knew all the heavyweight boxing champions, and their approximate reign from John L. Sullivan to Jersey Joe Walcott to Joe Louis – the Brown Bomber to the undefeated Rocky Marciano to Cassius Clay Muhammad Ali.

No one, though, intrigued me more than Jack Johnson. Perhaps it was because he was the first black heavyweight champ, but more than likely it was because he seemed to annoy so many with his unforgivable blackness. He won the title in a brutalizing fight; I suspect that he fought that way as payback for being denied even the opportunity to fight for the crown for five years for reasons of race.

From the Wikipedia post: “[R]acial animosity among whites ran so deep that even a socialist like Jack London called out for a ‘Great White Hope’ to take the title away from Johnson — who was crudely caricatured as a subhuman ‘ape’ — and return it to where it supposedly belonged, with the ‘superior’ white race.” His 1910 “Fight of the Century” victory over former undefeated heavyweight champion James J. Jeffries lead to riots by the white public, often leading to near lynchings of blacks.

Jack Johnson was the first person persecutedprosecuted under the United States White-Slave Traffic Act of 1910 which not only prohibited white slavery, but also banned the “interstate transport of females for immoral purposes.” You may know it better as the Mann Act, which was so broadly worded that courts held it to criminalize many forms of consensual sexual activity. Charlie Chaplin and Chuck Berry were charged under it and Eliot Spitzer might have been.

I remember that my girlfriend at the time, her late father and I saw the movie The Great White Hope, starring James Earl Jones and Jane Alexander, both Oscar nominated, when it came out in 1970. We were all mesmerized and enthralled, though like many movies made from plays, it was more like the filming of a play than a true theatrical experience.

Last September, Congress, with the strong support of, among others, John McCain, passed a resolution to recommend that the President grant Johnson a “pardon for his 1913 conviction, in acknowledgment of its racist overtones, and in order to exonerate Johnson and recognize his contribution to boxing.” I can find no record suggesting that such a pardon was ever granted.

There’s an online comic book called The Original Johnson. The description: “Trevor von Eeden introduces the first really free black man.” It was just over a century ago, December 26, 1908– “ironically enough, Boxing Day in many countries– Jack Johnson beat Tommy Burns to become both the heavyweight champion of the world, and the most notorious black man on the planet.”

ROG

The Year In Review: Mixed Media

As pop culture goes, my participation in same was pretty dismal. But I’m going to plod on and describe the highlights.

COMICS
Last month, the Comic Reporter asked its readers to “Name Five Memorable Comics-Related Things About 2008 (A Book You Read, An Experience You Had, An Event That Made You Take Notice — Anything That Would Help You In The Future Recall This Year.” I failed to participate there, but I will here.

1a. Fred Hembeck’s book came out, and I’m mentioned in the thank yous; I like seeing my name in print, what can I say? This also meant that I actually went to more comic-related shows (three) than I have in a while. At two of them, I saw Fred.
1b. At one of those shows, someone actually asked ME to sign some FantaCo Chronicles I worked on 25 years ago. What an ego boost!
1c. I also saw my friend Rocco Nigro, and re-met the inestimable Alan David Doane, who was probably an annoying teenager last I had seen him, rather than the charmer he is now.

2. Someone put out a Wikipedia page for FantaCo, a place I worked for 8.5 years, this summer. Frankly, the page was awful, riddled with errors and omissions. Fortunately, the guy contacted me, and it became the mission of mine and of my old buddy Steve Bissette to rectify the record; the thing is not perfect, but it’s a WHOLE lot better. The incident also gave me a chance to get in contact with former FantaCo owner Tom Skulan for the first time in nearly a decade.

3. Reading Kirby: King of Comics by Mark Evanier. It explained a lot about Jack’s motivation the times I dealt with him on the phone in the early 1980s.

4. The deaths of Steve Gerber in 2008, who unbeknowst to him helped inspire this blog, and of Raoul Vezina, 25 years ago.

5. Freddie and Me by Mike Dawson, which, among other things, made me want to listen to more of the music of the group Queen.

MUSIC
I got maybe a dozen 2008 albums all year, by Lindsay Buckingham, Elvis Costello, Randy Newman, REM, She and Him, Brian Wilson, Lizz Wright, a couple others plus the MOJO take on the Beatles’ white album. I liked them all at some level, but the even snarlkier than usual Newman album “stuck” the most. More old fogey music I received for Christmas and haven’t heard enough to judge: Paul McCartney, James Taylor and Johhny Cash. The latter is a 40th anniversary double CD/DVD box set of his Folsom Prison concerts; just on a quick listen, I’m happy to hear the Carl Perkins and Statler Brothers tunes for the first time.

MOVIES
A paltry number of 2008 pics so far: Iron Man (my favorite), Young@Heart, Man on Wire, Vicki Cristina Barcelona, and Synecdoche, New York. Three of them, IM, MoW and VCB made the Top 10 list at the WSJ along with WALL-E, Slumdog Millionaire and a bunch of other films I will try to see.
Yes, I did see some 2007 films in 2008 and I will undoubtedly see some 2008 films in 2009. Still, five is worse than the seven I saw last year, and catching up on video just doesn’t seem to happen, not that it’s entirely comparable anyway.

TELEVISION

Oh, heck, TV deserves its own posting. Thanks to technology, it’s about the only thing I have even a modicum of a chance to (barely) keep up with.

ROG

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