Coverville Archives - Page 2 of 3

My Musical Obsessions

For a time, I was pretty obsessed with the song “Baby It’s Cold Outside”; I blame the French. Actually, I blame my friend Deborah who lives in France. She turned me onto the Ricardo Montalban and Esther Williams version of the song that appeared in the 1949 film Neptune’s Daughter. Subsequently, I learned that Red Skelton and Betty Garrett reprise the song in the same film.

The Montleban-Williams version was recorded, but it was not the first one released. That honor went to Dinah Shore and Buddy Clark, one day before Margaret Whiting and Johnny Mercer, and BOTH of those recordings charted on the same day.

One of the best versions was done by Louis Armstrong with Velma Middleton. The story of the Satchmo version can be seen here.

What reminded me of all this was a version of the song on Coverville by Zooey Deschanel & Leon Redbone from the Elf soundtrack.

Also on the Coverville Annual Holiday Cover Show was Mele Kalikimaka/Waters Of Babylon by The Priestess & The Fool. The first song, of course, is the classic Hawaiian-sounding song by Bing Crosby with the Andrews Sisters. The second, though, is a song by Don McLean, the “American Pie” guy, originally called Babylon.

LINK.

Initially, I thought: “what a bizarre segue!” Babylon is based on Psalm 137, scripture most pastors I’ve known dreaded preaching about, as it’s depressing as hell. BTW, Psalm 137 is also the source of Rivers of Babylon by the Melodians from The Harder They Come soundtrack.

But the I began rethinking my objection to Babylon. Though it’s not very “Christmasy”, one of the earliest events after the birth of Jesus in Matthew 1 and 2 was the slaughter of the innocents, ordered by King Herod in Matthew 2:16-18, not unlike the events around Moses’ birth. Maybe the musical segue is not so strange after all.

The great thing about blogs is that it lets me obsess, then ideally, release it.

ROG

Time to Vote!

Oh, not the Presidential election. I can’t vote until next week. I’m not in one of those states with “early” voting and long lines; I’m in one of those states with November 4 voting and probably longer lines.

No, I’m talking about the 2008 Podcast Awards. The voting is open until November 6 and you may vote once every 24 hours.

Here’s the thing: I just don’t listen to that many podcasts: Gordon’s Cast THIS, Pal!,Brian Ibbott’s Lyrics Undercover, Arthur’s AmeriNZ, Rick Bedrosian’s movie thing. More to the point, there are only two podcasts that I listen to that are nominated: Brian Ibbott’s Coverville in two categories (Best Produced and PodSafe Music) and James Howard Kunstler’s KunstlerCast (Cultural/Arts – really?) in one. I’ll vote for them.

But this means my ballot is…susceptible to your suggestions. Go to the ballot and let me know which shows YOU like, and why, and I’ll vote for them. Every day unless two or more of you pick from the same category; then I’ll alternate.

I have made some tentative selections in some categories: I’ve voted for Grammmar Girl, which I HAVE heard, in the Peoples Choice (why isn’t this People’s Choice?) and Education categories. I voted for Ramble Redhead based solely on the fact that he leaves comments for Arthur’s podcast. Under the Mature category, I picked Dan Savage’s Savage Love because I read him in our local arts weekly; also because he helped create another definition of the word santorum.

Now you might think this is somehow inappropriate, me voting for things I don’t know about. I contend that it’s the American way; happens all the time.

So sway me.
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Free taco at Taco Bell tomorrow from 2 to 6 pm. Blame it on base stealing. ROG

ABC Wednesday: L is for Little Roger and the Goosebumps & Led Zeppelin

As is my wont, I was listening to the Coverville podcast a couple weeks ago. Brian Ibbott decided to play several covers of Led Zeppelin’s Stairway to Heaven, some straightforward, some silly. I was disappointed, though, that he didn’t play my favorite cover by Little Roger and the Goosebumps, Stairway to Gilligan’s Island. As it turns out, Brian had played it on this April 2007 episode.

I discovered that the song, recorded in March 1978, and released it as a single in May 1978, inspired Led Zeppelin’s lawyers to threaten to sue for copyright infringement and demanded that remaining copies of the recording be destroyed. This is highly ironic, given the fact that Stairway seems to be heavily copped from the 1968 song Taurus by the group Spirit, the first song on that recent Coverville episode, a snippet of which can also be found here. In fact, this website addresses many of Led Zeppelin’s “influences”.

At least I own a collector’s item.

HERE.
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October 9 birthdays in the category: Lennon, Sean, who I saw perform last year, and his late father John, who is represeented here:
or here.

.

ROG

BOOK REVIEW: Freddie and Me

I wasn’t a big fan of the rock group Queen. I do own their Greatest Hits album on vinyl, but that’s it. But Mike Dawson was a HUGE fan. In his comic book autobiography, Freddie and Me: A Coming of Age (Bohemian) Rhapsody, Dawson talks about how his upbringing in England and eventually in the United States was heavily integrated with the music and the lives of Freddie Mercury and his band. This wasn’t just the background music in his life a la the movie The Big Chill; these tunes were core elements that affected the decisions he made throughout his early years.

The book is funny, and occasionally sad; it’s specifically personal, yet has a universal sense as well. For instance, when he notes how much he hated those Queen fans-come-lately who only knew “Bohemian Rhapsody” as the result of the movie “Wayne’s World”, it sounds like any number of comic book, art and music fans I’ve encountered over the years.(I think this speaks to Tosy’s feelings about the overplayed title tune of this book. If you’re a big fan of the group Queen or, oddly, George Michael, you’ll almost certainly love this book. If you’re a big fan of any musician or artist, you will certainly relate to the passion upon which Dawson draws.
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Coincidentally, Freddie and me is one of several items for sale at ADD’s graphic novel sale.
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Go to this episode of Coverville and hear the rare Michael Jackson/Freddie Mercury demo to the Jacksons’ hit “State of Shock” that ultimately featured Mick Jagger on guest vocal.
ROG

Inspired by Originalville #2

I had so many songs that I could have used but didn’t, such as the original version of Handy Man, done originally by Jimmy Jones, with James Taylor having the big hit. But I did have enough I decided to do a second disc of originals that became bigger hits later.

1. Hush by Billy Joe Royal.
A big hit (#4)for Deep Purple in 1968.
2. Wherever I Lay My Hat by Marvin Gaye.
I only knew the Paul Young (#70, 1983) version
3. I’m a Believer by Neil Diamond.
Neil provided lots of options: Solitary Man (Chris Isaac, Johnny Cash), Kentucky woman (Deep Purple), Red, Red wine (UB40). But I opted for the Monkees’ song (#1, 1966), who performed it first, before Neil (#51, 1971).
4. Mary Mary-the Monkees.
I recall the uproar in the musical purists who wondered why the pre-fab band band was doing a Butterfield Blues Band song. Then it was revealed that it was actually a Mike Nesmith song. The complaints went away.
5. Heaven Is In Your Mind by Traffic.
6. Eli’s Coming by Laura Nyro.
7. The Loner by Neil Young.
8. Lady Samantha by Elton John.
Now we’ve come to the Three Dog night portion of our disc. Brian Ibbott did a Three Dog Night Originalville back in February, but he didn’t use these songs, so I did. Laura Nyro wrote lots of songs you’ve heard of; unfortunately, she died at 49 of ovarian cancer. The 3DN version of Samantha was a friend’s favorite song; I’d never heard the EJ version until Mr. Hembeck turned me onto it.
9. You can Leave Your Hat On by Randy Newman.
I could have included a Randy Newman song, Mama Told Me Not To Come, as another 3DN tune, but since Brian had used it, I opted for the song that Joe Cocker covered.
10. War-The Temptations.
It was not unusual that multiple Motown artists would record the same song, but due to the nature of this song, this one was a bit complicated; see this Wikipedia link.
11. Strawberry Letter 23-Shuggie Otis.
When I came up with this concept, this was probably the first song that was definitely going to be included. Shuggie Otis is the son of Johnny Otis, who I wrote about earlier this year. Even Brian didn’t know about the original. The Brothers Johnson version went to #5 in 1977.
12, Giving Him Something He Can feel-Aretha Franklin.
The very last track on the QoS 4-CD box set, but, though it went to #28 in 1976, I was not familiar with it, and I didn’t really notice it until En Vogue had had a Top Six version in 1992.
13. Tell the Truth-Derek & the Dominoes.
This a total cheat. This is the original version done by the band, released as a single in 1970, but then withdrawn. The version that is on the Layla album is slower and bluesier; this version is more frenetic, and for me, favored.

I had stayed late at work last Friday night working on this on Roxio, but it practically made my computer explode. Seriously: Corrupted error report: Unfortunately, the error report you submitted is corrupted and cannot be analyzed. Corrupted error reports are rare. They can be caused by hardware or software problems, and they usually indicate a serious problem with your computer.

Then my old and good friend Uthaclena came up on Saturday, upgraded my computer, and installed Nero. Sunday, I was having the problem that the disc drive would hang up unless I closed in and out of Nero, which eventually corrected itself. Add to that the child thief. I mention all this as explanation/apology to those waiting. Since I finally got a groove going, I made 20 of each disc. Six are going to the other Mixed CD participants; seven are going to my work colleagues, some of which were helpful in creating the playlist; three to some helpful folks, such as Messrs. Hembeck and Uthaclena. One to my sister; oh, golly, one for ME. That leaves three for the first three people who ask.
ROG