Inspired by Originalville #1

As I’ve mentioned here before, I’m a big fan of the podcast Coverville, hosted by Brian Ibbott. It’s a show that generally features of cover songs of artists, sometimes as a theme and sometimes by listener request. (BTW, if you are curious what I sound like, go to this Bob Dylan edition, right before he plays the Joan Baez song.

Occasionally, Brian’ll play a song that’s the original of a song that people might think was done by a more popular artist. That is the inspiration of the mixed disc I did for Lefty Brown’s Mix Bag VI.

Here are the songs on Disc 1:
1. Who’s Sorry Now by the Rhythmakers.
Truth is that I don’t know if it IS the original. I do know it came out in the 1930s, long before the 1958 Connie Francis version, which went to #4 on the Billboard charts.
2. Walking Blues by Robert Johnson.
I’m pretty sure this IS the original. There were lots of songs to choose from (Sweet Home Chicago, Crossroads, e.g.) but I picked this tune because it was covered in the 1960s by the Butterfield Blues Band, who show up later in this story. It’s a blues standard.
3. Hey Bartender by Floyd Dixon.
4. I Don’t Know by Willie Mabon.
Brian did a Coverville involving the Blues Brothers recently; these are the originals of songs that Jake and Elwood performed on that first Blues brothers album.
5. Bring On Home by Sonny Boy Williamson.
6. Killing Floor by Howlin’ Wolf.
Two songs purloined by Led Zeppelin without attribution, the latter forming the basis of the Lemon Song.
7. Louie Louie by Richard Berry.
Before the Kingsmen or Paul Revere & the Raiders came this classic version. From the Hembeck collection.
8. Hello Mary Lou by Gene Pitney.
Is this really an Originalville? I believe Gene Pitneey recorded this AFTER Rick Nelson had a Top 10 hit in 1961.
9. Oh Lonesome Me by Don Gibson.
Actually a big hit for Gibson in 1958, but I know it better as the much slower song recorded by Neil Young for After the Gold Rush.
10. Blue Bayou by Roy Orbison.
Went to #29 for Orbison in 1963. Might not have even included it except for baseball announcer Tim McCarver. After Linda Rondstadt had a Top 3 hit in 1977, McCarver would refer to a fastball as a “Linda Ronstadt – you know, blew by you.” Feh. If he had called it a Roy Orbison, I wouldn’t have complained.
11. Money by Barrett Strong.
The first Motown hit. On Coverville, there was some confusion about whether the Beatles were the originators of this song. Actually, Strong wrote many Motown hits, although not Money.
12. Devil in His Heart by the Donays.
I had lots of songs that the Beatles covered to choose from, but I picked this one from the Hembeck collection as it was among the most obscure.
* Now here’s the point I would have added the Rolling Stones’ version of I Wanna Be Your Man, which they performed before the Beatles, had I owned it.

13. Stop Your Sobbing by the Kinks.
The Pretenders had a minor hit (#65) with this song. Oh, I suppose I should mention the later Ray Davies-Chrissie Hynde romance.
14. Go Now by Bessie Banks.
The last three songs are from the Hembeck collection. This one was Top 10 for the Moody Blues in 1965.
15. Good Lovin’ by the Olympics.
The Olympics actually went to #81 in 1965, but the Young Rascals hit #1 in 1966.
16. My Girl Sloopy by the Vibrations.
The Vibrations got to #26 in 1964, but the McCoys, with a title changed to Hang On Sloopy, went to the top of the charts in 1965, with the Ramsey Lewis Trio also having a hit (#11) in ’65.

Oh, and this is what Gordon said about his own disc, and what Tosy said about Lefty’s.
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Al Gore’s “Inconvenient Truth” becomes an opera.
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Harvey Korman interview: Part One; Part Two; Part Three. One of the funniest lines ever was delivered by Harvey to Carol Burnett at about 3:30 here: “Scarlett, that gown is GORGEOUS.” RIP, Harvey.
***
I’ve learned that not only did Earle Hagan write all those TV themes I mentioned yesterday, he also wrote the classic jazz tune “Harlem Nocturne” covered by the Viscounts, Brian Setzer and many others.

ROG

Music covers QUESTION

There was a 90-minute discussion on the Coverville podcast, episode 450, about cover music. Brian, the host, posed several questions of the panel of fellow podcasters of cover music. I listened to it some weeks ago, so not all the particulars are fresh in my mind. Still, here are a couple questions inspired by that podcast.

1. What IS a cover version? For instance (and this was on the show), is Eric Clapton doing Layla considered a cover of the Derek and the Dominoes version? The panel thought not.

2. How about when a songwriter writes the song, gives it to another artist, THEN records it? I believe Gene Pitney’s Hello Mary Lou, recorded by Ricky Nelson before Pitney recorded it, would qualify. Which one is the cover? I don’t know.

3. Or what if Ronnie Spector took a Ronettes song such as Be My Baby and sang background vocals on a more contemporary artist? I think that WOULD be a cover?

4. What makes a good cover song? Sometimes, but not always, a different point of view – a female singing what had been a song previously performed by a male – will help. It cannot be a slavish imitation of the original; what’s the point? Often the remake features faster or slower tempos, unusual instrumentation or other qualities.

5. What is the first cover song that you really enjoyed that you recognized as a cover? Motown folks were always covering each other, but mine was We Can Work It Out, Stevie Wonder’s cover of the Beatles’ tune.
ROG

ARCANE MUSIC QUESTIONS

1. I was listening to the Coverville podcast this week. Brian played Saturday Night’s Alright For Fighting by The Who from Two Rooms: Celebrating The Songs of Elton John & Bernie Taupin and noted that Elton John also covered the Who’s Pinball Wizard. So your mission, should you decide to accept, is to find other examples of besides these discovered by Fred Hembeck, my co-workers and me:

Beatles- You Really Got A Hold on Me
Smokey Robinson- And I Love Her

Elvis- Hey Jude (a pretty horrific version)
Paul McCartney- That’s Alright Mama, It’s Now or Never

Fats Domino – Lady Madonna
Paul McCartney – I’m in Love Again

Little Richard- I Saw Her Standing There
Beatles- Long Tall Sally, Hey Hey Hey Hey

Ray Charles – Yesterday, Eleanor Rigby
Beatles – Hallelelujah I Love Her So

Smokey Robinson & the Miracles – And I Love Her
Beatles-You’ve Really Got A Hold On Me

Simon & Garfunkel – The Times They Are A-Changin’ (from Wednesday Morning, 3 A.M.)
Bob Dylan – The Boxer (from Self-Portrait)

Tim Hardin – Simple Song of Freedom
Bobby Darin – If I Were a Carpenter, Lady Came from Baltimore, Reason To Believe

Versions should be commercially available (CD, mp3).

2. Mark Evanier wrote about the missing title tune to the animated Disney classic 101 Dalmatians, which I really enjoyed.

And I can relate, somewhat. When I bought the Yellow Submarine single, the lyrics went:
As we live a life of ease (a life of ease)
Every one of us (every one of us)
Has all we need (has all we need).
But on the Revolver album version, there’s no “a life of ease” echo. Finally, on one of those four-song “singles” CDs that came out at the time of the Beatles Anthology series, a version of Yellow Sub, with the “a life of ease” echo! I wasn’t crazy.

Now all I need is some proof that the Simon & Garfunkel song Bridge over Troubled Water is in a different key (or at least a different playback speed) on the single than it was on the album.
So, my question: what aspect of music, film, TV or other entertainment do you remember differently than is commonly recalled?

ROG

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