Elton John Archives - Ramblin' with Roger

Songs That Move Me, 30-21

30. Sixty Years On- Elton John
Just great use of strings. Too bad Elton’s vocal’s mixed too low, but the instrumentation is a fair representation of the recording.
Feeling: old.

29. The Mercy Seat- Johnny Cash
This is a nice little Nick Cave song about an upcoming execution of the protagonist, for a crime he did not commit (maybe). It is the Benmont Tench keyboards on this song, like his keyboards on Johnny’s version of Hurt, that really stand out for me. I particularly appreciates how it builds sonically. From the third American Recordings CD.
Feeling: a-feared.

28. How Cruel – Joan Armatrading.
“I heard somebody say once I was way too black
And someone answers she’s not black enough for me”
Just for that couplet there. And the piano.
Feeling: a tad ticked off.

27. A Salty Dog – Procol Harum
The sound effects, the building of the sound.
Feeling: adrift.

26. Tempted-Squeeze
Near-perfect pop song, with great background singing and that classic Paul Carrack groan.
Feeling: inappropriate.
HERE.

25. I Saw Her Again- Mamas and the Papas
This is enhanced by an accident of technology. On a greatest hits LP I had growing up, the lead vocal all but drops out, revealing the intricacy of the harmonies.
Feeling: inappropriate.

24. Will You Still Love Me Tomorrow – Carole King
It’s the Mitchell-Taylor Boy and Girl Chorus that really makes this. This arrangement practically begs for a cappella singing. From Tapestry, which I played so much, I wore out the LP.

23. Rain – the Beatles.
Not sure i really liked this song on first listen. It was, “What the heck is THAT?” But later, the tape loops and steady beat won me over.
Feeling: wet.

22. Rolling Stones – Gimme Shelter
Not only great guitar playing, but the Merry Clayton vocal really shreds it.
Feeling: alone.

21. Lay Down (Candles in the Rain) – Melanie
I had a friend inn the music business mock me when a mutual acquaintance, a radio DJ, let her know I had requested a Melanie song from him. I protested, “But it’s Lay Down!” the clash between her sometimes homely voice and the Edwin Hawkins Singers creates such wonderful music tension.
Feeling: too tired to sleep.
or HERE.
ROG

Songs That Move Me, 70-61

70. The Love You Save – Jackson 5
It’s true; I could sing every part of this song except Michael’s, and often did sing along, especially Jermaine’s part.
Feeling: Joyous.
(starts at 3:05, after some other J5 music)

69. The Supremes – Remove This Doubt.
Back in the bad old days of romance, there would be songs that I would play that reflected my state of mind. This was one. Great strings. Later covered by Elvis Costello.
Feeling: melancholy.

68. Levon-Elton John
I love it, pretty much for reasons noted here.
Feeling: What’s it all about?

67. I Got a Line on You – Spirit
A song from college that I have on vinyl that someone put on a mixed CD for me this century. Loved the doubled guitar line.
Feeling; Joyous.

66. Summer Days – Bob Dylan
The live versions I found, and there are several, don’t quite provide the same sensation as the studio recording..
Feeling: Like dancing.

A truncated album version.

65. Do What You Want to – Billy Preston.
I saw the late Billy Preston at a concert in college. The song starts slowly then speeds up considerably by the end. Great vocal and organ throughout. From the That’s The Way God Planned It album, produced by the late George Harrison.
Feeling: I will you love you anyway.

64. Spencer Davis Group – Keep on Running
This song lives on the bottom. When I used to ride my bike to work, I had this song in mind when taking an incline. Ah, when Steve Winwood was young.
Feeling: Energized.

63. A Hard Day’s Night – the Beatles.
Love that first chord, the shared vocals, the guitar bridge. Indeed, I have a fondness for the two-minute jazz version on the HDN soundtrack.
Feeling: joyous.

62. Lucky Man-Emerson, Lake and Palmer.
Last song on the first album. I used to do a credible simulation of the synth at the end.
Feeling: not so lucky.

61. Pete Townshend – Let My Love Open the Door
I’ve read that Pete said that this isn’t a romantic love song, but a song of religious love. Whatever it is, I’m fond of the instrumentation in the beginning and the harmony vocals as much as anything. Also like the remix he did.
Feeling: loving.

ROG

Buying New Music

It’s been a while since I went out and bought new music, but the Barnes & Noble had sent me a coupon worth 40% off on all CDs, after whatever sale prices applied. Sunday, I took the bus to the ever-expanding Colonie Center. B&N used to be in a free-standing building on Wolf Road in Colonie across from the mall. But at some point in the past few months, it has moved to its new location across the street.

I went in figuring I’d buy some new music, the new k.d. lang, the new Herbie Hancock that won a Grammy for best album(!) or maybe its predecessor which featured Paul Simon and Sting. I was also looking for the soundtrack of Rodgers and Hammerstein’s Cinderella, either the Julie Andrews or the Lesley Ann Warren version. NONE of them were there. O.K., now what?

So, I just systematically started looking through the albums. I was trying not to buy on CD the exact same albums I already own on vinyl, because a friend of mine told me about her recent experience converting vinyl to CD. That eliminated greatest hits by Bob Dylan, Queen, the Guess Who, Hall & Oates (yes, shut up), The Association (YES, shut up), and a couple others.

First album picked, much to my surprise: Captain Fantastic and the Brown Dirt Cowboy by Elton John. I have all of the other “classic” period EJ albums on vinyl, save for the early Empty Sky, but never got this one. At some level, the garish cover, and the fact that the album went to #1 in its first week, turned me off at the time. But it was Elton’s 61st birthday recently, and the only CDs I had to play were various greatest hits collections, plus the later Made in England. I’m sure I was affected also by Johnny B.’s recent discussions of all things early Elton. What sealed the deal was one of the additional tracks. Along with Lucy in the Sky and Philly Freedom was One Day at a Time, which I assumed was not the theme song of the Bonnie Franklin TV show that debuted in 1975, but rather the John Lennon cut, and it was.

Second album: The Ramones Greatest Hits. I have a couple LPs, but have massive holes in the collection. Probably influenced by Gordon.

The third album: The Very Best of Todd Rundgren. I have various Nazz, Utopia and solo LPs, but still wanted this.

The fourth album: OK, no recent Herbie Hancock? How about some classic Herbie Hancock, Head Hunters, featuring the classic cut Watermelon Man? All right then.

These were all $12.99 each list price, so $7.80 after the coupon, and I might have quit there, but I discovered The Millennium rack. If you’ve been in a record store lately, you’d recognize these. Black and white picture, gray top. And there were several to choose from: the Platters, Tom Jones, the Allman Brothers were all considered. The cool thing about these is that they were $9.99 each, but three for $20 if I used my MasterCard. I ended up picking Joan Baez, who my father admired as far back as 1959, when he brought home the oddly-named The Best of Joan Baez; and John Mellencamp, probably in part because of the love Tosy had given him after his recent induction to the Rock and Roll Hall of Fame.

The final album was also on the Millennium rack, but was not a Millennium album. It was Lucinda Williams’ 2003 album World Without Tears. $16.99 list, but still with the 3 for $20 sticker. I might have gotten this one anyway, but Lefty Brown’s affection for her did not hurt. Also the fact that, because I had the 40% off coupon, 3 for $20 became 3 for $12, or $4 apiece. (BTW, there’s a second version of World Without Tears with three extra songs available out there. Oh, and the three for $20 continues through May 5.)

Total price, less than $47, under my $50 mental budget. So thanks, guys, for going shopping with me.
***
Elton Joe Performs “Dogs in the Kitchen” , the never-completed song, the lyrics of which appear in Captain Fantastic.

ROG

ARCANE MUSIC QUESTIONS

1. I was listening to the Coverville podcast this week. Brian played Saturday Night’s Alright For Fighting by The Who from Two Rooms: Celebrating The Songs of Elton John & Bernie Taupin and noted that Elton John also covered the Who’s Pinball Wizard. So your mission, should you decide to accept, is to find other examples of besides these discovered by Fred Hembeck, my co-workers and me:

Beatles- You Really Got A Hold on Me
Smokey Robinson- And I Love Her

Elvis- Hey Jude (a pretty horrific version)
Paul McCartney- That’s Alright Mama, It’s Now or Never

Fats Domino – Lady Madonna
Paul McCartney – I’m in Love Again

Little Richard- I Saw Her Standing There
Beatles- Long Tall Sally, Hey Hey Hey Hey

Ray Charles – Yesterday, Eleanor Rigby
Beatles – Hallelelujah I Love Her So

Smokey Robinson & the Miracles – And I Love Her
Beatles-You’ve Really Got A Hold On Me

Simon & Garfunkel – The Times They Are A-Changin’ (from Wednesday Morning, 3 A.M.)
Bob Dylan – The Boxer (from Self-Portrait)

Tim Hardin – Simple Song of Freedom
Bobby Darin – If I Were a Carpenter, Lady Came from Baltimore, Reason To Believe

Versions should be commercially available (CD, mp3).

2. Mark Evanier wrote about the missing title tune to the animated Disney classic 101 Dalmatians, which I really enjoyed.

And I can relate, somewhat. When I bought the Yellow Submarine single, the lyrics went:
As we live a life of ease (a life of ease)
Every one of us (every one of us)
Has all we need (has all we need).
But on the Revolver album version, there’s no “a life of ease” echo. Finally, on one of those four-song “singles” CDs that came out at the time of the Beatles Anthology series, a version of Yellow Sub, with the “a life of ease” echo! I wasn’t crazy.

Now all I need is some proof that the Simon & Garfunkel song Bridge over Troubled Water is in a different key (or at least a different playback speed) on the single than it was on the album.
So, my question: what aspect of music, film, TV or other entertainment do you remember differently than is commonly recalled?
ROG

(1) Foster Dulles; (2) and George Michael; (3) and Bernie Taupin

In honor of someone’s 60th birthday today, I found these clues on the J-Archive for whom the answer is “Who is…” and the birthday person in question, except for the last three, for which the answer is this person, added to the footnoted person in the title of this piece.

HOT TUNES $600: He’s recorded “Burn Down the Mission”, “Flames of Paradise” & a big hit about a candle.
RAY CHARLES & FRIENDS $600: (Hi, I’m Larry King.) In 2005 I talked to this pop legend about his duet of “Sorry Seems To Be The Hardest Word” with Ray Charles
THE 1970s MUSIC SCENE $800: He sang “Someone Saved My Life Tonight” about a suicide he attempted when engaged to an onion heiress
DUETS $200: In 1994 he charted a new version of “Don’t Go Breaking My Heart”, this time with RuPaul
POP STARS A.K.A. $200: “Rocket Man” Reginald Dwight
THE OSCARS $200: Though he’s acted on screen, as in “Tommy”, his first nomination & win was for a song in “The Lion King”
ROCK MUSIC $100: Although his 1974 hit “Bennie And The Jets” hit No. 1 in the U.S., it only reached No. 37 in the U.K.
NICKNAMES $800: This rock star, nicknamed “Captain Fantastic”, has over $50,000 worth of eyeglasses
PEOPLE $400: When he auctioned off his wacky wardrobe, his Pinball Wizard boots sold for over $20,000
(1) BEFORE & AFTER $800: He sang “Can You Feel The Love Tonight?” when negotiating a peace treaty with Japan & as Ike’s Secretary of State
(2) POP MUSIC $400: These 2 singers, with 4 first names between them, had the 1991 No. 1 hit “Don’t Let The Sun Go Down On Me”
(3) THEY WROTE THE SONGS $300: “Honky Cat” & “Crocodile Rock”

This doesn’t count the clues where the person’s name is in the clue, including a whole category on 4/11/2006.

Unfortunately, the J-Archive doesn’t have out yet my favorite Final JEOPARDY! clue, about a musician who has had a Top 40 song every year from 1971 to 1995. Interestingly, this person didn’t have one in 1996, but had his biggest hit in 1997.

And if you don’t know who he is, then write to me. Privately.

ROG