Category: FantaCon

FantaCo redux

How do you leave the past behind
When it keeps finding ways to get to your heart.
– From the musical Rent.

As some of you know, I worked at FantaCo Enterprises, a comic book store that was involved with conventions, mail order and publishing from May 1980 to November 1988. After I left, I figured, “OK, that was THAT chapter in my life,” and I would just move on.

Well, no.

In part because of the nudging of a certain party, I wrote a piece or two about the place I spent 8.5 years working, with another piece coming later this month. Then I discovered that some people had warm recollections of FantaCo, the store, the conventions and the various, and eclectic, line of publications.

What brought this to mind were TWO e-mails I got in the past week. One wanted to get hold of FantaCo owner Tom Skulan concerning a publication about magazines such as EERIE and CREEPY, and he wanted to include the FantaCo publications of the genre.

(Truth is, I have a three-year-old e-mail of Tom’s and don’t know if it’s any good.)

The other e-mail was from a guy who wrote:
One question I have is about the Fantaco/Tundra imprint. According to many sources, right around 1990, FantaCo proper disappeared, and instead comics with a Fantaco/Tundra imprint appeared. Kevin Eastman, publisher of the short-lived Tundra Publishing, seems to have been involved (as a book of his, “No Guts No Glory” was published by Fantaco/Tundra). In my Wikipedia entry, I deduced that Eastman bought out or absorbed Fantaco around this time. Am I correct in assuming that? If not, do you know the real history? (I know you left the company around 1988, but I thought you might have kept up with their story.)

I have no idea. The idea of Tom allowing anyone to “absorb” FantaCo seems out of character, but as the writer notes, I wasn’t there. (Hey, anyone out there know?)

This latter writer, not so incidentally, has put together the FantaCo Wikipedia post. It is incomplete, as it does not even mention the book publications, such as Splatter Movies, Video Screams, The Amazing Herschell Gordon Lewis, a couple HGL screenplays, Midnight Marquee #33 (I think), and two books about Famous Monsters. I was tickled, though, to see the list of references, including Steve Bissette, who I knew in the day, and have been reacquainted with as a result of the Internet; and, well, me. I’m also cited, BTW, in the Fred Hembeck Wikipedia post.

Somehow, I have, much to my surprise, started to feel some responsibility towards the history of the FantaCo flame, even the stuff that happened after I left. It must be the librarian in me. Steve Bissette has already tackled some of this in his four-part series on Gore Shriek Steve’s contributions to Henderson State University also addresses the topic. Others who have noted it include Fred Hembeck, of course, and Dennis Dread.

So, at SOME point, I’ll have to deal with the incomplete legacy of FantaCo. I’ll probably start with the Mile High listing. But, for all sorts of reasons, which will be revealed sooner or later, not for a few weeks. Meanwhile, if you all have some solid information re: FantaCo, especially FantaCo publications, and the FantaCo/Tundra relationship, please let me know. My thanks. The information gods will truly thank you.

ROG

ROG

Art jam

There is a gentleman named Jeff Kapalka, who sent his newspaper review of Fred Hembeck’s new book to Fred recently. With Jeff’s permission, Fred forwarded it to me.

Jeff also attached this item, forwarded by Fred:

Jeff describes it to Fred: “I’m also sending along a scan of a piece you participated in about two decades or so ago. Remember when we’d meet up at conventions, and I’d be toting my big-ass piece of poster board around, getting all and sundry to contribute to a mammoth character jam? Well, it finally got filled up in the mid 1980s, Karl Kesel got roped into inking any penciled characters, and I’ve kept it ever since.

“In the bit I was able to cram into my scanner, we’ve got Cartoon Fred interviewing an Al Milgrom Firestorm (who for some reason is wearing a Clyde Caldwell clown puppet on his hand). Meanwhile, CF is being crept up upon by a Steve Bissette Swamp Thing (“Let’s see if you can grow YOUR arm back.”) with Vince Giarrano’s Haywire lurking in the background. Just out of shot, a Paul Smith Storm is forming a little storm cloud over Firestorm. He doesn’t notice, as he’s busy trying to pal around with a rather disinterested Jughead, a la Stan Goldberg. That’s Brent Anderson’s Shanna in front of a Ron Frenz Spidey, and you can just about see E-Man’s outstretched hand, courtesy of Joe Staton. Can’t remember for the life of me which character from Arion, Lord of Atlantis Jan Duursema sketched, but there’s no mistaking Raoul Vezina’s Smilin’ Ed.”

“Ahh…those were the days.”

Yes, they were. It’s interesting that three people who did work for FantaCo appear in this panel:
Steve Bissette, who was in Alien Encounters, Gore Shriek, Deep Red and other horror projects.
Fred Hembeck, who, in addition to his eponymous series, also contributed to Smilin’ Ed, the Chronicles series, Gates of Eden and Alien Encounters.
And of course, the late Raoul Vezina, who, in addition to Smilin’ Ed, worked on the Chronicles and had stuff in the first four FantaCon programs.

Jeff notes to me: “I loved Smilin’ Ed. (The issue where he heads off to Hollywood, obsessed with cinematic cheese, spoke volumes to me. Even today, when I think of the poster for Angry Red Rabbit, or poor Ray Merrymausen working on his stop-motion project, I smile.)

“We probably have already met, of course. My cohorts and I made many a trip to FantaCo back in the 1980s, and we were always treated right. The feeling there was like the Cheers bar, but with comics. It was there I first found out about the redoubtable Mr. V and his critter creations. Sadly, I have no real memory of any conversations with either him or you, but I do have the sense of having talked comics with fellow fans.

“FantaCo also introduced me to the awe and mystery that is Blotto, but that’s going off on a tangent.” Not really. The FantaCo folks were big Blotto fans, too. I was singing ‘Metalhead’ in the shower just yesterday.

“The piece also features a Dave Sim Cerebus, Wendy Pini’s Skywise, Iron Man by Bob Layton, John Byrne’s Rog-2000, Mike Grell’s Warlord, Walt Simonson’s Manhunter flanked by George Perez’ Starfire and Mary Wilshire’s Firestar, a Totleben Demon squaring off against a Simons Ghost Rider, and an Incredible Vampire Balloon. (The last is a critter from my Cranberry: Certified Public Avenger series. Never heard of it? You’re not alone…) And there’s still more!”

Jeff indicated that if he gets a chance to scan some more, I might be able to share more with you fine folks. Thanks, Jeff.

ROG

ROG

Herschell Gordon Lewis

One thing watching the movie Juno took me right out of it for a minute. That was a reference to Herschell Gordon Lewis. I shan’t expand on that in terms of the movie.

Herschell Gordon Lewis is, more than anything, a businessman. He discovered that one way to make money is to make films filled with blood and/or sexual titillation that the major studios wouldn’t get caught dead doing back in the early 1960s. Read this particular description by Steve Bissette, who knows a WHOLE lot more than I do:
“BLOOD FEAST (1963) Notorious Herschell Gordon Lewis shocker dared to go where no major studio would, crudely carving out brains, tongues, limbs, and its unique niche as the first true ‘gore’ film. This widely-imitated breakthrough hit of the 1960s drive-in circuit was filmed in and around the beaches of Sarasota, Florida.”

I was working at FantaCo, primarily a comic book store, in 1983. Splatter Movies (1981), written by John McCarty, was, after we found a sales niche advertising in FANGORIA magazine every issue, became a huge success. So what do we do next? As I hope I made clear, it’s not my genre, so I haven’t a clue. But Tom Skulan, the owner, and John McCarty somehow team up with Daniel Krogh, cinematographer on Lewis’ The Wizard of Gore (1970), and decide to put out a book called The Amazing Herschell Gordon Lewis, and His World of Exploitation Films by Krogh, with McCarty.

The book premiered at the 1983 FantaCon, and HGL, as I referred to him, was making an appearance. What kind of man makes these kind of films? Well, as it turns out, the guy was very much a gentleman, sweet, soft-spoken, at least in that setting. He was a natty dresser. I didn’t spend a whole lot of time with him, but I did get him to sign my copy of the book, which read: “To my friend Roger”. Daniel Krogh signed it “TO ROGER OF FANTACO”. John McCarty, who I had gotten to know from Splatter Movies, wrote, “To Roger – Whose job I don’t envy”. That was in reference to the fact that my task, once the convention was over, was to ship hundreds and hundreds of these to the comic book distributors. Ultimately, we also sold directly to non-comic book shops and at retail. As FantaCo subsequently published scripts for 2000 Maniacs and Blood Feast, HGL dominated my life until I left FantaCo in 1988.

I started my new job as a librarian in 1992. Perusing the shelves of the SBDC Research Network, what should I see but a book on direct marketing by someone named Herschell Gordon Lewis! Could it be the same guy? It could, and it was – check out his bibliography and filmography, right on his own website. He doesn’t shy away from his past – or his present – there is a Blood Feast 2 listed for 2002.

So seeing the HGL reference in Juno brought it full circle for me.
ROG

ROG

What Hast Moss Wrought

Lynn Moss, the wife of Fred Hembeck, has posted pictures of the second FantaCon back in 1980, before she WAS the wife of Fred Hembeck, if I’m remembering correctly. (EDIT: I wasn’t remembering correctly: they were married the year before.) The convention was put on by FantaCo Enterprises, the comic book store I worked at from 1980 to 1988. The pictures feature Fred, Lynn, Bill Anderson, Joe Staton, Wendy and Richard Pini, Dave Simons, and John Caldwell, plus FantaCo artist/front man Raoul Vezina, FantaCo employee Mitch Cohn and FantaCo owner Tom Skulan. The pictures also feature the “art jam” drawing done by Fred, Raoul, Wendy Pini, Berni Wrightson, Jeff Jones, Simons, Caldwell, and Staton, a drawing Fred described on November 28, 2003.

BTW, 21 Central Avenue, Albany, which was FantaCo’s location for its 20 years, has been several things in the years since it closed in 1998. Currently it’s a bazzar (their spelling), a convenience store that sells halal meats and other items.
***
R: You really ought to plug Fred’s upcoming book again.
R: Well, I have all of those FantaCo publications in the Smilin’ Ed and Hembeck series. In fact, just came across them in the attic this weekend.
R: Yeah, but there’s over 600 MORE pages, some of which you’ve never seen.
R: Really?
R: Yeah, and all for about $25.
R: WOW! But I need a new angle.
R: How’s that?
R: I need a new way to plug the book again.
R: How about the cover, with the color scheme they chose NOT to use?

R: That’d work.
***
A bunch of Jack Kirby stories that have allegedly never been reprinted. (Thanks, Dan.)
***
Fred and Rose talk about commerce, of a sort.

ROG

ROG
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