Category: Gene Siskel

MOVIE REVIEW: Slumdog Millionaire


In keeping with my Washington’s Birthday tradition, I went with my wife to see a movie. I chose Slumdog Millionaire to watch with her because I knew in advance that it would more…intense than she might have thought. As I was discussing on Twitter this week, it was rated R for a reason.

How on earth does a poor young man fare so well on India’s version of “Who Wants to Be a Millionaire”? He must be cheating! But how? The police use “extraordinary” means to find out, only to discover that there’s an explanation for it all, based on an extremely difficult childhood.

Owen Gleiberman of Entertainment Weekly said: “Slumdog Millionaire is nothing if not an enjoyably far-fetched piece of rags-to-riches wish fulfillment. It’s like the Bollywood version of a Capra fable sprayed with colorful drops of dark-side-of-the-Third-World squalor.” Well, maybe. I know the producers didn’t bill it as such, but as a friend of mine put it, “it took a long time for this ‘feel good’ movie to feel good.”

I think part of the problem was that it took three actors each to play the three main characters and I didn’t always buy the transition from one to the next. One either buys into the sheer level of coincidence or one does not. I guess I never fully engaged enough to buy in. So the “happy ending” seemed less joyous than it should have been; I didn’t feel the payoff. Whether this is a function of the low-key acting styles, especially of Dev Patel, the last lead male, or what, I’m not sure.

This is not that I did not enjoy elements of it. The outhouse scene was memorable. Having had to go to the bathroom while taping a television quiz show, albeit in the United States, I was intrigued by another particular scene. Frankly, I was a bit of a sucker for that original run of Millionaire hosted by Regis Philbin, so I enjoyed the game section on that level. The smelling of a $100 bill will stay with me. The stuff at the Taj Mahal, though, I swear I’ve seen before in some movie or TV show.

My friend David savaged the movie, noting that it was not even the best film made in India last year. He may very well be right, but for the Hollywood community, it’s irrelevant. Hollywood is not savvy to Bollywood cinema.

Ultimately, when I see a movie, I’m ready and willing to suspend my belief that it’s just cinema and surrender to it; just didn’t happen for me. I didn’t hate the film, and I’m not unhappy that I saw it, but I can’t imagine wanting to see it again.
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Remembering Gene Siskel by Roger Ebert. Recommended highly.
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Snyder, Bergman Pass; Ebert Returns

I read that Tom Snyder was a television pioneer, spending a hour with a single guest. I guess he was sort of the spiritual godfather to Charlie Rose, Ted Koppel, Tavis Smiley and a host of others who seem to value the power of the long form. All I know is that I watched him often in his first incarnation (1972-1982), “Tomorrow with Tom Snyder”, pretty much until Rona Barrett showed up as a co-host near the end. I’m sure I watched the John Lennon and Charles Manson pieces. People who only know him from Dan Ackroyd’s wicked parody on Saturday Night Live missed how well he could seem very laid back and yet was probing without necessarily feeling confrontational. He was replaced by some guy named David Letterman, who later got Snyder to follow HIS show on CBS. So I guess I’ll “fire up a colortini, sit back, relax and watch the pictures, now, as they fly through the air.”
Tom Snyder’s Greatest Hits:

Also, see ADD’s personal recollections and Fred Hembeck’s July 30 post.
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I’ve only seen a handful of Ingmar Bergman films that I recall: Fanny and Alexander (1982); A Little Night Music (1978); The Magic Flute (1975); The Virgin Spring (1960); and Wild Strawberries (1957); the latter two I saw in a museum theater when I was in high school. I think Strawberries, in particular, was important to me personally at that time; the message was that I needed to fight against what one reviewer described as “how life can become atrophied and sterile”.

But my favorite Bergman film, not so caught up in life and death and sex, was The Magic Flute, which put me THERE inside the gorgeous performance. Here’s a blog that has compiled some of Bergman’s best scenes.
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I was really excited to see on Ebert & Roeper that starting Thursday, August 2, there will be 20 years and over 4,000 video reviews from Siskel & Ebert and Ebert & Roeper, searchable by title, actor and director, including special segments, at the At The Movies TV.com site. Moreover, Roger Ebert will introduce the archive and hold a live online chat about the site and “whatever other questions you want to ask” that evening at 8 pm Eastern (7 pm Central, 5 pm Pacific). I expect that it’ll be a very busy, and I may not participate, but the database is very exciting. Roeper and guest host Michael Phillips thought the fashion statements alone would be worth checking out.
SISKEL & EBERT on LETTERMAN:

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