Jack Kirby Archives - Page 2 of 2

BOOK REVIEW: Kirby: King of Comics

It seems I discovered Jack Kirby at the worst possible time. I started reading comics in the early 1970s, but I was pretty much a Marvel zombie, thus missing New Gods and the other books from his “Fourth World” until about a decade later. So when the “Jack is back!” mantra came to Marvel in the mid-1970s, I was excited to see the work of the legendary KING of comics. Boy, was I disappointed. Captain America seemed to be a character from another time. The formerly sleek Black Panther seemed cartoony. And Devil Dinosaur?!

So it wasn’t until I started working at a comic book store in Albany called FantaCo when I got to really get an understanding of Jack Kirby’s significance, and more importantly, tremendous skills in developing the Marvel universe that I knew and loved. And digging further, I recognized his prolific output in the pre-Marvel days.

But it took the Mark Evanier book, Kirby: King of Comics, before I got the full measure of the man born Jacob Kurzberg on August 28, 1913 in New York City. More than just a narrative, this small coffee-table presented artwork from his days as a comic strip writer working under several pseudonyms and his work for several comic book companies.

A couple core narratives flow through the book: 1) Jack was creative and fast, 2) Jack obsessed with financial security, though largely did not know how to achieve this, long before the disputes over what parts of the classic Marvel universe Jack was responsible for and how much writer/editor Stan Lee created. Jack, not always glib of tongue, had a strong sense of justice and often thought that his hard work would get him the financial remuneration to which he was undoubtedly entitled. If Evanier, Kirby’s assistant and friend for a number of years, tends to err on the side of his subject, it seems consistent with the throngs of Kirby fans who believe that Jack has gotten ripped off, not just monetarily but also in terms of credit.

This may not the definitive Kirby biography that some may have been seeking – at 219 pages, over half are full-page illustrations or pictures, and many other pages have accompanying art on them – but I’m happy to own it, perhaps BECAUSE of the many pictures from over the years. Incidentally, Amazon suggested that the book would take two to five weeks, but I ordered it on February 29, and it arrived on my birthday, March 7, a mere week later.

I spoke to Jack Kirby only a couple times, chronicled here. At that time, I was just beginning to get a sense of what a great contributor to comic-book art – no, scratch that, ART – he was.

One criticism of the book was that Evanier didn’t take advantage of his long association to dig deeper inside the man, but I get the sense that Jack was who Jack was, with no psychobabble analysis needed. And the one story that Mark told about himself and Jack at the end of the book was both moving and a good representation of Jack’s character.

So, thanks, Mark. And thank you, Jack.
***
ADD’s review.

ROG

Looking forward to

So what am I most anticipating in the new year?
READING
For the first time in decades, THREE comic-related items:
The Steve Ditko book.
The Jack Kirby book
The Fred Hembeck book. BTW, happy five years of blogging, Fred!

WATCHING
More movies; likely next chance, MLK Day. Likely film: Juno.
Pioneers of Television which starts TONIGHT on PBS with sitcoms (I Love Lucy; Joyce Randolph on The Honeymooners; Marlo Thomas about her father Danny’s Make Room for Daddy’ the man himself on The Andy Griffith Show; and DVD and MTM on The Dick Van Dyke Show.
Football. Seriously, taping it then watching it later is SO much more efficient. Definitely some of the NFL games. Probably a bowl game or two.
The Golden Globes, just to see who actually shows up and say they support the Writers’ Strike, even as they’ll be others who’ll boycott the show altogether for the same reason.

HEARING
The new music I got in the last month, including the John Lennon Anthology. There’s more, but I’ll save it for my Top 10 album list.

VISITING
Williamsburg, VA with the family. My in-laws have as timeshare.
Visiting the BNorman Rockwell Museum, not all that far from here in Stockbridge, MA. My wife wants to see the Rockwell stuff. I really want to see LitGraphic: The World of the Graphic Novel (through May 26, 2008), featuring Jessica Abel, Sue Coe, R. Crumb, Howard Cruse, Steve Ditko, Will Eisner, Brian Fies, Gerhard, Milt Gross, Marc Hempel, Niko Henrichon, Mark Kalesniko, Peter Kuper, Harvey Kurtzman, Matt Madden, Frans Masereel, Frank Miller, Terry Moore, Dave Sim, Art Spiegelman, Lynd Ward, Lauren Weinstein, Mark Wheatley, Barron Storey and others.
Seeing my friends Gerelt-Od and Soyol who used to live in Albany then returned home to Mongolia, but who’ve been in NYC the past year; I haven’t seen them in nearly a decade.
Seeing my friend Deborah, who I met in 1977 in NYC, who moved to Japan and then France, and who’ll be visiting the Western Hemisphere at some point this year. I haven’t seen her in over a quarter century.

DOING
Worrying less
Sleeping more
Drinking more water

That’s as close to New Year’s resolutions as I go.

ROG

What Hast Moss Wrought

Lynn Moss, the wife of Fred Hembeck, has posted pictures of the second FantaCon back in 1980, before she WAS the wife of Fred Hembeck, if I’m remembering correctly. (EDIT: I wasn’t remembering correctly: they were married the year before.) The convention was put on by FantaCo Enterprises, the comic book store I worked at from 1980 to 1988. The pictures feature Fred, Lynn, Bill Anderson, Joe Staton, Wendy and Richard Pini, Dave Simons, and John Caldwell, plus FantaCo artist/front man Raoul Vezina, FantaCo employee Mitch Cohn and FantaCo owner Tom Skulan. The pictures also feature the “art jam” drawing done by Fred, Raoul, Wendy Pini, Berni Wrightson, Jeff Jones, Simons, Caldwell, and Staton, a drawing Fred described on November 28, 2003.

BTW, 21 Central Avenue, Albany, which was FantaCo’s location for its 20 years, has been several things in the years since it closed in 1998. Currently it’s a bazzar (their spelling), a convenience store that sells halal meats and other items.
***
R: You really ought to plug Fred’s upcoming book again.
R: Well, I have all of those FantaCo publications in the Smilin’ Ed and Hembeck series. In fact, just came across them in the attic this weekend.
R: Yeah, but there’s over 600 MORE pages, some of which you’ve never seen.
R: Really?
R: Yeah, and all for about $25.
R: WOW! But I need a new angle.
R: How’s that?
R: I need a new way to plug the book again.
R: How about the cover, with the color scheme they chose NOT to use?

R: That’d work.
***
A bunch of Jack Kirby stories that have allegedly never been reprinted. (Thanks, Dan.)
***
Fred and Rose talk about commerce, of a sort.

ROG

Chronicles of the Fantastic Four Chronicles

(This conversation will be limited to the Chronicles series. FantaCo had also put out Splatter Movies and Hembeck 6, among other items, in this period.)

The X-Men Chronicles was a hit for FantaCo Enterprises in 1981. We had printed 50,000 copies and had presold at least 35.000 to the distributors. And not only did it also sell as an individual item in the store and in the mail order, we were able to trade some for Marvel, DC and other companies’ product, particularly underground comics from Last Gasp, a company our comics distributor, Seagate, wasn’t dealing with.
So what do we do as a follow-up? We decided to do two books, the Daredevil Chronicles, which Mitch Cohn would edit, and the Fantastic Four Chronicles, which would be my baby. I’m not going to talk much more about the former, except that I thought it was terribly Frank Miller-heavy. One of the Mullaney brothers from Eclipse Comics, Jan or Dean, apparently agreed; he wrote to say he read the book and threw it in the trash. (The letter, I think, appeared in the Spider-Man Chronicles, or maybe the Avengers Chronicles.)

The stuff below in italics is directly from my journal:

September 2, 1981: I call John Byrne, who agreed to write an article and do a centerspread, in addition to the front cover. And I called Jack Kirby, who agreed to fill out a questionnaire about the FF. “What a coup!” I wrote.
October 16: George Perez agrees to do the back cover for the FF book.
October 22: Receive Byrne front cover, centerspread and article.
November 5: Call Jay Zilber re: Wein/Wolfman interview. Then called Jack Kirby re: Q&A – he said he couldn’t answer questions re: FF, Marvel, only re: new projects. I panicked and got upset and angry. By that point, we probably had sent out info on the book to the comic distributors, indicating its content.Mitch calmed me down & said “Why don’t you do interview on Kirby now with a caveat. He [Kirby] agreed to that & also said I could use the rather nasty stuff re: FF 236 & his lack of prior knowledge that it would be used. Typed up new questions.
November 18: Michael Hobson of Marvel called to OK licensing on the FF and DD books, and that the company had “no problem” with the non-licensed X-Men Chronicles.
November 23: Get Kirby response.
December 17: I was going to do some editing (e.g., Joe Fludd’s lengthy piece, Jay Zilber’s just-arrived article), but instead spent most of the day looking unsuccessfully for a letter from Mike Hobson of Marvel giving us permission for licensing, which Tom needs for another bank loan.
O.K., I lied. I AM going to talk a little about Splatter Movies. This was a book written by an author named John McCarty that was really Tom’s baby; Mitch, Raoul and I were all a bit disturbed by it, although I did end up up proofreading it. And it turned out to be the most profitable thing FantaCo published in my tenure there. But at $8.95, it was initially a slow road selling to our distributors, who, after all, were comic book folks. This created a cash flow problem, for which the loan was to address.

January 3, 1982: Type the FF checklist at home while I watch football (Cincinnati beat the Bills, the 49ers beat the Giants; I doubt I was happy about that.)
January 7: I assume we found the Hobson letter eventually because Tom was able to secure $25,000 note from the bank so we’ll be able to pay $8700 printing bill for Splatter Movies.
January: Get various articles and artwork, not including Perez back cover. At some point, I call John Byrne, who allows us to use the front cover as the back cover as well, for free. Byrne was not universally loved, but I always had very good dealings with him; the FFC was not the last time. After the covers go to the printer, Perez cover FINALLY shows up, and I end up replacing content from one of the inside covers. (I’m thinking it was a Joe Fludd piece, because it seemed ironic that such a Perez devotee would be bumped by Perez himself.)
January 26: Tom called accounts (Bud Plant, NMI, Pacific). We now have fewer than 100 out of 50,000 X-Men Chronicles, and anticipate print runs of 70,000 each for FF and DD (the latter, eventually set at 80,000).
March 1: Start shipping out FFC, DDC orders, which takes a week, between the wholesale and retail orders.
March 5: Tom had made up 100 copies each of FFC and DDC in white paper stock, rather than newsprint. Gave 25 each to Mitch and me, 2 each to Rocco and Raoul. Somewhere I still have some of these.
March 15: Returning artwork, paying contributors, sending out review copies.
March 22: For Spider-Man Chronicles, got a Fred Hembeck to interview Roger Stern.
March 26: Mitch called Jim Shooter, who told Mitch in no uncertain terms (“What the f*** were you guys thinking about?”) that they at Marvel were unhappy with the Chronicles series, that there can be no licensing in the future, and that we’d “better be careful” in the future…No [more] Chronicles would be disastrous because another loan was contingent on publishing them…Tom called a patent attorney.
Oddly, a couple months later, there WAS further conversation with Mike Hobson about licensing, but nothing ever came to fruition, and the Avengers and Spider-Man Chronicles came out license-free, with no hassle from Marvel. We DID have another legal tussle, however, but that’s for another day.

In retrospect – let’s hear it for retrospect – I should have either 1) called Marvel about the content of the Kirby interview or 2) pulled the Kirby interview. The former just didn’t cross my mind. The latter did, but I was resistant because it would have meant resoliciting the FFC to the distributors and a costly delay.

I wrote this today for two reasons. One: FantaCo’s birthday was August 28, 1978; the store survived 20 years. The other is that Jack Kirby’s birthday was August 28, 1917, which means he would have been 90 today; he passed on February 6, 1994. Here’s a picture of Jack from the 1982 San Diego comic con, taken by Alan Light.