The Copyright Law Is A Ass


Article I, Section 8, Clause 8 of the United States Constitution, known as the Copyright Clause, the Copyright and Patent Clause (or Patent and Copyright Clause), the Intellectual Property Clause and the Progress Clause, empowers the United States Congress:
“ To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

Note the word “limited”.

The current law says that copyright is for the “life of the author plus 70 years and for works of corporate authorship to 120 years after creation or 95 years after publication, whichever endpoint is earlier. Copyright protection for works published prior to January 1, 1978, was increased by 20 years to a total of 95 years from their publication date.”

I’d like to say that the continuing extensions of the copyright law is unconstitutional. I’d LIKE to say that, but I can’t, because the Supreme Court ruled otherwise in 2003.

To be fair, this law is more or less consistent with the Berne convention, signed by the United States in 1988

But in a more fundamental way, there seems to be a gross lack of understanding about copyright generally. Copyright protection is not an absolute. People can use other people’s copyrighted materials all the time through fair use, use in reviews, parody.

An interesting take on copyright comes from Paul Rapp, intellectual property lawyer from around these parts. He is also F. Lee Harvey Blotto, drummer of the almost legendary band Blotto.

Web portals like YouTube are protected by the “safe harbor” provisions of a law called the Digital Millennium Copyright Act, which says that YouTube generally doesn’t have to actively monitor what’s being posted on its site. Once the portal is informed that there’s infringing stuff posted, it has a duty to investigate and take down offending material. This merely reaffirms that it’s the copyright owners’ duty to police its copyright, not someone else’s. In other words, it’s Viacom’s job, not YouTube’s.

This makes perfect sense. Because often the copyright owner is fine that their stuff has been posted without permission. A few years ago I noticed that folks had posted Blotto’s old videos on YouTube. My reaction was “great, now I don’t have to do it.” I’d been meaning to do it myself but was too lazy to figure out how. We wanted the videos up, for whatever promotional value they might bring. Somebody even posted “Lifeguard” under the heading “Worst 80’s Video Ever.” It’s closing in on a quarter-million hits, and the comments are amazing. And I ain’t touchin’ it.

And I’m certainly not alone here. Lots of copyright owners turn a blind eye to “unauthorized” posts…

Several times a day someone sends me a YouTube link, usually of some old music video that’s brilliant, funny, or revealing, often all three at once. Does somebody own the copyrights to these things? Undoubtedly. Did they put them up themselves? Maybe, maybe not. And are they mad that their stuff’s on the internet? Probably not. They’re probably delighted.

So copyright, both in law and as a practical matter, is not as “obvious” or “simple” as it may appear.
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And speaking of intellectual property gone awry, I think it’s reprehensible that one company can “own” a patent on human genes and I was thrilled when the company Myriad lost a ruling over breast cancer-gene patents, a suit brought by the ACLU, plus the March of Dimes and a number of medical organizations.

ROG

RM-Special Music Edition

While my ukulele gently weeps with audio/video. Actually quite good, I think, despite the web address. (Thanks, BG.)
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The great thing about Albany is FREE music in the summertime. So far, we’ve had, among others, Ruben Blades, Mary Wilson and Sam Bush at Alive at Five with Little Feat, Leon Russell, and Terrence Simien still to come. At The Plaza had a two-day BluesFest with Buddy Guy, Shemekia Copeland and many others; and Black 47; Forthcoming: the Lovin’ Spoonful and Grand Funk Railroad with the Edgar Winter Band. I’ve seen NONE of the musicians that have performed so far, and I am not sure if I’ll get the chance to see the artists that are still to come. Nuts.
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I got this e-mail from Amazon touting their “10th Anniversary Hall of Fame musicians, whose CDs have sold the largest number of copies at Amazon.com in the seven years since Amazon began selling music in 1998”. The list is pretty obvious, you’d think:
The Beatles,U2, Norah Jones, Diana Krall are the top 4. 6-10 are Frank Sinatra, Santana, Enya, Bob Dylan and the Rolling Stones. The rest of the top 25 you’d all know. But who is it at #5? Eva Cassidy. Eva Cassidy?
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I was having lunch with my friend Mary and we were talking about Van Morrison. I noted that “Jackie Wilson Says” was on St. Dominic’s Preview. She contended otherwise and bet me $5. People, PLEASE don’t bet with me. I can be/have been wrong about a LOT of things in my life, but when I put money up, it just doesn’t happen.
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I received this link with audio of an Itzhak Perlman performance on three strings.
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Rapp on This: Lawyer Paul Rapp, a/k/a Lee Harvey Blotto, the drummer from the legendary Albany band Blotto, always has something sage to say about intellectual property and the arts.
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“Les Paul Celebrating 90th Birthday With New Album”
90 years on this planet and still jammin !
Les Paul is the Inventor of the solid body guitar and muiltitrack recording as well as a master of his instrument. Happy Birthday Les !

Guitar legend Les Paul will celebrate his 90th birthday with his first new studio album since 1978’s “Guitar Monsters,” a collaboration with Chet Atkins. Les Paul & Friends’ “American Made, World Played” is due Aug. 30 via Capitol/EMI.

The album will boast such collaborations as “Love Sneakin’ Up on You” with Sting and Joss Stone, “Fly Like an Eagle” with Steve Miller, Eric Clapton on “Somebody Ease My Troublin’ Mind,” Jeff Beck on “Good News,” ZZ Top’s Billy F. Gibbons on “Bad Case of Lovin’ You” and Buddy Guy, Keith Richards and Rick Derringer on “Good Morning, Little Schoolgirl.”

I only do such blatant commercial plugs when the artist is at least 88.

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