Category: Lefty Brown

Buying New Music

It’s been a while since I went out and bought new music, but the Barnes & Noble had sent me a coupon worth 40% off on all CDs, after whatever sale prices applied. Sunday, I took the bus to the ever-expanding Colonie Center. B&N used to be in a free-standing building on Wolf Road in Colonie across from the mall. But at some point in the past few months, it has moved to its new location across the street.

I went in figuring I’d buy some new music, the new k.d. lang, the new Herbie Hancock that won a Grammy for best album(!) or maybe its predecessor which featured Paul Simon and Sting. I was also looking for the soundtrack of Rodgers and Hammerstein’s Cinderella, either the Julie Andrews or the Lesley Ann Warren version. NONE of them were there. O.K., now what?

So, I just systematically started looking through the albums. I was trying not to buy on CD the exact same albums I already own on vinyl, because a friend of mine told me about her recent experience converting vinyl to CD. That eliminated greatest hits by Bob Dylan, Queen, the Guess Who, Hall & Oates (yes, shut up), The Association (YES, shut up), and a couple others.

First album picked, much to my surprise: Captain Fantastic and the Brown Dirt Cowboy by Elton John. I have all of the other “classic” period EJ albums on vinyl, save for the early Empty Sky, but never got this one. At some level, the garish cover, and the fact that the album went to #1 in its first week, turned me off at the time. But it was Elton’s 61st birthday recently, and the only CDs I had to play were various greatest hits collections, plus the later Made in England. I’m sure I was affected also by Johnny B.’s recent discussions of all things early Elton. What sealed the deal was one of the additional tracks. Along with Lucy in the Sky and Philly Freedom was One Day at a Time, which I assumed was not the theme song of the Bonnie Franklin TV show that debuted in 1975, but rather the John Lennon cut, and it was.

Second album: The Ramones Greatest Hits. I have a couple LPs, but have massive holes in the collection. Probably influenced by Gordon.

The third album: The Very Best of Todd Rundgren. I have various Nazz, Utopia and solo LPs, but still wanted this.

The fourth album: OK, no recent Herbie Hancock? How about some classic Herbie Hancock, Head Hunters, featuring the classic cut Watermelon Man? All right then.

These were all $12.99 each list price, so $7.80 after the coupon, and I might have quit there, but I discovered The Millennium rack. If you’ve been in a record store lately, you’d recognize these. Black and white picture, gray top. And there were several to choose from: the Platters, Tom Jones, the Allman Brothers were all considered. The cool thing about these is that they were $9.99 each, but three for $20 if I used my MasterCard. I ended up picking Joan Baez, who my father admired as far back as 1959, when he brought home the oddly-named The Best of Joan Baez; and John Mellencamp, probably in part because of the love Tosy had given him after his recent induction to the Rock and Roll Hall of Fame.

The final album was also on the Millennium rack, but was not a Millennium album. It was Lucinda Williams’ 2003 album World Without Tears. $16.99 list, but still with the 3 for $20 sticker. I might have gotten this one anyway, but Lefty Brown’s affection for her did not hurt. Also the fact that, because I had the 40% off coupon, 3 for $20 became 3 for $12, or $4 apiece. (BTW, there’s a second version of World Without Tears with three extra songs available out there. Oh, and the three for $20 continues through May 5.)

Total price, less than $47, under my $50 mental budget. So thanks, guys, for going shopping with me.
***
Elton Joe Performs “Dogs in the Kitchen” , the never-completed song, the lyrics of which appear in Captain Fantastic.

ROG

ROG

Movie Quote Meme

In as much as it’s Oscar weekend, I thought I’d cop this from Gordon. However, I didn’t looked at his responses before writing this because I didn’t want to be influenced by my near-twin’s choices:

1. Pick 10 of your favorite movies.
2. Go to IMDb and find a quote from each movie.
3. Post them here for everyone to guess.
4. Fill in the film title once it’s guessed.
5. NO Googling/using IMDb search functions.
(Feel free to stick your guesses in the comments section)
I THINK half of them may be easy, the other half not so much, but none of these films are obscure.

1. There’s an old joke – um… two elderly women are at a Catskill mountain resort, and one of ’em says, “Boy, the food at this place is really terrible.” The other one says, “Yeah, I know; and such small portions.”
“Annie Hall” = Tom the Dog

2. It’s got a long rock wall with a big oak tree at the north end. It’s like something out of a Robert Frost poem. It’s where I asked my wife to marry me. We went there for a picnic and made love under that oak and I asked and she said yes.
“Shawshank Redemption” – Scott

3. You’re a sucker for French poetry and rhinestones. You’re very generous. You’re kind to strangers and children, and when you stand in the snow you look like an angel.
“Groundhog Day” – Tom the Dog

4. If I don’t get a little law and order around here, I get busted down to a traffic corner. And your friend don’t like traffic corners.
“West Side Story” – Gordon

5. We’ve become bored with watching actors give us phony emotions. We are tired of pyrotechnics and special effects.
The Truman Show

6. They have to paint me red before they chop me. It’s a different religion from ours. I think.
“Help!” – Gordon!

7. Uh, well, if anyone from the, uh, from the IRS is watching, I… forgot to file my, my, my 1040 return. Um, I meant to do it today, but, uh…
“Apollo 13” –Jaquandor

8. My story begins in London, not so very long ago. And yet so much has happened since then, that it seems more like an eternity.
One Hundred and One Dalmatians

9. I want them to stop looking to me for answers, begging me to speak again, write again, be a leader. I want them to start thinking for themselves. I want my privacy.
“Field of Dreams” – Scott

10. Do you have a special grudge against me? Do you feel a particularly strong resentment? Is there something I’ve said that’s caused this contempt, or is it just things I stand for that you despise?
The Graduate
***
For Gordon and Lefty, other Doctor Who fans, and linguists: Darleks vs Scottish Falsetto Sock Puppet Theatre

ROG

ROG

Music by the Decade QUESTION

Groundhog’s Day is for recollecting: It’s not THAT neat and tidy, but it seems that each decade of my music collecting life was dominated by a few groups or solo artists.
1960s: The Beatles, the Supremes. Sure, I could add the Rascals, the Rolling Stones, the Temptations, Simon & Garfunkel, and undoubtedly others.
1970s: Clearly Stevie Wonder and Paul Simon. I have every album each one put out (yes, even Stevie’s Secret Life of Plants). Other contenders: Joni Mitchell, Joan Armatrading, Beach Boys, Elton John, Neil Young.
1980s: Talking Heads, the Police. I also considered Bruce Springsteen, Prince, REM, Neil Young.
1990s: Johnny Cash and Nirvana. Also Mary Chapin Carpenter, Lyle Lovett, U2, Beatles.
2000s: There hasn’t been an overriding group, but I’ll suggest that compilations by Fred Hembeck and Lefty Brown (along with Lefty’s fellow travelers) has definitely shaped my music the most this century.

So what music has dominated your life at various points? You don’t have to break it down in 10-year periods, as I did, but whatever bite-sized time frame you wish. ROG

ROG

Johnny Otis


Dear Near Twin:

I was listening to your 2007 in review podcast. Enjoyable as usual. But I was surprised to find that *I* cast the the deciding vote in the the naming of Cast THIS, Pal! Cool.

You played a Christmas cut by Johnny Otis, who you said you weren’t familiar with. Since you are THE #1 music guru of the inestimable Lefty Brown, I thought I’d share this with you.

Johnny Otis is a guy born in 1921 of Greek heritage (given last name: Veliotes) who immersed himself in rhythm and blues. He rather reminds me a little of Ahmet Ertegun, another person of eastern Mediterranean heritage, in his case Turkish, who co-founded Atlantic Records.

Johnny Otis was a band leader, producer and A&R man who “discovered” Etta James, Jackie Wilson and Hank Ballard (who wrote “The Twist”). He produced Etta’s first hit, Roll With Me, Henry (The Wallflower), oft-covered since, as well as Big Mama Thornton’s original recording of Hound Dog three years before Elvis Presley’s version.

Otis had his own recording success doing Willie and the Hand Jive, which went to #9 on the pop charts in 1958. Eric Clapton covered it in 1974, and it went to #26. You might remember the song from the movie Grease.
Here’s Johnny performing it with Marti Adams and the Three Tons of Joy:

Though Hand Jive was his only pop hit, the Johnny Otis Orchestra had several R&B hits, usually with other vocalists such as Little Esther and Mel Walker.

He was elected to the Rock and Roll Hall of Fame as a non-performer in 1994. Here’s something from the Wikipedia post on him:
Frank Zappa has cited Otis as the inspiration for his distinctive trademark facial hair, stating in an interview conducted by Simpsons creator Matt Groening and Guitar Player magazine editor Don Menn that “it looked good on Johnny Otis, so I grew it.”

Otis maintains a popular radio show on KPFA, called The Johnny Otis Show.

There’s a singer named Shuggie Otis, who was/is a psychedelic soul/funk guy – I have one of his albums – who wrote and performed Strawberry Letter #23, later a hit for the Brothers Johnson. I did not know that Shuggie is Johnny Otis’ son.

Anyway, Gordon, thanks for the inspiration for the post.

All the best,
ROG

ROG

Writers Guild Strike QUESTIONS

Much to my surprise, I have found myself utterly fascinated by the WGA strike. I freely admit my sympathy for the writers, who are getting ripped off on DVD sales and streaming video broadcasts. I’ve watched the WGA videos on YouTube; while The Office Is Closed is the most entertaining, Why We Fight is the most useful in understanding the situation. Oh, and here’s info about an episode of The Office you may not see for a while, scheduled for only a couple weeks out.

I’ve added to my webroll the United Hollywood website, where I found out about an online petition, which I signed (#1018); I never know the efficacy of online petitions, but what the heck. I’ve been also following Writers Strike, Ken Levine and Mark Evanier’s posts. In fact, Mark answered my strike-related questions; how did he know I was specifically interested in JEOPARDY!?

1. What do you think of the strike? Do you side with the writers, with management, a pox on both of their houses, or you just don’t care? (Gordon cares.)

2. Has the strike already affected your viewing? (Maybe Lefty can finally catch up with The Daily Show and Colbert.)

3. If it is a prolonged strike, what will the networks use to fill up the time? Reality shows and repeats, sure. Old movies? Unaired episodes of Viva Laughlin?

4. What will you do with all that found time? (After I catch up with MY backlog of programs, I’ll read more.)
ROG

ROG
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