Linda Ronstadt Archives - Ramblin' with Roger

Meme of Solace

I’m sure the title refers to a James Bond film; I’m swiping this from SamauraiFrog.

List 10 musical artists (or bands) you like, in no specific order (do this before reading the questions below). Really, don’t read the questions below until you pick your ten artists!!!

There is something to be said for following the instructions in this case.

1. The Beatles
2. The Beach Boys
3. David Bowie
4. The Rascals
5. The Rolling Stones
6. Linda Ronstadt
7. The Supremes
8. The Temptations
9. Talking Heads
10. The Police

What was the first song you ever heard by 6?

Something early, probably “Different Drum”.

What is your favorite song of 8?

“I Can’t Get Next To You”. From the rowdy opening to the Sly Stone-inspired shared vocals.

What kind of impact has 1 left on your life?

Massive. I have a ton of their albums, both as a group and as solo artists. I know arcane things about their album releases. People say to me, “What album is X song on?” and far more often than not, I’ll say “American or British album?” And then peg both of them. There’s a picture of Lennon in my office and a photo of the Imagine imagine from NYC in my house.

What is your favorite lyric of 5?

Probably the chorus of “You Can’t Always Get What You Want”. “But if you try sometime, you just might find you get what you need.” From Let It Bleed, probably my favorite Stones album. The organ noodling of this song during the early funeral sequence of The Big Chill cracked me up, while others in the audience wondered why.

How many times have you seen 4 live?

Never, though I’ve seen them live on TV once or twice.

What is your favorite song by 7?

“Love Is Like An Itchin’ In My Heart”. What an insistent bass line. there’s a version that’s about 30 seconds longer than the single I particularly enjoy.

Is there any song by 3 that makes you sad?

Ashes to Ashes
Time and again I tell myself
I’ll stay clean tonight
But the little green wheels are following me
Oh no, not again

What is your favorite song by 9?

“Making Flippy Floppy”, probably because I saw the Talking Heads during the Speaking in Tongues tour in 1983 or 1984 at SPAC in Saratoga.

When did you first get into 2?

It’s really odd, actually. I had a compilation album with I Get Around and Don’t Worry Baby in 1965, and the Pet Sounds album in 1966, both of which I liked. But I never considered myself a real Beach Boys fan until I got Surf’s Up, which was a mainstay of my freshman year in college, 1971-72. THEN I went back and got into the earlier music, and bought the retrospective albums that came out in the mid-1970s.

How did you get into 3?

I was in my dorm room in my freshman year and somehow won Hunky Dory from my college radio station, WNPC on a radio call-in contest. I liked almost all of it; my roommate Ron only liked Changes.

What is your favorite song by 4?

“It’s Love”, the last song on the Groovin’ album, featuring flute by Hubert Laws, plus a great bass line. When I got a new turntable in 1987, the track ran so close to the label that the album would reject before the song would end; drove me nuts. Actually bought the CD five years ago largely for this one song.

How many times have you seen 9 live?

Once, but it was one of the two greatest shows of my life, along with the Temptations in 1980 or 1981.

What is a good memory concerning 2?

A mixed memory actually. I had this friend named Donna George, and I bought her the Beach Boys box set. Before she died of brain cancer a few years ago, she assigned another friend of hers and me to divvy up her music. I took the Beach Boys box, and I always remember her when I play it.

Is there a song by 8 that makes you sad?

The Temptations with a Lot o’ Soul is full of melancholy songs, but I’ll pick No More Water in the Well.

What is your favorite song of 1?

A truly impossible question. Seriously. It’s dependent on mood, what I’ve listened to recently. I’ll say Got to Get You Into My Life, but reserve the right to change that.

How did you become a fan of 10?

Almost certainly listening to WQBK-FM, Q-104 in Albany, NY, a truly great station that also turned me onto the Talking Heads, the Clash and a lot of other music of the late 1970s and early 1980s.
ROG

Musical Coolness and Lack Thereof QUESTIONS

There was an interesting article in yesterday’s Wall Street Journal about Tom Petty: Rock God Or Mere Mortal? “As Tom Petty prepares to release a career-spanning anthology next week, an attempt to determine where he falls in the music pantheon.”

The basic premise is that though he sold a lot of records, maybe because he was prolific with the pop hook, he just seems to lack the “cool” quotient. I’m thinking the way Huey Lewis & the News, even in the height of their success, was uncool. Whereas the late Johnny Cash, on whose second American Recording Tom Petty & the Heartbreakers played on, was “cool”.

This has less to do with talent or chart success as it does with the artist shaking things up musically, as Elvis Costello or Bruce Springsteen were known to do.

There was a chart on the page suggesting coolness, from uncool to very cool, which looked roughly like this (there was also a loudness axis): Bob Seger, Neil Diamond, Billy Joel (sorry, SamuraiFrog), John Mellencamp, AC/DC, Elton John, Fleetwood Mac, Pretenders, Eagles, Jimmy Buffet. Carlos Santana is about in the middle. Bruce Springsteen, Van Morrison, Eric Clapton, Tom Waits, Bonnie Raitt, Elvis Costello, Rolling Stones, James Taylor, Lou Reed, Bob Dylan, David Byrne, Neil Young, Nick Cave.

First, do you agree with the ranking? I always thought Pretenders were cooler, and James Taylor, not so much. Neil Diamond put an album with producer Rick Rubin a couple years ago, which always seems to enhance the cool factor; it certainly worked for Cash.

Secondly, where would you place Petty on the list? He’s played with George Harrison, Dylan and the aforementioned Cash. He put together his old band Mudcrutch and put out a decent album a couple years ago. I’d say he was at least as “cool” as the Stones, who would be cooler without most of their output of the last couple decades.

Finally, what other artists do you think fall on the “uncool” pantheon unfairly, or on the “cool” list unjustifiably? Let’s face it: Jeff Lynne, even as a Wilbury, has never been particularly cool. But I always thought Linda Ronstadt, who moved from genre to genre, was more cool than she was given credit for.

ROG

Boycott QUESTIONS

Need someone to swipe from. Jaquandor posed a similar, and more expanded query. Mine is more reductivist:
Do you boycott an artist (musician, actor, writer) because you find that person’s politics abhorrent – racist, a birther, Holocaust denier? This assumes that the work itself is not abhorrent. Actually remember going to see The Green Berets, starring John Wayne and David Janssen in the day, even though I wasn’t a big Wayne fan. Additionally, I knew I’d hate the politics of the film, and I did, but I found it instructive to have seen it. But, no, I see movies by Gary Sinese. I listen to Wagner. I don’t buy Ted Nugent music, but then I NEVER bought Ted Nugent music.

Do you support an artist who is the subject of a boycott or other negative action? Heck, yeah. When Natalie Maines of the Dixie Chicks spoke the truth about George W. Bush in March 2003, just before the US invasion of Iraq, and took a lot of heat, immediately, I ran out to the local Rite Aid and bought the Dixie Chicks’ then-current album. Likewise, when Linda Ronstadt said something complimentary about Michael Moore and subsequently had some difficulties, I ended up buying her box set from Amazon. This is not that I might not have purchased them eventually anyway, but certainly the events specifically prompted the purchases.

ROG

Eddie Mitchell Makes Me Go Country

Eddie called me out to comment on EW’s top 25 country albums you have to hear, even if you don’t like country music. Since I pretty much do whatever Eddie requests – he asks so nicely – I could do naught but respond, albeit reluctantly. I am not what I’d call a big country fan; I don’t dislike it, just don’t follow it much.
Once, though, I did. Back in the days when AM radio was king, there were many stations that operated pretty much from sunrise to sundown. Then there were these mega “clear channel” stations that one could hear from a great distance at night. From my home in Binghamton, NY, I could hear stations in New York City and Cleveland. I could also get WWVA, Wheeling, West Virginia, a country station.
Also, my grandfather brought home this album “50 Stars, 50 Hits” on “two long-playing albums”, as the pitchman said it.

Now to the list:
*means I Have It

*1. Johnny Cash At Folsom Prison, Johnny Cash
Maybe it’s because I heard it first, but I prefer San Quentin. Not that this is a bad album. I also liked the American Recordings John R. did later in his life. In fact, if you considered that best of American Recordings album that came in the posthumous box set, I might pick that.

*2. Home, Dixie Chicks
As I mentioned recently, bought this to protest the protest of the Dixie Chicks. Ironically, this album has one mighty patriotic tune in particular that was on the charts when the controversy developed. I like it, but it seems terribly high in the pantheon of all country music.

3. Guitars, Cadillacs, Etc., Etc., Dwight Yoakam
I like him when I see him on TV or when he appears on a compilation album I have, but have none of his albums.

*4. Van Lear Rose, Loretta Lynn
I’m quite fond of this Jack White-produced disc.

5. Red Headed Stranger, Willie Nelson
Have some Willie, not this.

6. Carnegie Hall Concert, Buck Owens and His Buckaroos
No Buck except on 50 Stars.

7. Modern Day Drifter, Dierks Bentley
Don’t know him. See he already has a greatest hits album.

8. Crazy Ex-Girlfriend, Miranda Lambert
I heard her name mentioned in a positive review on CBS Sunday Morning, I believe.

9. The Complete Reprise Sessions, Gram Parsons
The only Gram I have is on the expanded version of the Byrds’ Sweetheart of the Rodeo CD.

10. Time Well Wasted, Brad Paisley
Know the name. He’s playing around here soon.

11. Coat of Many Colors, Dolly Parton
Eddie will probably hate me, but I own no solo Dolly.

*12. Elite Hotel, Emmylou Harris
Own it on LP, haven’t played it in years. Prefer Blue Kentucky Girl from that era.

13. Georgia Hard, Robbie Fulks
Don’t know.

*14. Trio, Dolly Parton/Linda Ronstadt/Emmylou Harris
Bought unheard based on all those great Emmylou harmonies on Linda’s albums, and Dolly’s harmony on Linda’s “I’ll Never Be Married”. Very fond of this album.

15. Gold, Hank Williams
For all the covers of Hank Williams songs I own and songs referring to Hank, from Johnny Cash to Neil Young that I have, unless I got one in the end days of my LP collecting, I just don’t have any collections.

16. Hag — The Best of Merle Haggard, Merle Haggard
I think that I didn’t get the parody that was “Okie from Muskogee” and dismissed him out of hand. Know better now, but haven’t rectified the void in my collection.

17. Come On Over, Shania Twain
I do remember some sultry video from this, which I did hear as country particularly. And that “Man, I’m a Woman” song’s from here, too. The album sold 20 bajillion copies. My feeling: meh.

*18. Guitar Town, Steve Earle
My first Steve Earle was a live album I didn’t much like. The second was I Feel Alright, which just love. Guitar Town is a really good album, but it was so hyped in my circle of friends, it couldn’t bear the weight.

19. These Days, Vince Gill
Own none Like to watch him on TV occasionally.

*20. Almost Blue, Elvis Costello
It was an acquired taste for me. Grew to like and respect it, rather than embrace it.

21. Here for the Party, Gretchen Wilson
I know who she is, but not this album.

22. The Definitive Collection, the Flying Burrito Brothers
Know them, have heard them on FM radio, but own none.

23. Revival, Gillian Welch
If there’s one artist on this list I’m mostly likely to purchase, it’s Gillian Welch. I’ve heard her music at other people’s houses.

24. Horse of a Different Color, Big & Rich
Know them only by reputation, not all good.

*25. Raising Sand, Robert Plant and Alison Krauss
My wife loves Alison Krauss, and we saw her in April 2003 at the Palace Theater in Albany. There are tracks of hers on albums I like but I haven’t loved a whole album since that greatest hits album she put out back c. 1994 when she was still brunette and more zaftig, until this one. But is it country?

I have eight out of 25.

What, no Patsy Cline? I would also found room for Lyle Lovett, Mary Chapin Carpenter and maybe Rosanne Cash.

Your turn, Eddie.

ROG

Reasons To Be Cheerful, Part 2

Here’s the second part of that rambling roster of songs that I end up playing more than once at a time. This list is hardly exhaustive, as I probably played some singles to death in my youth. Or later (Ian Dury and the Blockheads’ Hit Me With Your Rhythm Stick comes to mind in the “later” category.) Also, I should note that there are some albums I almost never parsed, because they are of a piece: What’s Going On by Marvin Gaye immediately comes to mind. Also, I’ve been picking one per artist, though this doesn’t prevent me from picking a group and a solo artist from that group.

Drinkin’ Wine Spodee-O-Dee-Stick McGhee. Atlantic Rhythm and Blues: 1947-1974 was a seven double-LP set. This song is from 1949. (Incidentally, the box set is now eight CDs.)

White Lines (Don’t Do It)-Melle Mel and Grandmaster Flash. I still have that 12″ from 1983. Love the vocal, love the horns.

Words-the Monkees. When I got a greatest hits album from someone, I had forgotten about this tune with an insistent rhythm.

Cars-Gary Numan. One of the last 45s I ever bought. It’s that wowowowowowo synth before the drum.

For the Love of Money-the O’Jays. Long before Donald Trump co-opted it, I loved this tune. On greatest hits CD.

Love in Them There Hills-the Pointer Sisters. The last song on the eclectic That’s A-Plenty LP, it’s Philly soul. Used to listen to it in the dark.

Do What You Want To-Billy Preston. Starts off a bit slowly but builds up speed. From the That’s the Way God Planned It LP, produced by George Harrison, first song on the album. This does exist digitally, but, unfortunately, not in my collection.

Let’s Go Crazy-Prince. Sometimes, it’s the first song on the Purple Rain LP, other times it’s the seven-minute EP, but from the preaching in the beginning to the guitar solo near the end, one of my favorite songs ever.

A Salty Dog-Procol Harum. The vocal, the sparse instrumentation in the beginning, the drums. From a greatest hits LP.

Crazy Little Thing Called Love-Queen. Rockabilly Queen? From the greatest hits LP.

It’s the End of the World As We Know It-R.E.M. And I feel fine. From the Document CD.

Kicks-Paul Revere & the Raiders. The first anti-drug song. From a greatest hits LP.

I Am Waiting-the Rolling Stones. From the Aftermath LP, near the end. Beautiful chorus, rocking bridge. I like how they change up the vocal near the end.

Anyone Who Had A Heart-Linda Ronstadt. Written by Bacharach and David, and originally done by Dionne Warwick, I think it’s just quite beautiful. From the Winter Light CD.

Jerks on the Loose-the Roches. The last song on the Robert Fripp-produced Keep On Doing LP, it contains a message I repeat when a car tries to beat an ambulance through an intersection, or I witness some other foolishness: “Be on your guard; jerks on the loose.”

At the Zoo-Simon & Garfunkel. The last song on Bookends, another song that I know all the lyrics to. I have a friend in Austin, TX named Carol, who I’ve know most of my life, as we met in kindergarten. I specifically recall that in high school, she HATED this song. Also, Strawberry Fields Forever. (The things the mind recalls.)

Boy In the Bubble-Paul Simon. The first song on the Graceland album. There is also a six-minute version of this that starts with nothing but percussion that I’ve heard, but have never seen in digitized form that I covet.

Rubberband Man-Spinners. OK, a silly song, and even sillier at seven minutes, which I have on some LP, but I like it anyway.

I’ve Got a Line On You-Spirit. Rockin’, doubled guitar, first song on some LP.

East St. Louis Toodle-O-Steely Dan. From some LP, it’s Duke Ellington. As some comics guy put it, ’nuff said.

The Ostrich-Steppenwolf. Talked about this here.

Hot Fun In the Summertime-Sly & the Family Stone. With all the uptempo songs Sly did, it’s this stroll that I kept coming back to. From the Greatest Hits LP.

The Logical Song-Supertramp-Starts with a good bottom, then has great lyrics: “radical, liberal, fanatical, criminal”. The sax puts it over the top. Second song on the LP. The song that actually inspired the posts.

Love Is Like An Itchin’ in My Heart-the Supremes. Like many Motown tunes, lives on the bottom. A greatest hits CD I own has an extra 20 glorious seconds.

Take Me To the River-Talking Heads. I can’t sing like my cousin, Al Green. But if I ever did karaoke, and I never plan to, it would likely be this version I’d try to emulate.

Shower the People-James Taylor. It was the bass vocal harmonization in the latter stages of the song I liked to sing along with. First on some Warner Brothers Loss Leaders LP.

I Can’t Get Next to You-the Temptations. Producer Barrett Strong swiped this multi-lead vocal model from Sly Stone (so did Prince, on 1999, e.g.), and it’s never better than on this.

It’s For You-Three Dog Night. This cover of a song Lennon & McCartney gave away (to Cilla Black, I think). It starts a cappella, then has an instrumental bridge, then back to vocals only. When the instruments return, one can tell that the vocals are ever so slightly flat. I kept playing it, hoping somehow that I could will the pitch up. From their first, and best, LP.

Wilbury Twist-Traveling Wilburys. I’ve almost hurt myself following the detailed instructions. The shared vocals give it a particularly goofy flavor.

When Love Comes To Town-U2. I’ve hit the replay button so often, I can tell it’s the 12th track on Rattle and Hum AND on the best of album, 1980-1990. Start with that insistent drum start, B.B. King’s guitar playing. And while Bono’s vocals are fine, it’s B.B.’s that nail this song for me.

As-Stevie Wonder. The penultimate tune on Songs In the Key of Life, I was particularly taken by the totally different vocal on the “preach” section: “We all know sometimes life’s hates and troubles…”

When You Dance, I Can Really Love-Neil Young. Unofficially, a theme song for a college romance. From the After the Gold Rush LP, second side somewhere.

ROG