movies Archives - Page 26 of 30 - Ramblin' with Roger

Annie Hall

How can I explain why Annie Hall, released 30 years ago this very day, has become a major marker in my life? Why I’ve seen it at least four times in the theater, and is one of the very first VHS tapes I ever purchased?

*Alvy Singer, Woody Allen’s character in the movie, HATES to go to a movie after it started. Me, too. That’s partly because I almost sat on someone’s lap in a darkened theater, but still.
*When I lived in NYC that summer of ’77, I hung out around Washington Square Park.
*Alvy hates Los Angeles; I’ve never been.
*Paul Simon, of whom I was/am a big fan, made his movie debut as Tony Lacey.
*The cocaine scene in the movie? Definitely plausible.
*Sigourney Weaver made her film debut as “Alvy’s date outside theater”.
*It informed me that comedy can be intelligent and funny.
*Variety said expand the scene in “Annie Hall” where Woody visits Diane Keaton’s family & you’ve got Meet the Parents. I’ve met parents; it’s almost ALWAYS like that.
*Christopher Walken played Annie’s neurotic brother Duane.
*There’s a split screen scene where Annie and Alvy discuss their sex life. He: She never wants to have sex, only three times a week. She: He wants to have sex all the time – three times a week. Yup.
*I’ve been in a relationship where this dialogue took place: “A relationship is like a shark; it has to move forward or it dies. What we have here is a dead shark.”
*Film critic John Simon said about it: “Repetitious and aimless as to seem to beg for oblivion”. He didn’t like Star Wars either.
*I always liked the fact that Diane Keaton’s given name was Diane Hall. (In case you were wondering, Woody Allen was Allen Stewart Konigsberg.)
*”You only gave me books with the word ‘death’ in the title”. I relate to this, too.
*I went through an unfortunate period when I said, “La-dee-dah, la-dee-dah.” A lot.
*Woody Allen finally got some Oscar love. He was nominated for acting in, directing & writing; he won for the latter 2.
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Go see what Fred Hembeck did on April 10. Careful readers of this blog may already know, since he, his family, and I all were together.

MOVIE REVIEW: The Namesake

The wife and I got to go to the movies on Good Friday. After going to an Indian-Pakistani buffet, we went to a movie at the Spectrum about a Bengali family from India. It was made by Mira Nair, who made the charming 2002 film Monsoon Wedding, as well as the entertaining 1992 interracial romance Mississippi Masala. we had been looking forward to seeing this picture, having seen the previews a number of times in the winter movie-going period.

Nair’s new film, The Namesake, though it also contains a wedding, paints with a broader palate. This is both the movie’s strength and weakness. Its most positive attribute is that it is a movie of scope, covering this Indian couple who come to the United States and raise a couple American kids who are less than enamored with the old traditions. The name of the male child is an important part of the story. The problem is that some segments are far weaker than others, and both Carol and I got impatient at times.

I find I almost entirely agree with the reviews, both positive AND negative.
(NEGATIVE) The episodic structure grows rather rambling over two hours.
(POSITIVE) The movie might be perceived as being a little slow but it’s surprisingly engrossing, and the occasional bits of humor are welcome and in keeping with the tone of the entire piece.
(POSITIVE) It’ll make you want to a) book a holiday to India and b) call your mother.
(POSITIVE) Sprawling but affecting family drama, marked by sensitive direction and fine performances.
(POSITIVE) A rich, if not completely satisfying, pleasure.
and especially this one
(POSITIVE) The Namesake takes in a lot of territory, and at times is too diffuse, too attenuated. But the actors are so expressive that they provide their own continuity. They transport us to a realm of pure feeling.

Ultimately, it’s worth it to see “Kal Penn [have] something more substantial on his resumé than Harold & Kumar Get The Munchies.” Days after seeing the film, the characters still resonate with us, especially the parents. It is another worthwhile film by Mira Nair about the immigrant experience.
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Got this e-mail about a new animated film from an adoption group participant and wanted to know if anyone has seen the film – I haven’t – and if so, if he or she thinks the comments in the letter below are valid:

We feel that it is important to warn you about a Disney movie called “Meet the Robinsons” that is now playing at many local cinemas. The advertising for this animated feature makes it sound like a great movie for any young child. Fortunately, one of our adoptive parents alerted us about the negative adoption messages in the story and the very unhappy experience she had with both of her children who were very greatly disturbed by the messages conveyed in this film. As a result, I went to
see the film to decide if it warranted putting out an alert to our adoptive parent community. Indeed, I thought that the concerns raised were completely valid.
The movie is filled with extraordinarily inappropriate messages about adoption. The basic story is about an adorable baby whose birth mother leaves him on the doorstep of an orphanage. Portrayed as loving, sweet, extremely smart and overly appealing, he spends the next 12 years of his life wanting a family and being turned down by one family after another – in all, 114 couples refuse to adopt him. One scene shows a prospective dad losing interest in adoption because this very smart little boy is
more interested in science than sports. The prospective parents leave the disappointed child in a huff when he accidentally splatters them with some liquid from his science project. This is supposed to be funny.
Since no one else wants him, the child invents a time machine in order to go back in time to find his birth mother. The “bad guy” in his time travel journey turns out to be his best buddy from childhood, once his orphanage roommate. Now an emotional wreck resulting from being left behind when the orphanage was closed and shut down, the once-cute orphan is now mean and devious. Another chuckle. Various monsters attack the child as he continues his birth mother search. You get the picture!
I found “Meet the Robinsons” to be both tasteless and totally insensitive regarding adoption issues. Please think very carefully before taking your child to see it, whether adopted or not. I will write the Disney Corporation to let them know about my concerns about their flippant way of dealing with issues that are extremely important and not funny for millions of adoptees and their families in this country and around the world.

ROG

Film Music: "Real" Music?

I’ve been reflecting on the whole conversation about whether movie music is “real” music (as opposed, I suppose, to “just reel music”). I’m sure both Tosy and Jaquandor have weighed in on this, but I’m too lazy to check where.

In any case, I started thinking about this when I went to the Albany Symphony back on March 25. I was supposed to go with my wife, but she was still suffering the effects of oral surgery. so I ended up going with my father-in-law to this American music series concert. The first half was contemporary composers, and the second was listed as by Hermann. I thought, “Hmm, I don’t know an American composer named Hermann.” Then I read the notes: oh, BERNARD Hermann, the composer for movies. I too was biased about thinking of a composer for movies as a composer.

The performance, mostly of music written prior to his movie career, was wonderfully lush. The concert ended with the overture for one of the movies he scored, North by Northwest. It stood up well without the visuals of the movie. Here’s the article Hidden Herrmann: ASO resurrects movie music master’s works from obscurity from the local paper.

Somehow, this got me to start thinking about Elmer Bernstein. I’ve long been aware of how effective his “serious” music is, never put to better effect, I think, than in “Animal House”. If it weren’t for wonderful juxtaposition of his artistry with the hijinks of the characters, I don’t think the movie would not be nearly as funny. Likewise, his music for Airplane! lends a mock seriousness to the proceedings, one of the funniest movies I’ve ever seen. Separate from the films, though, and it works as well as fine listening. Next time you watch either one or any of the other comedies he’s scored, listen for the “background music” as music.

I note this today because would have been Elmer Bernstein’s 85th birthday; he died back in 2004. I think it’s too bad I can’t separate his, well, magnificent theme for the Magnificent Seven from the tune’s use as a Marlboro commercial, something I can still hear and see in my head, even though President Nixon signed legislation banning TV and radio ads back in April 1970, effective January 1971.
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MLK, Jr. was assassinated 39 years ago today. Since he was 39 when he died, that was now nearly a whole (short) lifetime ago.

Oscar-Worthy Movies I Have Seen: 1929-1930

The nominated films – Production (Picture):
“ALL QUIET ON THE WESTERN FRONT” (winner), “The Big House”, “Disraeli”, “The Divorcee”, “The Love Parade”. Saw none of them.
Interesting that this was the only year multiple nominations for an actor or actress in the same category were allowed. So George Arliss beat himself (“Disraeli” over “The Green Goddess”) and two Ronald Colman performances (“Bulldog Drummond”, “Condemned”), among others.
Likewise, Norma Shearer in “Their Own Desire” was beaten by Shearer in “The Divorcee”, while Greta Garbo was an also-ran twice, in “Anna Christie” (of which I’ve seen pieces of on TV) and in “Romance”.
ROG

Oscar-Worthy Movies I Have Seen: 1928-1929

The first listed is the winner- Production (Picture):
“THE BROADWAY MELODY”, “Alibi”, “Hollywood Revue”, “In Old Arizona”, “The Patriot” (silent)
Saw none of these nor any of the nominated performances.

By the 1990s, this WILL change.
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Appropriately, here’s “Finding His Voice”, a 1929 Max Fleischer cartoon about how optical soundtracks on films work:

ROG