M is for Money

Happy U.S. Income Tax Day!

Every year in the United States, the Social Security Administration sends out Your Social Security Statement to help me plan for my “financial future”. It provides estimates of your Social Security benefits under current law.” But for me, it’s a personal history lesson.

The first year I worked, 1969, I made $529 at the Binghamton (NY) Public Library. I worked six months at IBM in 1971 and made the most I would make until 1978. $50 in 1976 – really? I can always tell when I went to college, or when I was unemployed or underemployed.

I also received my 401(k) statement this week. I started putting money in this account because we were all warned that Social Security wouldn’t be there. My employer and I each contributed about $1000 each this past quarter. I managed to lose that plus an additional $5800. So much for retiring.

Let’s talk about music instead. There are two great songs called Money that I own and that come to mind. The first was written Berry Gordy, founder of Motown Records, when challenged by someone who complained that all he wrote about was romance. “What else do you care about, Berry?” Well, there was money.

The original version of Money was recorded by future Songwriters’ Hall of Famer Barrett Strong, who later teamed with the late Norman Whitfield to write I Heard It Through the Grapevine (a hit for both Gladys Knight & the Pips and Marvin Gaye), War (Edwin Star’s hit), and a bunch of late 1960s/early 1970s classics for the Temptations, such as Too Busy Thinking About My Baby, Papa Was a Rolling Stone, Just My Imagination and Ball of Confusion.

Barrett Strong’s version of Money went to #2 on the Billboard R&B charts for six weeks, and to #23 on the pop charts early in 1960. It’s #288 on the Rolling Stone magazine’s list of greatest songs, and was covered by a Liverpudlian band of some note, the Beatles.

The other Money song is by the British band Pink Floyd, by that point consisting of David Gilmour, Roger Waters, Rick Wright and Nick Mason. It appeared on the 1973 album Dark Side of the Moon, and though it spent but one week at #1 in the U.S., it spent a total of 741 weeks on the U.S. album charts, selling more than 15 million copies.

For those unfamiliar, it has one potentially ‘naughty’ word.

I’m still collecting the state quarters. Right now, all I need is a Missouri quarter from the Denver mint; I even have both District of Columbia coins. But I haven’t seen the Puerto Rico quarter yet from either the Philadelphia or Denver mints and other territories will be released this year. (And yes, I know DC and Puerto Rico are not states, but their coins are a continuation of the same series.) Meanwhile, I’m still looking for Denver mint coins for two of my co-workers.


Certainly it was the juxtaposition of Marilyn Chambers as wholesome Ivory Snow mom with Marilyn Chambers as, er, an actress that helped fuel whatever commercial success she had. No, though my name is Green, I’ve never seen Behind the Green Door or any of her other work. She died this week.
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And speaking of advertising, does Burger King REALLY think it’ll make money mixing SpongeBob Squarepants, Sir Mix-A-Lot, and “the TRUE (non-pirate) meaning of the word ‘booty'”, as my friend Fred put it in his April 13 post? And if the BK King is creepy in 30-second increments, he’s REALLY bizarre in the 2:30 segment Fred found.
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OK, so what other song about money am I thinking of? The clues are in this post.

ROG

April Ramblin’

I briefly attended that vigil for Binghamton yesterday. Would have stayed longer but for the fact that it was cold, occasionally rainy, and I had the child, who has been sick recently, in tow. She may not have understood the point of the gathering, attended by about 45, including Albany’s mayor (who, not incidentally is, running for re-election), but I still wanted her to be there. That event, along with the story in question, probably prompted this response from me.

THE best television newsperson to come out of the Capital District of New York State, Ed Dague, is in chronic pain. Touching story. I met him at least twice, which I should write about sometime, I reckon.

Greg finds legislation he just can’t get behind.

Gordon touts Robert Johnson, as well he should.

They are remastering the whole Beatles catalog. Given the fact that I’ve already bought it all about thrice (US LP, UK LP, CD), do I want to buy this AGAIN? No, yet the Past Masters package sounds annoyingly intriguing.

Ken Levine talks about Point of View, one of my favorite episodes of M*A*S*H. Did the TV show House steal it? Didn’t see the House ep, but I have my doubts.

15 free downloads to pep up your old PC, which I haven’t tried yet, but I figure if I post it, it’ll remind me.

I’m getting fairly obsessed with getting the Denver mint state quarters. All I need are Hawaii, Washington state, Missouri and, most problematic, Pennsylvania, the eldest. Oh, and the District of Columbia; just got the Philly mint version this week. Haven’t seen the Puerto Rico quarter yet.

My good buddy Steve Bissette discusses, in great deal, including 27 8 by 10 color glossies, Saga of the Swamp Thing #20, the transitional first issue by Alan Moore, John Totleman, and himself that starts off the neat book I just received.
Part 1
Part 2
Part 3
Part 4
Part 5
Part 6

Speaking of Swamp Thing, the co-creator of, and later Steve’s editor on, the title, coping as well as one can, given the circumstances, but there’s a movement afoot to replace the comics he wrote or edited and, to that end, for people to contribute to a Len Wein comics checklist. I always liked his work during my days of reading Marvel Comics.

So THAT’S what happened at the Albany Comic Show Sunday, before I got there.

ADD’s Eisner picks. I’ll take his word for it, since the only thing on the list I own is Mark Evanier’s Kirby book, though Coraline has been on back order for about a month.

Evanier tells A Story You Won’t Believe about Spike Jones.

I’m so pleased: Two weekends ago, we went to the in-laws for their 50th wedding anniversary. Last weekend was Lydia’s 5th birthday party at the State Museum. Next weekend is something else again. This coming weekend, Easter, the wife and her mother were trying to come up with a plan to get together. The final resolution – we’re all staying in our respective homes and resting; I mean we’ll go to church and all, but no travel. I for one am exhausted, and so is my wife, so this is a good thing.

Nik from Spatula Forum celebrates five years of blogging by talking about…

Arthur from AmeriNZ celebrates both his 100th blogpost and two years of podcasting.

ROG

Jesus Christ Superstar: An appreciation


My friend Ellen has one of those turntable thingies that transfers vinyl into digital recordings. She recently made a couple recordings for me, both of Andrew Lloyd Webber/Tim Rice collaborations that I’ve long had on LP, Joseph and His Amazing Technicolor Dreamcoat and Jesus Christ Superstar. Dreamcoat, which was written first but recorded after Superstar, was OK, but Superstar had a profound affect on my way of thinking; perhaps it still does.

I originally got this album for Christmas in 1970 and played it so often, I can STILL tell you where all the skips are on my recording. I found it to be a great jumping off point for great theological discussions, rather than the anathema that some religious folks thought it was, especially with my friend Pat Wilson, a good Catholic woman who was the wife of my dentist. (For context, think of the controversies that Martin Scorsese’s 1988 film “Last temptation of Christ” or Mel Gibson’s 2004 movie “The Passion of the Christ” engendered in certain circles.)

Overture – Ensemble
It starts with that insistent theme that appears in the next song, hits the high point with the “Superstar melody, and ends with the mournful last piece.
“Heaven on Their Minds” – Judas
I happen to think even today that there are those who worry too much about heaven and not enough about treating God’s people on earth.
“What’s the Buzz/Strange Thing, Mystifying” – Jesus, Mary, Judas, Disciples
While Jesus is a tad snarky here, it is consistent with his frustration with his disciples that after three years, they still didn’t get it.
“Everything’s Alright” – Mary, Judas, Jesus, Disciples
The religious elite were often complaining about the lowlifes Jesus hung around with. But I DO think we have the resources to “save the poor from their lot”, if not the political will.
“This Jesus Must Die” – Caiaphas, Annas, Priests, Disciples
Always loved the deep voice of Caiaphas voice.
“Hosanna” – Caiaphas, Jesus, Disciples
It has always astounded me about the mood of the crowd from the cheers of Palm Sunday to the rejection on Maundy Thursday and Good Friday.
“Simon Zealotes/Poor Jerusalem” – Simon, Jesus, Disciples, Roman Guards
Simon and others thought that Jesus was going to be the second coming of the warlike Maccabees, which was not the plan. “To conquer death, you only have to die” was not, in the Biblical context, a reference to physical death but rather death to a sinful life.
“Pilate’s Dream” – Pilate
This is the same tune as Poor Jerusalem. Initially, i thought this was a mistake, but it’s performed so differently that this has become one of my favorite songs.

“The Temple” – Jesus, Profiteers
There was a second century philosopher whose name escapes me who thought that Jesus was pure love. But this is an angry Jesus. This is the first time, save for the Overture, that the Gethsemane theme appears.
“Everything’s Alright” (reprise) – Mary, Jesus
“I Don’t Know How to Love Him” – Mary
Not the first and certainly not the last to suggest a sexual/romantic relationship between Mary Magdalene and Jesus – see, e.g., Dan Brown. I didn’t believe it, but this suggestion did not bother me.
“Damned for All Time/Blood Money” – Judas, Caiaphas, Annas, Priests, The Mob
Judas’ conflict, though not exactly as written, does speak to the greater truth about fulfillment of Scripture.
“The Last Supper” – Jesus, Judas and Apostles
That the disciples STILL didn’t entirely know who and what they were dealing with is evident.
“Gethsemane” – Jesus
Possibly the most controversial song. That Jesus was, in part, human made his resistance to dying much more real.

“The Arrest” – Jesus, Judas, Peter, Apostles, Caiaphas, Annas, The Mob, Roman Guards
If I were to play one of the roles, I’d like it to be Peter; NOW we’ll fight for you.
“Peter’s Denial” – Peter, Mary, Apostles, The Mob
I was once in a Bible study and one member said she’d NEVER have denied Jesus, that she’d gave gotten the message right away; I never believed that.
“Pilate and Christ” – Pilate, Jesus, Annas, Mary, Apostles, Roman Guards, The Mob
The singular funniest thing on the album is a fellow with a distinct British accent saying, “someone Christ, king of the Jews.” Featuring an ironic restatement of Hosanna.
“King Herod’s Song” – Herod and his Court
High camp.
[“Could We Start Again Please?” – Mary, Peter, Simon, Disciples, Roman Guards
NOT on my album; it was only from later versions.]
“Judas’ Death” – Judas, Caiaphas, Annas, The Mob
Reiteration of Damed for All Time. was Judas’ betrayal preordained? Yeasty stuff.
“Trial By Pilate” – Pilate, Caiaphas, Annas, Jesus, The Mob
Really gets to the core issue about predestination -“Everything is fixed and you can’t change it.” But if it’s all predetermined, what of free will, which allowed for the Fall from grace?
“Superstar” – Judas, Soul Girls, Angels, Paparazzi
Israel in 4 B.C. DIDN’T have mass communication. Why did Jesus come THEN? And if he came NOW, would he be on radio or TV? Would we believe in Him if he were? Bringing it to today, would he be our Facebook friend? Would we follow him on Twitter? What would He feature on His MySpace page or His YouTube videos?

“Crucifixion” – Jesus, Disciples
The seven last words.
“John 19:41” – Jesus, Disciples
The final controversy, on an instrumental track, no less. The citation is to the burial plot for Jesus. What, no Resurrection? Sacrilege! But I never thought it was Lloyd Webber and Rice’s job to complete the story the way orthodox Christianity does. It’s THEIR telling. And it means a great deal to me, just as it is.

The videos, BTW, were primarily from the not-well-received 2000 Broadway performance which my wife and I actually saw in previews. Not having seen a Broadway musical since Raisin nearly 30 years earlier, I enjoyed it at a certain level, though some of the videos now seem a tad overwrought.
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Another appreciation of Superstar.

ROG

Roger Answers Your Questions, Scott and Gordon

Our first contestant is soon-to-be-daddy again Scott from Scooter Chronicles:

1. In a previous post, you predicted the winners of each MLB division. Who do you think wins the league pennants, and who wins the World Series?

Once you get to a short series, there are so many variables so it’s hard to say. It wouldn’t surprise me if it’s a wild card like the Boston Red Sox. And, shades, of 1986, I’m going to pick the Mets to beat them.

By the way, Scott – you NEED this: a free, 586-page PDF of the Emerald Guide to Baseball 2009.

2. What is your take on the AIG bonuses? Where do you think the government needs to take this?

First, those noting that the bonuses were a small percentage of the bailout are correct. Second, the first point is totally irrelevant; AIG is totally tone deaf. I’ve been REALLY uncomfortable with this “too big to fail” label; gives these companies a feeling of entitlement. Given the fact that the average American didn’t even know what AIG WAS a year ago, it’s unsurprising. The only time I ever saw them was on advertisements on Sunday morning talk shows. So their audience was never the average American, it was the DC movers and shakers.

At this point, with over a sixth of a TRILLION dollars already in, the government isn’t going to say to AIG, “Go ahead, go bankrupt,” though those bonuses could have been voided if it had. Some of the bonus monies are going to be given back – or deducted from the next check. But if the government is going to nationalize these companies, and they have all but done so – whatever you want to call it – they damn well better job of setting the rules of engagement for giving away lending OUR money. Politically, if not economically, I think the administration needs to try the “clawback” of AIG bonuses; I know that New York State’s Attorney General, Andrew Cuomo, has been looking at the contracts as well. Here’s an interesting article about other money our government might try to recover.

3. Who is your favorite musician? Could be a member of a band, or a solo artist, or whomever. But specifically, a musician.

This is probably influenced somewhat by my birthday present, the 2004 Crossroads Guitar Festival DVD, but I guess I’ll pick Eric Clapton. The stuff on the Yardbirds, Derek and the Dominoes, Blind Faith, his early solo stuff, and especially Cream moved me greatly, and that concert showed that sometimes, he’s still got it.

4. What is your favorite season of the year?

Spring, beginning of new life. It gets warmer. Oddly, it’s also still in Lent, so I get to sing the more mournful stuff in church.

5. Did you read “Watchmen”? If so, what did you think of it? Have any interest in seeing the movie?

I read Watchmen when it came out, and I liked it a lot at the time. I feel as though I should read it again either before or after I see the movie.

Next up, social network maven Gordon from Blog THIS, Pal!

1. Taking a quick business trip to NY City, I want to visit again…but I also want to do more out-of-the-way, quirky places as well as the usual tourist-y stuff. Any suggestions?

The Queens Public Library. Serving the most diverse county in the country, it has a wide variety of collections.

2. Your preliminary thoughts on these early days of the Obama presidency – is he doing right? Way off course?

I have some reservations, but I’m more pleased than displeased. The stuff on Iraq, stem cell research, Gitmo, and much of the stimulus I’m for, especially the emphasis on GREEN jobs and the part about health care, in part because of this story, something Scott has blogged about recently. I loved his apology over the Daschle nomination.

But I’m still not convinced that we’re not going into a quagmire in Afghanistan, as the Soviet Union did, if we’re not already, and more troops might not help. Also, there were a LOT of vacancies in the Treasury Department with a lot to do. I know he inherited TARP, but it rather stinks.

The other question I’ll hold in abeyance.

Still taking more questions!

ROG

Top 25 Most Influential Albums meme

From Johnny B, whose intro I’m also purloining:
The title is self-evident, and I’m taking it to mean 25 albums that were most influential in shaping my music-listening tastes for all time. This is, as many have noted, VERY DIFFICULT- mostly because I’m trying to list albums that were truly influential, rather than just being a favorite.

BLUE – Miles Davis. First jazz album I could recognize without looking, led me to investigate others.
BEST OF JOAN BAEZ- Joan Baez. Oddly-named album that came out in 1959(!), with her performing several folk songs that became staples of the Green Family Singers, notably “So Soon In the Morning”.
WEST SIDE STORY Original Soundtrack. It was the Quintet version of Tonight (“The Jets are gonna have their way tonight”) that I discovered you can have more than one melody going on at once. The rest of the album’s great, too.
LIVE AT CARNEGIE HALL – Pete Seeger. A live album from June of 1963 that also influenced the repertoire of my father and the Green Family Singers.
BEATLES VI – My first Beatles album that we used to lipsynch to. Not my favorite, but the one that launched my Beatles obsession in earnest.
PARSLEY, SAGE, ROSEMARY AND THYME – Simon & Garfunkel. The first S&G album in the house, it was purchased, not by me or my sister, but by my father, in large measure for 7 O’Clock News/Silent Night. It launched my near complete Paul Simon collection, which led me to Dylan.
SUPREMES SING HOLLAND-DOZIER-HOLLAND – Motown albums in the day were disappointing. It had the hits, sure, but much of the rest of the albums tended to be weak. Not this one, which features Remove This Doubt later covered by Elvis Costello. More importantly, it highlighted the composers in a way that forced me to look at liner notes more carefully.
AFTERMATH – IMHO, the first decent Rolling Stones ALBUM; many more would follow. It also has the first pop song I owned of greater than 10 minutes, Goin’ Home; didn’t know you could DO that.
DISRAELI GEARS – Cream. A friend of mine chastised my 7th grade history teacher for referring to the group as The Cream, rather than Cream. Anyway, this was something unlike anything I’d heard before.
THE BAND – The Band. This is the second album with the brown cover. Roots music that was new and yet familiar.
BLUE – Joni Mitchell. An appreciation for the female singer-songwriter generally, and this one in particular.
TEMPTATIONS GREATEST HITS, VOLUME 2 – This was an album of my sister’s that was half the David Ruffin-led group, and half the Norman Whitfield-produced group featuring Dennis Edwards. It showed a real evolution of the group and of Motown generally.
LED ZEPPELIN – I remember clearly the day in June 1969 I heard the first LZ album at Harry Shuman’s house. It was an OMG sensation.
VOLUNTEERS- Jefferson Airplane. Very much an album suited to my budding activism.
WHAT’S GOIN’ ON- Marvin Gaye. Social consciousness in Motown music.
SURF’S UP – Beach Boys. While I owned Pet Sounds, I didn’t embrace the rest of the band’s oeuvre until this one, which launched an investigation both forward and back.
TALKING BOOK – Stevie Wonder. Though his later 1970s work was even better, this was the first album of his that I owned where he wrote, played, produced almost everything. (The Music of My Mind album did that also, but I bought it later.)
THAT’S A-PLENTY – Pointer Sisters. Eclectic. 1930s jazz, country, funk. I like me some eclectic music, which is why I enjoy Elvis Costello’s SPIKE so much.
LONDON CALLING – the Clash. While there were songs that moved me before this in the punk movement, no album was as significant.
DISCIPLINE – King Crimson. There’s a whole body of Robert Fripp’s work (the Roches, Daryl Hall) that I really enjoy, but this was the first in this time frame.
REMAIN IN LIGHT – Talking Heads. That whole fusion of what made them work for me coalesced here. The fact that I saw them live around this period (1983 or ’84) did not hurt.
REM- Murmur. This somehow got me to listen not only to them but also U2, who I have somehow linked in my mind.
ATLANTIC RHYTHM & BLUES – This is seven 2-LP sets covering 1947-1974 that got me in touch with lots of music of the past. And while this wasn’t a box set per se – it is now, with 8 CDs – it did motivate me to buy other historic boxes such as Chess, plus ones covering my growing up period, such as Phil Spector, Motown and Buddah.
NEVERMIND – Nirvana. I really didn’t know I was supposed to take this seriously. “A mosquito, my libido”? But I liked it and somehow ended up getting a bunch of Pearl Jam as well.
AMERICAN RECORDING – Johnny Cash. The first record on his new label in 1994 not only gave me a new appreciation of John R. but of the artists he covered.

Note that there are plenty of artists I like, such as the Mamas and the Papas, Elton John, Billy Joel, Bruce Springsteen who don’t make the list just because, in my mind, didn’t meet the criteria.
ROG

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