The Diversity of (Man In Black) Thought

I was reading this website called Racialious, “a blog about the intersection of race and pop culture” late last year when I came across this post about a black country singer, who I admit I’ve never heard of. But like the writer, I am happy that a black artist can go into whatever niche of music he or she chooses. I remember all too well what grief artists as diverse as Dionne Warwick (pop), Jimi Hendrix (rock), Charley Pride (country) and Leontyne Price (opera) got, from black people as well as white people, about not performing the “right music”.

Then one commenter wrote:
worth Netflixing when available: Johnny Cash openly championed bucking the Nashville crowd and his (thankfully) just released on-DVD 1970s tv show featured more black performers from the jazz, pop, soul/r&b arena as well as emerging rock/pop acts who were unable to get air time in the South during Nixon/Vietnam for politics/appearances/cultural “issues” (long hair, pot, etc.). He purposefully counter-programmed what “Hee Haw” had on and made a point to play with the artists, promoting them as well, driving the suits nuts, but boosting his show’s popularity. The artists were his friends and he knew talent when he saw it. Open your eyes to some sizzling performances with great audio (just forgive the fashion sense).

And I thought that was nice. Then this comment:
Just want to back up Hy on the “Johnny Cash Show” DVD. The costumes and pompadours are giggle-worthy, but the music is AWESOME. I got the DVD set as a gift for my mom (not that I don’t go over to her place and watch it, oh noooooo).

And this:
I too have enjoyed the “Johnny Cash Show” DVD but agree it needs a “wide lapel” warning. I skipped to the obvious treats right away, including an amazing early Stevie Wonder cut of “Heaven Help Us All” and Ray Charles doing “Ring Of Fire”.
I wasn’t sure what to expect with the other items, and didn’t think I would like it, but the history lesson was worth it! The show only ran two years (1969-1971) and there’s no way it could ever run on the networks today.
It basically took top artists from the counter-culture folk arena, artists written off as past their prime who influenced Cash, anti-establishment country stable, and anti-corporate rock and soul wing (despite their star power) in a “down home” environment.
It’s weird to think of Dylan and Cash playing live together on TV one moment and Cash and Louis Armstrong performing “Blue Yodel #9” then just…hanging out with “traditional” country folks like the Statler Brothers(?)… then shifting to all the “long haired hippies” (Joni Mitchell, James Taylor, Neil Young) that show up with the “old guard” of rock (Carl Perkins, Everly Brothers) all viewed during Vietnam and Nixon.
It may not have solved much, but it was a pretty bold statement to make on a lot of levels. I highly second it as a viewing recommendation as well.
Still humming a few of those tunes too, damn…

Three recommendations for the The Johnny Cash Show: The Best of Johnny Cash 1969-1971 from what I would have considered a most unlikely place. Not so incidentally, John R. Cash would have been 76 tomorrow.
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And George Harrison would have been 65 yesterday, though for most of his life, he thought his birthday was today, and many sources still cite February 25. I was listening yesterday to a CD a friend made for me of George’s Beatles songs, including those on the Anthologies.
I was talking to a fellow about the expected death of someone, and even though I knew knew that person was going to die, it still hit me, albeit differently than when someone you admire dies quickly via accident or violence. Sometimes that slow and inevitable death doesn’t catch you right away as you rationalize that he or she’s been sick for a long time, and somehow it’s “for the best”. And then – after the rationalizations have all worn away – then you grieve.

ROG

February Ramblin’

Lots of things that interested me recently, many of them dealing with music.

This website is quite interesting and has several fascinating SOUND CLIPS from Aerosmith to Pavarotti including Joan Sutherland and harmonics singing. Even if you don’t read the whole article, it is fun to listen to the singers clips and read the short info about their sounds. The sound clips and “infographics” of the vocal instrument are located in a box on page one of the article entitled “ALSO IN THIS ARTICLE”.
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There’s a film called The Singing Revolution which was shown in L.A., opened in NYC recently, and has been shown in a few other places in the U.S. It is a full-length documentary about the relationship between singing (much of it choral singing) and the struggle for Estonia’s independence from the Soviet Union.
You can see and hear film clips and request that the film be shown in your community
by going to the film’s website.
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Ever see Now Play it, a YouTube variation? It contains tutorials that explain how to play specific popular songs — many posted by the recording artists themselves. This page, for example, lets you download a 27-minute video tutorial of Paul McCartney explaining how he played the parts on a single from his last album. Other entries: Iggy Pop (“Lust for Life”); David Bowie (several, including “Heroes” & “Space Oddity”), Radiohead, others. The downside: The site bills for downloads. Let’s see how long THAT lasts.
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I know they’re over, but I still enjoy Ask Vulture: Should You Watch Sunday Night’s Grammy Awards?
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Subject: A RIGHT TO SING THE BLUES?
Not an inalienable right, it turns out.
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There have been dissenters of Brahms’ work since the nineteenth century, some of them heavyweights, e.g., Tchaikovsky and Britten. The blasphemy continues in this piece from the Washington Post by Anne Midgette.
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HEMA is a Dutch department store. The first store opened on November 4, 1926, in Amsterdam. Now there are 150 stores all over the Netherlands. HEMA also has stores in Belgium, Luxemburg, and Germany. In June of this year, HEMA was sold to British investment company Lion Capital.
Take a look at HEMA’s product page. You can’t order anything and it’s in Dutch, but just wait a couple of seconds and watch what happens.
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Why I’m supporting John McCain:

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A recent event that I missed, unfortunately. Compleat with Waxmagik and even More Wax.


ROG

Music by the Decade QUESTION

Groundhog’s Day is for recollecting: It’s not THAT neat and tidy, but it seems that each decade of my music collecting life was dominated by a few groups or solo artists.
1960s: The Beatles, the Supremes. Sure, I could add the Rascals, the Rolling Stones, the Temptations, Simon & Garfunkel, and undoubtedly others.
1970s: Clearly Stevie Wonder and Paul Simon. I have every album each one put out (yes, even Stevie’s Secret Life of Plants). Other contenders: Joni Mitchell, Joan Armatrading, Beach Boys, Elton John, Neil Young.
1980s: Talking Heads, the Police. I also considered Bruce Springsteen, Prince, REM, Neil Young.
1990s: Johnny Cash and Nirvana. Also Mary Chapin Carpenter, Lyle Lovett, U2, Beatles.
2000s: There hasn’t been an overriding group, but I’ll suggest that compilations by Fred Hembeck and Lefty Brown (along with Lefty’s fellow travelers) has definitely shaped my music the most this century.

So what music has dominated your life at various points? You don’t have to break it down in 10-year periods, as I did, but whatever bite-sized time frame you wish. ROG

Hembeck is 55

Fred turns 55 today, that wonderful time of the year when he’s older than I for about five weeks. The interview I did with him, which I posted a few days ago was only the first half. Unfortunately, technological difficulties precluded getting the second part. But since I still have the questions written, I’m going to piece this together based entirely on my recollection of a conversation ten days ago, and hope for the best.

I asked him about his comic influences: Stan Lee and Steve Ditko, the original team on Spider-Man; his recently expressed love of Lee/Kirby circa 1964; how he came to DCs first, and he told some wonderful tales, none of which I can summarize properly. Since he’s not reading new comics heavily, he doesn’t have strong opinions about the Brand New Day reboot of Spider-Man, with Peter as a single guy, Harry is back, etc., although, for most of Fred’s reading of the character, Peter IS single, so it doesn’t bother him much.

Fred is indeed a member of the Bing Crosby fan club. “Probably among the youngest members when you joined,” I opined. Apparently his wife Lynn had said something similar. He first noted Der Bingle in those Hope/Crosby Road movies, and he thinks Hope is underrated as a singer, but that Crosby’s voice he really appreciated. I noted that he turned me on to an album that Bing did with the Andrews Sisters.

I asked, “You seem to have more than a passing interest in Soupy Sales. You even have an album of him singing pop songs. One is forced to ask the question why?” He laughed, noting that his love of Soupy came from watching him on NYC TV growing up.

He claims to be less obsessed with Jerry Lewis, although he still watching the Labor Day weekend telethons and will catch him in whatever dramatic roles he takes. (I recall a Law & Order franchise show that Fred had mentioned in a column.)

A couple years back, I gave Fred some slight grief over his youthful affection for Al Jolson. He noted that, at the time, pre-Beatles, he hated all things rock and roll, and that he was fascinated by just how huge Jolson was, to have two movies of his life story, one played by Jolson himself and one by Larry Parks. (Sidebar: there was a video clue of Parks mimicking someone, not in blackface, in a video clue on the second day I was on JEOPARDY; I got that it was Jolson.) No, Fred has not seen the recent movie The Savages, where Jolson figures into the storyline.

I asked what old movies did he grow up watching that he thought most affected his sensibilities now. He demurred, saying that it was more old television that helped turn him into the man he is. He specifically mentioned Sgt. Bilko, and I almost asked him about Allan Melvin, who had died, but that Fred had not yet written about; he has subsequently. We talked about our shared affection for the Dick van Dyke Show, of which he’s watched all five seasons on DVD AND has been reading a book about it. He needs to blog on how well it’s held up. He professes that Car 54 Where Are You was a much better show than The Munsters, though they shared actor Al (Grandpa) Lewis.

His affection for Brian Wilson and the Beach Boys is legendary. I made him record the Kennedy Center Honors segment on Brian. He’s glad, because he was touched, especially by Lyle Lovett’s singing, surprising to him because he’s not such a Lyle fan, though he knows I am. He was less impressed with Hootie and the Blowfish, who he though had broken up anyway. Always interesting to see Brian looking uncomfortable, we agreed.

I asked him what was about the Beach Boys and Brian’s solo work that he finds so appealing. He wished he were more versed in music terminology so that he could answer that better.

I noted that we’re both Beatles’ fans, but he leans towards Paul, Brian Wilson’s near twin, while I tended toward John. Fred clarified that, up to Rubber Soul or so, it was about even, and perhaps he was leaning a little towards John, before Paul took over. He noted John’s near-absence on Revolver, which, of course, would have been the American version that Capitol Records had butchered. Yes, he was you watching Sullivan on February of 1964, and that was a transformative time in his life. He has seen both Paul and Ringo live.

He’s gone through phases of music, which has involved everyone from Lesley Gore to Michael Jackson to Nellie McKay.

Fred has gotten over last season’s colossal collapse by the New York Mets.

I went on to some personal stuff. He was born an only child of parents who were a bit older than his friends’ parents. His father was 50, his mother 39. I noted that they were YOUNGER than I was when Carol and I had our daughter Lydia. He grew up on Long Island, in Yaphank, but went to college in Buffalo, where he met Lynn Moss. He spent a time in the Kingston/Woodstock area. Then he came to the Capital District when Lynn went to RPI. I had thought that was when he started hanging out with the FantaCo folks, even me. In fact, he had met Mitch Cohn in Kingston. He recalled that he had only known Mitch for a couple weeks before Fred and Lynn got married, so he didn’t invite Mitch to the ceremony. They did invite people they soon lost track of, but Mitch was someone Fred especially would know for several years thereafter.

When Fred and Lynn moved downstate, I lost track of them. Somehow, probably through Rocco Nigro, I did know that they had a baby girl, Julie, who’s now 17, and getting ready for college. She has her first serious boyfriend, and I wondered if it messed with that strong father-daughter bond I’ve seen them have. He explained that he likes Julie’s boyfriend quite a bit.

I asked about some friendships he developed in the comics field. I think I heard from Rocco that Fred had turned Terry Austin from a Luddite to a technological wizard. Fred noted several names, including Joe Staton, Joe Sinnott and Professor Herb Trimpe, but there may have been others.

One day in October 2004, I ran into Rocco, and he said to me, “Have you seen Fred’s website?” Of course, I hadn’t. Hembeck, of Germain origin, is an unusual enough name that when he registered Hembeck.com, it was available. I asked him, “What was the goal when you started the site and how has that evolved?” Don’t recall the answer to the latter part, but as to the former, he wanted to be all things to all comics and comics-related people, which I sensed almost immediately when I saw his list of links. When I discovered Hembeck.com, I e-mailed Fred and he e-mailed me back. And I got a little obsessed with his site, as I sent Fred a SERIES of e-mails noting broken links on his prodigious links page. And, we recalled, I gave Fred a couple of blog ideas, one on Herb Alpert’s 70th birthday and another about those variation on album covers site.

“Ultimately, I thought I had enough ideas that I thought I could have my own blog. So, it’s YOUR FAULT, Fred Hembeck, for getting me to blog, curse you!” He just laughed.

Fred has a MySpace page where he actually get comments for some of the stuff he republishes from Hembeck.com. He also has The Fred Hembeck Show, which started on IGN and is now on Quick Stop Entertainment. Ken Plume brought Fred to IGN, so when Ken left, and Peter Sanderson as well, Fred followed.

That column was interrupted by the book, but now he’s back at it. It used to be a weekly, but now he’s re-examining what he should be doing there that he isn’t doing at his home site. So recently, he’s been doing strips that, one day, can be gathered for a collection.

My family’s been to the Hembeck palatial estate three years running now. I think the first year, Fred and I unintentionally seemed to be speaking in code and said, “Oh, yeah, I wrote about it on my blog” about a dozen times. Drove my wife crazy. I noted that Fred’s wife is more likely to read my blog than my wife is, and that I’ve learned to accept that.

So, that, in peculiar summary form, was the second part of the interview. Happy birthday, old man. Let me know what double nickel is like.

[PHOTOS: Various combinations of Lydia, Carol (in the red) and me visiting Fred, Lynn (in the white) and Julie (in the blue), August 2007, all taken by me, except the one I’m in, taken by Julie. Discovered perhaps a week ago.]

Buy Dave’s Comic Books

“I am helping Dave Cockrum’s widow sell Dave’s personal collection of comics–from his X-Men file copies to his Silver Age and Golden Age books. Dave was an important creator, a wonderful man, and his widow can use the money… Would you help me spread the word?” — Clifford Meth. Well, since I have met Dave and Paty Cockrum once or twice, as explained here, absolutely, I will. Go here.
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I was reading about a group called Empire State Troopers, who were featured on the cover of Metroland, the local news/arts weekly. I’m not familiar with the group, but the members, from Saratoga Springs and the Buffalo area, commissioned a friend of theirs to come up with this declaration:
“We are the Empire State because we alone have all the makings of a great empire. Coal. Grain. Timber. Iron. Granite and Slate. Livestock. Game. Fresh Water. Our per-acre agricultural output far exceeds that of any other state. We are too far inland to be hurt by hurricanes, yet too coastal and hilly to see tornadoes of any significance. Long after the world’s oil is gone, and the deserts once again are parched, we will still have our canals, our rivers and our lakes. This is our birthright, and from all this—from the hardcore squats of mid-1990s Buffalo to the North Country metal parties in July, from the explosives, the grease fires, the dog fights and homemade tattoos—Empire State Troopers make their rock.” The part about the topography IS particularly why I do like being where I am.
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Someone asked me last week: If twice something is double, three is triple, four is quadruple, etc., what is it for nine and ten? I had no idea. “Nonuple and decuple?” I guessed. Turns out I was right, and those terms are known as tuples; that I did not know .
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I think the thing that bothered me most about Chris Matthews’ remarks about Hillary Clinton was how utterly wrong his bluster was. She went to 62 of 62 New York State counties and convinced conservative Republican men and women that she could bring home the bacon to her state.
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JEOPARDY! fans: The Online Test is back! These tests are for adults 18 and over only to qualify for the regional auditions. Eligible adults must register before taking the test.
TEST DATES & TIMES
EAST COAST Tuesday, January 29th at 8PM EST
CENTRAL/MOUNTAIN Wednesday, January 30th at 8PM CST/7PM MST
PACIFIC COAST (Including Alaska and Hawaii) Thursday, January 31st at 8PM PST
Registration will close at 7:30PST on Thursday, January 31st. Visit jeopardy.com now to register, take the online test tutorial, and read through all instructions and information.

ROG

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