Category: music

Tosy Was Wrong

Tosy wrote: For some reason, I get the feeling that everyone knows about Coverville. But maybe I’m wrong. Yup, Tosy, you were wrong, ’cause I wasn’t familiar with this eclectic website that offers a podcast two or three times a week consisting of cover songs, nothing but cover songs. Now I’ve subscribed to it via iTunes. I was considering listening to some of the earlier episodes, but there are 407 of them, so I thought the better of it.

I love cover tunes. I have whole albums dedicated to the works of Johnny Cash, Leonard Cohen, The Eagles, Marvin Gaye, George Harrison, Jimi Hendrix, Elton John, Led Zeppelin, John Lennon, Curtis Mayfield, Charlie Mingus, Harry Nilsson, Doc Pomus, Pete Seeger, Richard Thompson, Stevie Ray Vaughn, The Who, and Neil Young. The Red, Hot Blue albums tend to be filled with covers. I have Motown artists covering other Motown artists, and pop versions of West Side Story. And Beatles – LOTS of Beatles covers.

Coverville also features a search mechanism by which one can find who covered what songs. The main search page was offline last I checked; however, Brian Ibbott, host and producer of the radio broadcast, has sent me a link to the beta search site that works much better. I’m loath to put the beta link on this page because the original search page will be back online soon, but if the original search engine is not working, e-mail me and I’ll get you the beta site.

It also has a discussion board, where I found this cover of Stairway to Heaven, if it had been done by four moptops:

Thank you for being wrong, Tosy.
***
There are other sites to search cover versions such as The Covers Project and Second Hand Songs.
***
Singing in a choir will keep you young
Misty Harris, CanWest News Service
Published: Saturday, January 05, 2008

Though Brahms and Beethoven aren’t what Richard Simmons had in mind with “Sweatin’ to the Oldies,” new research suggests the composers’ choral work might be just what your body wants.

According to Victoria Meredith, a University of Western Ontario professor who used the school’s adult choirs as a “live research lab,” participation in choral music leads to increased respiratory function, improved overall health, a heightened immune system and improved brain function. Meredith also concludes that performing in a choir “can keep you younger and healthier for longer,” pointing to similar studies that found people who sing on a regular basis require fewer doctors’ visits, are less prone to falls, don’t need as much medication, and are less likely to be depressed.

More: http://www.canada.com/victoriatimescolonist.

ROG

ROG

Remembering

There’s a character called Little Critter that I read to Lydia. He said, “Sometimes I remember, and sometimes I forget.”

So when I reviewed my 2007 albums, I forgot Nellie McKay’s Obligatory Visitors. I got it so early in the year, relatively, it slipped my mind. It’s much shorter than her previous two epics, and while I liked it in parts – a wonderfully vulgar 23 seconds of “Livin”, e.g. – I prefer her singing to that of the bloke who she had crooning with her.

I forgot to give my football playoff picks; trust me, I was 3-1 the first weekend (I thought Washington would beat Seattle). The second weekend, it’s more who I hope would win: Green Bay did (this has much to do with my dislike of The View’s Elizabeth Hasselbeck, who’s married to the Seattle QB, Matt); and my others won as well, except for Jacksonville, who lost to New England. (But doesn’t everyone?) So my rooting interests for the rest of the season are set: Giants, San Diego, Green Bay, in that order.

I was glad that Goose Gossage got into the baseball’s Hall of Fame, but I’m still looking for some love for Jim Rice, Lee Smith, and Andre Dawson.

On my list of TV themes, I didn’t forget Barney Miller, M&R. It was on Greg’s cusp list and on mine. Interestingly, that first season, not only was the show less good, in spite of the fine Barbara Barrie as Barney’s wife, the theme was fairly lackadaisical.
The later theme, like the second Magnum theme, was MUCH better:

The Mary Tyler Moore Show theme didn’t quite make it either, mostly because love may be all around, but Mary Richards’ love life mostly stunk. I think I preferred the “you just might make it” of the first season, which I can’t find, to “you’re gonna make it” of later seasons.

I did find this:

Oh, a question: did the That Girl theme ever have lyrics? I know it didn’t normally, but I swear I heard them at least once.

I forgot to mention that it was my friend Dan who gave me the comics-related question which I posed on Saturday that YOU can STILL answer.
I don’t want him, or especially his wife Lynne, who I’ve known even longer, ticked with me.

I was going to use this piece from a United Methodist website on one of my grumpy days, but I forgot:
Lawsuit prompts new music and video copyright developments for churches
Dean McIntyre, of the General Board of Discipleship, is warning churches of new developments in legal cases regarding the use of copyrighted music and video in worship. In an article posted on GBOD’s worship website, McIntyre writes, “In a new attempt to stop illegal copying — which may have an impact on churches — the music industry is now making a stronger claim of copyright protection not previously claimed.”

He concludes that, “If the courts continue to uphold the new music industry claim, the implication for churches is clear: it is illegal to legally purchase copyrighted music or movies, to copy and store that music or movie, even a clip, on your own computer or disk, and then use the copy in worship. Churches that want to replay copyrighted CDs or videos in worship can legally do so only by using the original purchased copy.”

ROG

ROG

Top 10 5 Albums of 2007

I only got 13 albums that came out in 2007, all CDs, as opposed to downloads or vinyl. Unlike the movies I didn’t see, this fact does not particularly distress me as much as it might, since I did download some individual cuts as well as older albums I had on vinyl.

So coming up with a Top 10 seemed silly. I will discuss all of them, but then give you my Top 5, which is pretty soft.

Across the Universe SOUNDTRACK – It’s OK. Too much of it sounds the same. Didn’t see the movie, though, and that might have helped. I love EDDIE IZZARD doing Mr. Kite, though.

Like A Hurricane-Neil Young Tribute, Uncut Magazine. Pretty good actually, though invariably uneven.

It’s Not Big, It’s Large- Lyle Lovett. As I wrote here, I like it, but haven’t played it in over a month. Might rank higher when I hear it again.

Memory Almost Full-Paul McCartney. I liked it, especially some of the latter songs. The cut that explains the meanings of the songs really enhanced the album for me.

Magic-Bruce Springsteen. I enjoyed it quite a bit actually, but with a couple of exceptions, it sounds as though it could have come out a decade or more ago.

Live In Dublin-Bruce Springsteen. This lives heavily on the songs from the Seeger Session of 2006 that I loved so much. Works well here, too, plus some great reframing of the Springsteen oeuvre, and a surprise or two.

We’ll Never Turn Back-Mavis Staples. Lefty Brown turned me onto this album, and it was in constant rotation in the summer, one track in particular.

Photograph: the Very Best of Ringo Starr. Quite possibly all the Richard Starkey I’ll ever need. A mostly known commodity going in, and some good songs. Beatlefan magazine posed the question a couple months ago whether Ringo, as a solo artist, deserved to be in the Rock and Roll Hall of Fame; I’d say no, as commercial success, and is largely not a criterion.

And now, my Top 5:

5) West- Lucinda Williams. This might be is a hard album to love for me. Sometimes the lyrics are weak, sometimes the music, though usually at least one element is outstanding. Some of the lyrics are as nonsensical as Dylan’s most obtuse. There’s a 9-minute quasi-rap song that somebody on Amazon called the WORST SONG EVER. But when it clicks, it really works for me. It’s no “Car Wheels on a Gravel Road”, but it is a worthwhile effort about loss.

4) Dirt Farmer – Levon Helm. – Maybe I’m a sucker for a feel-good story. Helm, the voice of the legendary group The Band, survived throat cancer, but he was unable to talk, let alone sing. But with treatment, he was able to do both. And this album, which sounds like The Band mixed with the music of the group’s roots, is outstanding. His daughter Amy, who sings with the group Olabelle, is also present here.

3) Chrome Dreams II-Neil Young. What Nik said about the eclectic nature of the project. BTW, Tosy once had a post about the longest and shortest album cuts. He and I had the same Dylan cut as the longest, but Ordinary People on this album at 18 minutes surpasses that. (I have since discovered that I have a 20-minute live version of Frank Zappa’s Don’t eat the Yellow Snow.) Here’s a review from the United Methodist Church website!

2) Raising Sand- Alison Krauss/Robert Plant. Actually, I bought this for my wife for Christmas. I always buy Alison Krauss for my wife for Christmas or her birthday when she has a new album out. While there were some duets that sounded more like her fare, there’s at least one cut that’s louder than anything on any Krauss album I’ve heard. In any case, it works because of genre-bending song selection and a great production by T-Bone Burnett. The more I hear it, the more I like it.

1)I’m Not There SOUNDTRACK- (Nik: this is how I write every day – I just quote other people.) As Nik says, compilations are tough, but this one works exceedingly well, even though I didn’t see this movie yet, either.

The album I’m most likely to get, sound unheard, based on everyone else’s reviews: LCD Soundsystem, Sound of Silver.

ROG

ROG

TV Theme Songs

Greg picked his Top Ten TV Themes recently, and I thought I’d do the same. I figured it’d be an easy post, but the more I thought about it, the more I decided that comparing themes with vocals and themes without just wouldn’t cut it for me. The vocals should give you a sense of the story, while the instrumental should set the mood.

So, two lists, both in alphabetical order:

Instrumentals

The Andy Griffith Show – called “The Fishing Hole”, it features whistling. In harmony. Sets the rural tone of the show.
Captain Kangaroo – a very welcoming theme for kids.
The Dick van Dyke Show – that chime or xylophone just at the point that Rob Petrie either trips on the ottoman or doesn’t is so very clever.

The Fugitive – the sense of a man on the run is palpable.
Hawaii 5-0 – no wonder it was a hit.
Hill Street Blues – great Mike Post tune.
Law and Order – so good that Dick Wolf tries to use variations of it for his other L&O shows.

M*A*S*H – mournful start (though ends more upbeat) to the first dramedy.
The Odd Couple – feels like couple of divorced men trying not to kill each other.
Perry Mason – sets the serious tone. Actually, I prefer the end theme, which is an extended version of the opening is this wonderful orchestral piece that stands up as MUSIC, not just a TV theme.

Rockford Files – yet another great Mike Post tune.
Sanford and Son – rather sounds like a junk yard.
Seinfeld – that popping in the end reminded me that the show was supposed to be about nothing.
That’s 13, isn’t it? Well, I didn’t major in math in college.

Vocalists

Beverly Hillbillies- you certainly knew the story, even if you never watched the show.
Branded – a one-season show on NBC starring Chuck Connors and I STILL remember the theme from 40 years ago, and I bet my sisters do, too. Yeah, it’ll probably seem corny now, but at the time, it was really cool. I think it was the broken sword.

Car 54, Where Are You? – for some reason, reminds me of Fred Hembeck.
Cheers – about a perfect blend of song and show.
Gilligan’s Island – classic.
It’s About Time – also by Sherwood Schwartz, who did Gilligan and The Brady Bunch.
The Jeffersons- a dee-luxe apartment in the sky. Hallelujah!
Mad About You- a song better than the show that invokes the show’s title.
Maverick – the legend of the west -“luck is the lady that he loves the best”.
Moonlighting – whatever Greg said. Though it in fact, it violates my own rule of telling the story. I don’t care.
Mr. Ed – because I still remember verbatim the damn thing 40 years later.
Top Cat – maybe this stands in for all those great H-B cartoons, but I loved it.
WKRP in Cincinnati – what Greg said.
And 13 of these.

There are a couple variations on themes, both instruments, that bear mentioning. The JEOPARDY! theme in the beginning is OK, but the “thinking music” is iconic. ABC News’ intro is functional, but the variation they use for the In Memoriam section of This Week with George Stephanopoulis is haunting to me.

Tom the Dog commented on Greg’s post about shows that have different closing themes than the opening. Except for All in the Family (Those Were the Days and Remembering You) and Frasier, nothing’s coming to mind. Sure there are variations on the theme (Gilligan’s Island with different lyrics, the Jeffersons’ slower version with humming but no vocal), but absolutely different songs? Can you think of any others?

ROG

ROG

Johnny Otis


Dear Near Twin:

I was listening to your 2007 in review podcast. Enjoyable as usual. But I was surprised to find that *I* cast the the deciding vote in the the naming of Cast THIS, Pal! Cool.

You played a Christmas cut by Johnny Otis, who you said you weren’t familiar with. Since you are THE #1 music guru of the inestimable Lefty Brown, I thought I’d share this with you.

Johnny Otis is a guy born in 1921 of Greek heritage (given last name: Veliotes) who immersed himself in rhythm and blues. He rather reminds me a little of Ahmet Ertegun, another person of eastern Mediterranean heritage, in his case Turkish, who co-founded Atlantic Records.

Johnny Otis was a band leader, producer and A&R man who “discovered” Etta James, Jackie Wilson and Hank Ballard (who wrote “The Twist”). He produced Etta’s first hit, Roll With Me, Henry (The Wallflower), oft-covered since, as well as Big Mama Thornton’s original recording of Hound Dog three years before Elvis Presley’s version.

Otis had his own recording success doing Willie and the Hand Jive, which went to #9 on the pop charts in 1958. Eric Clapton covered it in 1974, and it went to #26. You might remember the song from the movie Grease.
Here’s Johnny performing it with Marti Adams and the Three Tons of Joy:

Though Hand Jive was his only pop hit, the Johnny Otis Orchestra had several R&B hits, usually with other vocalists such as Little Esther and Mel Walker.

He was elected to the Rock and Roll Hall of Fame as a non-performer in 1994. Here’s something from the Wikipedia post on him:
Frank Zappa has cited Otis as the inspiration for his distinctive trademark facial hair, stating in an interview conducted by Simpsons creator Matt Groening and Guitar Player magazine editor Don Menn that “it looked good on Johnny Otis, so I grew it.”

Otis maintains a popular radio show on KPFA, called The Johnny Otis Show.

There’s a singer named Shuggie Otis, who was/is a psychedelic soul/funk guy – I have one of his albums – who wrote and performed Strawberry Letter #23, later a hit for the Brothers Johnson. I did not know that Shuggie is Johnny Otis’ son.

Anyway, Gordon, thanks for the inspiration for the post.

All the best,
ROG

ROG
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