music Archives - Page 39 of 41 - Ramblin' with Roger

RM-Special Music Edition

While my ukulele gently weeps with audio/video. Actually quite good, I think, despite the web address. (Thanks, BG.)
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The great thing about Albany is FREE music in the summertime. So far, we’ve had, among others, Ruben Blades, Mary Wilson and Sam Bush at Alive at Five with Little Feat, Leon Russell, and Terrence Simien still to come. At The Plaza had a two-day BluesFest with Buddy Guy, Shemekia Copeland and many others; and Black 47; Forthcoming: the Lovinâ€™ Spoonful and Grand Funk Railroad with the Edgar Winter Band. I’ve seen NONE of the musicians that have performed so far, and I am not sure if I’ll get the chance to see the artists that are still to come. Nuts.
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I got this e-mail from Amazon touting their “10th Anniversary Hall of Fame musicians, whose CDs have sold the largest number of copies at Amazon.com in the seven years since Amazon began selling music in 1998”. The list is pretty obvious, you’d think:
The Beatles,U2, Norah Jones, Diana Krall are the top 4. 6-10 are Frank Sinatra, Santana, Enya, Bob Dylan and the Rolling Stones. The rest of the top 25 you’d all know. But who is it at #5? Eva Cassidy. Eva Cassidy?
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I was having lunch with my friend Mary and we were talking about Van Morrison. I noted that “Jackie Wilson Says” was on St. Dominic’s Preview. She contended otherwise and bet me $5. People, PLEASE don’t bet with me. I can be/have been wrong about a LOT of things in my life, but when I put money up, it just doesn’t happen.
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I received this link with audio of an Itzhak Perlman performance on three strings.
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Rapp on This: Lawyer Paul Rapp, a/k/a Lee Harvey Blotto, the drummer from the legendary Albany band Blotto, always has something sage to say about intellectual property and the arts.
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“Les Paul Celebrating 90th Birthday With New Album”
90 years on this planet and still jammin !
Les Paul is the Inventor of the solid body guitar and muiltitrack recording as well as a master of his instrument. Happy Birthday Les !

Guitar legend Les Paul will celebrate his 90th birthday with his first new studio album since 1978’s “Guitar Monsters,” a collaboration with Chet Atkins. Les Paul & Friends’ “American Made, World Played” is due Aug. 30 via Capitol/EMI.

The album will boast such collaborations as “Love Sneakin’ Up on You” with Sting and Joss Stone, “Fly Like an Eagle” with Steve Miller, Eric Clapton on “Somebody Ease My Troublin’ Mind,” Jeff Beck on “Good News,” ZZ Top’s Billy F. Gibbons on “Bad Case of Lovin’ You” and Buddy Guy, Keith Richards and Rick Derringer on “Good Morning, Little Schoolgirl.”

I only do such blatant commercial plugs when the artist is at least 88.

Tunes in 7-4

I’ve been in a groove (or rut, depending on your perspective) of listing song titles this week, so I thought I would do it again today. I haven’t actually made this disc, and the songs wouldn’t necessarily be in this order, nor do I make any claim that this list is all inclusive:

Almost Independence Day-Van Morrison
4th of July, Asbury Park (Sandy)-Bruce Springsteen
4th of July-Pete Droge
4th of July-U2
Independence Day-Bruce Springsteen
Independence Day-David Byrne
Lake of Fire-Nirvana
On the 4th of July-James Taylor
Saturday in the Park-Chicago
Tears of Rage-The Band

4th of July-Dave Alvin
4th of July-X
Yankee Doodle Dandy-James Cagney

4th of July-Sweet
4th of July-Keel
4th of July-Soundgarden
4th of July-Mariah Carey
4th of July-Robert Earl Keen
4th of July-Aimee Mann
Independence Day-Martina McBride
Independence Day-Ani DiFranco
Independence Day-Eliot Smith
Independence Day-Imani Coppola
Independence Day-Too $hort w/ Keith Murray

The first batch I actually have on CD, the second on vinyl, and the third not at all. So, if I WERE making a mixed CD, I’d have to throw on America the Beautiful by Ray Charles, and the Star-Spangled Banner by Marvin Gaye or Whitney Houston, probably both.

Incidentally, many of those same-named songs are totally different songs, not covers of each other.

So, as you celebrate America’s 229th birthday today, remember that is music that’s as much a part of our national heritage as musket.

Oh, and a piece from the Independence Day sermon I heard yesterday led me here.

The blogger CD exchange-ROG

Several months before I was involved with the bloggers exchange I mentioned a couple of days ago, I was participating on a one-on-one exchange with Fred Hembeck, my old compatriot from the FantaCo comic book days. Most of my earlier works were chronologically based, but as Fred was already doing more thematic pieces, I did likewise.

One of the topics I decided on was to get a song for every state in the country. I missed a few states, but I ended up putting together three discs of an “American travelogue.”

Meanwhile, Fred was involved with a bunch of folks, most of them interested in comic books, who did a bloggers’ exchange of mixed CDs, initiated by Chris “Lefty” Brown. As I wasn’t blogging at the time, I couldn’t participate. But now that I am posting fairly regularly, I got to give it a go in the second round with these very diverse folks (May 23).

I decided to use the first of my American Travelogue discs, but I made a few changes.

Let’s begin

US: I wanted to start and end with an “American” song. I started with “American Roulette” from Robbie Robertson’s first solo album, which starts off slowly but really rocks at the end. My old friend Karen has worked for record companies for over half her life, and she was trying to promote this album when it came out. She goes to one station trying to explain who Robertson WAS, “You know, The Band? Backing band for Dylan? The Last Waltz?” No hint of recognition from some 23-year-old program director who was making decisions about what got played on the air.

NY: “New York, New York” – Ryan Adams was an alt-country darling in 2001. Some critics indicate that he puts out too much mediocre stuff, so his double albums should be single discs. Remind me to look up “alt-country.”

NJ: “Atlantic City” – I wanted to NOT do Springsteen here; I half succeeded. It’s a Bruce song by post-Robertson The Band, a little more up-tempo than The Boss’s version, with a mandolin.

PA: “Allentown” – I expect to be pilloried by some bloggers for putting the very uncool Billy Joel on the disc, but sonically, it just works for me. I had put Elton John’s “Philadelphia Freedom,” but it didn’t fit.

MD: “Baltimore” – I’m sure I got Peter Case from Karen. It is one of those albums that I never remember to play, but the gravelly-voiced singer always satisfies when I do. I considered Vonda Shepherd’s “Maryland” here, but I was in a city groove.

DE: Couldn’t find anything in my collection for the First State. Don’t think “The White Cliffs of Dover” would count.

DC: “The Bourgeois Blues” – Folkways put out an album of covers of Woody Guthrie and Leadbelly tunes. This song was written by the latter, and sung by Taj Mahal. Talks about black people not getting a break in our nation’s capital.

Heading South

VA: Some relative told me that “I Believe” was the “future of popular music.” So, sound unheard, I bought the Blessed Union of Souls album. I wouldn’t say it was “the future of popular music,” but “Sweet Virginia” works on this disc.

NC: “Take the Train to Charlotte” – There are a number of other NC songs, but this one was obvious for me, since my mom, sister Marcia, and niece Alex live there. From the Roots and Blues 109-song, box set, this tune is by Fiddlin’ John Carson, no relation to the late, late-night talk show host (I don’t think so, anyway.) This song is from c. 1930.

SC: “Darlington County” – talk about commercial! From Springsteen’s massive Born in the U.S.A. album. This was the toughest change because I replaced an obscure John Linnell song “South Carolina”, but again the sound was the determining factor.

GA: “Oh, Atlanta.” Love the chromatic scale ascent on this Alison Krauss tune. Chromatic scale? Play the scale MI up to DO, including the black keys, on a piano, staccato (short notes), then imagine that on guitar leading to Alison’s sweet voice.

FL: “Gator on the Lawn.” At 1:13, the shortest song, also the loudest. It has a really rockabilly feel. From the Tom Petty and the Heartbreakers’ box set.

Rejected

PR: I DUMPED “America” from West Side Story from this version. I LOVE West Side Story, I ADORE West Side Story, but I didn’t think it worked here.

AL: “Alabamy Home” by the Gotham Stompers, an instrumental from “1930s Jazz- The Small Combos.”

MS: “The Jazz Fiddler” by the Mississippi Sheiks, also from “Roots & Blues”.

LA: “Down at the Twist & Shout” was performed by Mary Chapin Carpenter at a Super Bowl, and I have the live recording, but this is the studio version.

TX: I love Lyle Lovett. I love his backing vocalists, Sweet Pea Atkinson and Sir Harry Bowens. They really help make “That’s Right (You’re Not from Texas)” swing.

US: This CD ends with a Garth Brooks song “American Honky Tonk Bar Association.” It is a flat-out country song for the “hardhat, gunrack, achin’-back, overtaxed, flag-wavin’, fun-lovin’ crowd.” I had, in the previous incarnation, put this song before Lyle.

So, when I see reviews of this album on other blogs and I link to them, you’ll know what the heck they are talking about. Not so incidentally, look at Lefty’s page for June 28 for what other bloggers said about their own and each others’ discs.

Mixed CD-Greg Burgas

For some obscure reason, I was singing “Istanbul (not Constantinople)” in the locker room of the Albany Y a few weeks ago. I noted to one of my compatriots, Phil, that the original came out in 1953, the year I was born, but I didn’t know who performed it. (It turned out to be the Four Lads. It entered the charts on 10/17 and went to #10.) Please know that I don’t USUALLY go around singing “Istanbul”.

I’m involved in this CD exchange among two dozen bloggers, organized by Chris “Lefty” Brown (May 23). The first disc to arrive was on that same day from a guy named Greg Burgas, and what’s on it? “Istanbul”! It’s the They Might Be Giants version (which I own), but still pretty spooky.

It’s a pretty eclectic mix from Delenda Est Carthago, the name of his blog. Some of it I liked a lot. The title cut is a relatively obscure Diana Ross and the Supremes hit, “Forever Came Today,” a fine song (though how that defines the theme of the disc, I’m not quite sure yet.) Only two songs I didn’t care for, and I attribute that to a generational thing. (A Fred Hembeck lets me know that I’m the second oldest one in the exchange; he has 5 weeks on me.) One was Ugly in the Morning, an apt description of the Faith No More song, and the other some Jane’s Addiction song that would have driven me to drugs if I didn’t have willpower.

On the other hand, a lot of stuff worked. Alison Krauss’ Down to the River to Pray (the second O Brother cut on the disc) oddly segues nicely with the guitar noodling in the beginning of a song by the hard rockin’ Cinderella! Who knew? There are other links like that throughout.

But for me, THE find was: “Somewhere between a 1930s Cuban dance orchestra, a classical chamber music ensemble, a Brasilian marching street band and Japanese film noir is the 12-piece Pink Martini. Tasty. I want MORE.

(Oh, and I just figured out WHY Greg was first – his wife just had a baby. Congrats, Greg, but did you think having a baby might interfere with blogging and making mixed CDs? Can’t understand THAT.)

OK so I wrote that, but now I have two dozen MORE CDs I should address. Four I haven’t heard, and – fortunately – a few I haven’t received yet. Don’t know that I’ll be as verbose in the future. BTW, I expect that, eventually, the song lists of all of these bloggers will show up on Lefty’s page. If Chris’ list shows up on the page, I’ll link to that. MY list will show up on THIS page, also eventually.

Memories of Pop

So I went up to my attic, trying to find some memorabilia for a project I’m working on, about which I will tell you about soon. I didn’t find the memorabilia, but I DID find 10 notebooks I used as diaries between 1979 and 1987, which will also be helpful for that aforementioned mysterious project. But it IS rather painful to read about your immature, self-absorbed thoughts from 25 years ago. (As opposed to my current MATURE, self-absorbed thoughts.)

One of the things I re-discovered was the death of my grandfather a quarter-century ago this week. I knew he had died sometime in the late 1970s or early 1980s, but the precise date had fled my memory.

Pop is what we (my parents, my sisters, and I) called my father’s father, McKinley Green. Everyone else called him Mac. My nuclear family lived downstairs in a very small two-family house in Binghamton. Pop and his wife, my Grandma Green, Agatha (and it was A gath’ a, not Ag’ ath a) lived upstairs. This was one of two houses owned my mother’s mother, Grandma (Gertrude) Williams, who lived about six blocks away. (HER death I remember quite well: Super Bowl Sunday, 1982.)

Pop was a janitor at WNBF-TV and radio; eventually, the TV station was sold, but he maintained his job at the radio station. I’m not quite sure just how old was, but he was well past the age of retirement, yet the station kept him on to work as long as he wanted, and as much as he wanted. He was such an amiable man that people liked him to be around.

Bonus

He used to bring home albums (LPs) that had been discarded by the station. Most were “beautiful music” with no artist even listed, or in later years, obscure rock bands that I had never even heard of, but three discs stand out in my mind.

“50 Stars, 50 Hits on two great country albums!” That’s the way it was advertised on TV, and I was thrilled when Pop brought a copy home. It featured Buck Owens, George Jones, Minnie Pearl, T. Texas Ruby and many more -46 more, to be precise. In Binghamton in the 1960s, you could get these clear channels (not to be confused with the conglomerate Clear Channel) at night, and I could get stations in New York and Cleveland. I could also reach WWVA in Wheeling, WV, a country station, and I probably listened to a couple of nights a week for four or five years.
Gary Lewis and the Playboys Greatest Hits- Jerry’s son’s band doing The Loser (with a Broken Heart), Where Will the Words Come From, (You Don’t Have to) Paint Me a Picture, My Heart’s Symphony, and my favorite, Jill.
The soundtrack to the movie The Night They Raided Minsky’s (1968). I saw this movie with my high school friend Carol and HER friend Judy, on whom I had a tremendous crush (though nothing ever came of it.) The film, starring Britt Eklund and Jason Robards, was the film debut of Elliot Gould and served as the final film for Bert Lahr. It started with Rudy Vallee saying: “In 1925, there was this real religious girl. And, quite by accident, she invented the striptease. This real religious girl. In 1925. Thank you.” It also featured songs like “Take 10 Terrific Girls, But Only 9 Costumes.” For a 15-year-old, this was really hot stuff, even though the “striptease” in the movie lasted a nanosecond, so getting the album was quite fine.

Going upstairs

Pop was an avid hunter. He provided the vast majority of the venison I’ve ever eaten in my life. The only time I ever used a firearm was with Pop. We went out to the woods somewhere, and he gave me his rifle. I fired. Naturally, the recoil left me sitting on my butt. Pop also liked to bowl, work on cars, and especially go to the track, particularly in Monticello.
I used to go upstairs and play gin rummy with him while we watched Mutual of Omaha’s Wild Kingdom. In the later years, I’d beat him about 50% of the time. On a bulletin board, he had a faded newspaper clipping of Ed Marinaro, the Cornell running back, who was the son or nephew of a friend of his; Marinaro eventually played Officer Joe Coffey on Hill Street Blues.
From my 6/26/1980 diary: “Pop was a very dark-skinned man with grey hair, thinning, but more prevalent than mine, combed straight backâ€¦ I recall a certain twinkle in his eye, though I hadn’t seen him in a year and a half or longer; he was never home when I dropped by. I probably should have written more often, but he never wrote back…I would have called if had [had] a telephone, but he refused! The phone company would have required a deposit in switching service from Grandma Green’s name [she died in the mid-1960s] to his, even though he had been paying the bills, [so he had the phone taken out.] He was stubborn that way.”

I was going to write about Pop’s death, and I will soon. But it was nice to write a little about Pop’s life.