Category: review

MOVIE REVIEW: Hairspray


I loved Hairspray. I loved the antiestablishment panache that colors the film. I love the music. I love the acting energy of Ricki Lake, Jerry Stiller and Divine, especially those cameos by Pia Zadora and Ric Ocasek.

Oh, wait: you think I’m talking about that NEW Hairspray? Haven’t seen it yet; I will, I will. But it’s only been a couple months since I borrowed someone’s VHS tape – how 20th century – and watched the original 1988 film one Sunday afternoon.

Somehow, I had missed it when it appeared in theaters, which surprised me, because I had seen other John Waters films, such as the bizarre Pink Flamingos (1972) and the comparatively sedate Polyester (1981), complete with an Odorama card; that smell-o-vision card that the My Name Is Earl folks put in that week’s TV Guide was an homage to Polyester. In fact, I went to a Polyester party after the movie, where everyone wore non-breathable fabric and ate non-foods such as Cheese Wiz and Marshmallow Fluff.

I’m a touchy wary that the new Hairspray won’t bring me the unbridled joy of the original, based on some reviews like this one. The personality of Baltimore was so much a part of Waters’ movies; when I saw the story about Waters cited here, the interview took place in locales that I recognized from the 1988 film, especially the record shop. Will the “musical” (and the original Hairspray had a lot of music) be able to keep that flavor?

My biggest concern is John Travolta. In the previews, his eyes seem tiny, beady, disproportionate to the rest of his face and fat-suited body. My wife, in fact, HAS seen the new movie (but not the original), and points to Travolta’s faux woman’s voice as a weakness, but loved the movie lead.

In any case, go rent Hairspray. THEN see Hairspray. As my old English teacher used to say: compare and contrast, and please let me know what you think of them. (Or either of them,, if you’ve only seen one.)

ROG

MOVIE REVIEW: Once


I don’t recall any recent movie that was as critically acclaimed as Once. Last I checked, it had a 97% positive rating on the movie site Rotten Tomatoes. It’s been billed, correctly, I think, as a musical for those who like music but hate musicals. I mean, there’s no Ewan McGregor from Moulin Rouge, merry murderers from Chicago or even Jennifer Hudson from Dreamgirls, all of which I’ve seen, by the way, breaking into song to advance the plot. All the music comes from their “real” situations, and works, perhaps, because musicians who could act were cast, rather than actors who could sing.

Carol and I got a babysitter and went to see Once last month at the Spectrum in Albany, when it was down to two shows a day, as it turns out the week before it closed. It’s the story of a Guy (Glen Hansard) in Ireland who is a busker with a guitar, an aspiring singer/songwriter and vacuum cleaner repairman who meets a Girl (Marketa Irglova), who’s also a singer/songwriter as well as a pianist. They end up making beautiful music together in an “organic” way. But it doesn’t play out exactly how you might think.

Incidentally, I capitalized Guy and Girl, because that’s how the characters are billed; likewise Guy’s Dad (Bill Hodnett) and Girl’s Mother (Danuse Ktrestova).

I really don’t know how to describe this any further without giving out key plot points, except to say that we too were charmed and captivated by Once. It has a running time of 85 minutes, and it’s rated R, almost certainly for the substantial use of the F-word. In fact, much of the scene before the credits even pop up is laced with that word; it lessens considerably after that, but you may want to watch this with other adults.
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Gay Prof says something snarky about the impeding departure of Karl Rove so I don’t have to.

ROG

ROG

MOVIE REVIEW: Waitress


Last weekend, the wife and I got to go to the movies for the first time in ever so long. There’s usually some negotiation involved, but we honed in on our choice straight off.

I had intended to review this movie right away before I was influenced by other assessments, but of course that didn’t happened. What I’ve discovered in a number of reviews of this film is the overuse of the q word. Rotten Tomatoes, which gave it a 90% positive rating, notes the consensus is that it’s “sweet, smart and quirky”.
Waitress is the story of a woman named Jenna (played by Keri Russell), who’s pregnant – that’s established very early in the film, so that’s hardly a spoiler – and in a bad marriage. Her day-to-day salvation is making pies, delicious-looking pies, with names that describe her feelings at the moment, such as Baby Screaming Its Head Off in the Middle of the Night and Ruining My Life Pie. Jenna has two co-workers, Dawn (Adrienne Shelly) and Becky (Cheryl Hines), who are friends, even when each make choices that the others aren’t crazy about.
Jenna finds solace, for a time, in meeting with the new ob/gyn in town, Dr. Pomatter (Nathan Fillion). But ultimately, it’s about Jenna trying to figure it all out for herself.

I don’t want to say too much more about the plot, but I will make these observations:
Andy Griffith as the crusty diner owner Joe is wonderful.
It’s unfortunate that Jenna’s chauvinist husband is named Earl (Jeremy Sisto), because it reminded me of that Dixie Chicks song and video, Goodbye Earl. This Earl turns out to be more nuanced than the one played by Dennis Franz.
This is a foodie movie in the tradition of Chocolat or Big Night. There is a one pie-making scene that is VERY sensuous.
The music, mostly alt-country, I guess, and at least one tune co-written by director Adrienne Shelly, was great. One song choice I thought was a little odd, though I gave it a pass when I realized it was performed by the group Cake, another food group.
Some of the reviews claim that there is an “inconsistency of tone” in this movie. I didn’t feel it. I thought it was just how life is.
I really liked the waitresses and their bonds, but Cheryl Hines as Becky reminded me just a little of Polly Holliday as Flo in the TV show Alice, also about three waitresses.

All in all, I really liked this movie. But I had a sense of sadness during the credits, not by what was on the screen, but over the fact that the director Shelly would not be making another warm and touching film, as she was murdered last year.

I should mention, finally, that Keri Russell as Jenna is wonderful in this film. I’d never seen her in Felicity, before or after the infamous haircut, but there are few (if any) scenes she’s not in, and she’s always credible and interesting.
ROG

ROG

Oscar-Worthy Movies I Have Seen: 1934

“IT HAPPENED ONE NIGHT”, “The Barretts of Wimpole Street”, “Cleopatra”, “Flirtation Walk”, “The Gay Divorcee”, “Here Comes the Navy”, “The House of Rothschild”, “Imitation of Life”, “One Night of Love”, “The Thin Man”, “Viva Villa!”, “The White Parade”
Seen NONE of these, or Frank Morgan (the Wizard in “The Wizard of Oz”) in “Affairs of Cellini”. Of course, I’ve seen various clips of “It Happened One Night”; must see that film.
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From a discussion the Buffalo guy noted about copyright comes this YouTube video about fair use, featuring your favorite Disney characters; also available on the Stanford University site.
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The Silver Surfer quarter to promote the new Fantastic Four film.

ROG

Oscar-Worthy Movies I Have Seen: 1932-1933

Picture:
“CAVALCADE”, “A Farewell to Arms”, “42nd Street”, “I Am a Fugitive From a Chain Gang”, “Lady for a Day”, “Little Women”, “The Private Life of Henry VIII”, “She Done Him Wrong”, “Smilin’ Through”, “State Fair”.
Don’t think I’ve seen any of these, though I did see a later version of “State Fair”. Heck, I still remember the title song: “Our state fair is a great state fair. Don’t miss it; don’t even be late.”

This, BTW, was the last year of the midyear to midyear awards. The eligibility period for these films was August 1932-December 1933, and awarded in March 1934. From this point forward, the award covered the calendar year.

What? No nominations of the Mummy or the Invisible Man? None for King Kong?! I’ve seen all of these on TV at some point in my childhood.
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So, what did I spend my yesterday doing instead of finding exciting bloggable material for you? Mowing the lawn – does WD-40 fix gas leaks? apparently; challenging a nearly 100% increase in our property assessment since 2003; and getting a haircut. Then my wife was out during the evening, so the child and I negotiated the from-dinner-to-bed routine.
ROG

ROG
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