Category: Slumdog Millionaire

OSCAR Questions

Oscar night has been for me a must-watch for decades. This year, I’m actually in better shape seeing movies than I was last year at this time.

The obvious questions about which I’d love for you to opine:
Who will win?
Who do you WANT to win?
* indicates films I’ve actually seen

BEST ACTOR:
*Richard Jenkins-THE VISITOR
*Frank Langella-FROST/NIXON
*Sean Penn-MILK
Brad Pitt-THE CURIOUS CASE OF BENJAMIN BUTTON
Mickey Rourke-THE WRESTLER
Will win: Rourke. Oscar loves the comeback. Langella, though, would not be a shock.
Want to win: Jenkins, who nobody knows until they see him. “Oh, THAT guy.”

BEST SUPPORTING ACTOR:
*Josh Brolin-MILK
Robert Downey Jr.-TROPIC THUNDER
*Philip Seymour Hoffman-DOUBT
*Heath Ledger-THE DARK KNIGHT
Michael Shannon-REVOLUTIONARY ROAD
Will win: Ledger. The fact that DK was not picked for best picture practically assures it.
Want to win: Downey, because he had a good year with Iron Man, which I saw and enjoyed. But I’m not begrudging the late Ledger.

BEST ACTRESS:
Anne Hathaway-RACHEL GETTING MARRIED
Angelina Jolie-CHANGELING
Melissa Leo-FROZEN RIVER
*Meryl Streep-DOUBT
Kate Winslet-THE READER
Will win: I can make the case for Hathaway, who’s expanded from the Princess Diaries/Devil Wears Prada mode; yeah, she did in Brokeback Mountain, too, but didn’t get the recognition. Or for Streep, who’s won twice, but not in a quarter century. Guess I’ll pick Winslet, because she’s never won, though oft nominated, and she had a good year with Revolutionary Road and this. (Although, when I went to see Slumdog, my wife was asking about Revolutionary Road and the couple in front of us told us it was three hours of whining, a complaint I’d heard before.)
Want to win: Leo, who was on one of my favorite TV shows, Homicide, and who lives in upstate New York. Yes, I can be parochial.

BEST SUPPORTING ACTRESS:
*Amy Adams- DOUBT
*Penélope Cruz-VICKY CRISTINA BARCELONA
*Viola Davis-DOUBT
Taraji P. Henson-THE CURIOUS CASE OF BENJAMIN BUTTON
Marisa Tomei-THE WRESTLER
Will win: Henson. The movie has the most nominations and it needs a win. Also, Oscar wants to honor a black or foreign performer (England and Australia evidently are not foreign enough) – could be Cruz, but Davis’ part was too short (Judi Densch in Shakespeare in Love notwithstanding). Finally, Oscar always wants to pluck someone out of obscurity, and if you look at supporting actress winners over the years, it’s littered with “Who’s she?”
Want to win: Cruz, who lit up the screen.

Best Animated Feature
BOLT
KUNG FU PANDA
*WALL-E
Oh, please. I’m just annoyed that something like Waltzing with Bashir wasn’t also nominated to give the most deserving Wall-E some semblance of a challenge.

Best Director
THE CURIOUS CASE OF BENJAMIN BUTTON
*FROST/NIXON
*MILK
THE READER
*SLUMDOG MILLIONAIRE
Will win: Slumdog Millionaire
“Oh, Danny Boyle,
The Oscar trophy’s call-all-lin'”
Want to win: Gus van Sant’s Milk, though Ron Howard’s Frost/Nixon would be OK, too.
I’m SO relieved the directing and best picture nominees lined up so I don’t have to hear about the best picture nominee sans director, “What, did it direct itself?” again.

BEST PICTURE
THE CURIOUS CASE OF BENJAMIN BUTTON
*FROST/NIXON
*MILK
THE READER
*SLUMDOG MILLIONAIRE
Will win: It’s SLUMDOG-mania!
Want to win: Frost/Nixon, though Milk wouldn’t displease me.

Adapted Screenplay:
THE CURIOUS CASE OF BENJAMIN BUTTON
*DOUBT
*FROST/NIXON
THE READER
*SLUMDOG MILLIONAIRE
Will win: Slumdog Millionaire. I had a faint inkling for an upset, but it has passed.
Want to win: Frost/Nixon

Original Screenplay:
FROZEN RIVER
HAPPY-GO-LUCKY
IN BRUGES
*MILK
*WALL-E
Will win: Milk. The only best picture nominee on the list, which will get shut out of other major categories.
Want to win: Frozen River, which my wife DID see, but I didn’t, when I got sick on the back end of a botched separated movie date.

ROG

ROG

MOVIE REVIEW: Slumdog Millionaire


In keeping with my Washington’s Birthday tradition, I went with my wife to see a movie. I chose Slumdog Millionaire to watch with her because I knew in advance that it would more…intense than she might have thought. As I was discussing on Twitter this week, it was rated R for a reason.

How on earth does a poor young man fare so well on India’s version of “Who Wants to Be a Millionaire”? He must be cheating! But how? The police use “extraordinary” means to find out, only to discover that there’s an explanation for it all, based on an extremely difficult childhood.

Owen Gleiberman of Entertainment Weekly said: “Slumdog Millionaire is nothing if not an enjoyably far-fetched piece of rags-to-riches wish fulfillment. It’s like the Bollywood version of a Capra fable sprayed with colorful drops of dark-side-of-the-Third-World squalor.” Well, maybe. I know the producers didn’t bill it as such, but as a friend of mine put it, “it took a long time for this ‘feel good’ movie to feel good.”

I think part of the problem was that it took three actors each to play the three main characters and I didn’t always buy the transition from one to the next. One either buys into the sheer level of coincidence or one does not. I guess I never fully engaged enough to buy in. So the “happy ending” seemed less joyous than it should have been; I didn’t feel the payoff. Whether this is a function of the low-key acting styles, especially of Dev Patel, the last lead male, or what, I’m not sure.

This is not that I did not enjoy elements of it. The outhouse scene was memorable. Having had to go to the bathroom while taping a television quiz show, albeit in the United States, I was intrigued by another particular scene. Frankly, I was a bit of a sucker for that original run of Millionaire hosted by Regis Philbin, so I enjoyed the game section on that level. The smelling of a $100 bill will stay with me. The stuff at the Taj Mahal, though, I swear I’ve seen before in some movie or TV show.

My friend David savaged the movie, noting that it was not even the best film made in India last year. He may very well be right, but for the Hollywood community, it’s irrelevant. Hollywood is not savvy to Bollywood cinema.

Ultimately, when I see a movie, I’m ready and willing to suspend my belief that it’s just cinema and surrender to it; just didn’t happen for me. I didn’t hate the film, and I’m not unhappy that I saw it, but I can’t imagine wanting to see it again.
***
Remembering Gene Siskel by Roger Ebert. Recommended highly.
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