Their bones

Do they matter?

Frank S. Robinson wrote an interesting, though chilling, book review of “We Carry Their Bones: A Florida Horror Story.”

“This book by anthropologist/archeologist Erin Kimmerle relates her authorized official investigations at the site of the Dozier School, a “reform school” in Florida’s panhandle, operating from 1900 to 2011. Actually a prison. Incarcerating thousands of boys, sentenced for mostly minor notional offenses, some as young as five, mostly Black.

The resolution caught my attention: “Kimmerle made great efforts not only to find burials but then to identify whose. Generally, the bodies had been interred unceremoniously, hence with little left to exhume. But the team was able to extract DNA even from bone fragments and thereby identify many victims. Amazing modern science…” So it is.

“Yet, though we are embodied in our physical selves while alive, afterward the dead corporeal remains should lose meaning. Our connections to our dead reside in our hearts and minds, our remembrance, not in their disintegrated bones.

“Those families already knew, basically, what had befallen their kin. Receiving a box of remains really adds nothing. I think we’re too fixated on such physicality; it’s a kind of superstition.”

I agree with about half of that. It is a bit of superstition, I suppose. But the box of remains does signify something significant.

Civil War

I saw this piece on CBS News Sunday Morning: Honoring a Civil War veteran lost to history.

“There is an unmarked African American burial ground on their farm [in Tennessee].  ‘They took me there, and for that, I’m eternally grateful,’ said Cheryl. “Because we had no idea it was there. We only had a hunch.”

“Cheryl hired an archeology team with experience finding America’s missing-in-action from more recent wars. Of the 38 graves they found here, they zeroed in on one – its size, date, and fragmentary remains matched every known detail of her ancestor.

“‘Sunday Morning’ was there with the families and local veterans when Private Sandy Wills’ remains were placed in a casket, and solemnly marched from the knoll, through green fields, to a waiting hearse.”

WWII

The Operation 85 project aims to identify unknown servicemen who perished aboard the USS Arizona during the attack on Pearl Harbor.

“In September 1947, after the pressures of war had subsided, 170 unknown servicemen were exhumed from their graves in Hawaii and brought to the Schofield Barracks Central Identification Laboratory, where over 100 were identified and their families subsequently notified. The disinterment was a remarkable success despite the remaining 70 men being declared ‘unrecoverable.’ Those men were reburied at the National Memorial Cemetery of the Pacific in Honolulu (unofficially known as Punchbowl Cemetery because of its location at Punchbowl Crater).

“It is these ‘unrecoverable’ men that Kevin Kline, grandnephew of Gunner’s Mate Second Class Robert Edwin Kline, who perished aboard the Arizona, wants the Defense POW/MIA Accounting Agency (DPAA) to identify and return to their families.”

9/11

In January 2024, the “1,650th victim of 9/11 was named after 22 years. More than 1,100 remain unidentified.”

With the amazing advancement of technology, we’ll likely be able to find more victims of airplane crashes, weather disasters, and terrorist activities. Is it worth it?  Worth, as a subjective term, is difficult to encapsulate.

I support the efforts because it completes the line from their death for whatever tragic reason to burial by their families, who, even if they are generations removed, still feel a sense of pride and dignity. If that is a superstition, then so be it.

On the calendar: Ask Roger Anything

naming the weeks

Christmas and Kwanzaa are always right next to each other on the calendar. But this year,  Chanukah (Hanukkah) “starts at nightfall on December 25, 2024, and ends with nightfall on January 2, 2025, beginning on the Hebrew calendar date of 25 Kislev, and lasting for eight days.” I happen to love holidays that have movable dates. Ash Wednesday, Palm Sunday, Easter, and even the Monday holidays have different dates.

I spent more time than it was worth trying to answer a question somebody posted on Facebook. We have names for the months of the year and for the days of the week. Why don’t we have names for the weeks? It’s primarily because of the quirky nature of the calendar.

Even if we did name them, what would they be called? November 2nd to 8th could be election week, and November 22nd to 28th could be Thanksgiving week. But that doesn’t work for two good reasons. There are only 13 days between them, and they’re way too specifically American. Starting on the equinoxes or solstices is problematic because they aren’t the same worldwide. 

I’ve concluded that weeks are just not meant to be named, although if you have some ideas, please let me know. It must be a system that applies to multiple countries, cultures, and religions or eschews them.

The ask

Whatever holiday you celebrate, you can provide a present: Ask Roger Anything.  Roger loves this present. This is the time of the year when you let him know what you’re thinking about. You will likely ask him questions that he had not thought of asking himself.

Running a daily blog involves talking to oneself, so having you talk to him is much more enjoyable and far less schizophrenic.

Whatever you ask, I will endeavor to respond in the next several days. I’ll even promise to tell the truth; it may not be the WHOLE truth, but it’ll be pretty close. 

You may leave your questions in this blog’s comments section, on my Facebook page (Roger Owen Green), or on my BlueSky page (roger green.bsky.social); always look for the duck.

 

My favorite Christmas music?

Oíche Chiúin

Keep Christ in ChristmasMy wife suggested I post my favorite Christmas music. Unfortunately, I’m not sure I know what that is. Sure, a song from A Charlie Brown Christmas by Vince Guaraldi should be on it. But which one? Linus and Lucy seem so obvious. Maybe I’ll put the whole thing.

Kelly always gives me an eclectic array of music during his Daily Dose of Christmas, including music I’ve never heard. The Nutcracker will be included somewhere.

Listen to Coverville 1515: A Very Coverville Christmas Volume 20.

Here are songs I manage to play every year. I have all of them in some physical form.

A list

Christmas Wrapping – the Waitresses. Except for this song. Even though I own this on a vinyl EP, it slipped from my memory for a while.

What Child Is This – Vanessa Williams. From A Very Special Christmas, Vol. 2 (1992)

The Mistletoe and Me – Issac Hayes. A STAX cut.

Jingle Bells – Fab 4. Because tomorrow never knows.

Every Day Will Be Like A Holiday – William Bell.  It was a minor soul hit on the Stax label in the mid-1960s.

Louisiana Christmas Day – Aaron Neville

Getting Ready for Christmas Day – Paul Simon. Simon is sampling (!) a sermon from 1941, the year he was born.

Christmas Is a Comin’  – Leadbelly. I have this on an LP my father owned.

The Wexford Carol – Yo-Yo Ma and Alison Krauss 

Every Valley Shall Be Exalted – Lizz Lee & Chris Willis & Mike E. from Handel’s Messiah: A Soulful Celebration

Christmas All Over Again– Tom Petty And The Heartbreakers from A Very Special Christmas 2 (1992)

Winter Snow -Booker T. & The MG’s. Isaac Hayes wrote this melancholy STAX tune.

White Christmas – The Drifters

Silent Night (Oíche Chiúin) – Enya. It’s one of my favorite versions of this song. 

The Coventry Carol – Alison Moyet

What Christmas Means To Me – Stevie Wonder

The Bells of Christmas– Julie Andrews (at 17 minutes). There are at least three other versions of this song by her on these Firestone albums, but this, by FAR, is the best.

Sing we all with one accord

A king is born, glad angels say

Roger singing
Roger singing, Trinity AME Zion Church, age 6

There’s a song from my childhood – my sister Leslie remembers it too – that I can’t seem to find on YouTube.

I think these are the words:

Now sing we all with one accord

on Christmas Day in the morning

The tidings of our glorious Lord

on Christmas Day in the morning

something something glad tidings bring

oh sing Noel in the morning

A king is born, glad angels say

oh sing Noel in the morning

Sing we all Noel.

The tune: Low means below middle C, the 2 or 3 is the number of beats. The lowercase b is a flat sign. 

low G   C2   G   F2    G   Eb2  D    C2

low Bb  low G2    C     C   D   lowBb   C3 C3

Leslie reminds me that it was done as a round.

No, it’s NOT this: Now We’ll Sing with One Accord

Or this: Now Let Us All with One Accord

Or this: Sing We Now Of Christmas

And definitely not this: I Saw Three Ships

I don’t specifically remember when we sang this. It was probably in high school, although it could have been in junior high. I’m hoping that one of my former Binghamtonian choristers can shed light on this question because it’s driving me freaking nuts. And I don’t mean chestnuts roasting on an open fire.

Meanwhile

I came across a few other tracks:

Gaudete – Steeleye Span. Last year I bought a box set of Steeleye Span 

Let All Mortal Flesh Keep Silence – PICARDY

E’en So, Lord Jesus, Quickly Come. My choir sings this Paul Manz piece almost every Advent. Unfortunately, I missed that particular Sunday, having seen Rebecca Jade with Dave Koz in New Haven the night before.    

Duke Ellington – Three Suites

Tchaikovsky; Grieg; Ellington/Strayhorn

Ah, Three Suites. I just noticed that Edward Kennedy Ellington was born 125 years ago in Washington, D.C., and died 50 years ago in New York City.

What reminded me was the fact that, earlier in December, Kelly posted a “recomposed, orchestrated” version of the Nutcracker Suite by  Russian composer Peter Tchaikovsky (1840-1893) performed by Ellington c. 1960. I had linked to this myself back in 2013. My favorite movement is the last one, Arabesque Cookie, which also appears on the soundtrack to the 1992 film Malcolm X starring Denzel Washington and Angela Bassett.

It’s part of a compact disc called Three Suites, released in 1990. The second suite is Peer Gynt Suites Nos 1 And 2 by Norwegian composer Edvard Grieg (1843-1907). Ase’s Death is particularly touching.

The third suite is Suite Thursday by Ellington and longtime collaborator Billy Strayhorn.

I have this CD, and I love it. Listen here or here.

The Magical Sound of ‘The Nutcracker’

This article from the New York Times, The Revolutionary Sound at the Heart of a Holiday Classic, is great fun. “Listen to how Tchaikovsky uses the celesta in ‘The Nutcracker,’ unleashing the potential of the instrument to signal playfulness and fantasy.”

Here’s The Nutcracker that Kelly posted in 2023. 

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