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What, Me Worry? MAD Magazine

Alfred E. Neuman

Photo by Matthew Dee

All summer, I had been anticipating seeing the display What, Me Worry? The Art and Humor of MAD Magazine at the Norman Rockwell Museum in western Massachusetts. It opened on June 8 and ended on October 27. My wife and I finally got there on October 26th. It was worth the trip.

In many ways, it was even better that I went with my wife because she knew far less about the history of Mad Magazine than I did. She was unfamiliar with the history of the comic book, which became a magazine to skirt the Comics Code. Moreover, she didn’t read the magazine much, though her late brother John, only 14 months older, devoured it.

So, for me, the visit was more of a pilgrimage to see the “more than 250 original illustrations and cartoons gathered from artists and collectors” created by the “Usual Gang of Idiots” and other contributors.

I suspect that some may wonder why that museum, beyond the homage MAD did of Rockwell. But it has done lots of possibly unexpected shows, including Snow White, Roz Chast, and Andy Warhol.

Irreverent

From the museum website: “‘MAD was a groundbreaking magazine that influenced generations of readers and set the bar, and the tone, for contemporary humor and satire. We are delighted to present original selections from the magazine’s brilliant, irreverent artwork that captured and lampooned nearly all aspects of American life, and we are grateful to the collectors and artists who have made originals available for this exciting installation,’ said Norman Rockwell Museum Chief Curator Stephanie Haboush Plunkett.”

Check out this MAD: Making A Magazine.

“Subversive, silly, serious, and shocking—often all at once—MAD was controversial from the start. Ostensibly geared to kids, the publication touched on the big social, political, and cultural issues of the day: from McCarthyism and the Cold War to political corruption, consumerism, and celebrity culture to the defining social and liberation movements of the 1960s and 1970s that continue to reverberate today. Adored by some, criticized and attacked by others, the publication enlightened and offended in equal measure. In MAD’s pages, sharp satire fused with a penchant for silly gags and a love of the double entendre, giving the magazine its unique and often, yes, ‘MADdening’ appeal.”

Surprising

But there were a couple of surprises for me. The MAD folks wanted Norman Rockwell to create the definitive Alfred E. Neuman drawing in 1963. He considered it, but ultimately, he wrote a letter back to MAD, which is on display. He had just left the Saturday Evening Post and was now doing more serious work for the covers of Look magazine, and he just couldn’t fit it in. One can tell, though, that he was clearly flattered.

The other big surprise for me was watching the What, Me Worry? The Art and Humor of MAD Magazine video at about 5:10. Teresa Burns Pankhurst from Albany, NY (!) met John Caldwell (d. 2016), a local artist and MAD contributor, who encouraged her to submit to MAD, which she successfully did. I knew John from when FantaCo, where I worked, published his Mug Shots. John was a sweet guy, and the story totally tracks.

“‘MAD was much more than a magazine to my generation. It represented a portal to adulthood,’ reflected exhibition co-curator Steve Brodner, widely considered among today’s foremost satirical illustrators and caricaturists. ‘MAD was a heat-seeking missile designed to blow open the hypocritical core of most things. In so doing, it engendered in readers an ability to come closer to what might today be called critical thinking.”

Black Theatre Troupe of Upstate New York (BTTUNY)

Eclipsed

On June 21, 2021, it was announced that the Black Theatre Troupe of Upstate New York (BTTUNY) will be a Resident Community Company at Capital Repertory Theatre (theREP) (251 N. Pearl Street).

“For eleven years of programming, [BTTUNY] (formerly named Soul Rebel Performance Troupe) has had no permanent performance space, which necessitated an ongoing search for venue availability for every show the company produced. With dedicated headquarters in Capital Repertory Theatre for their upcoming productions, Founding Artistic Director Jean-Remy Monnay states, ‘…it is very exciting to know that BTTUNY has a secure home base for all of our shows this season and into the future. To know that we can plan a full season of work because we don’t have to worry about ‘where’ the next production will take place, is just so wonderful. With this residency, BTTUNY can grow. Our programming can grow, and so can our audience base.'”

This is way cool. My wife and I have spent a fair amount of time in the “new” CapRep building. For the past few Octobers, it has hosted the Readers Theatre fundraiser for Wizard’s Wardrobe, an afterschool tutoring service in Albany’s South End .

Support

“In addition to providing space on both of their new stages (the Lauren and Harold Iselin Studio and the theatre’s Main Stage) – Capital Repertory Theatre (and the Proctors Collaborative) will provide some support to BTTUNY such as ticketing, marketing, and development support, and some production support as outlined in the agreement between BTTUNY and the Proctors Collaborative. However, BTTUNY remains its own company. All programming and decisions for BTTUNY remain in the hands of Monnay and his board of directors.”

Part of that ticketing support this year included offering season ticket holders of Cap Rep and Proctor’s Theatre in Schenectady – this year, we took both! – complementary Try Me tickets. The Proctors Collaborative, including the Universal Preservation Hall in Saratoga Springs, uses this method to promote programs that might not have as much visibility. BTW, I’ve never been to UPH and need to rectify that.

On the list of Try Me tickets was a BTTUNY production of Berta, Berta. What’s that? From playwright Angelina’ Cheri’s website: “After committing an unforgivable crime, Leroy is granted one final wish: a chance to make amends with his long-lost lover Berta. Their reunion swells from a quarrelsome conjuring of the past to an impassioned plot to escape their impending fate.

Song

“The play is inspired by the prison chain gang song ‘Berta, Berta’, which originated on Parchman Farm, Mississippi State Penitentiary. It is a fictional origin story.”

The CapRep /BTTUNY description is slightly different. To my mind, it’s more accurate: “Set in 1920s Mississippi, ‘Berta, Berta’ tells the story of Leroy, a Black man sent to jail for following a White woman down the street to help her–a supposed crime that never existed. Prison changes him, and upon getting out, he finds himself to be a true criminal. Before giving himself back up to the police, however, he is determined to make amends with his long-lost girlfriend, Berta. The play highlights themes of doomed love, tragic misunderstandings, a flawed and biased prison system and magical realism.”

Review

The review in the Berkshire Eagle by J. Peter Bergman is spot on. “On director Michael A. Lake’s three-room set, Sadrina Renee and Alvin Kershaw play their story with grace and passion and their very professional abilities. You can’t help falling in love with these troubled people as they live through their traumas and their needs…

“This is a play like no other I have seen, and I have seen a lot of plays in my lifetime. There is rarely a moment when the two players are still, and those are all utterly romantic. Lake has kept Berta as active as a person could be at two in the morning. Leroy, on the other hand, facing disgrace and arrest, is as calm a human being as possible, an amazing feat of control. The way in which he responds to her would make him as fidgety as Berta, but instead, his calm is sometimes chilling.”

The play’s short run ended in October, but BTTUNY will be performing more programs this season. Valley Song by Athol Fugard will be at Hubbard Hall in Cambridge, NY, about an hour from Albany, on November 15-17 and 22-24.

They will perform Once On This Island on CapRep’s main stage from February 6 to 16, 2025. I saw this show at Proctors in 2020, just before the pandemic.

The final BTTUNY performance of the 2024-25 season will be Eclipsed by Danai Gurira from May 29 to June 8 in TheRep’s Iselin Studio. Based on the quality of Berta, Berta, I imagine these will be fine performances.

Quincy Jones (1933-2024)

Back On The Block

Last week, my church had a First Friday concert featuring a jazz instrumental quartet. One of the last songs they performed was Killer Joe, and I knew I had a version of that song with a vocalist. But I couldn’t initially recall on what album.

Then it occurred to me that it was on Q’s Jook Joint, the 1995 album by Quincy Jones; that track featured Töne Löc, Queen Latifah, and Nancy Wilson (the jazz artist, not the Heart member). One of the people with whom I was talking also had the album.

Soon afterward, I heard that he passed away. As the Los Angeles Times put it, he “expanded the American songbook as a musician, composer, and producer and shaped some of the biggest stars and most memorable songs in the second half of the 20th century.”

“The music producer has been a cornerstone of the music industry since his early beginnings as an 18 year old in Seattle, performing as a trumpeter and arranger for various jazz bands around the area.”

Quincy was always a major force in my life, even before I knew who he was. His previous album, Back On The Block, from 1989, featured various artists I mentioned here.

He wrangled all the artists in the all-star recording of We Are The World, the 1985 charity record for famine relief in Africa. The same year, he scored and co-produced the movie The Color Purple.

The Gloved One

Q produced the massively successful Michael Jackson albums Off the Wall, Thriller, and Bad. Audio interviews with Jones are included in the 2001 special editions of the albums. Q called Eddie Van Halen to ask to play on Thriller’s Beat It, but the guitarist hung up, assuming someone was pranking him. Q’s then-wife, Peggy Lipton, knew Vincent Price and helped get him for the title track.

Possibly my favorite Q-produced song: Strawberry Letter 23.

Q created the music for Sanford and Son, Ironside, The Cosby Show, and several other programs. He scored Roots and over three dozen movies.

Until much later, I did not know this. “Jones produced all four million-selling singles for Lesley Gore during the early and mid-sixties, including “It’s My Party” (UK No. 8; US No. 1), its sequel “Judy’s Turn To Cry” (US No. 5), “She’s A Fool” (also a US No. 5) in 1963, and “You Don’t Know Me” (US No. 2 for four weeks in 1964). He continued to produce for Gore until 1966, including the Greenwich/Barry hits “Look Of Love” (US No. 27 in 1965) and “Maybe I Know” (UK No. 20; US No. 14 in 1964).”

He worked with Ray Charles, Ella Fitzgerald, Frank Sinatra, Dizzy Gillespie, Sammy Davis Jr., Barbra Streisand, Helen Merrill, Stevie Wonder, John Legend, Andy Williams, and Sonny Bono, among many others.

His accolades are extensive, filling 18 pages in his 2001 autobiography, “Q.” You can read the pieces from THR, Variety, and the New York Times.

“Quincy Jones’ last Grammy win took place at the 65th awards held in 2023; through Harry Styles’ win with Harry’s House as the Album of the Year, it took Jones’ all-time Grammy records to 28 wins from 80 nominations.”

I may never vote on Election Day again

early voting

Surprisingly, I’ve discovered I may never vote on Election Day again. For the longest time, I had identified myself as the person who would roll out of bed on the first Tuesday after the first Monday in November around 5:30 a.m., throw on some clothes, and be the first or second person in line to vote at 6 a.m.

For the longest time, I couldn’t vote in the morning on primary days in New York because the state had this stupid law: Only the people who lived in New York City, the immediate suburbs, and Erie County (Buffalo metro) could vote at 6:00 a.m. The rest of us could only vote from noon to 9:00 p.m., which I thought was discriminatory against upstaters. However, they fixed that flaw a few years ago, thank goodness.

There are many opportunities to vote before the Primary and Election Day. The polls in New York State open two Saturdays before Election Day and run for nine days from that Saturday to the Sunday before Election Day. The polls are closed on that Monday, but then, of course, Election Day is open.

According to the State Board of Elections, New York State is on pace to surpass the number of early voters in the 2020 election. So, I get a tad cranky when folks complain about the long lines. They have NINE days of early voting PLUS Election Day.

I started voting by mail during COVID-19. The early morning Election Day thing that used to self-define is gone. This year, I voted early on Tuesday between 3:00 and 4:00 PM at the Board of Elections in downtown Albany, which used to be the DMV.

I got nothing if you’re looking for last-minute suggestions to tell your friends how to vote. Heck, the Weekly Sift guy is just doing referrals. But watch John Oliver anyway.

Swing time

I feel bad for all of you in the so-called swing states—Arizona, Nevada, North Carolina, Georgia, Pennsylvania, Wisconsin, and Michigan—because you must be inundated with presidential ads. We get almost nothing here except some ads on national programs.

Most are for a few congressional seats south of Albany, but the Albany media market reaches them. Fortunately, I recorded most of the television I watch, so I can fast forward through all of them, most of which were produced not by the campaigns but by the party congressional committees. They look, for the most part, built to scare people, and I’m not that interested. It’s not that I don’t care; the New York congressional races may determine whether the Democrats have control of the House of Representatives. So it’s not that they’re unimportant, but it’s not enough for me to watch them.

On Sunday, the Los Angeles Times noted this about djt: His “increasingly dark vision of America is less of unity and promise than of suspicion and grievance directed at those who cross him.

“Librarians are harassed, teachers vilified, election workers threatened. Immigrants are demonized, and armed groups march outside state capitols. Even meteorologists are targeted in conspiracy theories.”

I increasingly feel it’s my duty and obligation to become an election worker, if not in 2025, then in 2026. I’ve done it twice before, most recently in 2021. Sometimes, you have to face the beast.

Listen to I Bought Myself A Politician – MonaLisa Twins

Viridescent

You Can’t Do That

The WordDaily for September 12 was viridescent. The accent is on the third syllable. I was unfamiliar with the term, though I knew it likely was green-adjacent.

“‘Viridescent’ is an adjective you’ll likely see only in poetic or literary contexts. It comes directly from the Latin word of the same spelling, meaning ‘becoming green,’ from the Latin word for ‘green,’ ‘viridis.’ As we see from the Latin, ‘viridescent’ isn’t just a shade of green; it’s an adjective that describes something in the process of becoming green. It may be used for shoots of new growth, or shades shifting between hues of yellow or blue to green.”

Some animals turn green as camouflage.

Watching trees becoming green is one of the great joys of living in the Northeastern US in the spring. One April, I traveled to the southeast US; I don’t remember where, when, or why. What I do recall that it was appreciably greener there, which disrupted my expectations. Then back to Albany and the not-quite greenery.

I lean into the the green. On the September 12 Wordle:

Wordle 1,181 3/6

🟨🟩⬜🟩⬜
⬜🟩🟩🟩🟩
🟩🟩🟩🟩🟩

My second word was GRASS because most grass is green. (The word was actually BRASS, but close enough.)

Musical reference: Mountain Greenery from the Supremes Sing Rodgers and Hart. All of my Supremes albums were stolen from my grandmother’s house in the early 1970s – which made me blue – except that one LP which appeared to have been dropped by the thief.

Dad

Not Being Green, but Becoming Green. It’s an interesting concept. I think of my father, who was born Leslie Walker but legally became Leslie Green only a couple of weeks before his 18th birthday in 1944. However, he’s listed as Green (misspelled Greene) in the 1940 Census.

In doing the genealogy, I’ve concentrated on the Walker (dad’s mom), Yates (mom’s mom), Williams (mom’s dad), and even the recently discovered Cone (dad’s bio dad). But I hadn’t spent much time on the Green line because they weren’t my biological ancestors. At some point, I should remedy that.

Speaking of lineage, when I received over time revised ancestry breakdown, I went from being 23% Irish to being 28% Irish in the past five years. I’m becoming more (wearing of the) green.

So I lean into the color. One of my favorite Beatles songs is You Can’t Do That because it has the bridge:

Everybody’s green‘Cause I’m the one, who won your loveBut if they’d seenYou’re talking that way they’d laugh in my face

BTW, I’m also fond of the Harry Nilsson medley.

Turning green with envy. Jealousy is the green-eyed monster. What an unpleasant transformation, I don’t want to change to THAT kind of green.

Coverville 1505 is the Emerald Anniversary Episode with green in all of the titles, save one.

I’m continuing to figure out the ever-evolving R. Green.