Ramblin' with Roger

1. A long time ago I had a 7th grade teacher appear on Tic Tac Dough, and didn’t win but came away with a case of Rice or something or other. Did you get any consolation prizes for your time on Jeopardy?

Lefty, didn’t you commit everything I wrote in my epic JEOPARDY! saga to memory? I’m shocked, SHOCKED! From my August 6 post:
“Oh, I can’t forget the parting gifts I received, over a two-month period: a case (12 large cans) of sweet potatoes (they were quite good, actually), OTC vitamins and other products including Centrum, a rather lovely lap blanket, a US Search coupon to try to find anyone in the United States, Pop Secret popcorn, and TWO hair curlers (!), which I didn’t need and gave away. I also got a home version of…Wheel of Fortune, not JEOPARDY!”
That J saga, BTW, I wrote every Saturday, starting on May 28.

2. Who have you seen the most in concert? What was your favorite concert? When & who was your first concert?

In the ’80s, I saw this group called the Ulstafarians a number of times, thanks in large part to the fact that the late, lamented Raoul Vezina of FantaCo’s Smilin’ Ed fame got me into the late, lamented J.B. Scott’s. It seems that there was a time more recently that I was always seeing Alex Torres y Los Reyes Latinos.
Oh, someone you’ve actually heard of?
I can’t think of anyone I’ve seen more than twice: Joan Armatrading, Pete Droge, the Temptations, Lucinda Williams

Favorite concerts:
1981: the Temptations at the Coliseum around Albany; there were 7 of them, including a returning Kendrick and Ruffin
1983: the Talking Heads at the Saratoga Performing Arts Center- it sttarted with Byrne alone on stage (doing Psycho Killer), then the trio, then the quartet (with Harrison), then full strength band. It was, how do you say…organic.
2000 or 2001: Newport folk Festival at SPAC: Lyle Lovett, Lucinda Williams, Marc Coh, Joan Baez, Bruce Cockburn, many others.

First concert that I recall, Nov. 12, 1971- Seals & Crofts in NYC. The opening act, which I BELIEVE was J. Geils, was booed, but I liked them better than the headliners, which was a favorite group of my girlfriend at the time. The date I remember, BTW, because it was the birthday of Bahá’u’lláh, a leading light of the Baha’i faith, which she eventually embraced, and which turned out to be a major source of tension in our relationship. (Seals & Crofts were well-known Baha’is.)

3. What music do you fear your daughter may take a liking to?

Polka music. And it’s in her genes. I heard it a LOT in Binghamton. You know how your parents think that everything you listened to all sounded the same? That’s how I feel about polka.

4. Let’s play favorites: favorite comic book series, character, artist, and writer. Were you a DC fanboy or Marvel Zombie growing up?

First off, I don’t remember reading ANY Marvels growing up. I read the DCs and the kids’ comics (Richie Rich, Archie, and the like). It was the dumbness of the DCs that cured me of comics. This would be 1964-66.

Then, when I went to college when I was 18 (1971), my new best friend Mark Klonfas turned me onto comics, mostly Marvels.

Favorite series: Warlock (Starlin), Warlord (Grell), American Flagg (Chaykin), the original Elfquest (the Pinis), X-Men (Claremont/Byrne), Hero for Hire before he shows up mixing it up with Dr. Doom and the FF, Hembeck (Hembeck). I had a soft spot for the Defenders. I’m sure there are others.

Favorite character: Spider-Man, hands down. Which is why I HATED the Spider-Man book that came out in the early 1990s. It wasn’t Peter Parker under the costume, it was…Spawn or something.

Favorite artists: Starlin, Grell, Howard Cruse, Byrne, Gil Kane, George Perez, probably others. If I had to pick one, it would probably be Starlin. I also have an abiding respect for those “workmanlike” competent guys (I do NOT mean that pejoratively AT ALL) who were never fan favorites, but did the job. Examples: the John Romitas, and Joe Staton, who is probably the sweetest guy I ever met in the comic book world.

Favorite writers: Before I answer that, I should note that, for me, good or great writing and OK art beats great art and lousy storytelling. OK, then.
The Steves Englehart and Gerber, Claremont, Neil Gaiman, Alan Moore, Denny O’Neil, Hembeck, undoubtedly others. One pick: Englehart.

But ONE of the functions is that I can record ALL episodes of a show on a station. So, if the listing people know that a show’s going to be on at a different time, it’ll catch it (60 Minutes at 7 or at 7:30, depending on whether there’s a late game on CBS; of course, it’s almost always on later than that.)

I have programmed a new show called My Name is Earl, which generally is on at 9 p.m. on NBC. But I looked at my future recordings mode, I discovered episodes of Earl at 8:30, 9, and 9:30 p.m. to be recorded this coming Saturday night. Sure enough, I look at the electronic guide, and there is some “Most Outrageous” something or other at 8, followed by THREE episodes of Earl! (The print TV guide has two episodes of a show called Surface in that slot.)

Back in 1996, I took this test to ascertain whether I was entrepreneurially inclined. Having worked in retail for 10 years oir better, I was pretty sure the answer was, “No.” But I was interested in seeing the results.

Now that we’re back in the church year, with choir on Thursday nights, YOU’RE going to see the results too, on an occasional basis, anyway.

Summary scales, presented on a percentile basis; the higher the score, the greater my “entrepreneurial potential”:

ADAPTABILITY – the ease with which I can reach outside my current areas of expertise and comfort to adjust to new or changed circumstances, new people and new life experiences.
Ideal score 66-100, my score 26
I have to say that I found this surprisingly low, as I feel that I’m ALWAYS adapting to new circumstances. I wonder how I’d gfare, post-Lydia?

MANAGERIAL TRAITS
Ideal score 71-100, my score 32

PERSONALITY TRAITS
Ideal score 70-100, my score 12

INDEX
Ideal score 70-100, my score 24

Subscales are presented on a percentage basis; the closer my score is to the ideal score, the greater my “Entrepreneurial potential”:

Under Managerial Traits

RISK TOLERANCE
Ideal score 85, my score 83
Actually, near the ideal score for taking calculated risks.

TIME MANAGEMENT- the ability to analyze, itemize, and sequence tasks in an orderly way
Ideal score 68, my score 38
“A Time Management course or seminar may be beneficial.”

CREATIVE vs. TRADITIONAL- thinking and operating in an innovative manner implementing and promoting new ideas, new products, new markets and new programs.
Ideal score 86%, my score 91% creative, 9% traditional
I work well with new ideas.

STRATEGIC vs. FUNCTIONAL – strategic takes into account the “big picture”; function managers operate on a more narrow focus
Ideal score is 85% strategic, my score is 69%, “considerably below the Ideal Score.”

PLANNING vs. REACTING -“Planning managers are very organized, they naturally operate with a well defined plan. Reacting managers prefer to handle situations in a more spontaneous manner, addressing details as they arise.”
Ideal score is 55% Planning, my score of 22% is “considerably below the ideal score.”

The kids are saying, ‘Make love, not war.’
And I’m beginning to think they’re right.
For war costs millions of dollars a day,
And love, just a few bucks a night!

(Check out Einstein’s 30 Minutes of Unmatched Fame for some of that Match Game wackiness.)

I found a reference to Nipsey as poetry editor of some online poetry thing, a gig about which he had this to say:
Of this job, I don’t think so highly,
But hey — it beats hangin’ out with
Charles Nelson Reilly.

But what really caught my interest is something in Mark’s posting:
they don’t seem to be noting all the decades he spent working dives and clubs, many in the so-called “Negro Circuit,” before joining the thin ranks of performers who broke out of that show business ghetto.

As I wrote to Mark, in all my life (and I’m 52, and black), I’d never heard the term “Negro circuit” used in the context that he had it. “Chitlin circuit,” yes. Here’s a definition of that term from Bartlesby–
NOUN: Informal. A circuit of nightclubs and theaters that feature African-American performers and cater especially to African-American audiences: “I was traveling up and down . . . with these little groups on what they call the chitlin’ circuit.”
(And if you don’t know what chitlins are, look here.)
Whereas, “Negro circuit” seemed to be tied primarily to sporting events, as Google suggests, such as the barnstorming baseball teams.

Hey, I’m a librarian. This kind of thing always catches my attention.
***
And speaking of same, Michael Wittenberg died last week. Who is that? Why, the (considerably younger) “husband of Broadway musical-theater star Bernadette Peters…in a helicopter crash in Montenegro [along with three other people]. He was 43.”