My favorite Christmas music?

Oíche Chiúin

Keep Christ in ChristmasMy wife suggested I post my favorite Christmas music. Unfortunately, I’m not sure I know what that is. Sure, a song from A Charlie Brown Christmas by Vince Guaraldi should be on it. But which one? Linus and Lucy seem so obvious. Maybe I’ll put the whole thing.

Kelly always gives me an eclectic array of music during his Daily Dose of Christmas, including music I’ve never heard. The Nutcracker will be included somewhere.

Listen to Coverville 1515: A Very Coverville Christmas Volume 20.

Here are songs I manage to play every year. I have all of them in some physical form.

A list

Christmas Wrapping – the Waitresses. Except for this song. Even though I own this on a vinyl EP, it slipped from my memory for a while.

What Child Is This – Vanessa Williams. From A Very Special Christmas, Vol. 2 (1992)

The Mistletoe and Me – Issac Hayes. A STAX cut.

Jingle Bells – Fab 4. Because tomorrow never knows.

Every Day Will Be Like A Holiday – William Bell.  It was a minor soul hit on the Stax label in the mid-1960s.

Louisiana Christmas Day – Aaron Neville

Getting Ready for Christmas Day – Paul Simon. Simon is sampling (!) a sermon from 1941, the year he was born.

Christmas Is a Comin’  – Leadbelly. I have this on an LP my father owned.

The Wexford Carol – Yo-Yo Ma and Alison Krauss 

Every Valley Shall Be Exalted – Lizz Lee & Chris Willis & Mike E. from Handel’s Messiah: A Soulful Celebration

Christmas All Over Again– Tom Petty And The Heartbreakers from A Very Special Christmas 2 (1992)

Winter Snow -Booker T. & The MG’s. Isaac Hayes wrote this melancholy STAX tune.

White Christmas – The Drifters

Silent Night (Oíche Chiúin) – Enya. It’s one of my favorite versions of this song. 

The Coventry Carol – Alison Moyet

What Christmas Means To Me – Stevie Wonder

The Bells of Christmas– Julie Andrews (at 17 minutes). There are at least three other versions of this song by her on these Firestone albums, but this, by FAR, is the best.

Sing we all with one accord

A king is born, glad angels say

Roger singing
Roger singing, Trinity AME Zion Church, age 6

There’s a song from my childhood – my sister Leslie remembers it too – that I can’t seem to find on YouTube.

I think these are the words:

Now sing we all with one accord

on Christmas Day in the morning

The tidings of our glorious Lord

on Christmas Day in the morning

something something glad tidings bring

oh sing Noel in the morning

A king is born, glad angels say

oh sing Noel in the morning

Sing we all Noel.

The tune: Low means below middle C, the 2 or 3 is the number of beats. The lowercase b is a flat sign. 

low G   C2   G   F2    G   Eb2  D    C2

low Bb  low G2    C     C   D   lowBb   C3 C3

Leslie reminds me that it was done as a round.

No, it’s NOT this: Now We’ll Sing with One Accord

Or this: Now Let Us All with One Accord

Or this: Sing We Now Of Christmas

And definitely not this: I Saw Three Ships

I don’t specifically remember when we sang this. It was probably in high school, although it could have been in junior high. I’m hoping that one of my former Binghamtonian choristers can shed light on this question because it’s driving me freaking nuts. And I don’t mean chestnuts roasting on an open fire.

Meanwhile

I came across a few other tracks:

Gaudete – Steeleye Span. Last year I bought a box set of Steeleye Span 

Let All Mortal Flesh Keep Silence – PICARDY

E’en So, Lord Jesus, Quickly Come. My choir sings this Paul Manz piece almost every Advent. Unfortunately, I missed that particular Sunday, having seen Rebecca Jade with Dave Koz in New Haven the night before.    

Duke Ellington – Three Suites

Tchaikovsky; Grieg; Ellington/Strayhorn

Ah, Three Suites. I just noticed that Edward Kennedy Ellington was born 125 years ago in Washington, D.C., and died 50 years ago in New York City.

What reminded me was the fact that, earlier in December, Kelly posted a “recomposed, orchestrated” version of the Nutcracker Suite by  Russian composer Peter Tchaikovsky (1840-1893) performed by Ellington c. 1960. I had linked to this myself back in 2013. My favorite movement is the last one, Arabesque Cookie, which also appears on the soundtrack to the 1992 film Malcolm X starring Denzel Washington and Angela Bassett.

It’s part of a compact disc called Three Suites, released in 1990. The second suite is Peer Gynt Suites Nos 1 And 2 by Norwegian composer Edvard Grieg (1843-1907). Ase’s Death is particularly touching.

The third suite is Suite Thursday by Ellington and longtime collaborator Billy Strayhorn.

I have this CD, and I love it. Listen here or here.

The Magical Sound of ‘The Nutcracker’

This article from the New York Times, The Revolutionary Sound at the Heart of a Holiday Classic, is great fun. “Listen to how Tchaikovsky uses the celesta in ‘The Nutcracker,’ unleashing the potential of the instrument to signal playfulness and fantasy.”

Here’s The Nutcracker that Kelly posted in 2023. 

MJ, as in Michael Jackson

jukebox musical

My wife and I went to Proctors Theatre on Wednesday, December 4th, to see the touring company of the Broadway musical MJ. We had planned to attend the following weekend, but a more intriguing offer arose.

I thought it was funny when several dancers were working out on stage, and some people behind us complained. “Why are they stretching now?  Why didn’t  they do that backstage?” They didn’t recognize that this was part of the actual show, as I had suspected. “Five minutes before Michael!”

It isn’t easy to separate the show from what one already knows about Michael Jackson, and I know a lot. The trick about these so-called jukebox musicals is that you can’t just have a whole string of songs together in a “then he sang” order.

For instance, I thought Michael’s mother Katherine, who was supportive without being harsh, was involved in one of the early great performances, singing I’ll Be There with Little Mike and contemporary Michael.  Here’s a guide to the songs.

It’s like the 1992 Dangerous concert that MJ and his troupe were preparing for. You have to have a narrative flow. Michael was an artist with a vision who never wanted to hear “No.” Everything had to be bigger and better, even when it didn’t make sense financially.

A different Joe Jackson

The production made much of this, rooted in his never-satisfied father, Joe, who pushed his sons to form what became the Jackson 5. He could see that Michael had the greatest potential for success. Joe was a failed musician who put his dreams aside in favor of factory work and raising a family of nine. He was living through Michael, and he could be brutal to his son. You can’t live on your laurels.

The MTV reporter who hung out around the rehearsal intimated some of the rumors about Michael sleeping in a hyperbaric chamber, getting plastic surgery, and bleaching his skin. Michael mostly sidesteps them.

Possibly the most interesting feature is that the same actor plays the guy playing his father and the guy playing his manager, and sometimes, they blend together in Michael’s mind.

Ultimately, I think it was a decent musical, although I thought the first half of the Lynn Nottage script was much stronger than the second.

I was reading someone’s comment that the main character (Jamaal Fields-Green) occasionally disappeared. Many interviews I’ve heard featured that high-pitch, fairly monotone vocal pattern.

I enjoyed the show for what it was, though I was happy that songs were unfamiliar to some of the audience so I could experience the performers. The MJ tour continues through August 2025.

Mildly off-topic: Unreleased Michael Jackson Tracks Discovered in Abandoned Storage Unit

Random Christmas stuff

where contempt backfires

Here’s some random Christmas stuff. The last item isn’t about the holidays per se but perhaps “peace on earth, goodwill to all.”

ITEM: Whist perusing YouTube, I happened to catch one of The Three Tenors singing Oh, Little Town of Bethlehem. When he pronounced the town, he sang Beth-LEE-Hem instead of Beth-leh-hem. It distracted the heck out of me, as it reminded me of a country album I own. Several years ago, I bought many Christmas CDs from a grocery store, usually for $2.99. One was Country Christmas Classics. I’m not sure who it was – it might have been Charlie Pride – but the male singer sang the geographic location the same way, which bothered me more than it probably should.

ITEM: State ornaments: Every year, ordinary Americans make one-of-a-kind ornaments representing every U.S. state, territory, and District of Columbia. These artists give their time and talents to designing and creating ornaments that symbolize their homeland’s history, heritage, and culture. The America Celebrates display, which surrounds the National Christmas Tree, is free and open to visitors throughout December.

ITEM: Unusual Christmas Ornaments Make the Holidays Weird and Wonderful, from a homemade Harry Potter garden gnome to a vintage scary clown ornament.

ITEM: Why Do We Say “Bah, Humbug!”? We know Scrooge’s famous “Bah, humbug!” from “A Christmas Carol,” but the phrase meant something more nuanced than simple grumpiness in Dickens’ time.

ITEMS: Chevrolet’s chopping onions on my blog again and 2024 New Zealand Christmas TV Ads

Tiny ripples of hope

ITEM: From the Dignity Index: “As they do each December, Merriam-Webster recently announced its word of the year. ‘Polarization’ is the selection for 2024, which their dictionary defines as ‘division into two sharply distinct opposites…’  

“It might seem a long way off – but if we can each create a tiny subculture of dignity, millions of subcultures can mount a powerful challenge to the larger culture of contempt.

“In June of 1966, Bobby Kennedy made a trip to South Africa, where the government refused to welcome him, and its ministers refused to meet with him. Yet the Black residents rushed to greet him. At the University of Cape Town, in perhaps his most famous speech, he said:     

“‘It is from numberless diverse acts of courage and belief that human history is shaped. Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends a tiny ripple of hope, and crossing each other from a million different centers of energy and daring those ripples build a current which can sweep down the mightiest walls of oppression and resistance.’

“Numberless acts of dignity – creating numberless dignity subcultures – also send out tiny ripples of hope, with the same powerful, reinforcing effect – leading, we hope, to a time, not far off, where the tide changes, where contempt backfires, where the culture shifts, and the dictionaries in the United States announce in December that the word of the year, for that year, is ‘Dignity.'”

Yes, this is way more optimistic than I am, but I’m willing to give a good thought. 

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