#1 hits Archives - Ramblin' with Roger

The #1 hits of 1994

Motown

The #1 hits of 1994 are what a bad typist likes: a concise list! I will acknowledge that I own the Boyz II Men and All-4-One albums from which these hits derived.

All the songs went platinum except Stay, which “only” went gold.

I’ll Make Love To You -Boyz II Men (Motown), 14 weeks at #1 pop, three weeks at #1 AC, nine weeks at #1 RB. Now that’s crossover power.

I Swear – All-4-One (Blitzz/Atlantic), 11 weeks at #1 pop, #3 AC, #13 RB. This song was a #1 CW and #42 pop hit for John Michael Montgomery in the same year.

The Sign – Ace Of Bass (Arista), six weeks at #1 pop, #2 AC

On Bended Knee – Boyz II Men (Motown), six weeks at #1 pop, #8 AC, #2 for two weeks RB

The Power Of Love – Celine Dion (550 Music/Epic), four weeks at #1 pop and AC

Bump N’ Grind – R. Kelly (Jive), four weeks at #1 pop, 12 weeks at #1 RB

Stay (I Missed You) – Lisa Loeb & Nine Stories (RCA), three weeks at #1 pop, #5 AC. From the movie Reality Bites, starring Winona Ryder and Ben Stiller. I never saw the movie, yet I have the soundtrack on CD. Ethan Hawke, also in the movie, directed the Loeb video.

All For Love -Bryan Adams/Rod Stewart/Sting (A&M), three weeks at #1 pop, eight weeks at #1 AC. From the movie Robin Hood: Prince of Thieves starring Kevin Costner, which I saw on TV in 2023.

Here Comes The Hotstepper – Ini Kamoze (Columbia), two weeks at #1 pop, #2 for four weeks RB. The song samples Hot Pants-I’m Coming by Bobby Byrd and Heartbeat by Taana Gardner. It incorporates Land of 1000 Dances. The song was later incorporated into the movie Ready To Wear (Pret-A-Porter), starring Julia Roberts. Ini Kamoze means “mountain of the true God.” I don’t think I ever heard this song before.

#1 hits of 1984: at the movies

Jump, not Jump

“Hello — ORwell 1984?” / Herblock. April 1962
Summary: Editorial cartoon: man talking on a telephone labeled “Wiretap Bill 1962”; he is looking at a poster with a bust portrait of Attorney General Robert F. Kennedy

Some of the #1 hits of 1984 on the pop charts are from movie soundtracks. All of the movie albums listed here I own on vinyl, except Footloose, which I have on CD. RB means rhythm and blues/soul, and AC is adult contemporary.

Like A Virgin – Madonna (Sire), #1 pop for six weeks, #9 RB, #29 AC, gold record

When Doves Cry – Prince (Warner), #1 pop for five weeks, #1 RB for eight weeks, platinum record. From the semi-autobiographical movie Purple Rain, starring Prince and Apollonia, which I saw in the theater. The album won the Oscar for Best Original Song Score.

Jump – Van Halen (Warner), #1 pop for five weeks, #88 RB, gold record.

[This is not to be confused with the Pointer Sisters hit Jump (For My Love), which went to #3 the same year. Here is a cinematic footnote: the Pointer Sisters’ version of Jump (For My Love) appears on the US soundtrack for the 2003 movie Love Actually, but the UK soundtrack uses the version by Girls Aloud.]

Three weeks at #1 pop

Footloose – Kenny Loggins (Columbia), platinum record. The title song of the movie starring Kevin Bacon and Lori Singer. It was nominated for an Oscar as Best Original Song (Loggins and lyricist Dean Pitchford).

What’s Love Got To Do With It – Tina Turner (Capitol), #2 RB for five weeks, #8 AC, gold record

Against All Odds (Take A Look At Me Now) – Phil Collins (Atlantic), #2 AC for six weeks, gold record. From the movie Against All Odds, starring Jeff Bridges and Rachel Ward. The song was nominated for an Oscar as Best Original Song.

I Just Called To Say I Love You – Stevie Wonder (Motown), #1 RB and AC for three weeks, gold record. From the movie The Woman In Red, starring Gene Wilder and Kelly LeBrock. The song won the Oscar for Best Original Song.

Ghostbusters – Ray Parker, Jr. (Arista), #1 RB for two weeks, #9 AC, gold record. The title song from the movie starring Bill Murray, Dan Ackroyd, and Sigourney Weaver, which I saw in the theater. It was nominated for an Oscar as Best Original Song.

Karma Chameleon – Culture Club (Virgin/Epic), #67 RB, #3 AC, gold record

Wake Me Up Before You Go-Go – Wham! (Columbia), #4 AC, platinum record

Two weeks at #1 pop

Hello – Lionel Richie (Motown), #1 RB for three weeks, #1 AC for six weeks, gold record

Owner Of A Lonely Heart – Yes (Atco), #69 RB. As I noted here, I remember the first time I heard this song.

Out Of Touch – Daryl Hall and John Oates (RCA), #24 RB, #8 AC

Time After Time – Cyndi Lauper (Portrait), #78 RB, #1 AC for three weeks, gold record

Let’s Hear It For The Boy – Deniece Williams (Columbia), #1 RB for three weeks, #3 AC for three weeks, platinum record. It is also from the movie Footloose and was nominated for an Oscar as Best Original Song (Tom Snow and Dean Pitchford).

Let’s Go Crazy -Prince & the Revolution (Warner), #1 RB, gold record. It is also from the movie Purple Rain. I have a 12″ EP with an extended version of this song.

The Reflex – Duran Duran (Capitol), gold record

Caribbean Queen (No More Love On The Run) – Billy Ocean (Jive), #1 RB for four weeks, #7 AC, gold record

A single week at #1 pop

Missing You – John Waite (EMI America), #7 AC

To my surprise, putting this together gave me a touch of melancholy over the passing of Tina Turner, Eddie Van Halen, Prince, George Michael, and even Irene Cara (in the Ghostbusters video).

#1 hits in 1964: yeah, yeah, yeah; baby, baby!

Jeff Barry/Ellie Greenwich

To no one’s surprise, the #1 hits in 1964 featured the most famous pop band in the world, even today. Indeed, I wrote about the Liverpudlian dominance of the US charts on February 9, so I won’t link to either the Beatles’ hits or the Peter and Gordon song attributed to Lennon-McCartney.

Because I have the book Across the Charts: the 1960s, I can quickly see if any of these songs appeared on other charts besides the pop charts. Interestingly, The Beatles never did until Something landed at #17 on the Adult Contemporary charts.

I Want To Hold Your Hand – The Beatles (Capitol), seven weeks at #1, gold record

Can’t Buy Me Love – The Beatles (Capitol), five weeks at #1, gold record

There! I Said It Again – Bobby Vinton (Epic), four weeks at #1, five weeks at #1 AC. This was the first #1 of 1964.

Baby Love – the Supremes (Motown), four weeks at #1, three weeks at #1 RB, gold record. It is one of three Supremes songs, all written by Holland-Dozier-Holland.

Oh, Pretty Woman – Roy Orbison (Monument), three weeks at #1, gold record. Orbison went to England in 1963 and toured with The Beatles. This is the last song on the soundtrack for some Julia Roberts/Richard Gere flick.

The House of the Rising Sun – the Animals (MGM), three weeks at #1

Chapel of Love – the Dixie Cups (Red Bird), three weeks at #1. Composed by Jeff Barry, Ellie Greenwich, and Phil Spector

I Feel Fine – The Beatles (Capitol), three weeks at #1, gold record

She Loves You – The Beatles (Swan), two weeks at #1. As noted, its original failure in 1963 helped propel it when Beatlemania struck in 1964.

My favorite compilation album

I Get Around – the Beach Boys (Capitol), two weeks at #1; a gold record. The first song of theirs I owned is from a bizarre album called Big Hits From England & U.S.A., which I picked up from the Capitol Record Club. It was also when I first owned Can’t Buy Me Love; I had not yet purchased the A Hard Day’s Night soundtrack (United Artists) because it was too similar to the Capitol album Something New. It’s also how I got Peter and Gordon’s World Without Love.

Come See About Me – the Supremes (Motown), two weeks at #1, two weeks at #2 RB.

Where Did Our Love Go – the Supremes (Motown), two weeks at #1, ditto on the RB charts. Their first #1.

Do Wah Diddy Diddy – Manfred Mann (Ascot), two weeks at #1. Written by the legendary Barry and Greenwich

My Guy – Mary Wells (Motown), two weeks at #1, seven weeks at #1 RB. Smokey Robinson wrote this and the Temptations’ 1965 #1, My Girl.

A Hard Day’s Night – The Beatles (Capitol), two weeks at #1, gold record. I never saw this movie until after Let It Be came out, and I saw all four films, including Help and Yellow Submarine, in one sitting.

Rag Doll – the 4 Seasons (Phillips), two weeks at #1, gold record.

A single week at #1

Hello, Dolly – Louis Armstrong (Kapp), nine weeks at #1 AC. The artist that broke The Beatles’ stranglehold on #1 in the charts. Written by Jerry Herman.

Mr. Lonely – Bobby Vinton (Epic). Also #3 AC. He had a #1 in January and this in December; I do not recall either.

Everybody Loves Somebody – Dean Martin (Reprise), eight weeks at #1 AC, gold record. Every time I hear this song, I feel a little inebriated.

A World Without Love – Peter and Gordon (Capitol)

Ringo – Lorne Greene (RCA Victor), six weeks at #1 AC. A spoken word piece by the star of the NBC western series Bonanza that apparently had nothing to do with Richard Starkey.

Love Me Do – The Beatles (Tollie)

Leader Of The Pack – the Shangra-las (Red Bird), #8 RB. It was written by Barry, Greenwich, and Shadow Morton.

The 1954 #1 rhythm and blues hits

Guitar Slim

What was the top #1 1954 rhythm and blues hit? It depends on how you measure it.

Like in pop and country, there were charts for Best Sellers (BS), beginning in May 1948; JukeBox (JB), starting in January 1944; and Jockeys (JY- radio play) starting in December 1949. This is how one ended up with 71 weeks of #1 hits in 1954.

The record that spent the most time on one of these charts is The Things I Used To Do by Guitar Slim and his Band, with Ray Charles on the piano, at 14 weeks. But that’s 14 weeks JB but only 6 as BS, which arguably is more significant.

Hearts of Stone by The Charms spent nine weeks atop the BS list, more than any other recording but only two weeks each on JB and JY.

Honey Love by The Drifters featuring Clyde McPhatter was #1 for eight weeks on both BS and JB. It was co-written by McPhatter. I’m sure I have this track on some Atlantic Records compilation. Per Wikipedia: “According to Rolling Stone, the Drifters were the least stable of the great vocal groups, as they were low-paid musicians hired by George Treadwell, who owned the Drifters’ name from 1955, after McPhatter left. The Treadwell Drifters line has had 60 musicians, including several splinter groups by former Drifters members (not under Treadwell’s management). These groups are usually identified with a possessive credit such as ‘Bill Pinkney’s Original Drifters,’ ‘Charlie Thomas’ Drifters.'”

You’ll Never Walk Alone by Roy Hamilton was #1 for eight weeks BS, five weeks JB. Yes, this is the Rodgers and Hammerstein song from Carousel.

Oh What A Dream by Ruth Brown And Her Rhythmakers was #1 for eight weeks JB and four weeks BS.

More of ’54

Work With Me Annie by The Midnighters was #1 for seven weeks BS, four weeks JB. Group member Hank Ballard wrote it. The record notes “Formerly known as The Royals.” They changed from the Four Falcons to the Royals and later to The Midnighters to avoid confusion with other groups’ names. You should read the Wikipedia page about the group, specifically about Dick Clark and the Twist, written by Ballard (and perhaps others).

The Charms, The Drifters, Hamilton, and The Midnighters might have outsold Guitar Slim.

Hurts Me To My Heart by Faye Adams was #1 for five weeks BS and JB.

Shake, Rattle, And Roll by Joe Turner and his Blues King was #1 for three weeks JB. This I have on multiple compilations.

Annie Had A Baby by The Midnighters was #1 for two weeks BS. Interestingly, it was NOT written by Hank Ballard.

You Upset Me Baby by B.B. “Blues Boy” King and His Orchestra was #1 for two weeks JB, written by King.

Mambo Baby by Ruth Brown And Her Rhythmakers was #1 for a single week in both BS and JB

I’ll Be True by Faye Adams with the Joe Morris Orchestra was #1 BS for a week

When these charts consolidated into one in October 1958, fans were much less confused.

#1 hits of 1954: rock and roll is coming

The voice of Tony the Tiger

Here are the #1 hits of 1954. Even though I was an infant when these came out, some of them are familiar because they got heavily played on oldies stations.

Sidebar: one of the rare times I REALLY feel old is when I hear music of the 1990s described as “oldies.”

All of these songs were gold records except This Ole House. There are 65 weeks of #1 songs because of competing Billboard charts.

Little Things Mean A Lot – Kitty Kallen (Decca), nine weeks at #1

Sh-Boom – The Crew Cuts (Mercury), nine weeks at #1. The Crew Cuts was a white Canadian group. From A Century of Pop Music by Joel Whitburn: Sh-Boom was originally “a song by the R&B group The Chords.” The Chords’ version (Cat) went to #5 pop and #2 for two weeks RB that year. “The subsequent influx of R&B songs covered by white artists such as Pat Boone and Gale Storm introduced R&B to the mass audience and left white teens hungry for more.” I’ve heard both versions.

Wanted – Perry Como with Hugo Winterhalter’s orchestra and chorus (RCA Victor), eight weeks at #1

Oh! My Papa (O Mein Papa) – Eddie Fisher with Hugo Winterhalter’s orchestra and chorus (RCA Victor), eight weeks at #1. I remember this song, which I found schmaltzy.

Make Love To Me! – Jo Stafford with Paul Weston and his orchestra (Columbia), seven weeks at #1

Mr. Sandman – The Chordettes (Cadence), seven weeks at #1. The “yes?” is spoken by Archie Bleyer, Cadence’s founder and the orchestra leader on the recording. It’s a song I already linked to this year. A Reddit post says it’s “the best unintentionally creepy song,” which I’m not feeling.

George Clooney’s aunt

Hey There – Rosemary Clooney with Buddy Cole and his orchestra (Columbia), six weeks at #1. The song is from the Broadway musical The Pajama Game. I remember that first line after the intro.

Secret Love– Doris Day with the orchestra conducted by Ray Heindorf (Columbia), four weeks at #1. From the Warner Brothers picture, Calamity Jane, in which she starred. The IMDb states she recorded the song in one take.

This Ole House – Rosemary Clooney with Buddy Cole and his orchestra (Columbia), three weeks at #1. I always liked this song, especially the featured bass vocals by the wonderful Thurl Ravenscroft.

I Need You Now – Eddie Fisher with Hugo Winterhalter’s orchestra (RCA Victor), three weeks at #1

Three Coins In The Fountain – Four Aces featuring Al Alberts (Decca), one week at #1. Jule Styne and Sammy Cahn wrote the title song from the 20th Century film.