Ken Jennings: interim JEOPARDY! host

following Trebek

Ken JenningsIt’s time to start answering those Ask Roger Anything questions. You may still pose queries to me. My friend Mary asked:
How long will Ken Jennings last as the ‘interim’ host on Jeopardy?

You put “interim” in quotes, I see. I have no reason to disbelieve SONY regarding the announcement. “The show announced [November 23] that it will resume production on Monday, Nov. 30. Though a long-term replacement host will not be named at this time, Jeopardy! will return to the studio with a series of interim guest hosts from within the Jeopardy! family, starting with Ken Jennings.”

“Within the Jeopardy family?” That would suggest a former champion or a member of the Crew Clue, or maybe whoever the warm-up host is. Or perhaps someone from ABC? The Jennings episodes will start on January 11. The Trebek episodes were supposed to end on Christmas Day, but the show offered up a couple of weeks of reruns so that Alex episodes wouldn’t be preempted by Christmas Day basketball or New Years’ football.

You may have noticed that Jennings, James Holzhauer, and Brad Rutter will appear on a U.S. adaptation of The Chase. It has been “a British show where contestants face off against trivia masters.” It’s scheduled to air for nine weeks starting in early January.

Name of the game

The upcoming show is part of ABC’s efforts to move deeper into that genre. “Nearly 15 million viewers tuned in to the network for each episode of the ‘Jeopardy! Greatest of All Time” tournament, putting it on a level with the 2019 NBA finals and the 2019 World Series.”

ABC has gone to the game show format heavily for the past several summers, with shows such as To Tell the Truth, Celebrity Family Feud, Press Your Luck, and Match Game. Who Wants To Be a Millionaire is currently airing.

Game shows are cheap, compared with scripted shows such as Grey’s Anatomy, and it’s simpler to follow COVID social distancing protocols. Grey’s, BTW, showed only six episodes so far this season and won’t be back until March 4.

But to your question, I have to think they’d need to give Ken Jennings a minimum of four weeks. After all, the show tapes a whole week’s episodes in one day. Even Jennings, who’s been made a consulting producer, and has been at a player podium about 100 times, will be nervous. It’ll be difficult for anyone to be The One Who Follows Alex Trebek.

When Kathie Lee Gifford left Live with Regis and Kathie Lee, they had an extensive audition period. Ditto Kelly Ripa auditioning Regis’ replacement on the morning show. Still, I imagine the producers would want a permanent host by the time the new season begins.

Minced Oaths

Somewhat off-topic, I loved the category MINCED OATHS category on the JEOPARDY! episode of the show that aired on December 17.

$400: There were 6 British kings named this, but saying “By” him actually meant “By God”.

$800: This “sticky” oath, a variant of “damnation”, goes back to 1790 and may be derived from “eternal”.

$1200: This, also the surname of a prolific 19th c. British author, was sometimes substituted for “devil” in oaths.

$1600: Instead of referencing the almighty’s son, this rhyming phrase with the same initial letters was used.

$2000: On St. Patrick’s Day, you might hear someone exclaim “Faith and” this word meaning “by God”.

I think I enjoyed it because, while I knew all of the terms, I’d never thought about the derivations. Well, except for the $1600 clue. Some folks in my past thought even this substitution was inappropriate because it was still supposedly taking the Lord’s name in vain.

Of course, these were also people who thought saying, “Oh, sugar” was vulgar because it was presumably a substitute for defecation.

Anyway, the answers: George; tarnation; dickens; jeepers creepers; and Begorra, which no one got correct.

Holes in the commercial TV schedule

cricket

How_to_Marry_a_MillionaireWith all the cable and streaming services out there, I’m nevertheless still fascinated by the programming choices on the three commercial TV networks I grew up with, ABC, CBS, and NBC. Most recently I noticed that Raiders of the Lost Ark was one of five movies filling the CBS Sunday night lineup in the month of May 2020.

Once upon a time, showing movies on prime time commercial television was de rigeur. According to my TV bible, How To Marry a Millionaire, starring Marilyn Monroe, Lauren Bacall, and Betty Grable, was the first, airing on NBC on September 23, 1961. Gone With The Wind aired in two parts in early November 1976 and received at least a 47 rating/66 share of the market, comparable with Super Bowl broadcasts, percentage-wise.

Of course, the Wizard of Oz was shown on CBS for years. I watched it several times. But it wasn’t until I finally saw it in color in 1970 that I finally GOT it. The 1964 and 1965 airings were in the top 20 of the most viewed films on television. It’s why so much of the dialogue pops into my conversation: “What have you LEARNED, Dorothy?”

Now, I’m talking about theatrical releases. there were also a ton of made-for-TV movies, such as The Day After (1983), Helter Skelter (1976), and The Burning Bed (1984), all of which I watched at the time. There was also Little Ladies of the Night (1977), which I never even heard of, but was #2 on the list, at least as of 2009.

Play-by-play

The schedule for CBS seems to have been most impacted by the coronavirus because their schedule has been most dependent on sports. Instead of showing the March Madness of college basketball, they’ve shown reruns of previous games. The Masters golf tournament in April provides the opportunity to see last year’s final round AGAIN, but with Tiger Woods doing the commentary. Nah.

As John Green pointed out, a lot of the thrill of watching a sporting event is NOT knowing the outcome. Back in the day – i.e., last year – I would DVR the World Series games and watch them in the early morning, being sure not to look at my email, the Internet generally, or live TV.

John Green found himself watching the 2012 Italian rugby finals because who knows who won the 2012 Italian rugby finals? I’ll admit I viewed the bottom of the ninth inning of Game 6 of the 1986 World Series recently. Instead of that, maybe I should watch cricket, which I haven’t seen since my honeymoon in 1999. Or Australian rules football. Hey, they’re playing baseball in Taiwan; I’d watch that!

WNBF-TV: one channel, four networks

I seem to recall the ABC show Lawrence Welk on Saturday night at 6 or 6:30; it nationally aired at 9 pm that night.

When I went to college in New Paltz in 1971, most of my classmates were from New York City or Long Island. They were shocked that we in upstate Binghamton did not have the array of television stations they had.

In fact, when WNBF-TV, channel 12, signed-on December 1, 1949 it “carried programs from all four American television networks at the time -CBS, DuMont, NBC, and ABC.

DuMont collapsed in 1956. The first new UHF station arrived in Binghamton on November 1, 1957 with WINR-TV, channel 40, an NBC affiliate. So when I was a kid, Channel 12 had both CBS and ABC shows.

Here are TV listings from Wednesday, Nov. 11, 1959. Left-hand column is WNBF-TV 12, right-hand is WINR-TV 40. The listings start at 6:00 pm and every line usually represents 15 minutes.

WNBF WINR TV Listings

Bourbon Street Beat was an ABC show, airing most places on Monday, 8:30-9:30. GE Theater was a CBS show, airing in NYC Sunday a 9 pm. Tightrope was pegged by CBS for Tuesday at 9 pm. At least I’ve Got a Secret was a CBS show on at the right time.

Similar listings of the next day, Thursday, Nov. 12, 1959. (Ch. 12 on left, Ch. 40 on right).

WNBF WINR TV 1959

The Donna Reed Show, The Real McCoys, and Pat Boone were Thursday night ABC shows in 1959 at the same time slots as indicated; the Real McCoys became a CBS show near the end of its run. I wonder if The Betty Hutton Show, Johnny Ringo, and Dick Powell’s Zane Grey Theater showed up in another time slot.

While the Wikipedia said Channel 40 also carried ABC shows, these listings were consistent with the national NBC lineup. Except one: The Lawless Years was bumped for a syndicated show called Colonel Flack.

I seem to recall the ABC show Lawrence Welk on Saturday night at 6 or 6:30; it nationally aired at 9 pm that night. Did Channel 12 record to broadcast a week later? How did this work?

I remember that other ABC shows, Maverick, The Rifleman, Ozzie and Harriet, and 77 Sunset Strip were on when I was a kid. Did they preempt the CBS shows? Were they on in time slots before prime time, or on Saturday or Sunday afternoons? Sports didn’t dominate the schedule then. Or maybe even at 11:30 pm.

Here’s a video of the Thursday night lineup in the fall of 1959.

I realize this sounds pretty obsessive, and it is. Next time I’m in Binghamton, I want to look at some microfilm showing the rosters of shows on Channel 12 in September 1962, then in November 1962, when WBJA, Channel 34, became the official ABC affiliate. Not incidentally, all of the call letters have changed, some more than once.

I’d be just as curious about the same phenomenon in Albany/Schenectady if I had grown up there. In fact, one of the very first blog posts I wrote was about the Plattsburgh, NY/Burlington, VT television market in 2005.

I used for the season’s daily charts The Complete Directory to Prime Time Network and Cable TV Shows by Tim Brooks and Earle Marsh (2007).

Thanks to folks on a couple Facebook lists, especially Keith Nelson, who provided the graphics. I also greatly appreciated the kind words people said about McKinley Green, my grandfather, who was a custodian at WNBF for many years.

Television as a cultural anthropological prism

Recently, I referred to my wife as Ramsey Gordon, which was that she was the total opposite of Gordon Ramsey, that mean chef on whatever that cooking show he’s on that I have actually never seen five minutes of.

Ike and Mamie watching TV

I think I keep reading about, and therefore writing about television, despite the fact that I watch it in decreasing amounts because I find it a fascinating cultural phenomenon. I was at our choir party this month, and we were talking about how networks, particularly ABC, will start broadcasting a serialized show and either never show the ending (The Nine, which I watched) or truncate it badly (this season’s Last Resort, which I wouldn’t watch for that reason). I saw the ads for the Dana Delany show Body of Proof; first, the season premiere was supposed to be the first week in February, but then it got kicked back to the third week in February. Why? Because they failed to realize that they had never broadcast the last show of the previous season, after which wholesale cast changes took place.

What particularly interested me is Mark Harris’ case against binge-watching in Entertainment Weekly, which I really related to. He has binged himself, but: “Sometimes your deep engagement with a series turns out to be intertwined with your patient willingness to spend weeks and months in the company of its characters, getting to know them in what feels like real-time and living their evolution as you live your own.”

His piece was in response to the disappointment some have felt over the fourth season of Arrested Development, 15 episodes available en masse on Netflix. I tried to watch the first season, but never got engaged. Some folks, particularly Gordon, suggested I give it another chance, and I saw seasons two and three, mostly enjoying them. Whether I ever see Season 4 – on DVD, because I’m not getting Netflix – depends on my time and inclination at that point. If I DO watch, it’ll be one or two episodes at a time.

I admit I liked the Daily Kos piece on How ‘Arrested Development’ explains the Republican Party. Also enjoyed the NSFW video parody of Girls: Season 38, featuring the original SNL’s Laraine Newman, even though I’ve never seen one minute of the Lena Dunham show.

Here’s an interesting side-by-side comparison of three cable news networks with their coverage of President Obama in Germany.

Recently, I referred to my wife as Ramsey Gordon, which was that she was the total opposite of Gordon Ramsey, that mean chef on whatever that cooking show he’s on; I’ve not viewed it. Weird how the brain picks that up.

Speaking of food shows, Paula Deen is getting booted from hers because of some nostalgic racist language. Heck, I thought she should have been let go after continuing to promote her high-calorie meals while hiding her Type II diabetes last year.

Apparently, the first season-ending of Game of Thrones, featuring a beheading (can that be a spoiler, from two seasons ago?), was not nearly graphic enough, so this season has the infamous ‘Red Wedding’. Big time thanks, but NO thanks.

Another show I’ll never see is Pregnant & Dating on the We network; Ken Levine’s description could have come from The Onion. It is “complete with the usual crying, angst, pretty people, upscale settings, cloying background music, and jaw-dropping stupidity.”

Read about the Latina stereotyping that’s endemic in a show such as Devious Maids. Someone once said to me that I can’t judge a show fairly unless I watch it; I totally disagree.

On the other hand, I TOLD you seeing the Tonys was worth it. Here’s the opening number which was THE highlight of the show.

I watched Paul McCartney on the Colbert Report, of course. Watching TV with commercials is brutal, and Colbert’s schtick wore thin but loved seeing Sir Paul, especially on Being For The Benefit of Mr. Kite!, which he said he’d never performed before. On the other hand, I loved what Colbert said about his late mom this month.

Still, most of my affection for television is nostalgic. This video about Johnny Carson, delving into his Nebraska roots, is quite entertaining; it features Dick Cavett, one time Carson writer, then a competitor. Cavett writes about going to his high school reunion. Ken Levine shows – part 1 and part 2 – what a CHEERS outline looks like. Although he met him only a couple of months ago, Levine has an interesting story about the late James Gandolfini.

Chuck Miller reminded me of all the weird pets fictional people had. Ah, a picture of MTM and DVD on the set of the Dick Van Dyke Show. And Evanier showed my absolute favorite TV commercial when I was a child; it was that nifty 4th verse. Unfortunately, he has no idea who the singers were, and neither do I.

Who starred with whom, and where?

The IMDB has an advanced search function.

There is this list of the five best television series of all time, compiled by ABC News and People Magazine, and conveniently broadcast on ABC in the past couple of weeks. Interestingly, all were comedies, none of them were broadcast on ABC, and the latter four would probably be canceled quickly these days because the early ratings were not particularly good. The list included:
I LOVE LUCY (CBS)
SEINFELD (NBC)
MASH (CBS)
ALL IN THE FAMILY (CBS)
CHEERS (NBC)

I read about it on Ken Levine’s blog. He (pictured) mentioned this because he was a writer for two of the shows, MASH and Cheers, which I suppose I’d consider for my list as well. I’d also pick Lucy, if only because it was seminal in the development of the TV rerun. All in the Family, which I did enjoy at the time, did not age well, though. And Seinfeld I liked for a few seasons, but grew tired of it, about the time the character Susan died from licking an envelope. There are plenty of dramatic shows (Twilight Zone, Hill Street Blues, among others) I’d put on the list, but if I were limiting it just to comedies, certainly the Dick Van Dyke Show would be on the roster.

What was most interesting to me, though, is that someone asked Levine: “Other than you and David [Isaacs, Levine’s writing partner], is there anyone else associated with 2 or more of the top 5? Probably not. You are in a very special group.” Levine named some writers. He also noted that “George Wendt and Shelley Long [of Cheers] both did guest stints on MASH.” In the comments section, a guy noted that the IMDB has an advanced search function – go to Collaborations and Overlaps – so that one can discover, e.g., that there are 16 people with credits on both The Dick Van Dyke Show and MASH, starting with Jamie Farr and Bernard Fox. Or that five people were affiliated with both the Van Dyke program and Cheers, including Ann Morgan Guilbert and Sheldon Leonard.

One can also put in Dick Van Dyke and Ted Danson to discover that Van Dyke appeared on Danson’s show Becker, as Becker’s father, and Danson was a guest on Van Dyke’s Diagnosis: Murder, as himself, both in 1999. I will definitely make more use of this feature.
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Ken Levine’s thoughts on the GQ CHEERS article.

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