Tag: ABC Wednesday

H is for (Methodist) Hymnals

I don’t know how many of those hymns were meant to be sung, because – I neglected to mention – there is no music in the book, only lyrics! Evidently, “everybody” already knew the tunes.


When I was growing up at Trinity A.M.E. Zion Church in Binghamton, NY in the 1960s, we used a hymnal that looked exactly like this. (A.M.E. stands for African Methodist Episcopal.) The first hymn was Holy, Holy, Holy [listen], and when I was younger, I mistakenly believed that the phrase “Blessed Trinity” was a reference to my church, rather than to the preceding phrase, “God in three persons.”

The Methodist Episcopal Church (MEC) initiated the process of creating a new hymnal in 1928, with Methodist Episcopal Church, South (MEC,S) joining in 1930, and the Methodist Protestant Church (MPC) soon thereafter. The hymnal has a 1932 original copyright date. Not incidentally, “The Methodist Church was the name adopted by the Methodist denomination formed in the US by the reunion on May 10, 1939, of the northern and southern factions of the MEC with the MPC”, the three entities that had created the hymnal. Ironically, since the split within the MEC had arisen over 19th-century treatment of blacks, the newly-formed Methodist Church created a segregated entity known as the Central Jurisdiction as a compromise.

Still, the hymnal was of such quality that the black Methodist churches (A.M.E., A.M.E. Zion, C.M.E., and others) often adopted it.

But once the United Methodist Church was created in 1968 by the union of The Methodist Church and the Evangelical United Brethren Church, getting rid of the Central Jurisdiction, I suppose the powers that be decided that the UMC needed a hymnal of its own.

When I started attending the United Methodist Church in Albany in the mid-1980s, coincidentally also called Trinity, they were using a different hymnal (the red one). Still, many of the congregants at that time referred to the hymnal I grew up with as the “real Methodist hymnal,” such was the universality of its use, due to the quality of its structure of the Christian life.

Still, the black hymnal may not be my favorite. That title might fall to the one pictured below; the one to the left looks more like mine, in terms of condition. It has an 1849 copyright date. In the mid-1980s, my girlfriend at the time bought it for me for the handsome sum of $2.50. It has a LOT of hymns by Charles Wesley, many more than in subsequent iterations, starting with O, For a Thousand Tongues to Sing [listen] on the first page, and including Hark! the Herald Angels Sing and Christ, the Lord, is Risen Today, plus a whole bunch with which I am not familiar.


And I don’t know how many of those hymns were meant to be sung, because – I neglected to mention – there is no music in the book, only lyrics! Evidently, “everybody” already knew the tunes.

It too had a structure, but in addition to those in the 1932 hymnal, it also included Duties & Trials, and Humiliation. Fun stuff!

ABC Wednesday – Round 9

G is for Gabriel, Peter Gabriel

As it turns out, I have TWO copies of Peter Gabriel’s third album in German, on vinyl.

Somehow, I was largely unaware of the music of the “progressive rock” group Genesis, which was formed in the late 1960s, until its 1974 album. The title track to The Lamb Lies Down On Broadway [listen] got a bit of airplay in this area. Shortly after this album, lead singer Peter Gabriel left the group over personal and artistic differences, with Phil Collins taking over the lead vocals of Genesis. Gabriel would eventually initiate a solo career.

His first album (1977) was called Peter Gabriel and featured the song Solsbury Hill [listen], which was about his departure from Genesis, as well as the first version of Here Comes the Flood, which Gabriel claimed was overproduced; from the version on his greatest hits album, he may have been correct.

His second, less successful album from 1978, was also called Peter Gabriel, and featured D.I.Y. Fans dubbed the first collection Car and the second, Scratch, based on the album cover features.

But it was his 1980 third album, called Peter Gabriel, referred to as Melt, that really captivated my attention. The first song, “Intruder”, “featured the reverse-gated, cymbal-less drum kit sound which [Phil] Collins would also use on his single “In the Air Tonight”…. Gabriel had requested that his drummers use no cymbals in the album’s sessions, and when he heard the result he asked Collins to play a simple pattern for several minutes, then built ‘Intruder’ around it.” Another great song is “I Don’t Remember” – “I have no memory of anything at all.

The hit was Games Without Frontiers [listen]; this version is pitched higher with the treble is adjusted. I must admit that I heard the lyrics “Jeux sans frontieres” as “She’s so funky, yeah.” Oy.

This album was also realized in German; “alternate takes of some of the instruments seem to have been used occasionally, and the mix is somewhat different.”

As it turns out, I have TWO copies of this German-language album on vinyl. When I worked at FantaCo in the early 1980s, the boss gave each of us a copy of the album, but, for reasons now lost to me, one of my colleagues was angry about the gift, didn’t want it, and gave it to me. So, one of my LPs is still factory-sealed.

Here are Spiel ohne grenzen [listen] (“Games without frontiers” in German) and Biko [listen]. The latter song is about Stephen Biko, “a noted anti-apartheid activist in South Africa in the 1960s and 1970s,” who died in police custody in 1977. Gabriel’s song was one of several about Biko but among the most significant.

Peter Gabriel’s fourth album, from 1982, was called, you guessed it, Peter Gabriel. However, his US distributor slapped the title Security on it. The big hit was Shock the Monkey [listen]. This album was also released in German.

The next year, Peter Gabriel Plays Live came out, filled with previously released songs plus the minor hit I Go Swimming.

Peter Gabriel would go on to even greater commercial success, but that’s another tale.

ABC Wednesday – Round 9

F is for Fire

The other fire songs here, which I also own, are about passion, romantic passion.

Here’s another look at a word that has, either alone or in combination with other words, has several meanings.

The most common meaning of fire, of course, is that chemical change that creates heat and light, and usually smoke, which can evolve into a “destructive conflagration”. It was one of four substances thought in ancient and medieval cosmology to constitute the universe, along with earth, air, and water; five, if you count spirit.

But fire also means:

*enthusiasm, passion e.g., “all fired up”
and in one is at work and NOT “fired up” one could be subject to dismissal from employment, “getting fired”

Also:
a severe test; a trial or torment, “under fire”
the discharge of firearms or the like, “ready, aim, fire!”
to bake in a kiln, such as with pottery
to throw with force and speed; “fire a ball at a batter”
to ask questions, “fire away”
exposed to attack, “under fire”
*a burning sensation sometimes produced by drinking strong alcoholic liquor, “firewater”
and a whole lot more

Word History: Primitive Indo-European had pairs of words for some very common things, such as water or fire. Typically, one word in the pair was active, animate, and personified; the other, impersonal and neuter in grammatical gender. In the case of the pair of words for “fire,” English has descendants of both, one inherited directly from Germanic, the other borrowed from Latin.

As is often the case, I have found some songs that address the issue.

First, by The Crazy World of Arthur Brown, a reference to hellfire. This song actually went to #2 in 1968 in the US, and somewhere I have it on some LP.

But the other fire songs here, which I also own, are about passion, romantic passion.

The Ohio Players, a #1 song from the winter of 1974-75.

Bruce Springsteen. His live 1978 version went to #46 in 1987. (I don’t know the vintage of this video.) And here’s a studio version. This Boss song was a big hit for the Pointer Sisters, #2 in the winter of 1978-79.

ABC Wednesday, Round 9

E is for Ecology

Mercy Mercy Me (The Ecology), written and performed by Marvin Gaye, came out 40 years ago, but sounds like it could have been written 40 minutes ago.

Seriously, I have no energy to ‘debate’ the fact that global warming is occurring, and people are causing it. “The glaciers are melting and are a contributor to sea-level rise,” and “many communities won’t be able to adapt to rapid climate change.” The radical flooding in some parts of the planet and droughts in others are just a couple of reflections of the phenomenon.

The deniers, dangerously to my mind, downplay and distort the evidence of climate change, demand policies that allow industries to continue polluting, and attempt to undercut existing pollution standards.

This site provides over 25 easy steps we can take to not only reduce greenhouse gas emissions but also reduce air pollution, increase energy independence and save money.

We CAN reduce our ecological footprint.

 

Meanwhile, here’s Mercy Mercy Me (The Ecology), written and performed by Marvin Gaye. It came out 40 years ago, but check out the lyrics; it sounds like it could have been written 40 minutes ago. Here’s a cover version by The Strokes, Eddie Vedder & Josh Homme.

ABC Wednesday – Round 9

D is for Death Penalty

Unfortunately, in 1944 South Carolina, George Stinney wasn’t afforded the same opportunity.

Questions: Who was the youngest person executed in the 20th century in the United States? And whatever possessed me to think about that?

Let me take the second question first. A friend and colleague recently saw the 1994 Oscar-nominated film Heavenly Creatures, directed by Peter Jackson. “Based on the true story of Juliet Hulme and Pauline Parker [Kate Winslet and Melanie Lynskey, both first-time movie actresses], two close friends who share a love of fantasy and literature, who conspire to kill Pauline’s mother when she tries to end the girls’ intense and obsessive relationship.”

Would it be a spoiler to note that the girls succeeded? You can read about the Parker-Hulme murder in New Zealand here. From that source:

The trial was a sensational affair…The girls were convicted on August 30, 1954, and each of them spent five years in prison. [Apparently, they were not subject to the death penalty.] They were released with the condition that they never contact each other again.

After her release from prison, Juliet Hulme traveled to the United States and went on to have a successful career as a historical detective novelist under her new name, Anne Perry. She has been a Mormon since about 1968. She now lives in Scotland.

Pauline Parker spent some time in New Zealand under close surveillance before being allowed to leave for England… She has become a Roman Catholic and for many years Parker had refused to give interviews surrounding the murder of her mother and expressed strong remorse about having killed her.

In March 2006, Perry said that while her relationship with Pauline Parker was obsessive, they were not lesbians.

The key point here is that, despite this terrible crime, there was a chance for redemption for these young murderers, and they seemed to have made the most of it.

Unfortunately, in 1944 South Carolina, George Junius Stinney Jr. wasn’t afforded the same opportunity, as he “was, at age 14, the youngest person executed in the United States in the 20th century. The question of Stinney’s guilt and the judicial process leading to his execution remain controversial.” To say the least; from his arrest to his execution by an ill-fitting electric chair device took less than three months.

As it turns out, no state has executed a minor since the 1976 ruling reinstating capital punishment in the United States. There have been juvenile offenders executed, but they were not minors by that time.


ABC Wednesday, Round 9

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