Tag: Angela Lansbury

Oct. rambling: total Latin dorks

Rebecca Jade, Death Cafe, and the embarrassing Herschel Walker

Movie Love #16
Angela Lansbury was in the movie Mutiny (1952), set during the War of 1812. She’s on the cover of Movie Love #16, only rarely offered by Heritage Auctions

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The Onion advises the Supreme Court’s ‘total Latin dorks’ on parody

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NY-CT Border Disputes and The Kidnapping of Freedom-Seeker Peter John Lee

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All aboard!

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POLLY TICKS

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MUSIC

Some Controversial Classics From Loretta Lynn; One’s On The Way

The Four Seasons of Buenos Aires by Astor Piazzola.

Tired Of Waiting – MonaLisa Twins (The Kinks Cover)

Democracy – Leonard Cohen.

Coverville 1416: The Motley Crue Cover Story

Autumn Gardens by Einojuhani Rautavaara.

Mama, I’m A Big Girl Now from Hairspray

Portland, Oregon – Loretta Lynn and Jack White

Loretta Lynn, Feisty First Lady of Country Music,  Coal Miner’s Daughter, dies at 90. Living in her America. Over her long career, she documented the highs and lows of rural life in an incredibly complex emotional register.

Official release date of Rebecca Jade’s newest album, A Shade of Jade

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Questlove and Black Thought Know Much More Than Music

DEATH CAFE in Albany, NY

The parking lot in the back of the Library and the street parking meters are free on Saturdays.

Learn more about this international movement at DeathCafe.com

Folks will break into small groups of 4-6, as always. Please wear a mask inside until you are seated with your small group, and your group chooses to be masked or not. Homemade treats and cold and hot water for tea; feel free to bring your own mug and/or beverage.

As always – it is not a support group. We just talk about whatever our group chooses and respect each other’s views.
Please RSVP by emailing to DeathCafeAlbany@gmail.com

Angela Lansbury: stage, screen, TV icon

The Manchurian Candidate

When I was crashing at my parents’ house in Charlotte, NC, in the spring of 1977, I went to the downtown library to watch the 1944 version of the movie Gaslight. It starred Charles Boyer, Ingrid Bergman, and Joseph Cotten. In her film debut, 19-year-old Angela Lansbury, as the young maid Nancy, received a best-supporting actress Oscar nomination. (Some folks did not know the meaning of gaslighting in 2013.)

In 2018, my family went to the cinema to see Mary Poppins Returns. In her antepenultimate film, she had a cameo at the end as the Balloon Lady. Her final film appearance was Glass Onion: A Knives Out Mystery, in which she played Angela Lansbury.

Her greatest film role was as the mother of a would-be assassin in The Manchurian Candidate (1962). Casey Seiler of the Albany Times Union newspaper says she was “absolutely perfect” in “one of the few paranoid political thrillers that haven’t been outstripped by reality.” Here are just three minutes.

One of my favorite parts, though, is her voicing Mrs. Potts in Beauty and the Beast (1991). Here’s Tale As Old As Time.

She received an honorary Oscar in 2013 for her career as “an entertainment icon who has created some of cinema’s most memorable characters, inspiring generations of actors.”

Cabot Cove, Maine

Of course, the performer was best known as Jessica Fletcher, novelist and an amateur sleuth in Murder, She Wrote. She appeared for a dozen seasons (1984-1996) plus four TV movies between 1997 and 2003. She received an Emmy nomination for best actress in a drama series for every season, yet never won.

As The Hollywood Reporter noted, the program was “a huge ratings hit on Sunday nights following 60 Minutes. Both CBS shows appealed to intelligent, older viewers, and Lansbury was the rare woman in the history of television to carry her own series… ‘Nobody in this town watches Murder, She Wrote,’ Lansbury, referring to the TV industry, said in 1991. ‘Only the public watches.’

“The show was ranked in the top 13 in the Nielsen ratings (and as high as No. 4) on Sundays in its first 11 seasons but plummeted to No. 58 when CBS moved it to Thursdays in 1995-96 against NBC’s then-powerful lineup. The series finale, quite appropriately, was titled ‘Death by Demographics.'”

LA Times quotes her: “What appealed to me about Jessica Fletcher is that I could do what I do best and [play someone I have had] little chance to play — a sincere, down-to-earth woman. Mostly, I’ve played very spectacular bitches. Jessica has extreme sincerity, compassion, extraordinary intuition. I’m not like her. My imagination runs riot. I’m not a pragmatist. Jessica is.”

I freely admit to watching the program regularly. Maybe, as one critic noted, it was an opportunity to try to solve the crime with, or maybe before, the author.

Theater!

As the Los Angeles Times noted, “It was her deep roots in the theater, and the many Tony Awards that followed that won the hearts of theatergoers and critics, who were often rhapsodic in their praise…

“Critic Rex Reed declared that she brought ‘the Broadway stage about as close to an MGM musical as the Broadway stage is likely to get,’ according to the 1996 biography ‘Angela Lansbury.’

“Her charismatic performance as the eccentric title character in a 1966 production of Mame vaulted her to Broadway superstardom and resulted in the first of her four Tonys for best actress in a musical.

“At 83, she tied the record for most Tony Awards won for acting when she received a fifth for portraying a medium in the 2009 revival of ‘Blithe Spirit. (Audra McDonald set a new record in 2014 when she won her sixth.)”

I saw the TV movie Sweeney Todd: The Demon Barber of Fleet Street in 1982, which was quite compelling. Her Broadway performances were undoubtedly even greater.

Here are Hollywood notables paying tribute to Angela Lansbury, plus A Critic’s Appreciation by David Rooney.

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