Bach Magnificat

In addition to our weekly musical contribution between September and June, the choir of First Presbyterian Church of Albany usually endeavors to take on one or two more substantial pieces during the church year. For the First Friday in December 2024, we performed Johann Sebastian Bach’s Magnificat, directed by our choir director, Michael Lister, in the church’s sanctuary.

The choir had been practicing since September, with three special Sunday afternoon rehearsals. Dr. Lister had also recruited additional vocalists, some from his tenure at the College of Saint Rose (RIP) and from UAlbany. A few of them also came at the end of our regular Thursday night rehearsals to hone their musical understanding of the pieces.

There were two parts to the December 6 program. The first part involved the octet of the choir: Rose, Maria, Fiona, Sarah, Joshua, Nate, Dan, and Tom. They performed:

Ave Regina Coelorum by Isabella Leonarda (1620-1704)

Ave Maria by Tomas Louis Victoria (1548-1611)

Ave Generosa by Ola Gjeilo (b. 1978) with text by Hildegard von Bingen

Blessed Be That Maid Marie, a 15th-century Carol arranged by Susan LaBarr

Magnificat by Arvo Pärt (b.1935)

Bògòroditse Dyevo by Sergei Rachmaninoff (1873 -1943)

Hacia Belen va un Botrrico, a traditional Spanish Carol arranged by Alice Parker 

Estonian

My favorite piece was the Pärt, pronounced like pear with a T at the end. I’ve been a big fan of the Estonian composer for over two decades when my wife and I were at the house of one of her friends, and they were playing some of his music.

It was good that Bach Magnificat involved additional singers because at least five of our choir members were playing in the orchestra instead.

You may recall from the movie Amadeus when the Salieri character cried, “Too many notes!” This is what the Magnificat felt like for both the singers and the instrumentalists. In the case of the former, there was a lot of melisma, which is “a group of notes or tones sung on one syllable.” My favorite piece, which did not involve the full choir, involved the trio of Rose, Carla, and Fiona. They sang the solos and duets along with Joshua and guest vocalist Kristopher.

I’m using this photo that my friend Annika took because at least three people who attended the Magnificat asked if I had participated. Someone in front of me must have obscured me. But in this picture, I’m just left of the lectern. I was there! Really!

I’m always excited when we do a big piece and relieved when it’s over. Here’s the First Friday performance for December 6, 2024, at First Presbyterian Church of Albany.

November rambling: Unmade beds

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100 Notable Books of 2024

The New York State Education Department has released data showing outcomes from New York’s 2024 state assessment tests, taken by students in grades 3 to 8 last spring.

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A series about Western Publishing and Gold Key Comics

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Chuck Woolery, Host of ‘Wheel of Fortune’ and ‘Love Connection,’ Dies at 83

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Expert agencies and elected legislatures. Legislatures are entitled to their own (political) opinions but not their own facts.

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Babel

“The story of Babel is the best metaphor I have found for what happened to America in the 2010s, and for the fractured country we now inhabit,” writes social psychologist Jonathan Haidt in his 2022 essay for The Atlantic. [paywall] “Trump did not destroy the tower; he merely exploited its fall. He was the first politician to master the new dynamics of the post-Babel era, in which outrage is the key to virality, stage performance crushes competence, Twitter can overpower all the newspapers in the country, and stories cannot be shared (or at least trusted) across more than a few adjacent fragments—so truth cannot achieve widespread adherence.”

Haidt explains how social media, once widely viewed as a boon for democracy, devolved to a force that has exacerbated the dysfunction of American politics—and suggests three reforms that can help democracy remain viable in the digital age.

MUSIC

 

Young Lion – Sade Adu

Dance With Everybody – Drew Holcomb and the Neighbors

Coverville 1511: The Tim Rice Cover Story and 1512: The Bruce Hornsby Cover Story

Naturally Stoned – The Avant-Garde, written by group member Chuck Woolery, #40 pop in 1968

Mozart’s Symphony No. 41 in C Major, K. 551, sometimes called the “Jupiter”.

Graucha Max– DARKSIDE

K-Chuck Radio: Someone’s Covering the Will-O-Bees

Vocalise by Rachmaninoff

Favorite Songs By Favorite Artists: Joy Division, New Order and Killdozer

Fist City– Loretta Lynn

Time After Time – Hiroshi Yoshimura 

Gemini – Haley Heynderickx

Bethlehem (Glimpse) – Laraaji

Wake Me Up Before You Go-Go – Wham!

Open Flair Gänsekapelle

The Wonder of Stevie is a new limited podcast series.

Christ Lag in Todesbanden @FPC 1st Friday

ARTISAN SPRING MARKETPLACE
HOSTED BY TIM DUMAS


Friday, April 6 at 5:30 PM – 8 PM. Music starts at 6 pm (despite what the poster says)

First Presbyterian Church of Albany
362 State St at the corner of Willett St, across from Washington Park
Albany, New York 12210

In concert:

JOHANN SEBASTIAN BACH
CHRIST LAG IN TODESBANDEN
MUSICIANS OF FIRST PRESBYTERIAN

MUSIC FOR FLUTE AND HARP
KARLINDA CALDICOTT, HARP
JAN VINCI, FLUTE
SELECTIONS FROM HESS, PERSICHETTI, AND MOLNAR

In the gallery:

ARTISAN SPRING MARKETPLACE
HOSTED BY TIM DUMAS

ROSLYN JEFFERSON – JIVA JEWELRY
JONATHAN HAMMER – LEATHER GOODS
LYLE HOUSTON – THE FIFTH TIER BAKING STUDIO
TIM DUMAS / INFUSED INTERIORS – ART LIGHTING
FRANK HAMMER – HAND TURNED WOODEN BOWLS
GAIL HINCHEN – MIXED MEDIA COLLAGES

and

CEMETERY FIGURES – PHOTOGRAPHS BY DAVID HINCHEN

Gallery opens at 5:30 pm, concert starts at 6:00 pm

This is a free and family-friendly event.

Bach: Toccata and Fugue in D minor

I continue to be moved by its chordal structure of Bach’s Toccata and Fugue.

 

From last.fm, copied verbatim in the Wikipedia: “The Toccata and Fugue in D minor, BWV 565, is a piece of organ music composed by Johann Sebastian Bach sometime between 1703 and 1707. The attribution of the piece to Bach has been challenged since the early 1980s by a number of scholars, and remains a controversial topic.”

This piece of music has been used in dozens of movies (The Tree of Life, Gremlins 2, 7 Faces of Dr. Lao, Fantasia, among others), TV shows, and video games. Check out this list of Bach music, and find the toccata references. The music is usually used to suggest something scary in a way that has become an unfortunate cliche.

I, though, continue to be moved by its chordal structure. Here’s one recording; you can find several others on YouTube. Listen to the segment that starts at 7:20; the chord at 7:45 just wows me. By those last three chords which are as intense as any power chords by a rock guitarist, I’m in tears of awe.

Somehow, it puts me in the right frame of mind for the latter stages of Holy Week.

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