Tag: Beatles

K is for Keltner, Jim Keltner

Jim Keltner’s drumming approach was idiosyncratic, loose, and soulful, and helped elevate the studio musician’s role from that of a generic hired hand to an individual who colors the music with personality and style.

Do you know what is generally lost for me in downloading digital music? Reading the liner notes. That’s the info on the LP or CD that tells you who wrote the songs and who played on them, and often a narrative about the artist and/or the recording session.

As an active liner note reader, I well know the name Jim Keltner. If you are not, you probably do not. Here’s just an excerpt from the page about him on Wikipedia.

Keltner is best known for his session work on solo recordings by three of The Beatles, working often with George Harrison, John Lennon…, and Ringo Starr…He, as a free-lance drummer, has also worked with Leon Russell, Gabor Szabo, Delaney Bramlett, Roy Orbison, Harry Nilsson, Jerry Garcia, Eric Clapton, Guthrie Thomas, Steely Dan, Joe Cocker, Van Dyke Parks, the Rolling Stones…, Bob Dylan, Joni Mitchell, Brian Wilson, Roger McGuinn, Seals and Crofts, The Ramones, Bill Frisell…, Crosby, Stills, Nash and Young, Phil Keaggy, Steve Jones, Crowded House, Fiona Apple, Elvis Costello, The Bee Gees, Jackson Browne, The Manhattan Transfer, Randy Newman, Ry Cooder, Sam Phillips, Los Lobos, Pink Floyd, Warren Zevon, Rufus Wainwright, Tom Petty, Gillian Welch, the Steve Miller Band, Alice Cooper, Sheryl Crow and Lucinda Williams among many others. Here’s a discography covering 1969-1998, or this even more extensive list (that loads slowly).

From his Drum Magazine bio: “His drumming approach was idiosyncratic, loose, and soulful, and helped elevate the studio musician’s role from that of a generic hired hand to an individual who colors the music with personality and style. He is known not only for his great feel and sensitivity, but also for bringing a fresh approach to the potentially tedious world of pop music.”

The following are just a handful of the songs he played on
She’s Just My Style – Gary Lewis and the Playboys. Keltner’s first session.
You’re So Vain – Carly Simon.
Knockin’ on Heaven’s Door – Bob Dylan.
Angel Baby – John Lennon
End of the Line – Traveling Wilburys. Keltner is in the video.
Wilbury Twist – Traveling Wilburys. Keltner is in this video, too.
Warren Zevon – Keep Me In Your Heart.
Little Sister – Ry Cooder, John Hiatt, Nick Lowe and Jim Keltner live. These four guys put out a 1992 album called Little Village.
The Drummerworld page for Jim Keltner, featuring more songs.

Also:
How does Jim Keltner earn a living?
LENNONYC: Beyond Broadcast. Episode 3: Jim Keltner

Jim Keltner turns 70 on April 27, 2012, so this is an early happy birthday thanks.

ABC Wednesday – Round 10

The Beatles vs. the Four Seasons

The label, with pretty much only the songs from the Beatles Please Please Me album, repackaged it several times.

 

The Wife and I have been to two programs at Proctors Theatre in Schenectady in the last month, both enjoyable, though in quite different ways.

On Friday, February 24, we went to the GE Theatre and attended “Looking Through A Glass Onion”, a deconstruction of the Beatles white album presented by Scott Freiman. Actually, we were the perfect audience. I remember hearing the album for the first time in the basement of the Unitarian church in Binghamton, NY late in the fall of 1968. By contrast, my wife had probably never heard of more than a half dozen of the 30 songs on the album. Yet we both walked away learning things.

That bit Can You Take Me Back Where I Came From between Cry Baby Cry and Revolution 9 came from a take of the song I Will. The song Revolution 9 came from an iteration of Revolution 1, is one of FOUR versions of Revolution, including the single and the version that shows up on the Anthology video, which is my very favorite, as it rocks like the single, but has the doowaps of Revolution1.

The difference is that Frieman was able to provide music snippets showing these things in context. He also somehow separated some tracks so you could hear Paul sing the bass line in I Will, e.g. Quite entertainingly told. The only problem is that he only got through about 2/3s of the songs on the album, though he did also touch on the single Hey Jude.

Tuesday, March 6, we saw Jersey Boys, the story of the Four Seasons, at the main Proctors stage. The reason the show worked, besides solid performances, is the Rashomon nature of the story, with Tommy, Bob, Nick, and Frankie having different recollections of what took place. I knew this quartet far less well than I did the Fab Four, but learned a lot more about them. Unlike some “musicals” that throw a bunch of songs together so that it’s more a musical revue than a stage production, this actually had a narrative flow. There were also effective visual effects that enhanced the narrative. I thought the Nippertown review was spot on.

The Beatles and the Four Seasons were, for a brief time, on the same record label in the US, VeeJay. The label, with pretty much only the songs from the Beatles’ Please Please Me album, repackaged it several times; likewise, the Four Seasons had moved onto another label. Thus was born the most peculiar The Beatles vs. the Four Seasons collection.

H is for Help!, the Beatles albums

In the United States, Help! really was a SOUNDTRACK album. So the songs on the first side of the UK LP were spread onto the two sides, augmented by movie instruments written or arranged by Ken Thorne.

Help! was the second Beatles movie, after A Hard Day’s Night, but the first one I saw. When I watched it in a movie theater, back in 1965, I loved it! Viewing it again in 2009 on TV, with the Daughter, it really didn’t hold up, but it was nevertheless enjoyable for the music if nothing else. Here is the trailer to the 2007 video release. And here or here or here is the 90-minute film, in its entirety, or it was there, as of this posting.

But what I really wanted to talk about is the album. Or to be more precise the albums. In Great Britain, and other civilised places in the world, when the LP came out in 1965, the playlist was based on the wishes of the group, and looked like this:

Side one

1. Help!
2. The Night Before
3. You’ve Got to Hide Your Love Away
4. I Need You
5. Another Girl
6. You’re Going to Lose That Girl
7. Ticket to Ride

Side two

1. Act Naturally
2. It’s Only Love
3. You Like Me Too Much
4. Tell Me What You See
5. I’ve Just Seen a Face
6. Yesterday
7. Dizzy Miss Lizzy

You can find the individual songs, I’m sure, on YouTube. Here is the whole album.

But in the United States, Help! really was a SOUNDTRACK album. So the songs on the first side of the UK LP were spread onto the two sides, augmented by movie instruments written or arranged by Ken Thorne.

Side one

1. Help! (preceded by a James Bondian instrumental intro)
2. The Night Before
3. From Me to You Fantasy (Lennon–McCartney; arranged by Thorne)
4. You’ve Got to Hide Your Love Away
5. I Need You
6. In the Tyrol

Side two

1. Another Girl
2. Another Hard Day’s Night (Lennon–McCartney; arranged by Thorne)
3. Ticket to Ride
4. Medley: The Bitter End/You Can’t Do That (Thorne/Lennon–McCartney; arranged by Thorne)
5. You’re Going to Lose That Girl
6. The Chase

American ears, at least those of a certain age, had gotten used to a particular order of their songs, and while, for most albums, one could take the CDs (based on the British order) and rearrange the songs to suit our aural needs, there were those five instrumentals on the US Help! album that for a long time weren’t digitally available elsewhere. It was ALMOST reason enough to buy The Capitol Albums, Volume 2, which contains The Early Beatles, Beatles VI, the US version of Help! (with the instrumentals) and the US version of Rubber Soul.

What happened to the seven songs on Side 2 of the UK album? You Like Me Too Much and Tell Me What You See, rejected for the movie, ended up on Beatles VI, as did Dizzy Miss Lizzie. I’ve Just Seen a Face and It’s Only Love start Sides 1 and 2, respectively of the US Rubber Soul album; the US and UK Rubber Soul album have 10 common songs, with the other four UK songs ending up on the US Yesterday and Today. Yesterday and Act Naturally from UK Help also ended up on Y&T, which didn’t exist in the UK.

From Wikipedia: A few songs that were intended for the film were not used… because of The Beatles’ suggestions. Lennon and McCartney wrote If You’ve Got Trouble for Ringo Starr to sing, but the song was rejected…That Means a Lot was written for the film, but The Beatles were not satisfied with their performance of the song and they gave it to P.J. Proby, who released it as a single [The linked versions are from Beatles Anthology 2.]…Yes, It Is ended up being released as the B-side of Ticket to Ride and was also on Beatles VI.

ABC Wednesday – Round 10

Why Health Care Costs So Much in America

A provider is dealing with an insurance company that is claiming my wife has additional coverage, something she did actually have, but cancelled three years ago.

A worker in a health care provider’s office told me this story. It explains a lot.

A medical provider rendered services to a patient in 2008, and subsequently submitted a claim to the insurance company, which paid it.
In 2010, the insurance company decided to not pay for the service because the patient had other insurance coverage.
The provider had to go prove to the insurance company that the patient had no other coverage.
The provider resubmitted the claim to the insurance company.
The insurance company rejected the claim because it was not submitted in a timely manner!
The provider noted to the insurance company that it had PAID the claim two years earlier, then rejected the claim in error.
The insurance company finally paid – again.

I know this story is true because another provider is dealing with an insurance company that is claiming my wife has additional coverage, something she did actually have, but cancelled three years ago.
***
Take Out Some Insurance On Me, Baby (Uncensored) – The Beatles featuring Tony Sheridan.

November Untranslatable Rambling

gobsmacked AND flabbergasted

I lead with some heavy stuff; it gets lighter after the pic.

Read the sad tale of Bill Mantlo, former comic book writer and attorney, until a hit-and-run accident wrecked his life. Mark Evanier, linking to the article, writes: “Those who still fear government ‘death panels’ should take note of the portions of Mantlo’s story where his private insurer keeps trying to cut off all payments to him because, after all, their primary duty is to their stockholders.” Here’s the direct link to the article, and here’s Evanier’s correction to the article about the comic book process, which does not negate the insane way Mantlo has been warehoused.

But for sheer devastation, few things I’ve read actually made me weep like Jaquandor’s recollection of a particular day.

Joe Paterno and Jerry Sandusky’s Next Coaching Gig

The Beatles album artwork worth £70,000: Top 10 most valuable record sleeves revealed

How music changes our brains

The Beach Boys An Introduction to “SMiLE Sessions”, released this month. It’s great seeing Mike Love, Al Jardine, Bruce Johnston and Brian Wilson on the same page.

Michelle Shocked – Quality of Mercy (version)

Evanier also found The Lambeth Walk as performed by Adolf Hitler and a batch of Nazi soldiers, which reportedly had Joseph Goebbels running, screaming from the room in anger. In fact, there are about a dozen versions of this song on his blog this month.

A song about Roman Emperor Constantine…sung to the tune of “Come On Eileen”. Of COURSE, it is.

SamuraiFrog linked to Life Is a Rock (But the Radio Rolled Me) by Reunion. What caught my eye, though, were the initial visuals, which I recognized INSTANTLY from a commercial for Country Corn Flakes; I knew that ad by heart, I’m afraid.

American expat linguist Lynneguist, now in the UK, lists the untranslatables, those British and American English terms that don’t travel well across the pond. I made a comment, and a word I used as a jumping-off point for even more discussion.

Saucy Shakespearean Slings

Sid Melton, R.I.P. – if you watched a lot of TV in in the 1950s and later, you might say, “Oh, THAT guy.”

Maine Man’s Car Logs One Million Miles, Equivalent to Driving Around Earth 40 Times. Imagine how far he would have gotten if he’d only taken care of the vehicle.

Dustbury’s Today’s brain-cloud generator. Say What?

Mike Sterling was gobsmacked AND flabbergasted. Which is how I felt when I saw the middle item, about a new font, on Jaquandor’s page.

The Harvey Pekar Library Statue at the Comics as Art & Literature Desk — A Comics project in Cleveland Heights, OH. And Steve Bissette’s support for the same. Plus, in support of this memorial, Joyce Brabner has “coaxed Alan Moore out of the darkness wherein he dwells to video record a special message to comics folk in which he’s offering several hours– by invitation only– video conference from his home in the UK. Viewers may ask impertinent questions. Alan tells great stories.”

Bill Cosby – The Playground

Hawkeye Pierce as a serial killer

GOOGLE ALERT

Pols’ promise to themselves by Roger Green, Scottsbluff

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