Most awarded songs #7

“the catchiest song in the history of pop music”

These are the most awarded songs #7. They’ve won commendations from the Grammys, the Oscars, Rolling Stone magazine, RIAA, ASCAP, CMA, NPR, and similar entities. Yet, there is one song on this list I had never heard before. Naturally, it came out after 1999.

90. I Will Always Love You – Whitney Houston. I never owned this record. Never had to. It’s embedded in my brain forever, even though I haven’t heard it much in thirty years. I don’t even much LIKE it from overexposure. Still, I’m glad that songwriter Dolly Parton used some of the royalties to invest in an office complex in a Black neighborhood in Nashville, TN.
89. In The Still Of The Nite – The Five Satins. I never knew that “Nite” was spelled that way, to avoid confusion with a Cole Porter tune. A great song that may lay claim to being the origin of the term doo-wop.
88. I Hope You Dance – Lee Ann Womack. I did not recognize this 2000 song from its title and performer. Though it was highly regarded, I just managed to miss it.
87. On Broadway – The Drifters. The Drifters, I once wrote, were my favorite 1950s/early 1960s group, even though I never owned their albums. They were always generously represented on compilation albums. A Mann/Weil song tweaked by Leiber and Stoller.
86. Johnny B. Goode – Chuck Berry. Quite probably the first rock and roll hit about rock and roll stardom

Very Brazilian

85. The Girl From Ipanema – Astrud Gilberto/Stan Getz. Even as a kid, the song seemed exotically sexy. it may be the second-most recorded pop song after Yesterday.
84. King Of The Road – Roger Miller. I got the Roger Miller Greatest Hits album, on Smash Records, from the Capitol Record Club c. 1966. I LOVED it, especially this song. Lyrics: “Two hours of pushin’ broom Buys an eight by twelve four-bit room. I’m a man of means by no means.”
83. We Will Rock You/We Are The Champions – Queen. I associate both of these with sports. We Will Rock You is a stadium anthem. Any number of championship sporting teams have attempted to sing We Are The Champions. “In 2011, a team of scientific researchers concluded that ‘We Are The Champions’  was the catchiest song in the history of pop music, despite its not reaching #1 in the charts in any major market.”
82. Green Onions – Booker T. and The MG’s. Since it came out, it may have been the most popular choice by disc jockeys breaking away to the news at the top of the hour. Or so I remember. Unlike other hit instrumentals of the era, it was really funky. And it had the word Green in the title. I remember Wolfman Jack saying in the movie American Graffiti that the green onions hanging all over the studio would “keep the vampires away.”
81. Whole Lot Of Shakin’ Going On – Jerry Lee Lewis. Big Maybelle made the first recording of the song in 1955, produced by Quincy. A couple of years later, Jerry Lee’s version added the boogie piano and the “suggestive spoken asides”. Sam Phillips thought it was too risque.

Most awarded songs #6

a library school story

Frankie Lymon

Counting down to the most awarded songs #6. Still more tunes that got awards from the Grammys, the Oscars, Rolling Stone magazine, RIAA, ASCAP, CMA, NPR, and the like.

100. Your Song – Elton John. The first song on the first Elton John album I owned, which I mistakenly thought WAS the first Elton John album because it was eponymously named.
99. You Really Got Me – The Kinks. The early Kinks were a really LOUD band, and this song epitomized that. I don’t think I really appreciated the band until later on.
98. Why Do Fools Fall In Love – Frankie Lymon and the Teenagers. This is a very good question! This song was SO infectious it was covered by the Beach Boys, Diana Ross, and even Joni Mitchell.
97. Maybellene – Chuck Berry. His first hit and it redefined rock and roll. Apparently named for the makeup company.
96. I Got You (I Feel Good) – James Brown. Not only was it #1 on the R and B charts for SIX weeks, but it was also the highest-ranked song of his on the pop charts, #3 for three weeks in 1965.
95. Suspicious Minds – Elvis Presley. I always associate this song with Elvis’ big comeback c. 1968.

“Just look over your shoulder”

94. Reach Out I’ll Be There – The Four Tops. Their second #1, on both the R and B, and pop charts, after I Can’t Help Myself. I saw the Four Tops and The Temptations at Heritage Park in Colonie, near Albany in the mid-1980s. It was not a great venue but they were fine anyway.
93. House Of The Rising Sun – The Animals. This is a really old song, at least six decades before it became a #1 hit in 1964.
92. Wake Up Little Susie – The Everly Brothers. I loved this song at the time. In retrospect, I love it even more. It denotes a certain level of innocence. “What are we gonna tell our friends when they say, ‘Ooh, la, la’?”
91. Billie Jean – Michael Jackson. When I was in library school, I had written a paper about how, initially, MTV wasn’t going to show Michael Jackson videos because MJ was too.. “urban” or something. His label, Columbia/Epic, said that if he didn’t get on the platform, the label would yank their OTHER videos from MTV, and MTV capitulated. MTV made Michael, and Michael made MTV. Anyway, my professor was surprised that the facts I stated about this situation, which I thought were rather well known, were actually true. I was a bit bemused by that, and maybe a bit ticked off.

1982 #1: fodder for Weird Al

three movie songs

As I looked at the 1982 #1 hits on the Billboard singles chart, two things occurred to me. One was that I’m positive I own at least 14 of these 15 songs, usually on greatest hits albums or compilations, even though there are a few I don’t particularly like. I’m not sure of the Vangelis track. The other is that a few of them were parodied by Weird Al Yankovic.

I Love Rock ‘N’ Roll – Joan Jett and the Blackhearts, 7 weeks at #1, platinum record. A song originally performed by a group called the Arrows. Weird Al parody: I Love Rocky Road
Ebony and Ivory – Paul McCartney with Stevie Wonder, 7 weeks at #1, gold record

Eye Of The Tiger – Survivor, 6 weeks at #1, double platinum record. The theme to the movie Rocky III, which like its predecessors, I did see. Weird Al parody: Theme From Rocky XIII (The Rye or the Kaiser)
Centerfold – The J. Geils Band, 6 weeks at #1, gold record

Maneater – Daryl Hall and John Oates, 4 weeks at #1, gold record. Weird Al parody: Spameater, which was not commercially released.
Jack and Diane – John Cougar, 4 weeks at #1, gold record. Weird Al parody, sort of: Buckingham Blues.

Don’t You Want Me – The Human League, 3 weeks at #1, gold record
Up Where We Belong – Joe Cocker and Jennifer Warnes, 3 weeks at #1, platinum record. Used in the movie An Officer and A Gentleman, which I saw at the time. Jennifer Warnes’ Famous Blue Raincoat is a great album of Leonard Cohen covers.

Abracadabra – the Steve Miller Band, 2 weeks at #1, gold record. Album cut.
Hard To Say I’m Sorry – Chicago, 2 weeks at #1, gold record
Truly – Lionel Richie, 2 weeks at #1, gold record

A single week at #1

I Can’t Go For That (No Can Do) – Daryl Hall and John Oates, gold record; Album cut 
Mickey – Toni Basil, platinum record. Weird Al parody: Ricky, based on I Love Lucy
Who Can It Be Now – Men At Work
Chariots Of Fire: Titles  – Vangelis. The only instrumental on the list. I saw the movie with my girlfriend and her son right after it won the Oscar, and we were disappointed. “That was Best Picture?” I probably should watch it again. 

1962 as a transitional year

TWO 4 Seasons #1s

Ray-Charles-I-Cant-Stop-Loving-YouLooking back, I thought of 1962 as a transitional year. It wasn’t the 1950s anymore, but nor was it the 1960s as we later thought of it with the Beatles, Motown, and, later, the antiwar movement.

1962 was the Cuban Missle Crisis when even a nine-year-old might think the world was about to end. The movies To Kill a Mockingbird and Lawrence of Arabia were released that year, and Marilyn Monroe died.

I Can’t Stop Loving You  – Ray Charles, five weeks at #1, gold record. It also spent TEN weeks at #1 on the rhythm and blues charts and five weeks at #1 on the adult contemporary charts. And it appeared on the album Modern Sounds in Country and Western Music. Truly a genre-bending smash.
Big Girls Don’t Cry – The 4 Seasons, five weeks at #1, gold record. Three weeks at #1 on the RB charts.
Sherry – The 4 Seasons, five weeks at #1, gold record. Also a week at #1 on the RB charts.

Roses Are Red (My Love) – Bobby Vinton, four weeks at #1, gold record. Likewise, #1 for four weeks on the AC charts and got to #5 on the RB charts.

Peppermint Twist, Part 1 – Joey Dee and the Starlighters, three weeks at #1, gold record. And #8 on the RB charts.
Telstar – The Tornadoes, three weeks at #1. #5 on the RB charts. I remember this because it would be one of the instrumentals that would be played to the news breaks
Soldier Boy – The Shirelles, three weeks at #1, gold record. Three weeks at #3 on the RB charts.
Hey! Baby – Bruce Channel, three weeks at #1, gold record. Also #2 on the RB charts
Duke Of Earl– Gene Chandler, three weeks at #1, gold record. Plus five weeks at #1 RB

Two weeks at #1 pop

The Twist – Chubby Checker, and #4 RB. In 1960, this ALSO went to #1 pop, and #2 RB for three weeks
Johnny Angel – Shelly Fabares. Was in three Elvis movies and played the daughter on The Donna Reed Show
He’s A Rebel – The Crystals. Also, #2 RB
Breaking Up Is Hard To Do – Neil Sedaka. #12 RB
Monster Mash – Bobby “Boris” Pickett, gold record. #9 RB. The novelty song received airplay every Halloween
Good Luck Charm – Elvis Presley, platinum record
Sheila –  Tommy Roe, gold record. #6 RB

A single week at #1 pop

Stranger On The Shore – Mr. Acker Bilk, gold record. The instrumental was #1 for SEVEN weeks AC, and #7 RB
The Stripper – David Rose and His Orchestra, gold record. The instrumental was #1 for two weeks AC and #12 RB. But I (and a lot of people) remember it best from this 1967 TV commercial for Noxema Medicated Shave Cream, featuring Swedish model Gunilla Knutson saying, “Take it off. Take it ALL off.”
The Loco-Motion – Little Eva, gold record. Three weeks at #1 RB. Carole King’s babysitter had the first #1 of this song, but Grand Funk also hit the top of the charts in 1974
Don’t Break The Heart That Loves You – Connie Francis. Four weeks at #1 AC

The Most Awarded Songs #2

proest songs and sadness

Jackie Wilson.Higher and HigherFrom Joel Whitburn’s Top Pop Singles book, The Most Awarded Songs #2. This covers a range of categories: ASCAP, BMI, RIAA, Rolling Stone magazine, plus Grammys and Oscars, and more.

140. Need You Now – Lady Antebellum. Of the 150 songs on this list, this is one of the very few I don’t own. Indeed, I have no Lady A, which the group has renamed itself in light of their realization that antebellum suggests slavery. A black singer of blues, soul, funk, and gospel named Anita White, who’d been using Lady A in the Seattle area for more than two decades, was less than pleased.

139. Ohio – Crosby, Stills, Nash, and Young. I was 17, and regularly protesting the war in Vietnam when Kent State and Jackson State took place, and they were gut-wrenching, and frankly, scary events.

138. Born In The U.S.A. – Bruce Springsteen. When I searched for the lyrics, Google responded to the question of whether the song was patriotic. I would posit that it most certainly is, but not in the rah-rah, unthinking sense.

137. White Rabbit – Jefferson Airplane. Grace Slick joined the group when Signe Anderson left to have a child. Grace brought White Rabbit, which she wrote, from the playlist of her previous group, the Great Society. It appears on the Airplane’s second album, and the first with Slick, Surrealistic Pillow

136. U Can’t Touch This – MC Hammer. Somehow I never heard the song Super Freak until AFTER the Hammer song came out. I recall that some folks gave the artist grief as lacking street cred. He actually got permission and shared royalties with the writers of Super Freak, Alonzo Miller and its performer, Rick James

“In Birmingham, they love the governor”

135. Sweet Home Alabama – Lynyrd Skynard. In the documentary 20 Feet From Stardom, which I highly recommend, Merry Clayton spoke of her and Clydie King, two well-known black studio singers, singing backing vocalists on the track, and her struggling with her decision to take the job. Neil Young, who is namechecked in the song, said that his song Alabama “richly deserved the shot Lynyrd Skynyrd gave me with their great record.” I still find parts of the song discomforting, and catchy as hell.

134. (Your Love Keeps Lifting Me) Higher and Higher – Jackie Wilson. This song is so great in part because it features four members of the Motown Records house band The Funk Brothers, plus two of Motown’s house session singers, The Andantes. And Maurice White, later known as a singer for Earth, Wind, and Fire, played drums.

133. Walk This Way – Run-D.M.C. When I saw the video in 1986, with two members of Aerosmith present, I was thinking, “This is when hip hop has gone mainstream.” In a good way.

132. Crying – Roy Orbison. His 1961 hit was outstanding. But I have a soft spot for his 1987 duet with k.d. lang.

131.  Tears In Heaven – Eric Clapton. I’m fascinated by how one can make art out of tragedy. The song, written by Clapton and Will Jennings, was about the tragic death of Clapton’s four-year-old son, Conor. The song was for a movie called Rush. It was Clapton’s biggest hit in the US. I first heard it on the MTV Unplugged series.

Social media & sharing icons powered by UltimatelySocial