birthday Archives - Page 27 of 49

Susan Sarandon turns 70

Bull Durham is one of my two favorite baseball movies,

Susan Sarandon remains interesting in her 70th year, from her footwear choices to becoming a magnet for ageist comments when she dressed sexily at the SAG awards.

Then there her political comments. As a disgruntled Bernie Sanders supporter, she suggested that voting for Donald Trump would bring about the revolution, for which she’s been labeled a privileged fool, with some noting that the rest of us would be screwed if that should happen. Hey, maybe she’s right. And she made it clear that she wouldn’t vote for Hillary Clinton just because she’s a woman.

Here’s the list of films I saw featuring Susan Sarandon. But for everyone listed, there’s another I intended to see: Atlantic City, The Witches of Eastwick, Lorenzo’s Oil, The Great Waldo Pepper, to name a few.

The Rocky Horror Picture Show (1975) – I saw this in a theater, but it was at least a half dozen years later. Many folks in the theater had the appropriate gear, which I did not know about until I got there. Sarandon, of course, played Janet. I admit my affection for this movie is tied in part to my love for the song Time Warp; the bass line harmony is right in my range.

Pretty Baby (1978) – Brooke’ Shields’ youthful nudity was so much the issue that I forgot Sarandon was in this.

Bull Durham (1988) – one of my two favorite baseball movies, along with Field of Dreams. She plays Annie Savoy, who knows what she wants in life. I was truly sad that, at the time of the movie’s 15th anniversary in 2003, Sarandon and costar/beau Tim Robbins were invited, then uninvited, to The Baseball Hall of Fame’s celebration of the film, citing Robbins’ opposition to the Iraq war. This despite promises by both Robbins and Sarandon not to politicize the event.

Thelma & Louise (1991) – she was Louise Sawyer, another take-charge character. BTW, I have the soundtrack to this film.

Bob Roberts (1992) – starring Tim Robbins; don’t specifically remember Sarandon

The Client (1994) – saw this on TV; it almost NEVER sticks as much in my mind

Little Women (1944) – a very different role as Mrs. March, but always a strong persona

Dead Man Walking (1995) – my absolutely favorite Sarandon role. Especially Sister Helen Prejean face-to-face with the doomed Matthew Poncelet (Sean Penn), which was oddly sensual. I was against the death penalty before, but this enforced it. I have THIS soundtrack too.

James and the Giant Peach (1996) – she was the voice of Spider

Stepmom (1998) – “A terminally ill woman (Sarandon) has to settle on her former husband (Ed Harris)’s new lover, who will be their children’s stepmother (Julia Roberts).” This was treacle, saved by its performances, and I totally ate it up. (Oddly enough, see Relatable Breakup Song)

Cradle Will Rock (1999) – a bit preachy, about proletariat artists dealing with capitalists Nelson Rockefeller and William Randolph Hearst

Enchanted (2007) – even in animated form, I knew who was playing the wicked Queen Narissa

Robot & Frank (2012) – I liked this movie with Frank Langella, with Sarandon as a librarian with a job in the near future

Plus I saw her on TV shows such as Friends and 30 Rock.

WAY back in 2009, I put together a list of my 20 favorite actresses, and naturally, she was one. I suspect she was, and is, one of my top five picks.

Dad would be 90

Dad always did a spot-on impression of FDR.

Dad was always about 47, give or take a decade. It’s like Willie Mays was always 30 to me. When I see those pictures or that string bean of a young man, that wasn’t my father (and he was not yet my father, for most of that time). And in the early days, I don’t recall that much.

Les Green had a lot of different jobs, including floral arranger, sign painter, and singer/guitarist. But for six years or so, he worked at IBM, driving these electric trucks around, moving material from place to place. It was at night, so we seldom saw Dad, except on weekends. This was the period our mom would take us to W.T. Grant’s almost every Friday night to have the all-you-can-eat fish.

Still, we did see him on weekends, when he’d make spaghetti sauce that would cook on the stove for hours. Or he’d make waffles in a waffle iron with a certain panache, and tell stories about him making breakfast for General Washington, which I believe to be untrue.

But you can never tell. Since his early days were such a mystery – and still are – maybe he WAS a time traveler, There’s a song he used to perform called Passing Through, written by a guy named Dick Blakeslee in the 1940s, and popularized by Pete Seeger.

The lyrics were about the narrator seeing Jesus on the cross, and Adam leaving the garden, Washington shivering at Valley Forge, and this one:
I was with Franklin Roosevelt’s side on the night before he died.
He said, “One world must come out of World War Two”
“Yankee, Russian, white or tan,” he said, “A man is still a man.
We’re all brothers now, and we’re only passing through.”

Dad always did a spot-on impression of FDR when he sang “one world must come”. He started being a ‘singer of folk songs” back in the late 1950s around our hometown of Binghamton and would sing for Leslie’s and my elementary school classes each semester for three or four years, which was a treat, in part because he wrecked his sleep schedule to do this.

I’ve noted that when my father quit IBM in 1968 to work in a federal Office of Economic Opportunities program called Opportunities For Broome (our county), my homeroom teacher, Mr. Joseph told me straight out that my father was “crazy” to leave IBM. And maybe he was.

Or maybe being away from his family, and working at night in a job that did not challenge him intellectually or artistically, was making him crazy. His decision always made sense to me.

My father, sister Leslie, and I singing together started just before he left IBM, but thrived when he got to work in the daytime.

I went away to college at New Paltz in 1971, and he, my mother, and my sister Marcia moved to Charlotte, NC in 1974, and, of course, I’d see him far less frequently. But, for most of his time, he looked the same. He looked like Dad.

His 90th birthday would have been September 26.

K is for Kris Kristofferson

“He’s a walkin’ contradiction, partly truth and partly fiction”

I happened to get an issue of Rolling Stone magazine this year, and there’s a story called Kris Kristofferson: An Outlaw at 80, about how “one of the greatest songwriters of all time (covered by Johnny Cash… Elvis Presley and some 500 others)” was experiencing an “increasingly debilitating memory loss.” It turns out it wasn’t Alzheimer’s or dementia, but Lyme disease.

His first album, released as Kristofferson in 1970, was rereleased, with a nicer cover, a year later, as Me and Bobby McGee, named for the posthumous #1 song by Janis Joplin that he wrote. Some of the songs on that album include Help Me Make It Through the Night, For the Good Times, and Sunday Mornin’ Comin’ Down, all hits for other people.

His second album, The Silver Tongued Devil and I, featured Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again), a minor hit for Roger Miller, and got to #26 on the pop charts for Kristofferson. It also contains my favorite Kris Kristofferson lyrics, from The Pilgrim, Chapter 33:

He’s a poet, an’ he’s a picker, he’s a prophet, an’ he’s a pusher
He’s a pilgrim and a preacher, and a problem when he’s stoned
He’s a walkin’ contradiction, partly truth and partly fiction
Takin’ ev’ry wrong direction on his lonely way back home

His biggest single recording was Why Me, which got to #16 in 1973, from his fourth album, Jesus Was a Capricorn. He also recorded with his second wife Rita Coolidge.

Kris Kristofferson is also an actor, appearing in several films, before becoming a Movie Star in A Star is Born, with Barbra Streisand.

Now that he has most of his memory back, he’s listening to the old songs again, “to get reacquainted with his life’s work. ‘It just takes you back like a picture of something would,’ he says. ‘I was also interested in seeing if they still sounded good to me,’ he continues. ‘I’ve been pleasantly surprised, particularly with this one.’ He points to his third album, Border Lord. ‘I can remember at the time being so disappointed at the reception it got.’

“His wife [since 1983, Lisa] sits to his left and looks at him, beaming at his recall. ‘To me, the song is what matters, not necessarily the performances,’ he says as he moves a napkin to examine a picture of him in his twenties, looking disheveled in his meager Nashville bedroom. ‘Just the words and melody – that’s what moves your emotions.'”

“‘I may have some more creative work in me,’ he finally admits, then concludes on a characteristically impassive note. “But if I don’t, it’s not going to hurt me.'”

LISTEN TO:

“Blame It on the Stones”
“To Beat the Devil”
“Me and Bobby McGee”
“Best of All Possible Worlds”
“Help Me Make It Through the Night” which gets ‘lie’ and ‘lay’ right and wrong in the same song
“The Law Is for Protection of the People”
“For the Good Times”
“Sunday Mornin’ Comin’ Down”
“The Silver Tongued Devil and I”
“Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again)”
“The Pilgrim, Chapter 33”
“Nobody Wins”
“Why Me”

ABC Wednesday – Round 19

Tommy Lee Jones turns 70

The Fugitive (1993) – One of my favorite movie trailers ever.

On these Facebook ads I see often, one of the questions is which actor was former Vice-President Al Gore’s roommate in college. Yes, it’s the guy from Texas, Tommy Lee Jones.

In fact, “in 1970 he landed his first film role, coincidentally playing a Harvard student in Love Story (Erich Segal, the author of Love Story, said that he based the lead character of Oliver on the two undergraduate roommates he knew while attending Harvard, Jones, and Gore).”

“At the 2000 Democratic National Convention, he presented the nominating speech for…Gore, as the Democratic Party’s nominee for President of the United States.”

He was a guest star in a bunch of dramatic shows such as Barnaby Jones and Baretta that I used to watch. But it was before I knew who Tommy Lee Jones was. I did see him in these movies, and almost always like HIM, even when the movie is not great.

Lincoln (2012) – Thaddeus Stevens. I was rather fond of his portrayal. Jones received his fourth Oscar nomination, for Best Supporting Actor
Hope Springs (2012) – as a part of a couple aging.
Captain America: The First Avenger (2011)
A Prairie Home Companion (2006)
Space Cowboys (2000) – a bunch of aging astronauts

Men in Black (1997) – the movie that sealed Tommy Lee Jones as a bankable actor
Batman Forever (1995) – as Two-Face / Harvey Dent
The Fugitive (1993) – One of my favorite movie trailers ever. Richard Kimble (Harrison Ford): But I’m innocent! US Marshall Samuel Gerard (Jones): I don’t CARE!” No wonder he won Best Supporting Actor for his performance
JFK (1991) – as Clay Shaw. If I’m remembering right, he was sleazily great. He earned another Oscar nomination

Lonesome Dove (TV Mini-Series, 1989) – he earned another Emmy nomination for his portrayal of Texas Ranger lawman Woodrow F. Call in the acclaimed mini-series, based on the best-seller by Larry McMurtry
The Executioner’s Song (TV Movie, 1982) as Gary Mark Gilmore. Chilling. He received an Emmy for Best Actor for his performance as the murderer in an adaptation of Norman Mailer’s book
Coal Miner’s Daughter (1980) as Doolittle Lynn; for which he earned his first Golden Globe nomination for his portrayal of country singer Loretta Lynn’s husband

Freddie Mercury would have been 70

Various artists have sung with Queen since his death, but Freddie Mercury has never been replaced.

It’s almost certainly true that the band Queen, and its lead singer/ keyboardist/songwriter Freddie Mercury, are bigger now than they were at the time of Mercury’s death on the evening of 24 November 1991.

“In the UK, Queen has now spent more collective weeks on the UK Album Charts than any other musical act (including The Beatles), and Queen’s Greatest Hits is the highest-selling album of all time in the UK. Two of Mercury’s songs, We Are the Champions and Bohemian Rhapsody, have also each been voted as the greatest song of all time in major polls by Sony Ericsson and Guinness World Records, respectively.

There have been several stories about Donald Trump’s repeated unauthorized use of We Are The Champions. The outrage, not just from Queen’s guitarist Brian May, but from Queen’s fans, points out that Mercury was a bisexual man who died from AIDS, and that the Trump/Pence platform isn’t exactly gay-friendly.

Others note that Freddie Mercury, born Farrokh Bulsara, was also an immigrant, “a brown-skinned man born in Zanzibar who went to school in India, and whose family immigrated to England because of unrest in their country in 1964. He was brought up in the Zoroastrian faith. Freddie Mercury, in short, embodies just about everything Trump’s fakakta wall wants to keep out of our country.”

My own sense of Mercury’s impact has grown since his passing as well. He died the same year that a friend of mine also died of an AIDS-related illness. Reading Freddie and Me further enhanced my appreciation for the artist.

Freddie’s death triggered the remaining members of Queen to create The Mercury Phoenix Trust, funded in the beginning by the massively successful Freddie Mercury Tribute Concert for AIDS Awareness.

Various artists have sung with Queen since Mercury’s death, including Paul Rodgers and Adam Lambert, but Freddie Mercury has never been replaced.

Some Queen songs

– links to all

12. We Will Rock You (segued with We Are the Champions, 1978) – Anthemic. Hearing this too often at minor league baseball parks SHOULD have ruined this song for me forever, but it did not

11. Play the Game (#42 in 1980) – Spacey beginning, great guitar solo by Brian May

10. Keep Yourself Alive (1973) – Written by guitarist Brian May, it was one of the songs on their original demo for its record label. More fine guitar work.

9. You’re My Best Friend (#16 in 1976) – The Daughter was recently watching some show which was using his song in an ad. I realized its timeless quality.

8. We Are the Champions -oft-covered, usually off-key, by winning sports teams. “In 2011, a team of scientific researchers concluded that the song was the catchiest in the history of popular music.” Who am I to argue with science?

7. Somebody to Love (#13 in 1977) – I did not know that they “multi-tracked their voices to create a 100-voice gospel choir”, but surely love the effect

6. Bicycle Race (#24 in 1979) – it starts with a cappella chorus (unaccompanied by instruments). And it’s about bicycles, with a video of naked women riding that got banned in several countries.

5. Killer Queen (#12 in 1975) – their first American hit, I loved the tight harmony vocals and its theatrical style

4. Crazy Little Thing Called Love (#1 for four weeks in 1980) – a rockabilly hit that sounds like Elvis. “Mercury played rhythm guitar while performing the song live, which was the first time he played guitar in concert with Queen.”

3. Another One Bites the Dust (#1 for three weeks in 1980) – this lives on the bass line. It also was #2 in the rhythm & blues charts for three weeks. Also, check out Another One Drives a Duster.

2. Bohemian Rhapsody (#9 in 1976, #2 in #1992) – In the UK, it was #1 for NINE weeks in its original release, and five more weeks a decade and a half later. Its inclusion in the movie Wayne’s World in 1992 brought it new life. It is often covered. Here’s the Muppets and a whole bunch Mark Evanier linked to. Plus Kids react to Bohemian Rhapsody.

1. Under Pressure, with David Bowie (#29 in 1982) – this was #1 in the UK, and I thought it would have fared better in the US. In any case, my affection for Bowie, even before his sudden death, propelled this to be my favorite Queen song. And they were right to sue Vanilla Ice for copyright infringement.