Bob Dylan Archives - Page 3 of 4 - Ramblin' with Roger

Mavis Staples is 72

“I loved Bobby enough to marry him, but I just was not ready to get married.”

One of the great voices in music is Mavis Staples. First as the lead singer of the Staples Singers, with hits such as Respect Yourself and I’ll Take You There, and currently, with her blues/gospel fusion, she’s still performing.

This segment from CBS Sunday Morning in April 2011 noted that she STILL doesn’t know what keys she sings in, even after 60 years of performing. The story also revealed this:

Mavis Staples has a lot of stories to tell, but here’s one you probably didn’t see coming: Bob Dylan asked to marry her.
“That’s true. It’s true. I may as well tell it now,” she said.
Yes, love was apparently in the air for the teenage singers. They “courted” (as Mavis puts it) for 3 years or so. But finally, Mavis says, she called it off.
“I didn’t think I wanted to get married right then,” she said, “And then another thing, you know, I would wonder about what would Dr. King think about me marrying a white guy?
“And so I told Pops about that, and Pops said, ‘Mavis, didn’t you see all them white people marching with us?’ All white people weren’t bad back then. I loved Bobby enough to marry him, but I just was not ready to get married.”

Some songs by Mavis Staples:
99 and 1/2
Eyes on the Prize
You Are Not Alone, acoustic version with Jeff Tweedy

Bob Dylan is 70

Feel as though I should come up with a list of my Top 10 Dylan songs done by Dylan himself. This is harder than it might seem because, often, someone else’s version tops his, in my mind.

A couple books (that I have not read) have come out about Bob Dylan recently, Sean Wilentz’s “Bob Dylan in America,” and “Bob Dylan by Greil Marcus, Writings 1968-2010” by Greil Marcus. Dylan will turn 70 today, which also, I read in Jon Friedman’s Media Web column for MarketWatch.com, marks “the 50th anniversary of his arrival in New York City’s Greenwich Village folk scene. He was a star when John F. Kennedy was our president.”

I’ve been writing a bit about him already this year, from a reinterpretation of his lyrics to cover versions of his songs.

But I feel as though I should come up with a list of my Top 10 Dylan songs done by Dylan himself. This is harder than it might seem because, often, someone else’s version tops his, in my mind. I actually like his “Blowin’ in the Wind”, but it’ll always be a Peter, Paul and Mary song; ditto the Byrds’ “Mr. Tambourine Man,” Willie Nelson doing “What Was It You Wanted”, even Joan Baez’s “Simple Twist of Fate”, and any number of others.

Links to the best videos I could find:
10. The Groom’s Still Waiting At The Altar – obviously from Bob’s overtly Christian period, I think I liked it as much because of its relative rarity – it was a non-album B-side of a single before it showed up in collections and the CD version of Shot of Love – as for that fascinating “church as bride” imagery. Not a great recording, I know.
9. Subterranean Homesick Blues – and I might like this more for the classic flashcard video than the song itself.
8. Hurricane – Bob was political from his early days, but this return to that issue, specifically addressing the trumped-up murder charges against Ruben ‘Hurricane’ Carter moved me.
7. Ballad Of A Thin Man – I’ll be honest: when I first heard Yer Blues on the Beatles’ white album, I had NO idea about the reference to “Dylan’s Mr. Jones”. Finally hearing it gave me a greater appreciation.
6. Summer Days – as I have noted, the Love and Theft album came out on September 11, 2001, but though I’d pre-ordered and purchased it, I didn’t listen to it until several days later. And when I did, it gave me such joy. No song more than this one.
5. Stuck Inside A Mobile With A Memphis Blues Again – I was initially attracted to the sheer length of the title, as well as the song’s merits. Couldn’t find a decent version online; this is the 2:22 intro from the movie about Dylan, “I Am Not There”
4. Highway 61 Revisited – if only for the dialogue between God and Abraham, it’d be worth it. This is a cartoon video someone put together.
3. Like A Rolling Stone – it’s anthemic. Love the Al Kooper organ.
2. I Want You – the very first Dylan song I ever owned, not from a Dylan album or single but from a Columbia compilation album The Best of ’66.
1. Rainy Day Women No. 12 & 35 – from that Salvation Army intro to “everybody must get stoned”. Can’t resist.
***
The entire Highway 61 Revisited album.

D is for Dylan covers

There was a quite peculiar version of Simon & Garfunkel’s The Boxer; I remain convinced to this day that was done in retaliation for a snarky S&G song.

Let’s face it: Bob Dylan didn’t/doesn’t have the prettiest voice in pop music. But his strength as a songwriter, especially early on, allowed listeners to become familiar with his songs through the performances of others.

Joan Baez, as noted previously, was an early advocate and performer of Dylan’s music, as were Peter, Paul, and Mary, who had two Top 10 songs written by Dylan way back in 1963, Blowin’ in the Wind which hit the charts in June and got to #2; and Don’t Think Twice, It’s All Right, charting in September, and ending up at #9.

But it was 1965 that Dylan really broke through, both as a performer and an artist being covered. The Byrds’ Mr. Tambourine Man hit the charts in June 1965, reaching #1. Cher’s All I Really Want to Do started its climb to #15 in July, and It Ain’t Me Babe by the Turtles charted in August, eventually getting to #8. Meanwhile, Dylan had his first hit with Like a Rolling Stone, which started its ascent in July, eventually getting to #2 in September, blocked from the top of the charts by the Beatles’ Help!

Mojo magazine compiled a list of top 10 Dylan covers, while Paste magazine has listed what it considers the 50 Best Bob Dylan Covers of All Time. Meanwhile, Dylan Cover Albums.com boasts 30,000 covers. The podcast Coverville recently offered its fifth Bob Dylan Cover Story in seven years.

Of course, this cover thing can go both ways. Here’s a list of songs covered BY Bob Dylan. While quite a few were from his early career, there were also a bunch from the 1970 double album, Self Portrait. I know this very well because I bought that LP for my high school girlfriend; then we listened to it, not quite as impressed as we had hoped we might be. In particular, there was a quite peculiar version of Simon & Garfunkel’s The Boxer; I remain convinced to this day that was done in retaliation for a snarky S&G song called A Simple Desultory Philippic (Or How I Was Robert McNamara’d into Submission), in which Simon parodies Dylan; “Albert” in the song is almost certainly Dylan’s manager at the time, Albert Grossman.

Bob Dylan Covers Leonard Cohen’s “Hallelujah” (but doesn’t almost everyone?)

ABC Wednesday – Round 8

When To Retire QUESTION

Firing the debate is Dylan’s “status as the ultimate music icon, the caretaker of a body of work that, many would agree, stands in contrast to his current sound.”

For some of us, when to retire is dictated by the policies of our companies, our governments, or perhaps, our health, possibly tied to the amount of our nest egg.

But for some, in the fields of music and sports, e.g., when it’s not always that clear. There’s a new movie called The Fighter, which I saw on New Year’s Eve, about a middling boxer who wonders if he should hang up his gloves, or stay in the ring.

In real life Brett Favre, an NFL quarterback has retired for the last three years; this year’s proclamation, playing on a losing team, seemingly will stick.

But I was most intrigued by an article in the Wall Street Journal a couple of weeks ago called When to Leave the Stage, which is about a “generation of music icons…hitting retirement age, along with their baby-boomer fans.” Writer John Jurgensen targeted one particular performer: “Is it time for Bob Dylan to hang up his hat and harmonica?”

“Why single out Mr. Dylan when Judy Collins and other graying veterans are out there touring unmolested? Firing the debate is his status as the ultimate music icon, the caretaker of a body of work that, many would agree, stands in contrast to his current sound. He’s also got a touring schedule that would put some hungry young acts to shame. He’s been doing roughly 100 gigs, year in, year out, since 1988…

“Casual fans, especially, are vexed by Mr. Dylan’s ongoing habit of mutating his most familiar songs.” The latter I know to be true from seeing Dylan myself a couple of years ago, and being totally unable to recognize some of his most famous works.

But should he retire? I contend that he’ll retire when people stop buying tickets to see him and/or stop buying his records; some of his best albums have come out in the past 15 years. So I say no – let the market decide. I had had opportunities to see artists such as Sly Stone and James Brown perform, and I declined, despite loving their music, because their erratic behavior at their concerts had become legendary.

What thinkest thou?

With God On Our Side

I’ve been watching God in America on PBS recently. I will grant that the criticism that it does not touch on non-Christian faiths as much as it ought is valid, but I still think the series has validity, and I’ve already recommended it to my church’s adult education coordinator. Maybe the series SHOULD be called “Christanity in America.”

That caveat aside, it is an interesting take on the conflicting views of faith in the country, never moreso than in the period right before and during the Civil War, when slavery was attacked and defended using the very same Bible. On the show, one abolitionist minister cites Exodus 21:16, “Anyone who kidnaps another and either sells him or still has him when he is caught must be put to death.” Meanwhile, a pro-slavery preacher quotes Leviticus 25:45, 46 – “You may also buy some of the temporary residents living among you and members of their clans born in your country, and they will become your property. You can will them to your children as inherited property and can make them slaves for life.” This fight split the Methodist, baptist and Presbyterian denominations for decades.

Meanwhile, the slaves themselves are attracted to the liberation theology of Moses leading his people to freedom, epitomized by Exodus 3: 7-8: “The LORD said, ‘I have indeed seen the misery of my people in Egypt. I have heard them crying out because of their slave drivers, and I am concerned about their suffering. So I have come down to rescue them from the hand of the Egyptians and to bring them up out of that land into a good and spacious land, a land flowing with milk and honey.”

Thing is that most of these people had a certainty that God supports their particular take on the word because they believe – at least the non-slaves – in the notion that the United States is uniquely blessed by God. Interesting, one person in this period was less certain about God’s will, and that was President Abraham Lincoln, a man with a good Old Testament name.

The parallels with modern-day America are clear. There are some who claim to have a direct line to the Almighty when it comes to what is required/desired/permitted/omitted. The rest of us, not so much, except that God couldn’t POSSIBLY have meant THAT, at least not any more.

Anyway, it reminded me of the Bob Dylan song With God On Our Side, performed here by Joan Baez.