Broadway Archives - Page 4 of 5 - Ramblin' with Roger

The only movies I’ve seen with Gene Wilder are The Producers, Willy Wonka & the Chocolate Factory, Everything You Always Wanted to Know About Sex * But Were Afraid to Ask, Silver Streak, Stir Crazy, and one of my favorite movies ever, Young Frankenstein, which he co-wrote. They were all released between 1967 and 1980. But he was always excellent then and in a couple of episodes of Will and Grace early this century. Gene Wilder on The Truth | Blank on Blank | PBS Digital Studios, plus Evanier and Tom Straw remember.

Steven Hill, D.A. Adam Schiff on ‘Law & Order,’ Dies at 94

A Marvin Kaplan story

Jack Riley, RIP

‘I’ve had a good life’: Donna Wold, the ex-flame who inspired the Little Red-Haired Girl in ‘Peanuts,’ dies

Your Guide to the Fall Broadway Season

50 things about comics, featuring ME

The 10 most Influential Poets in History

Art is about surrender – Stop asking for it to be custom-tailored

Chuck Miller at the State Fair and Don Rittner at the county fair, and Jaquandor at the county fair

Now I Know: David’s Garden and Horse, Off-Course

Ken Levine HATES Robert Hall

The Casual Sex Project

Music

Harmonica legend Toots Thielemans, Known for ‘Sesame Street’ Theme, Dies at 94 and The Getaway – End credits – Quincy Jones – Toots; more Quincy and Toots; John Barry, Toots – Theme from “Midnight Cowboy” (mostly stolen from Steve Bissette’s Facebook)

U2 Live Albany New York – 13 November 1981

John Denver, Glen Campbell, Johnny Cash & Roger Miller – Rocky Top

Herb Alpert Foundation to donate $10.1 million to Los Angeles City College — making studies for music majors tuition-free

It’s only rock ‘n’ roll – and sometimes it’s better in mono

35 Years Ago: Violent Femmes Discovered by the Pretenders While Busking in Milwaukee

Hamilton

Alexander Hamilton’s powder horn is up for auction.

I’ve become obsessed with Alexander Hamilton for a while now. He was married to Elizabeth Schuyler, a member of First Presbyterian Church in Albany (my current church!), in 1780. When Aaron Burr killed Hamilton in an 1804 duel, First Presbyterian Albany minister Eliphalet Nott wrote a persuasive sermon that led to the demise of dueling in America.

It definitely intensified with that campaign by some group to put a woman on the $20 bill, replacing Andrew Jackson, something I fully supported.

But then I heard about the Treasury Department’s plan to put a woman on the $10 bill, replacing Hamilton, our first Treasury secretary, and the greatest immigrant among the founders of the country. That plan was tweaked to keep Hamilton on the bill somewhere.

Hamilton’s greatness has become clear as I started listening to the soundtrack of the Broadway musical Hamilton, an extraordinary work by Lin-Manuel Miranda. Here’s the introductory piece. The production is quite influential among some folks; for instance, I found an article titled ‘Hamilton’ Makes Me Want to Be Great.

My family has given three copies of the soundtrack to the musical as Christmas presents this season, and I finally got a copy myself. Getting a ticket to the show is much more difficult, though President Obama has seen it twice, once in previews.

This is a prediction, based on nothing but a gut feeling, and the unexplained postponement of the $10 redesign. Obama decides that the $10 won’t be replaced after all, because, in his feisty last year, he wouldn’t do that to old Alex. Instead, he dumps Jackson, an opponent of the banking system. He suggests a woman, a black woman, maybe Rosa Parks, but I’m hoping Harriet Tubman.

Chuck Miller points out that Alexander Hamilton’s powder horn is up for auction on January 11, 2016.

Q is for queen playing: Helen Mirren

The Audience was not the first time Helen Mirren has played QEII

Our local cinema of choice, The Spectrum, did something different for them; they showed a series of recorded plays from National Theatre Live!, the “groundbreaking project to broadcast the best of British theatre live from the London stage to cinemas across the UK and around the world.”

It IS essentially a filmed play, but because of the camerawork, and perhaps the unseen audience, it felt more like being AT a play than merely watching one on screen. “National Theatre Live launched in June 2009 with a broadcast of the… production of Phèdre with Helen Mirren.”

My first NTL experience was seeing Helen Mirren playing Queen Elizabeth II in The Audience, a role for which she would eventually gain her first Tony award for the Broadway adaptation. Indeed, The Wife and I saw this production shortly after the Tony win, in early July 2015.

Why else did this theater magic work? The “butler” in the play announced certain information, like a fire marshal might before the play. There were costume changes just off-stage. There was an intermission, during which we learned about the various costumes.

Perhaps my favorite part was at the end, listening to Helen Mirren being interviewed by director Stephen Daldry, recorded during her run of the American production in 2015. We learn that while the play is mostly the same when it comes to her meeting with most of the Prime Ministers, the writers kept putting in current references when the current PM, David Cameron, has his audience with the Queen. She also shared a tale about a time when Bill and Hillary Clinton were present, and she, teasingly, really directed a snarky line about the US Presidency right at the 42nd occupant.

Of course, The Audience was not the first time Helen Mirren has played QEII. She won an Oscar for playing the title role in the 2006 movie, The Queen. She has also played the title character in the TV miniseries Elizabeth I (2005); The Queen (voice) in The Prince of Egypt (1998); The Snow Queen (voice) in The Snow Queen (1995); and Queen Charlotte in The Madness of King George (1994). Coincidentally, she was born at Queen Charlotte’s Hospital in West London in 1945.

ABC Wednesday – Round 17

September rambling #2, hernia operation edition: Consent 101

SamuraiFrog completes his Weird Al epic.

Am I having fun this morning? Hernia operation. I may be “out of pocket” for a few days.

Why did the Speaker of the House quit? The Plot Against Planned Parenthood and John Boehner.

From the American Conservative, no less: The Quiet Grand Strategy of Barack Obama. “Are the president’s diplomatic initiatives winning a new American Century?”

Study: White people react to evidence of white privilege by claiming greater personal hardships.

There Is No Excuse for How Universities Treat Adjuncts.

Re: the Muslim teen who created a clock and got arrested, it’s now clear they didn’t think he had a bomb. And talk about foolishness in school settings: 11-year-old gifted student suspended 1 year for having a pot leaf that wasn’t a pot leaf.

From Wondermark: Fauxtopia.

A TIDE commercial.

And now for the sex portion of our post: Consent 101 and How Often the Average Couple Has Sex.

Too Much in Love to Say Good Night.

End Daylight Saving Time.

Harvard linguist points out the 58 most commonly misused words and phrases.

Now I Know: Switzerland Making Headway Against Rabies and The Mystery of the Appalachian Bend and Everyday Superheroes at the Elder Care Facility and How Smoking Gave PEZ a Boost and How to Pay Yourself $2.1 Million in Taxes.

From Donna: “Thinking of writing a bedtime book for grownups along the lines of GOODNIGHT MOON. It will be titled SHUTUP BRAIN.”

R.I.P., Nancy J. Ellegate, who sat about 40 meters from my desk at work, and who I talked with about myriad topics several times a week.

A bridge comes down in Binghamton, my hometown.

Ron Marz on reviewing comics.

There Will Officially Be NO MORE X-Men in Marvel Comics.

A nice little primer on aspect ratio in movies.

Muppets. As of this writing, I haven’t yet watched the first episode of the new show yet. TV’s Newest Reality Stars (e.g., Kermit Gets Set Up) and has the new show taken an-unfortunately-dark-turn and Joey Mazzarino has left Sesame Street.

I Made Alex Trebek Say ‘Turd Ferguson’.

The longest-running shows on Broadway.

R.I.P., Ben Cauley of the Mar-Keys.

Like what you like, ABBA division.

Joe Jackson’s Ode To Joy.

SamuraiFrog completes his Weird Al epic: 10-6, and 5-1. Could my response to his response to a post of mine be far behind?

Chuck Miller says goodbye to his 78s.

MASHUPS: Blondie Vs. The Doors – Rapture Riders and Stevie Wonder vs The Clash – Uptight/Rock The Casbah.

The history of the memorable and covinous Dick Van Dyke Show comic books published by Gold Key in the sixties.

GOOGLE ALERT:
What was the first comic book you remember reading? and Tips for Surviving and Thriving at The Albany Comic Con and a roundtable discussion on the topic of comics blogging and Do comics matter? (And I don’t mean Chris Rock, I mean Sgt. Rock.)

Re: the second cartoon:
Reza Farazmand says: “Feel free to repost these comics on your blog/website/forehead, as long as it’s for non-commercial purposes. Just attribute the comic to poorlydrawnlines.com and include a link back. Thaaanks.”

Pippin, the musical (Five Photos, Five Stories #1)

The circus motif was quite effective in addressing Pippin’s search for meaning and purpose in his life.

I’d been waiting to see Pippin, the Stephen Schwartz musical, for the last forty-plus years, ever since I was living in my college town of New Paltz in the mid-1970s, and saw the “first TV commercial that actually showed scenes from a Broadway show” on the New York City TV stations.

“The commercial, which ran 60 seconds, showed Ben Vereen [as the Leading Player] and two other dancers, Candy Brown and Pamela Sousa who were in the chorus of the show, in the instrumental dance sequence from ‘Glory’. The commercial ended with the tagline, ‘You can see the other 119 minutes of Pippin live at the Imperial Theatre, without commercial interruption.'”

Pippin was originally directed and choreographed by the legendary Bob Fosse, and ran nearly five years, from October 23, 1972 to June 12, 1977, a total of 1944 performances. It was nominated for 11 Tony awards, and won five, including one for Vereen and two for Fosse.

Pippin was reimagined by director Diane Paulus with a circus motif. It ran for nearly two years on Broadway, from April 25, 2013, to January 4, 2015, with 709 performances. It won four of the 10 Tonys for which it was nominated, including Best Revival of a Musical and Best Director.

Now there’s a touring show, which I was REALLY excited about, especially since I saw this CBS Sunday Morning segment. John Rubinstein, the original Pippin, now plays his father Charles, a/k/a Charlemagne; yes, this VERY loosely based on actual historic figures.

The Wife and I saw the show on Thursday evening, May 28, at Proctor’s Theatre in Schenectady.

The circus motif was quite effective in addressing Pippin’s search for meaning and purpose in his life. And the performances in the first act were incredible – the magic, the athleticism. More than once, including at least one costume change, the audience wondered, “How did they DO that?”

In the Times Union review of the Tuesday, May 26 opening night performance, Times Union critic Steve Barnes described that cast members “twirl from long ribbons, stand three-tall atop one another’s shoulders, balance on a board precariously perched on four steel cylinders and even, in the show’s most extraordinary physical feat, create the human equivalent of a ring-toss game.”

We were wowed by 69-year-old Adrienne Barbeau, from TV’s Maude, playing Berthe, Pippin’s grandmother, singing, upside down, above the stage.

Sasha Allen, who was a contestant on the singing competition The Voice a couple of seasons ago, had been playing the Leading Player, part narrator, part circus ringmaster. Unfortunately, she damaged her hand in early May. The role when we saw it was played by Lisa Karlin, who was quite good. Barnes described her as “a looming, effective presence; you wouldn’t want to cross her.”

Then the second act, which is totally different. The contrast spoke to the pointlessness of the razzle-dazzle of war and the like, in favor of finding meaning in ordinary life. It’s only at the end when I finally GOT the message.

I enjoyed Pippin a great deal.

Useless detail I learned while looking up stuff: Irene Ryan, who played Granny on The Beverly Hillbillies television show, was nominated as Best Featured Actress in a Musical, for playing the grandmother in the original production of Pippin.

Note: I have been nominated by my buddy Lisa over at Peripheral Perceptions to participate in the Five Photos, Five Stories meme, which simply says I should post a photo each day for five consecutive days and attach a story to the photo. It can be fiction or non-fiction, a poem or a short paragraph and each day nominate another blogger for the challenge.

The problem is that almost all my posts are stories and have pictures. So I’m cheating and writing only one new post. And I’m nominating YOU!