Tag: Carmen de Lavallade

But the television pioneer “just couldn’t abide the idea of standing in the White House shaking Trump’s hand. Days after the Kennedy Center announced this year’s honorees, Lear told reporters that he would boycott parts of the event.”

As it turned out, on August 19, 2017, “the White House announced that the President of the United States and the First Lady will not participate in 2017 Kennedy Center Honors activities.” The KCH reps were “grateful for this gesture.”

Norman Lear is the honoree I’m most familiar with. He was the creator and producer of several successful and groundbreaking TV sitcoms in the 1970s including All in the Family, Maude, Good Times, The Jeffersons, Sanford and Son, and Mary Hartman, Mary Hartman, all of which I watched for most or all of their runs. And, at 95 he’s STILL working, putting out a new version of One Day at a Time, this iteration with a Hispanic cast.

I did not recognize the name Carmen de Lavallade, but I am quite familiar with two of her cohorts. She “is a multifaceted dancer, choreographer, actor, and teacher… De Lavallade brought [the late] Alvin Ailey to the studio for his first ballet class, which began a long career of collaboration between the two dance world giants.” Her late husband Geoffrey Holder “would choreograph works for [her], including her signature solo Come Sunday.” Here’s a recent profile of her on CBS Sunday Morning.

Lionel Richie has been a massively successful singer-songwriter, first with the group The Commodores (Easy, Brick House, Three Times a Lady) then as a solo artist (Truly, All Night Long, Hello). His duet with Diana Ross, Endless Love, spent nine weeks at #1 on the Billboard charts in 1981. He wrote Lady for Kenny Rogers, which reached #1 in 1980, and co-wrote the benefit single We Are the World in 1985. Richie was a staple on MTV in its early days.

In 2018, my wife and I will be seeing the musical On Your Feet at Proctors Theatre in Schenectady about the lives of Gloria Estefan and her husband Emilio. Their group, the Miami Sound Machine, was big in Latin America but took a bit longer to break into the US market. When the band recording more in English, they started charting with won radio DJs over, and had massive success with songs like Conga!, Anything for You, 1–2–3, and Bad Boy. Theirs is a story of Cuban immigrants who “brought a Latin-infused sound to the American mainstream.”

I was a little surprised to see LL Cool J on the list. It’s not that he hasn’t been enormously successful as a hip hop artist that has crossed over to the mainstream with songs like Around the Way Girl, Hey Lover, Doin It, Luv U Better and Control Myself. It’s that his name doesn’t usually pop up on the list of the best or most influential hip-hop artists. Still, he has segued that musical success into a thriving acting career. He currently appears on NCIS: Los Angeles, which I must admit I’ve never seen.