comic books Archives - Page 9 of 15

May Rambling: Faraway fire; faux news; second chances

I was noting in particular two Billy Joel songs, ‘Get It Right The First Time’ from 1977 and ‘Second Wind (You’re Only Human)’ from 1985, and how I prefer the latter sentiment.

Chuck Miller has taken on the task of promoting the work of his “fellow Times Union community bloggers, until that day when the Times Union itself will restore the ‘Best of Our Blogs’ feature to the print edition of the paper.” And one of those “well-written articles” was mine. Merci, Chuck.

The specter of the Triangle Shirtwaist Factory looms over the garment factory that collapsed last month in Bangladesh, killing more than [1100] workers… But the world is smaller than it was 102 years ago. Tragedies of this sort in the Third World aren’t engendered only by forces in their proximity, and they won’t be averted unless the responsibility for change is embraced globally. Also, Is Rana Disaster Bangladesh’s Triangle Fire? I wrote about the Triangle fire HERE.

Meryl’s quite reasonable concern: ‘truth’ is becoming ever-more elusive with advancing photoshop technology and our modern vehicles of ‘news resources’ and communication. Related: Since Twitter hasn’t built a correction feature, here are 3 things journalists can do instead. And Who’s The Biggest Liar?

Howard Kurtz’s Belated Comeuppance: The Media Critic’s Firing Comes After a Long History of Journalistic Abuses.

For New York State, I thought the effects of hydrofracking was only an upstate problem, but it appears Manhattan will have its own issues.

In What Ways Does The Culture Of Comics Have An Impact On How Business Is Done? Also, The Library of American Comics at 75 Titles (and counting): Moral rights, reprint rights.

Boston Marathon Runner & Psychiatrist Shares Personal Story of Patriots’ Day 2013; written by a cousin of a co-worker.

Harriet Quimby – the 1st US woman to get her pilot’s license.

Space Oddities and Sensations: Inspiring Teaching and Learning , featuring Canadian astronaut Chris Hadfield.

Rare footage of Helen Keller speaking with the help of Anne Sullivan.

I was playing my Billy Joel’s Greatest Hits, Volumes 1 & 2 on a car ride recently; his birthday is in May. I was noting in particular two songs, ‘Get It Right The First Time’ from 1977 and ‘Second Wind (You’re Only Human)’ from 1985, and how I prefer the latter sentiment. Melanie writes about the second time around. Also, practicing in pieces.

Richie’s road of death.

Ken Leviner.php — **Sitemeter for Ken Levine’s blog, Taken 1:46 pm, May 8, 2013**

I’m less interested Ken Levine won’t give Zach Braff one dime for his Kickstarter movie project than the sudden surge in his blog, from about 5000 hits a day, +/- 2000, to over 620,000 after that article, and over 96,000 for the followup. Levine also dissed the Veronica Mars movie Kickstarter, one that SamuraiFrog supported, BTW. There were a number of folks who dissed Braff, but supported the Veronica Mars effort, which otherwise could not have been made. Here’s Levine’s last word on the project, now that Braff has secured alternative funding. Also, another story on the controversy. Fascinated by the fact that this is what is considered controversial these days.

Al Capp: The Shame of Dogpatch.

Cathy Rigby played Peter Pan in Schenectady in April, and we declined to go. Now that I know that she’s retiring from the role after 3000+ performances, I wish I had gone.

Why McLean Stevenson quit MAS*H.

Ray Harryhausen, master of stop-motion animation, died this month. Mark Evanier has a nice Harryhausen story. Also, Ray was Steve Bissette’s hero. And here’s a short video you may recognize.

Don Rosa and the late Steve Gerber have been selected to receive the 2013 Bill Finger Award for Excellence in Comic Book Writing. Both are heroes in their field, and it was Gerber’s blog that prompted mine.

K-Chuck Radio: Rest in peace, George Jones.

Mark Evanier is dealing with the first Mother’s Day after his mom died much better than I did with mine.

The newspaper misspells its own name in an article about winning awards.

Dustbury speculates why the IRS “Where’s my refund?” site was down last weekend.

2001: A Space Odyssey – Howard Johnson’s Children’s Menu (1968).

The technology that links taxonomy and Star Trek.

How ‘Star Wars’ Nerds sold Lucasfilm to Disney.

These re-made Disney DVD covers are scarily accurate.

The Tom Skulan FantaCon interview, part 2

Raoul’s death devastated me. I felt as if the guts had been torn out of FantaCo and I wanted to go away

FantaCon, once an Albany tradition for fans of the comic book, fantasy, and in its later incarnations, horror films, is returning after a brief, two-decade hiatus. FantaCon 2013, operated by its original creator, Tom Skulan, will be held Saturday, September 14, and Sunday, September 15 at the Marriott Hotel on Wolf Road in Albany. Ticket for the related Three Nights of Horror at the Palace Theatre on September 11-13 in Albany, will be available from the Palace Theatre box office, starting on February 13.

FantaCo, the store/mail-order company Tom started, operated from 1978 through 1998 at 21 Central Avenue, Albany, NY. I worked there from May 1980 to November 1988, worked at the first five FantaCons, and attended the sixth.
***
Even before I started working at FantaCo, I bought from FantaCo this single by the Spastic Phono Band, a parody of some Beatles and Paul McCartney songs. The store carried some Japanese EPs of the Beatles. How important to you were The Beatles specifically, and music generally?

The Beatles were and are very important to me because they represent a group of individuals who against ALL odds did exactly what they set out to do. That’s a powerful example to learn from.
Musically they are sublime. My Beatles CDs are the CDs I play the least because I just enjoy them so much I never want the magic to wear away. The Beatles (White Album) is my all-time favorite. Not only because it has so many songs but because there is a slightly ominous tone to the whole thing. And yes- I love Revolution #9 too. I always look forward to dissecting all the sounds.

Early on, the store also sold some records of some local bands such as Blotto. How much did you follow the local music scene?

When I lived above FantaCo I went to JB Scott’s on a regular basis and saw all the local bands opening for the national acts. It was a fun time “living downtown”. I followed most of them at the time.

The 1980 FantaCon was the one with the Berni Wrightson artwork on the cover. It was labeled FantaCon 2, to avoid the confusion of the previous event. What are your memories of that show?

I recall that we were MUCH more prepared to put on a show! That show was substantially larger than our first event and it was crazy busy. I fell asleep in my car on Sunday night after the show was over.

How did it come to pass that the Pinis always showed up for store signings of every Elfquest issue?

Wendy and Richard were very good friends to me and did me a really big favor once so I thought the least I could do was to promote each new issue of theirs and thrown them a little party. It became a regular thing for many years.
They and I still have good memories of those events.

There was a comic book FantaCo published in 1981 called Alien Encounters, which was packaged by a guy named Larry Shell. How did this come about?

Steve Bissette. Either Steve told Larry to send me the completely print-ready book OR Steve brought it to me. I can’t remember which but the book was completely ready to print so we did it. It did quite well. [Steve confirms that he sent Larry to Tom & FantaCo.]

The first move into the horror market was the publication of the book Splatter Movies in 1981. How did that come about, and how did FantaCo come to trademark the title?

We had been successfully advertising in Fangoria Magazine and I wanted to have a product to sell that no one else had. John had the idea for a book on the history of gory movies so we just went from there.
The whole trademark thing came about because everyone starting using the term!! SO we trademarked the title of the book in order to recoup a little money from its usage.

Eventually, Splatter Movies was a real money maker, but initially, it was a real drain on the FantaCo coffers. Would you explain that?

The damn silver print on the cover and that single spot of blood!! That’s what ate up all our money! While to those looking at the book now it may seem plain jane- at the time doing a silver print underlay with a single drop of red cost a fortune. The print costs on the book were much higher than anticipated due to that cover. We eventually made a handsome profit but it was quite scary when the book was delivered and the bill arrived.

The FantaCon in 1981 was disappointing in terms of attendance. Do you think it had to do with the Simon & Garfunkel concert in Central Park that same weekend?

Assuredly that was a large portion of the problem. The other element was that our 1981 show was a virtual replay of our 1980 show. Same guests. Berni even did the cover again. So we were to blame as well.

Why was there no FantaCon in 1982?

After the dismal attendance for 1981, I lost interest in it for 1982. Just that simple.

Video Screams came out in 1982, a guide to horror video. Was it just ahead of its time, or had FantaCo not yet established its horror bona fides in the marketplace?

It was wicked ahead of its time!! Such a book just 5-6 years later would have blown off the shelves. In retrospect I don’t know why I thought a book about videos would be successful at a time when most people did not have any!

It seemed that you were a bit burned out for a few months in 1982. What was going on with you?

I had some medical issues I was trying to deal with.

One aspect of the store I remember is that you always had us rearranging the store. Where did you pick up that trick?

I got that from years of working at retail stores. I started doing it for a chain that required it but later at other stores, I did it to make the time go by. It also boosted sales which boosted my paycheck!!

Gates of Eden and Deja Vu were among the best items FantaCo did in the comics realm, yet they were commercially unsuccessful. Why do you think that was?

Simply put, the pricing. I remember to this day the nasty letter I receive from Bud Plant demanding to know who the hell I thought I was charging $3.50 for a comic book!! Gates and Deja were EXCEEDINGLY expensive books in terms of the art. We were paying more per page than any other comic company. So we had to have high cover prices to make up for it. That hurt us in the market place.

FantaCo did some Chronicles of Marvel properties – the X-Men, Fantastic Four, Daredevil, Avengers and Spider-Man. These were among the most successful items the company did in the early 1980s. What was the philosophy that garnered name artists such as John Byrne, Frank Miller, George Perez and Dave Cockrum to provide covers for the series?

Same response as above- our page rates. We paid our Chronicles cover artist more than Marvel did. That’s how we got such spectacular work for those issues.

What do you recall about the counterfeit Cerebus issues we purchased?

I recall that Sparkle City contacted us about those. Now I had done business with Sparkle City since well before FantaCo so I took notice a little more than I should have. They arrived and the ink on the covers was still sticky!!! lol
We bought 50 of them,right? And immediately found out they were fakes. I have a personal suspicion of who did what with those… [Here’s my recollection; we bought 54, according to notes I had written at the time.]

The 1983 FantaCon had some characters, notably James Doohan [Scotty from the original Star Trek]. Any stories you want to share?

Hmmmmm… I remember that incident well. Don’t want to upset the fans…

Was Herschell Gordon Lewis [the subject of a 1983 FantaCo book about his “exploitation” films] the total antithesis of what you expected?

I totally expected a laid-back, very casual filmmaker and instead was presented with a suit and tie advertising executive!! I mean I went out with him after the show and he was fun, but yes – he could not have been more polar opposite than I expected!

After Mitch left and Raoul died in 1983, how were you feeling about FantaCo?

Raoul’s death devastated me. I felt as if the guts had been torn out of FantaCo and I wanted to go away. I did have a nervous breakdown which lasted about 45 days and months to fully recover from. [FantaCon 2013 is dedicated, in part, to Raoul’s memory.]

What were you trying to say with the comic book Sold Out? [Artist John Hebert wrote about it at length HERE.]

The story was interned to be a cautionary tale about just how overheated the B&W market had become. And at the same time the two issues themselves were part of the story. Some people got it, some didn’t. John did a great job on the art.

You did several publication deals with existing products – Midnight Marquee, Demonique for two. How did those special issues come about?

Those deals were based completely on my desire to give back. I read Gary Svehla’s Gore Creatures (later renamed Midnight Marquee) as a kid and I really liked what Demonique Magazine was trying to do.
I thought it would be nice to step in and boost their circulations and well as have the chance to work with them.

What’s a Chas Balun story you’d like to share? [This obit from Fangoria is fairly descriptive of the Balun/FantaCo connection; the store/mail order used to carry his Connoisseur’s Guide to the Contemporary Horror Film. FantaCon 2013 is dedicated, in part to Chas’ memory.]

Chas was a MOUNTAIN of a man!!! And often he and I would go to Hollywood looking for old record and movie stills. Now Hollywood is not what people think it is. Those who have been there know exactly what I am saying.
Well, once we were walking back to the car without various treasures and this junkie came up to me demanding some money (no one EVER came up to Chas). Chas spun the guy around and proceeded to “chest bump” him in the forehead! I don’t know if this will make sense in print but what Chas was doing was bumping the guy’s forehead with his chest, forcing him to walk backward. He did this down the entire block until the junkie tripped on the curb and fell down and ran away in abject terror. Good old Chas!

Thanks, Tom for your time!

Pictures, top to bottom, all taken by Roger Green
Monster, 1989 FantaCon
Richard and Wendy Pini, 1989 FantaCon; attended frequent FantaCo signings for their Elfquest comic book
John Hebert, 1989 FantaCon; artist for FantaCo publication Sold Out!
the late Chas Balun, 1989 FantaCon; contributor to several FantaCo publications

February Rambling about comic book issues, and music

The first Cajun song ever recorded

Local judge removes 5-year-old from grandparents to live with mom and known child abuser. “Local” being in Michigan, with the child being moved to Utah with a mother who had never been part of her life. This particular case involves Troy, the grandfather in question, who’s contributed to the ABC Wednesday team. He’s not thrilled with the way the actual story came out – I’ve seldom liked stories I’ve appeared in myself – but the “justice system” is SO wrongheaded in this case, which, as I’ve linked to before, is not an isolated incident.

KunstlerCast #215: Nicole Foss Interview. Economic contraction and the fate of the nation.

Mad props for Anita Hill.

Blogger Alvin McEwen has published a booklet called How They See Us: Unmasking the Religious Right War on Gay America, which deftly exposes the most common anti-gay propaganda. Also, conservatives file amicus brief in a case before the Supreme Court; they are supporting the plaintiffs in Hollingsworth v. Perry, the challenge to California’s anti-gay marriage referendum.

How Joe E. Ross (of Car 54) is NOT like Donald Trump or Michele Bachmann.

I mentioned Melanie LAST month; I COULD mention her weekly. This month, she talks about 17 years of defying death and fulfilling longed-for dreams, and for futures that are better than what we have known.

Jaquandor: On Snark and his eleven years (!) in Blogistan. Not only that, he answered some of my questions!

Amy’s 600th post is about Frickin’ Frackers.

Euthanizing gay dogs for Jesus.

Arthur remembers C. Everett Koop, the former Surgeon General, “an unlikely ally in the fight against HIV/AIDS.”

Shooting Parrots, on juries: “Has it come to the point where a group of citizens have failed to grasp the basics of the legal system or even a working understanding of the English language?”

Roger Ebert “took after” his aunt Martha.

Recovered suitcases from an insane asylum; this is a Kickstarter project I backed.

Why does bottled water have an expiration date? We HAVE some 2007 water in our emergency kit. Hmm.

I want THESE people to move my stuff; too bad they are in Japan.

One of many reasons why people hate Disney: Disney Refuses To Allow Epilogue To Appear In The Don Rosa Collection. You may not know the name, but if you ever read the Disney ducks, you’ve probably seen his work. The publisher Egmont has agreed to publish a link to career-end.donrosa.de in the final volume, which leads to the now unpublished text, a scathing indictment of compensation practices. (Mark Evanier clarifies this, but does not dispute, in Rosa’s case.)

A fine letter to DC Comics objecting to the hiring of hatemonger Orson Scott Card to write some Superman comics.

Eddie Campbell’s Rules of Comic Book Comprehension.

Colleen Doran, comic artist, says: Fandom, You Deserve Better Friends.

Library prof bops doc who K.O.’d comic book industry.

You can NOW hear my buddy, comic book artist Steve Bissette blather [his word] with Robin at Inkstuds: PART 1 and PART 2. Steve also noted on Facebook: “Note to self: NEVER FORGET this tweet from “Neil Gaiman @neilhimself My #gatewaycomic was Alan Moore & @SRBissette’s Swamp Thing in 1984. I had stopped reading comics. They hooked me back.” Sunday, Feb. 10, 12:23 PM.”

In 1896 William George Crush created the second-largest ‘city’ in Texas, only to deliberately demolish it overnight in a publicity stunt that went catastrophically wrong.

Internet Explorer usage and the US murder rate.

Sesame Street takes on Downton Abbey.

uJigsawArt Jigsaw Puzzle iPhone App & iPad App, designed by Deborah, my friend since 1977.

Must note that Tim O’Toole, my choir buddy, has two books in the Amazon.com pipeline, on Kindle. Two paperbacks are available at their Create Space subsidiary: THE AMERICAN POPE and SULLIVAN’S TRAVELS. Haven’t read them yet, but I will, probably the pope book first.

An archeological history of the Beatles?

A BUNCH O’ MUSIC

Dustbury remembers Shadow Morton.

Allons à Lafayette is the first Cajun song ever recorded.

I Heard The Voice Of A Pork Chop – JIM JACKSON (1927). Ragtime Blues Guitar.

Chuck Miller’s The Ease of Vocalese and musical references to chess.

George Gershwin plays a piano version of “Rhapsody in Blue”.

Young@Heart Chorus performs I Put a Spell on You by Screamin’ Jay Hawkins.

The theme song to the Road Runner cartoon show, in Korean.

Adam Warrock songs. I especially like the Doctor Who song. The store I worked at for many years carried the novels, but I never read them and have only seen one entire episode.

Traditions of baseball, comic books, and film

I hadn’t read the Comic Buyer’s Guide regularly since 1994, but I would usually buy a copy on Free Comic Book Day each May, just to check out what was new

I lost a dollar this week. A blogger I know bet that no one would be elected to the Baseball Hall of Fame, and regrettably, he was right. Even allowing the “punishment” of those who allegedly took performance-enhancing drugs, there were plenty of qualified candidates (starting pitcher Jack Morris, the totally undervalued reliever Lee Smith, for two). This was an unfortunate outcome, and not so incidentally, will be lousy for tourism in Cooperstown this year.

Now, ironically, baseball will be expanding its drug-testing program.
***
To my surprise, I was quite sad to read that Comics Buyer’s Guide is folding in March. The usual reasons were stated: “decline in advertising and free content online.”

CBG was “started by Alan Light as The Buyer’s Guide for Comic Fandom [in 1971], publishing monthly at first, then twice a month, then weekly…” By the time the newsprint magazine was acquired by Krause Publications in 1983 and changed its name, it had become the bible of the industry. It was like Variety was for entertainment or Billboard for music. Especially under Krause, the level of professionalism increased tremendously.

I started collecting comics in 1972, and when the Crystal Cave comic book store opened c. 1975 in New Paltz, I would buy the publication, scouring the ads for the best prices in back issue comics. That’s also where I first saw the classic comic renderings by my friend-to-be, Fred Hembeck.

When I started working at FantaCo in 1980, and we started publishing comic-book-related material, including material by Hembeck, we would dutifully mail our press releases to Don and Maggie Thompson. Sometimes they would use it, but often they would not. This was discouraging to some in the store, but it made me more determined to keep sending more and more info to them. Eventually, we became so “legitimate” that they would almost always report on our publication schedule. Indeed, I think that’s generally a lesson in dealing with the media: keep trying.

There was a lovely editorial written by Michael T. Gilbert shortly after Raoul Vezina, the artist who worked at FantaCo, had died in late 1983. I have that somewhere in the attic.

I hadn’t read CBG regularly since 1994 when I sold my collection, but I would usually buy a copy on Free Comic Book Day each May, if a copy could be found, just to check out what was new. It won’t be around for the next FCBD, though.

Mark Evanier has his own recollections.
***
I start my quixotic attempt to see most of the films nominated for an Academy Award in the major categories. I’ve seen three of the nine nominees for best picture: Argo, Les Miserables, and Lincoln. Beasts of the Southern Wild came and went, and I don’t know if Life of Pi is still around.

Almost certainly, the next film we’ll see will be Silver Linings Playbook, which would take the count of best actor, best supporting actor, and best supporting actress nominations I will have seen from two to three each; best director from one to two; and best actress from zero to one.

BOOK REVIEW: Using Content-Area Graphic Texts for Learning

Regarding the graphic novel: I remember when the title was first being bandied about in the 1980s, I hated them, because they seemed like large, squarebound comic books.

I’m someone who used to sell graphic novels in a comic book store, not a teacher. My wife IS a teacher, though, and was excited to see that I had received a review copy of Using Content-Area Graphic Texts for Learning.

Even Meryl Jaffe, a co-author of this book, with Katie Monnin, mentioned in her blog that the title of this book is a bit of a mouthful. Basically, this should be called “Teaching with Graphic Novels.” Regardless of the name, this volume makes a convincing argument for using graphic novels in teaching math, language arts, social students, and science. More importantly, very early on, it makes the case, in the strongest terms, that the graphic novel is a legitimate teaching tool that broadens the educational palette for an increasingly diverse population.

Not that Meryl was always a believer. She used to be a “stay away from those comics and graphic novels” type until her children turned her on to Joe Kelly’s I Kill Giants. Now she attends comic book conventions from New York to San Diego.

In each of the four subject areas, the authors take a single book and show how students, labeled as Memory Megan, Attention Andy, Cognitive Coby, Language Larry and Sequencing Sue, can improve in the named areas. Just as important, they list many other graphic novels that might be used, identified by grade level, and the skills that will be gleaned.

Basically, if you are an educator that has considered using graphic novels, this book both gives practical steps for teaching and provides cover when dealing with school administrators about using such a “radical” tool.
***
The above is what I wrote in as an Amazon review; I do that so rarely.

I first discovered Meryl Jaffe when she began contributing to the ABC Wednesday meme with which I’ve been involved. Her posts are always entertaining AND informational.

Regarding the graphic novel: I remember when the title was first being bandied about in the 1980s, I hated them because they seemed like large, squarebound comic books. Indeed, I have this vague memory of a couple of X-Men items touted as graphic novels. One was $4.95 and the other $5.95 when a comic book was going for 60 or 75 cents, and even a longer issue would go for under $1.50. It just seemed a greedy attempt to make a silk purse out of a sow’s ear; well, maybe not quite that bad, but totally unnecessary.

The graphic novel has grown tremendously over the past couple of decades. I’ve marveled that “funny books” are getting legitimate notice in Entertainment Weekly and other mainstream media, without that “BAM POW” condescension that some newspapers are always eager to use.

You may be interested in Rise of the Graphic Novel: everything you need to know about the comics field in 70 pages. Meryl has put together a list of 2012’s Best Non-Fiction or Historical Fiction Graphic Novels.