Tag: Coverville

From Which “Grapevine” Did You Hear It?

Which iteration should be considered the original? Surely, one could make a case for the Miracles’ version. But many experts would pick the version first released, and that would be the Pips’.

I love good cover versions of songs. Came across a rather fine list from Popdose. And I so agree with the opening statement: “It’s generally agreed upon that if you don’t have any new flavor to add to the original, you shouldn’t bother doing a cover.”

Certainly can’t argue with the top two, “Respect” by Aretha Franklin, originally performed by Otis Redding; and “All Along the Watchtower” by Jimi Hendrix, originally done by Bob Dylan. Both of the original artists have acknowledged the transformative nature of these covers. A previous list I saw contained songs that I had never heard of in the Top 10, which I discovered were less than six years old; seems to me these songs need to stand the test of time

But I have one nit to pick over this list, and it’s around the song “I Heard It Through the Grapevine.” As noted here and elsewhere, the song by Motown staff writers Norman Whitfield and Barrett Strong was first recorded by Smokey Robinson and the Miracles on August 6, 1966. And Marvin Gaye recorded his version on April 10, 1967. But Berry Gordy, the head of Motown, hated the song & vetoed the releases by both artists.

Gladys Knight and the Pips’ version* was recorded next, and was very reluctantly released by Gordy. It went to #1 on the R&B charts for six weeks, and to #2 on the pop charts for three weeks in the fall of 1967.

It was only after this point that the other two versions were released. The Miracles’ was just an album cut, but Marvin Gaye’s single was #1 for seven weeks on both the R&B and pop charts in the late fall of 1968, a Grammy Hall of Fame winner in 2001. “Gaye’s version has since become a landmark in pop music. In 2004, it ranked No.80 on Rolling Stone’s list of The 500 Greatest Songs of All Time. On the commemorative 50th Anniversary of the Billboard Hot 100 issue of Billboard magazine in June 2008, Gaye’s version was ranked as the 65th biggest song on the chart.”

So two questions exist for me: first, which iteration should be considered the original? Surely, one could make a case for the Miracles’ version. But many experts, such as Brian Ibbott of Coverville, would pick the version first released, and that would be the Pips’.

Also, how could the panel pick the perfectly fine version of this song by Creedence Clearwater Revival* over the Marvin Gaye classic, even if the latter did get overplayed in the 1980s, around the time of the movie the Big Chill? Not so incidentally, I don’t own the Miracles’ version, but I do have CCR, Gaye, and the Pips, which is actually my favorite take.

And while I’m thinking about Marvin, I would definitely find room on that covers list for Wherever I Lay My Hat, originally done by Gaye, but covered by Paul Young.

*Link to the music

NOT SHY question

The title song of Simon and Garfunkel’s Parsley, Sage, Rosemary and Thyme is Scarborough Fair/Canticle.

I happen to catch the song Magnet and Steel by Walter Egan at my bank, which is also a Starbucks You can LISTEN to it HERE. The backstory: Stevie Nicks sang on this track, and provided inspiration for the lyrics.

I’m a sucker for albums that have a title song but isn’t the title of the album. The album title is Not Shy, a reference in the song. “With you, I’m not shy.”

In Kill to Get Crimson by Mark Knopfler, the lyrics of Let It All Go include “I’d kill to get crimson on this palette knife.”

The title song of Simon and Garfunkel’s Parsley, Sage, Rosemary and Thyme is Scarborough Fair/Canticle. Negotiations and Love Songs, and Shining Like A National Guitar are collections of Paul Simon’s songs. The titles are taken from lines in the songs Train in the Distance and Graceland, respectively.

And of course, Nevermind by Nirvana is in reference to a word/words? in Smells Like Teen Spirit. (Oh, speaking of that song, a cover by 2 Cellos.)

Got any other examples of lines of songs that provide the title of an album?

August Rambling

GayProf noted Perry when he wrote: “Numerous songs en vogue right now celebrate women consuming alcohol to the point of blacking out, hooking up, or hurling (not always in that order). ”

Because I was out of town, I managed to miss a couple of significant cultural anniversaries. One was the 50th anniversary of the first real Marvel superhero comic, the Fantastic Four, by Stan Lee and Jack “King” Kirby. Mark Evanier explains why it had a November cover date. Check out this hour-long Kirby documentary. And here’s a link to the intro to the FF TV show.

The other was the 100th anniversary of the birth of Lucille Ball. I watched most, if not all, of the episodes of every single one of her ongoing series, from the seminal I Love Lucy (1951-1957; 8.9 out of 10 on the IMDB scale), which started before even TV Guide and I were born but lives through the clever concept known as the rerun; to the star-studded (and too long, in my recollection) episodes of The Lucy-Desi Comedy Hour (1957-1960; 8.6); to The Lucy Show (1962–1968; 7.3), which was the one with Lucy as Lucy Carmichael, Vivian Vance (Ethel Mertz in the earlier shows) as Viv, and Gale Gordon as Lucy’s testy boss, Mr. Mooney.

Then there was Here’s Lucy (1968–1974, 6.8), where “Lucy Carter, a widow with two teen children [played her real kids with Desi Arnaz, Lucie and Desi Jr.] takes a job as a secretary for her stuffy brother-in-law [Gale Gordon, again.] Finally, there was Life with Lucy (1986; 6.0) “Lucy Barker, now a grandmother living with her daughter’s family” Gale Gordon also appeared in this show.

They declined in quality somewhat – Life with Lucy was particularly bad, as I recall – but if I didn’t quite LOVE Lucy, I liked the woman from upstate New York (Jamestown) quite a bit.

I believe this was Lucy’s favorite scene from her first series.

As you may have noticed, Katy Perry becomes the second artist, following Michael Jackson, to send five songs from an album to No. 1 on the Billboard charts, and during his birth month, no less. An accomplishment to be sure, though the charts don’t reflect the same level of sales they used to. (Similarly true of top-rated TV shows: the numbers are far less than they used to be.) Not incidentally, GayProf noted Perry when he wrote: “Numerous songs en vogue right now celebrate women consuming alcohol to the point of blacking out, hooking up, or hurling (not always in that order). “

In pictures of models, “there are women (and occasionally men) contorted into positions that, were you to see actual people in them, you’d find curious or peculiar or perhaps even alarming.”

Natalie Cole with the Allman Brothers. Check out the sidebar for David Crosby, Graham Nash, and others.

On Star Trek: The Next Generation, Data could reproduce the voices of humans with perfect fidelity. Brent Spiner can do the same with the voice of Patrick Stewart.

My new Kickstarter fave: Stripped is a documentary love letter to cartoonists and comic writers who’ve delighted newspaper readers for decades. Since 2008, 166 newspapers have shut down, leaving the future uncertain for many syndicated cartoonists. Amidst this industry upheaval, Stripped follows 60 cartoonists, including luminaries like Jim Davis, Scott McCloud, and Jeff Keane, as they navigate the uncharted waters of a new digital world.

Having seen the trailer for the Spider-Man movie reboot, I have no reason to actually see the movie. The first two movies with Tobey Maguire were great; even own them on DVD.
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Two music legends died this month. Jerry Leiber of the songwriting duo Leiber & Stoller wrote more songs than just about any pop composer. Here’s a list of most of them. Listen to Big Mama Thornton singing “Hound Dog”, some four years before Elvis Presley. Also, hear Charlie Brown by the Coasters; coincidentally, Carl Gardner, leader of the Coasters, died a couple of months ago.

Nickolas Ashford, who died August 22, was the songwriting partner and husband of Valerie Simpson. Ashford & Simpson wrote songs for Motown artists, Aretha Franklin, and others, as well as performing themselves. Hear Marvin Gaye & Tammi Terrell do You’re All I Need To Get By. Also, here’s a song originally performed by Ray Charles, I Don’t Need No Doctor (live) by Humble Pie.

The Jerry Leiber Cover Story on Coverville.

The Salon story about Leiber and Ashford.

GOOGLE ALERTS

Roger with the hula hoop

Rollie Roger Green T-Shirt

Roger Green, the proprietor of Hair by Roger, said noise and vibrations from the work were spoiling the salon’s ‘peaceful environment’. A spokesperson from United Utilities said: “We are fully aware of the impact this scheme has had on the community…”

“The Black Boardwalk Cat is a distinctive animal that has acquired an unusual place in the hearts of many university employees and students,” said Roger Green, associate professor of political science and public administration.

Forgotten Book: THE THROTTLEPENNY MURDER, Roger J. Green. My contribution this week to Pattinase’s Friday’s Forgotten Books is a book I read in 1993.

“Former Wisbech Mayor and Wisbech Standard editor, Roger Green who died in a road traffic collision on the A47 Wisbech bypass…. This particular Roger Green got a LOT of coverage.

Robert Johnson QUESTION

Eric Clapton, formerly of the aforementioned Cream, recorded a whole 2004 album of Robert Johnson songs.


I recently noticed that tomorrow would have been the 100th birthday of Robert Johnson. Don’t think you know him? I suspect that, if you listen to music, you probably do. He’s the guy who over a reasonably short period wrote and recorded a number of songs that became staples of rock and blues artists.

Probably the first Johnson song I heard was Crossroads by Cream a song a/k/a Crossroads Blues.

There’s also The Rolling Stones’ Love in Vain and Travelling Riverside Blues by Led Zeppelin. One standard is Sweet Home Chicago, here performed by Robert Lockwood Jr. Here’s a list of Johnson songs. My favorite may be Walkin’ Blues by the Paul Butterfield Blues Band; unfortunately, I can’t find a direct link, though if you follow this link, you can join some website for free for a week, which will let you hear it.

Eric Clapton, formerly of the aforementioned Cream, recorded a whole 2004 album of Robert Johnson songs called Me and Mr. Johnson. A version of a song from that album, They’re Red Hot.

This week’s cover story edition on Coverville features the songs of Robert Johnson, including a couple I’ve mentioned.

What are your favorite Robert Johnson recordings or covers?

D is for Dylan covers

There was a quite peculiar version of Simon & Garfunkel’s The Boxer; I remain convinced to this day that was done in retaliation for a snarky S&G song.


Let’s face it: Bob Dylan didn’t/doesn’t have the prettiest voice in pop music. But his strength as a songwriter, especially early on, allowed listeners to become familiar with his songs through the performances of others.

Joan Baez, as noted previously, was an early advocate and performer of Dylan’s music, as were Peter, Paul, and Mary, who had two Top 10 songs written by Dylan way back in 1963, Blowin’ in the Wind which hit the charts in June and got to #2; and Don’t Think Twice, It’s All Right, charting in September, and ending up at #9.

But it was 1965 that Dylan really broke through, both as a performer and an artist being covered. The Byrds’ Mr. Tambourine Man hit the charts in June 1965, reaching #1. Cher’s All I Really Want to Do started its climb to #15 in July, and It Ain’t Me Babe by the Turtles charted in August, eventually getting to #8. Meanwhile, Dylan had his first hit with Like a Rolling Stone, which started its ascent in July, eventually getting to #2 in September, blocked from the top of the charts by the Beatles’ Help!

Mojo magazine compiled a list of top 10 Dylan covers, while Paste magazine has listed what it considers the 50 Best Bob Dylan Covers of All Time. Meanwhile, Dylan Cover Albums.com boasts 30,000 covers. The podcast Coverville recently offered its fifth Bob Dylan Cover Story in seven years.

Of course, this cover thing can go both ways. Here’s a list of songs covered BY Bob Dylan. While quite a few were from his early career, there were also a bunch from the 1970 double album, Self Portrait. I know this very well because I bought that LP for my high school girlfriend; then we listened to it, not quite as impressed as we had hoped we might be. In particular, there was a quite peculiar version of Simon & Garfunkel’s The Boxer; I remain convinced to this day that was done in retaliation for a snarky S&G song called A Simple Desultory Philippic (Or How I Was Robert McNamara’d into Submission), in which Simon parodies Dylan; “Albert” in the song is almost certainly Dylan’s manager at the time, Albert Grossman.

Bob Dylan Covers Leonard Cohen’s “Hallelujah” (but doesn’t almost everyone?)

ABC Wednesday – Round 8

Ramblin' with Roger
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