Tag: Coverville

D is for Dylan covers

There was a quite peculiar version of Simon & Garfunkel’s The Boxer; I remain convinced to this day that was done in retaliation for a snarky S&G song.


Let’s face it: Bob Dylan didn’t/doesn’t have the prettiest voice in pop music. But his strength as a songwriter, especially early on, allowed listeners to become familiar with his songs through the performances of others.

Joan Baez, as noted previously, was an early advocate and performer of Dylan’s music, as were Peter, Paul, and Mary, who had two Top 10 songs written by Dylan way back in 1963, Blowin’ in the Wind which hit the charts in June and got to #2; and Don’t Think Twice, It’s All Right, charting in September, and ending up at #9.

But it was 1965 that Dylan really broke through, both as a performer and an artist being covered. The Byrds’ Mr. Tambourine Man hit the charts in June 1965, reaching #1. Cher’s All I Really Want to Do started its climb to #15 in July, and It Ain’t Me Babe by the Turtles charted in August, eventually getting to #8. Meanwhile, Dylan had his first hit with Like a Rolling Stone, which started its ascent in July, eventually getting to #2 in September, blocked from the top of the charts by the Beatles’ Help!

Mojo magazine compiled a list of top 10 Dylan covers, while Paste magazine has listed what it considers the 50 Best Bob Dylan Covers of All Time. Meanwhile, Dylan Cover Albums.com boasts 30,000 covers. The podcast Coverville recently offered its fifth Bob Dylan Cover Story in seven years.

Of course, this cover thing can go both ways. Here’s a list of songs covered BY Bob Dylan. While quite a few were from his early career, there were also a bunch from the 1970 double album, Self Portrait. I know this very well because I bought that LP for my high school girlfriend; then we listened to it, not quite as impressed as we had hoped we might be. In particular, there was a quite peculiar version of Simon & Garfunkel’s The Boxer; I remain convinced to this day that was done in retaliation for a snarky S&G song called A Simple Desultory Philippic (Or How I Was Robert McNamara’d into Submission), in which Simon parodies Dylan; “Albert” in the song is almost certainly Dylan’s manager at the time, Albert Grossman.

Bob Dylan Covers Leonard Cohen’s “Hallelujah” (but doesn’t almost everyone?)

ABC Wednesday – Round 8

Beatles Island Songs, 183-174

Listen to the Coverville Thanksgiving podcast; nothing but Beatles covers!


The rules of engagement

183 Honey Pie from the white album. More dance hall McCartney. This was apparently the music he learned from his father.
182 Polythene Pam from Abbey Road. Another 48-second song, which would have fared better in the medley. In fact, the link is to the medley.
181 Blue Jay Way from Magical Mystery Tour. An interesting Harrison song about Los Angeles.
180 Kansas City/Hey, Hey, Hey, Hey from Beatles for Sale (UK), Beatles VI (US). Not one of their strongest covers. And it annoyed me that the Little Richard latter part wasn’t credited at the time.
179 Revolution 9 from the white album. This is too interesting, too weird to go out in the bottom 10. But ultimately too weird to keep.
178 Misery from Please Please Me (UK), Introducing the Beatles (US). As with There’s A Place, never on a US Capitol album until something called Rarities, long after the group’s demise. So it was largely out of my consciousness.
177 Flying from Magical Mystery Tour. Only instrumental in the canon, attributed to the 4 Beatles. Disposable filler.
176 Happiness Is a Warm Gun from the white album. I have no real idea what this Lennon song is about, though it apparently has something to do with sex and Yoko.
175 Savoy Truffle from the white album. A Harrison trifle. A truffle is a trifle.
174 Rock and Roll Music from Beatles for Sale (UK), Beatles ’65 (US). A relatively perfunctory version of the Chuck Berry song, compared with some of the other songs Lennon covered.

The most popular Beatles album downloaded in the first week on iTunes was Abbey Road, coincidentally the most popular vinyl Beatles album. Here Comes The Sun was the most popular individual song.

Listen to the Coverville Thanksgiving podcast; nothing but Beatles covers!

Monday Monday; no, wrong Mamas & Papas song

I’m listening to the Coverville podcast a few months ago, as I usually do a couple of times a week. Brian was doing the Mondegreen episode, a term that, if I had heard it, I had forgotten. The definition, which I stole from somewhere: “Misheard lyrics (also called mondegreens) occur when people misunderstand the lyrics in a song. These are NOT intentional rephrasing of lyrics, which is called parody.” There are whole websites devoted to this issue.

The last song on the show, not only had I gotten wrong for years, but have SUNG it incorrectly when performing with my sister.

The correct lyric is:

stopped into a church
I passed along the way
well, I got down on my knees
and I pretend to pray

Yet all these years, I had been hearing:
and I began to pray

To be fair to me, many other people of my vintage heard it the same way. I know this because I asked a number of them. And it is noted as a common error in Kiss This Guy, named after a misheard line from Jimi Hendrix’s Purple Haze: “Excuse me while I kiss the sky.”

I never misheard that Hendrix lyric or this line from California Dreamin’ offered up by Am I Right?
Misheard Lyrics:
You know you’re preaching like the Pope.
Original Lyrics:
You know the preacher likes the cold.

But the one I DID mishear I’ve thought about a number of times since. Seems that the fact that the verse has three verbs in the past tense (stopped, passed, got) tunes the ear for a fourth (began) rather than a present tense verb such as pretend. They COULD have sung “pretended” and I don’t think it ruins the scansion. Here are the complete lyrics.

BTW, what linguistic tool is being used when you speak in the present tense about things that happened in the past? “So I go to the store. I see an item I want. I buy it.” Past action, but present tense verbs.


Anyway, HERE is a version of the hit song that only went to #4 in the US charts in 1966 by the Mamas and the Papas, and HERE is another. The song is attributed to John Phillips and Michelle Gilliam.

John eventually married and divorced Michelle. John performed this version on his album Phillips 66, which was released posthumously in 2001; he would have been 75 today. Michelle Phillips is the remaining survivor of the Mamas and the Papas.

What lyrics have YOU misheard, and how did you finally figure it out?

Macca Is 68

Paul McCartney hadn’t been that controversial since he recorded Give Ireland Back to the Irish back in 1972.


I figure that I should mention Paul McCartney on his birthday every year, as long as he’s still around. Fortunately, this year, there’s the big news to talk about.

That, of course, would be him being named the third Library of Congress Gershwin Prize winner, after Paul Simon and Stevie Wonder. At an event with President Obama, McCartney created a bit of bluster with the right-wing bloggers when he made a joke at the expense of Obama’s precessor, GW Bush. Horrors! Paul hadn’t been that controversial since he recorded Give Ireland Back to the Irish back in 1972.

The event will be televised on PBS on July 28.

Here’s a live recording of Cosmically Conscious, written back when Paul was in India in 1968. A snippet of this song appeared at the end of his 1993 Off the Ground album

Check the June 17, 2010 episode of Coverville, #683; Brian Ibbott has promised a McCartney cover story.
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It’s also Roger Ebert’s 68th birthday. He just won a Webby award, indeed was named person of the year; he needed just three words in a dead language to express his appreciation of the honor. While he’s still writing his fine movie reviews, it is his journal about American flag T-shirts, racism, alcoholism, death, and how Twitter has empowered him now that he cannot speak that has been the truly amazing part of his narrative.

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