Hope & Fury: MLK, The Movement and The Media

Not only is the promised land he glimpsed still over that mountaintop, the mountain is much higher than any of us could have imagined.

There are uncomfortable parallels between the deaths of Emmett Till and Philando Castile, as the special “Hope & Fury: MLK, The Movement, and The Media” pointed out. The special was broadcast on NBC-TV March 24, but I didn’t get a chance to watch it until a week and a half later.

Emmett Till, who narrator Lester Holt suggested every black person in America knows about – is that true? – was a 14-year-old black youth from Chicago who was visiting his uncle in rural Mississippi. He was lynched on August 28, 1955, after a white woman said that she was offended by him in her family’s grocery store. She has only recently recanted that tale.

Philando Castile was shot and killed by a local Minnesota police officer after the car was pulled over on July 6, 2016, with his girlfriend and her four-year-old daughter in the vehicle.

In the Till case, it was the decision of Emmett’s mother Mamie to allow, nay, insist on photographers to take pictures of her now-misshapen son. In the Castile case, girlfriend Diamond Reynolds had the wherewithal to livestream ten minutes of video via Facebook.

The MLK special also noted the fickle nature of the mainstream press. It was only the black press that covered some of the seminal stories of the civil rights movement, such as the Montgomery bus boycott of 1955/56.

“When MLK’s peaceful protests aren’t covered by the national media in Albany, Georgia, he organized a children’s march in Birmingham, Alabama, making for some of the most powerful, iconic imagery of the civil rights movement.”

In general, the MSM was attracted if the action included white people – the freedom riders, e.g., or they can establish a clear good guy/bad guy narrative, as in the children’s march, when dogs and fire hoses were unleashed.

“Hope & Fury” pointed out the parallels between the bloody Selma march of March 7, 1965, and the demonstrations occurring after some young black children and men, with the social media-savvy demonstrators willing to challenge the accepted narrative in the latter case.

As Arthur noted: “The USA has so very far to go before achieving Dr. King’s dream. Not only is the promised land he glimpsed still over that mountaintop, the mountain is much higher than any of us could have imagined.”

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The death of Emmett Till

In January or February of 1986, I saw the Capitol Repertory Theater’s performance of Toni Morrison’s Dreaming Emmett, based on his life and death.


Emmett Till disappeared 60 years ago today; his mutilated body was found three days later. His mother allowed photos to be taken of his open casket, and the horrifying pictures helped galvanize the Civil Rights movement, including the “I Have a Dream” speech eight years, to the day, later.

But that’s not what I wanted to talk about. I want to know why it is that I can see that photo in my mind’s eye when the event took place when I was but two years old when it took place. I’m guessing that on the fifth anniversary in 1960, Ebony and/or Jet magazines reran the photos, I saw them, and the image seared in my mind to this day.

When I was in high school, a bunch of us raised money for some poor, rural folks in Tennessee. One day, I was (foolishly) walking alone down some dirt road down there. I see a sign indicating that I was about to enter the state of Mississippi. I crossed into the new state, my mind screamed, “Emmett Till!” and I literally jumped back into Tennessee.

In January or February of 1986, I saw the Capitol Repertory Theater’s performance of Toni Morrison’s Dreaming Emmett, based on his life and death. I don’t remember if was particularly well-acted or -written. All I remember was that I felt again the pain that was Emmett.

The last time I had seen the picture in print was when his mom, Mamie Till-Mobley, died back in 2003.

In 2005, the case had been reopened by the FBI, with the exhumation and re-examination of Emmett’s remains, based on advances in DNA testing, followed by a reburial in June. After the gravesite was disturbed in 2009, the Smithsonian’s African American History Museum, which will open in 2015, acquired the Emmett Till casket.
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Emmylou Harris : My Name Is Emmett Till from her 2011 album Hard Bargain.

This is an edited version of my blog post of August 28, 2005.

N is for Nostalgia

Strange, but I found even then that people have a greater recollection of things that I allegedly said and did than I do.

At some level, I’m not a very nostalgic guy. As Billy Joel put it in Keeping the Faith, and I quote, The good old days weren’t always good. It seems as though, in the US, there are dreams of the 1950s being the “good old days”, represented by TV shows such as Ozzie and Harriet or Father Knows Best, with dad out working all day, with mom home raising the kids and wearing pearls when her husband came home for dinner. It was never MY experience.

The 1950s were a period of the cold war paranoia of “duck and cover”, and an unsettling racial climate; I’ve written before how the death of Emmett Till affected me deeply.

And it’s not just the 1950s. I went to my 10th high school reunion back in 1981 and I found it quite disturbing, so annoying, still fighting the same fights that should have been over a decade before. Or lots of conversations about “remember when so-and-so did such-and-such”; well, either the answer is yes, and so what, or no, and so what. It’s like the Springsteen song from Born in the USA, Glory Days:
Yeah, just sitting back trying to recapture
a little of the glory of, well time slips away
and leaves you with nothing mister but
boring stories of glory days.

Strange, but I found even then that people have a greater recollection of things that I allegedly said and did than I do.

Therefore I was quite interested in this story I saw on CBS Sunday Morning last year, Nostalgia: Power of the “Good Old Days”

But you might be surprised to learn that nostalgia – which is all about the past – has a notorious past of its own. For centuries it was considered a disease and a form of depression. Soldiers even feared it as homesickness and thought it could kill them.
I could almost believe that.

But it is not so, apparently. In fact:
Reliving good times can be a critical tool for surviving these bad times.

“If right now everything is terrible and bleak if you’re out of work and you can’t pay your mortgage and you’ve been evicted and you think, ‘there’s nowhere for me to turn,’ it is actually healthy to look to the past and to say, ‘What else have I survived before?'”
(l-r, Carol, Lois, Karen, Roger, Bill)

Now I DID agree to go to my 35th high school reunion a few years ago, but there was only one reason. There were a group of my oldest friends that were going to be there. When I say “oldest”, I mean that we all went to kindergarten together at Daniel Dickinson school in Binghamton, NY, and all graduated together from 12th grade at Binghamton Central High School. The thing about THESE friends is that we had known each other for SO long that we didn’t NEED to rehash old stuff, just needed to catch up on things.

We didn’t say, “Oh remember in second grade when we danced to the Minuet in G?” (I danced with Carol, Bill with Karen, Bernie with Lois.) Well, they do or they don’t and it doesn’t matter. “Do you remember going to Carol’s parents’ summer place in northern Pennsylvania?” Of course they do; no need to ask. There’s a certain shorthand you develop when you’ve known people a long time, even when you haven’t seen them in many years.

Still, I try to be a proponent of Carly Simon’s Anticipation, specifically the last line: “THESE are the good old days.”


ABC Wednesday – Round 7

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