Scottish-born Annie Lennox dropped out of the Royal Academy of Music to become part of the late 1970s new wave band the Tourists. I wasn’t familiar with them. They had a couple of UK hits, the familiar tune, I Only Want To Be With You (1979) and So Good To Be Back Home Again (1980).
The band broke up in late 1980. Lennox and Dave Stewart split up as a couple but decided to continue working as the musical duo Eurythmics.
I have two of their vinyl albums, plus their greatest hits on CD. After she went solo in 1992, I got two CDs.
Five years ago, my wife and I went to MassMOCA to see ‘Now I Let You Go…’ an art installation by Annie Lennox.
Coverville 1514: The Annie Lennox Cover Story II
Some songs
When Tomorrow Comes – Eurythmics. It was no released s a single in the US.
Missionary Man – Eurythmics. “Upon the single’s US 1986 release, the song was described as being inspired in part by Lennox’s 1984–1985 marriage to devout Hare Krishna Radha Raman. When discussing the song’s inspiration and meaning, Lennox stated ‘Obviously, there is a personal meaning in [Missionary Man] for me, because of my past history. But I also think that there are a great deal of people in the media, in the form of politicians or religious speakers or philosophical people, people who are generally trying to have some power over other people, who I just don’t trust.'” #14 pop (1986), Grammy for Rock Vocal Duo.
Who’s That Girl – Eurythmics, #21 US pop in 1984.
Two Angels
Angel – Eurythmics It “would be the duo’s final single for almost a decade (discounting the re-release of two older singles the following year)… Lennox said in an interview at the time that the song was inspired by the death of her aunt, as she sings about a woman who has killed herself and now has ‘gone to meet her maker.'”
There Must Be An Angel (Playing with My Heart)”- Eurythmics. It “features a harmonica solo by Stevie Wonder. The song became the duo’s only chart-topper in the United Kingdom. #22 US pop (1985).
No More ‘I Love You’s – a cover of a song by a group called The Lover Speaks, the 1st song on her album Medusa, #23 US pop and a Grammy winner for pop female vocal.
Why -Annie Lennox. “It was taken from her debut solo album, Diva (1992), and reached number five in the United Kingdom. In the United States, “Why” peaked at number 34 on the Billboard Hot 100 and number six on the Adult Contemporary chart… Stereogum ranked “Why” number one on their list of “The 10 Best Annie Lennox Songs” in 2015.
With QoS
Sisters Are Doin’ It For Themselves -Eurythmics and Aretha Franklin. “A modern feminist anthem, it was… featured on both Eurythmics’ Be Yourself Tonight (1985) and Franklin’s Who’s Zoomin’ Who? (1985) albums. [I have both albums.] The duo originally intended to perform with Tina Turner, who was unavailable at the time and so they flew to Detroit and recorded with Franklin instead. The track also features three of Tom Petty’s Heartbreakers: Stan Lynch on drums, Benmont Tench on organ, and Mike Campbell on lead guitar, plus session bassist Nathan East.” #18 US pop (1985)
Sweet Dreams (Are Made of This) Eurythmics, their breakthrough hit, it reached number two on the UK Singles Chart and #1 US pop (1983)
Would I Lie To You – Eurythmics. In the heyday of MTV, it was probably one of the Top 10 favorite videos, #5 US pop (1985).
Annie Lennox has been involved with AIDS activism, wmen’s rights, and antiwar activities. In February 2024, at the 66th Annual Grammy Awards, during an in memoriam segment, she performed [with Wendy and Lisa] late singer Sinéad O’Connor’s song Nothing Compares 2 U; Lennox repeated her call for a ceasefire and ‘peace in the world.'”
While it’s a bit precious, I think the description of Eurythmics’ 2022 induction into the Rock and Roll Hall of Fame is not wrong.
“Much like the moment in The Wizard of Oz when the film turns from black-and-white to Technicolor, the opening strains of Eurythmics’ “Sweet Dreams (Are Made of This)” irrevocably changed perceptions of 1980s pop-rock. Employing the mechanistic funk of Krautrock, the grit of gospel, and the strangeness of psychedelia, Eurythmics’ genre- and gender-fluid pop vision was both futuristic and beholden to past eras, while remaining eminently accessible.”
The Rock Hall noms popped up on my email feed recently. While I was pleased with many picks on last year’s