Tag: George Harrison

Music, August 1971: Concert for Bangladesh

Warner Brothers Records was signing up artists with seemingly little concern for their immediate commercial viability.

More random music recollections based on the book Never A Dull Moment.

By today’s standards, or even by the criteria of rock benefit concerts later that decade, George Harrison had no idea what he was doing as a benefit organizer. The Concert for Bangladesh, initiated after the former East Pakistan suffered from massacres and famine, happened because the former Beatle saw the effect the tragedy had on his friend and teacher Ravi Shankar, a Bengali.

Harrison was able to line up Ringo Starr. Would there be a Beatles reunion, the press wondered? Er, no. The mysterious Klaus Voorman, who designed the Revolver cover, and played bass on John’s Live Peace in Toronto, was on board. But John wanted Yoko there too and that was the end of that. The only place the Beatles would all be together would be on the charts.

Longtime session musician Leon Russell was hot off Joe Cocker’s Mad Dogs and Englishmen tour. A drug-addled Eric Clapton was such an uncertainty that George had Peter Frampton show up at the rehearsals, just in case. Keyboardist Billy Preston, drummer Jim Keltner, the band Badfinger, and some of Russell’s cohorts completed the band. Both Harrison, who never had to be the front man before, and Bob Dylan, who had been out of the spotlight for some time, were nervous.

August 1 was the only available date at Madison Square Garden for the Bangladesh concert before Disney on Parade took over. Two shows at 2:30 and 8 pm. “There were no plans to broadcast the show live on radio or to record for TV.” Of the three cameras used to capture the show, “what survives is largely thanks to the camera that was in the pits.”

Meanwhile, Warner Brothers Records in Los Angeles was signing up artists with seemingly little concern for their immediate commercial viability. Randy Newman, Lowell George of Little Feat, Bonnie Raitt, Ry Cooder. Asylum Records, under David Geffen, was signing Jackson Browne and an unnamed group that would become The Eagles.

There were lots of accidental meetings of troubadours. Graham Parsons finds Emmylou Harris. Kris Kristofferson and Paul Anka meet on a plane, see each other’s gigs, and this led to the signing of Steve Goodman and John Prine. Jerry Jeff Walker hears an Anna McGarrigle song and pitches it to Linda Ronstadt; it was Heart Like a Wheel.

It was a magic, synchronistic time.

Listen to:

What is Life – George Harrison here or here

Willin’ – Little Feat here or here

City of New Orleans – Steve Goodman here or here

Hello In There – John Prine here or here

Ain’t No Sunshine – Bill Withers here or here

Heart Like A Wheel – Kate and Anna McGarrigle here or here

Music, January 1971: All Things Must Pass

Atlantic’s Ahmet Ertegun recognized that the future of music was likely to be both album shaped and white in color.

Random music recollections based on the book Never A Dull Moment.

The Beatles had broken up but there was a Fab on the top of the charts. All Things Must Pass spent the first seven weeks of 1971 at #1 in the US, though, as a double album, or triple, if you insist on counting the jam, it was twice the price of a standard LP. The title song was the theme of my high school senior prom. I loved the All Things Must Pass album, but was sad that the box the albums came in was too flimsy, and fairly quickly.

Whereas John Lennon’s Plastic Ono Band album was more difficult for me to grasp at first, with the primal screaming, though I did make it a part of my limited playlist at college that fall.

I was disheartened by the sometimes public sniping among the former Beatles, such as John’s towards George’s album, which was doing much better commercially than his. But because of a partnership agreement just before Brian Epstein’s death, they were joined at the hip. Harrison’s success was good for Lennon’s pocket too. So Paul could not leave the label as he wanted to do.

The leader of a Jersey cover band called Steel Mill made a trip to California and heard Van Morrison’s His Band and Street Choir. That album was one of my favorites, with Blue Money and Domino. That singer/guitarist, BTW, was Bruce Springsteen.

“Yes, we’re one of a number of long-haired groups who had been picked up in a sweep conducted by Atlantic’s Ahmet Ertegun when he recognized that the future was likely to be both album shaped and white in color. Ertegun had used his roots music calling card to sign Crosby, Stills & Nash; Iron Butterfly; Cream; and many other groups he really didn’t pretend to understand.” I did note that a lot of my favorite music of the period, from Sam & Dave and Roberta Flack and the (Young) Rascals to Led Zeppelin, was on the label.

The Yes Album did well, especially in head shops of the UK the first quarter of the year. It became another listening staple in my freshman year of college. So was Led Zeppelin III, which actually was #1 for 4 weeks in the last quarter of 1970.

Listen to:

Lord If I Ever Needed Someone – Van Morrison
Every Little Thing – Yes
What Is Life – George Harrison
Give Me Some Truth – John Lennon
I Hear You Knocking – Dave Edmunds
Gallows Pole – Led Zeppelin

A Beatles Christmas, in memory of John Lennon

johnyoko-merryxmasAs Christmas approached in 1980, the year John Lennon died, the song of his that made me most melancholy, other than the suddenly ironic (Just Like) Starting Over, was Merry Xmas (War Is Over). When someone has been advocating for peace, and is shot down by a fan, it just boggled the mind.

And so this is Xmas (war is over)
For weak and for strong (if you want it)
For rich and the poor ones (war is over)
The world is so wrong (if you want it)
And so happy Xmas (war is over)
For black and for white (if you want it)
For yellow and red ones (war is over)
Let’s stop all the fight (now)

A very Merry Xmas
And a happy New Year
Let’s hope it’s a good one
Without any fear

I was going to post some of those Beatles Christmas 45s, which I have collected on an LP, but, thankfully, someone had already uploaded The Beatles – Complete Christmas Records, which came out every year from 1963 to 1969. Collectively, the cuts reflect the increasingly greater sophistication of the band’s music, as well as the eventually fractured nature of the group.

Even better, I discovered that someone else has made available The History of the Beatles’ Christmas, including everything from Merry Xmas to Wonderful Christmastime by Paul McCartney to Ding Dong by George Harrison to some obscure Ringo song, plus those Beatles Christmas cuts, even the edited version of Christmastime is Here Again that came out at the time of the Beatles Anthology albums.

I’ve also come across a cover band called The Fab Four, which performs Christmas carols in the style of Beatles songs. The whole double CD you can find HERE. My favorite song on the album is the final one, Jingle Bells, performed in the style of the Beatles’ Tomorrow Never Knows. It shows the versatility of that last song on Revolver.

And for reasons that will become obvious, Come Together, a Christmas video for Swedish multinational clothing retailer, H&M. It was directed by Wes Anderson, and stars Adrien Brody.

Oh, yeah – All I Want For Christmas Is A Beatle – Dora Bryan (1963)

T is for Traveling Wilburys

The two Traveling Wilburys albums were out of print for about a decade.

Dylan, Lynne, Petty, Orbison, Harrison
Dylan, Lynne, Petty, Orbison, Harrison

Everything about the creation of the supergroup the Traveling Wilburys, I love. From the website comes a story I already knew.

George Harrison was asked by the folks at Warner Brothers Records to put together a non-album B-side for a single from the ex-Beatles’ album Cloud Nine.

Harrison, Jeff Lynne, and Roy Orbison had shared dinner, then went to Bob Dylan’s home studio in Malibu, California. George had left a guitar at Tom Petty’s house, and when he went to retrieve it, he invited Petty to join in the fun.

Harrison played the resulting track, Handle with Care, to the WB brass, who thought the song was too good to bury on the flip side of George’s single. Maybe it could become part of an album?

The five frontmen took on the persona of the Traveling Wilburys from this: “Referring to recording errors created by some faulty equipment, Harrison jokingly remarked to Lynne, ‘We’ll bury ’em in the mix’ Thereafter, they used the term for any small error in performance… Harrison suggested ‘The Trembling Wilburys’ as the group’s name; instead, Lynne suggested ‘Traveling’, with which the group agreed.”

The album was very well received and won the Grammy Award for Best Rock Performance by a Duo or Group in 1989. Unfortunately, “Roy Orbison died of a heart attack on December 6, 1988… Despite Orbison’s death, the remaining group members recorded a second and final studio album, which they intentionally misnumbered Traveling Wilburys Vol. 3. It was released on October 30, 1990, and met with less success than the previous one.”

I had thought Volume 3 was a function of all the collaborations among them, but it was an acknowledgment of bootlegs of the original sessions featuring songs not on that first album.

The group talked about touring, but it never happened. I had heard rumors of Del Shannon replacing Orbison, but he died on February 8, 1990.

The two albums were out of print for about a decade, until they were re-released, with added tracks, in 2007, including Nobody’s Child, the title track for a benefit album. “The project was organized by Olivia Harrison, who created the Romanian Angel Appeal Foundation with the other wives of The Beatles (Barbara Bach, Yoko Ono and Linda McCartney) in April 1990.”

The singles

1988 “Handle with Care” (US 45, AUS 3, NZ 4, UK 21)
1989 “End of the Line” (US 63, AUS 12, NZ 11, UK 52)
1990 “Nobody’s Child” (NZ 9, UK 44)
1990 “She’s My Baby” (AUS 45, CAN 30, UK 79)
1991 “Wilbury Twist” (CAN 86)

You can find Nobody’s Child HERE. The remaining songs above, plus Inside Out, you can listen to HERE, and Margarita HERE.

For good measure, I Call Your Name – Ringo Starr, backed by Harrison, Lynne, Petty, and Traveling Wilburys drummer Jim Keltner on cowbell.

abc18
ABC Wednesday – Round 18

Music Throwback Saturday: songs from The Beatles album Please Please Me

Musically, John admitted it was his attempt at “sort of Motown, black thing.”

PleasePleaseMeMy love for the Beatles is quite substantial, as most people who know me can tell. Here’s an article about how they influenced many other artists, and there are plenty more examples.

But they too were influenced by other musicians. I was reading Steve Turner’s “The Beatles: A Hard Day’s Write,” subtitled “the stories behind every song.” Fairly often, the members of the group are quoted as having been inspired by a piece for their own creations. So I thought I’d put some of their songs, from the Please Please Me album, and related singles, up against the source material, with links to all.

I Saw Her Standing There”:

Paul explained…the bass riff was stolen from Chuck Berry’s 1961 song ‘I’m Talking About You’. “I played exactly the same notes and it fitted our number perfectly. Even now when I tell people about it, I find few of them believe me. Therefore, I maintain that a bass riff doesn’t have to be original.”

I’m listening for it, and I barely can hear it.

Misery:

The ‘la-la-la-la-la’ outro appears to allude to Pat Boone’s ‘Speedy Gonzalez’, a single that entered the British charts in July 1962 and didn’t leave until October.

Even as a kid, I HATED Speedy Gonzales as a terrible stereotype.

Please Please Me:

The song’s… chorus having been suggested by the 1932 Bing Crosby song ‘Please’, written by Leo Robin and Ralph Rainger, which starts off by playing with the homophones ‘pleas’ and ‘please’.

Love Me Do:

During 1962, the American star Bruce Channel had enjoyed a British hit with ‘Hey Baby’ which featured a harmonica solo by Nashville session musician Delbert McClinton. When [John] met McClinton in June 1962…he asked him how he played it.

McClinton, who I was unfamiliar with until the late 1970s, tells his version of the story.

Do You Want To Know A Secret?:

[John’s] mother used to sing to him…’Wanna know a secret? Promise not to tell? We are standing by a wishing well’ (‘I’m Wishing’, words and music by Larry Morey and Frank Churchill)… from Walt Disney’s 1937 film Snow White and the Seven Dwarfs. George later revealed that the musical inspiration… came from ‘I Really Love You’, a 1961 hit for the Stereos.

George later covered I Really Love You.

There’s a Place:

Paul claimed the title was derived from the West Side Story song There’s a Place for Us (i.e., Somewhere) from 1957. Musically, John admitted it was his attempt at “sort of Motown, black thing.”

The Beatles, of course, covered several Motown songs, such as You’ve Really Got a Hold on Me, Money, and Please Mr. Postman.

Ask Me Why:

Reminiscent of Smokey Robinson and the Miracles’ 1961 song What’s So Good about Goodbye.

And, of course, Motown covered many Beatles tunes.
***
Bonus Beatles music: In Spite Of All The Danger

Happy birthday to Beatles fan Fred Hembeck.

Ramblin' with Roger
Social media & sharing icons powered by UltimatelySocial